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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64E6BE it is the complementary color #9B1941. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64E6BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64E6BE shade: #69E6B9, #7AF8CC, #8BFFDF, #9CFFF2 and #ADFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64E6BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64E6BE shade: #64E6BE, #53D4AB, #42C298, #31B085 and #209E72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64E6BE shade: #65E6BE, #65E69B, #65E679, #74E665 and #97E665

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64E6BE shade: #65E6BE, #65E6E1, #65C8E6, #65A5E6 and #6582E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64E6BE shade matches the following richer shades: #65E6BE and #57F4C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64E6BE shade: #65E6BE, #73D7B8, #82C9B3, #90BAAD and #9FACA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64E6BE shade: #65E678, #65E69B, #65E6BD, #65E6DF and #65CAE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64E6BE shade: #22D69E, #42E0AF, #65E6BE, #88EBCD and #ACF1DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64E6BE shade: #64E6BE, #6574E6 and #E68965

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64E6BE shade: #64E6BE, #BD65E6 and #E6BD65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64E6BE shade: #64E6BE, #6574E6, #E6658E and #E6D765

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64E6BE shade: #64E6BE, #7D65E6, #E6658E and #CEE665

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 17 / 10

HEX #64E6BE

RGB 100 230 190

HSL 161.54, 0.72%, 0.65%

LAB 83.45, -45.3, 8.77

 

Complementary color

CMYK 0 / 84 / 58 / 39

HEX #9B1941

RGB 155 25 65

HSL 341.54, 0.72%, 0.35%

LAB 34.08, 53.26, 11.21

 

CMYK 54 / 0 / 20 / 10

HEX #69E6B9

RGB 105 230 185

HSL 158.4, 0.71%, 0.66%

LAB 83.49, -45.38, 11.48

 

CMYK 51 / 0 / 18 / 3

HEX #7AF8CC

RGB 122 248 204

HSL 159.05, 0.9%, 0.73%

LAB 89.69, -45.33, 10.47

 

CMYK 45 / 0 / 13 / 0

HEX #8BFFDF

RGB 139 255 223

HSL 163.45, 1%, 0.77%

LAB 92.72, -40.37, 5.08

 

CMYK 39 / 0 / 5 / 0

HEX #9CFFF2

RGB 156 255 242

HSL 172.12, 1%, 0.81%

LAB 93.88, -32, -2.96

 

CMYK 32 / 0 / 0 / 0

HEX #ADFFFF

RGB 173 255 255

HSL 180, 1%, 0.84%

LAB 95, -24.69, -7.94

 

CMYK 57 / 0 / 17 / 10

HEX #64E6BE

RGB 100 230 190

HSL 161.54, 0.72%, 0.65%

LAB 83.45, -45.3, 8.77

 

CMYK 61 / 0 / 19 / 17

HEX #53D4AB

RGB 83 212 171

HSL 160.93, 0.6%, 0.58%

LAB 77.2, -45.19, 9.84

 

CMYK 66 / 0 / 22 / 24

HEX #42C298

RGB 66 194 152

HSL 160.31, 0.51%, 0.51%

LAB 70.88, -44.95, 11.01

 

CMYK 72 / 0 / 24 / 31

HEX #31B085

RGB 49 176 133

HSL 159.69, 0.56%, 0.44%

LAB 64.48, -44.51, 12.3

 

CMYK 80 / 0 / 28 / 38

HEX #209E72

RGB 32 158 114

HSL 159.05, 0.66%, 0.37%

LAB 58.01, -43.76, 13.74

 

CMYK 56 / 0 / 17 / 10

HEX #65E6BE

RGB 101 230 190

HSL 161.4, 0.72%, 0.65%

LAB 83.48, -45.1, 8.82

 

CMYK 56 / 0 / 33 / 10

HEX #65E69B

RGB 101 230 155

HSL 145.12, 0.72%, 0.65%

LAB 82.77, -52.35, 26.06

 

CMYK 56 / 0 / 47 / 10

HEX #65E679

RGB 101 230 121

HSL 129.3, 0.72%, 0.65%

LAB 82.24, -57.98, 42.41

 

CMYK 50 / 0 / 56 / 10

HEX #74E665

RGB 116 230 101

HSL 113.02, 0.72%, 0.65%

LAB 82.51, -56.76, 52.24

 

CMYK 34 / 0 / 56 / 10

HEX #97E665

RGB 151 230 101

HSL 96.74, 0.72%, 0.65%

LAB 84.02, -46.09, 54.39

 

CMYK 56 / 0 / 17 / 10

HEX #65E6BE

RGB 101 230 190

HSL 161.4, 0.72%, 0.65%

LAB 83.48, -45.1, 8.82

 

CMYK 56 / 0 / 2 / 10

HEX #65E6E1

RGB 101 230 225

HSL 177.67, 0.72%, 0.65%

LAB 84.38, -36.57, -8.34

 

CMYK 56 / 13 / 0 / 10

HEX #65C8E6

RGB 101 200 230

HSL 193.95, 0.72%, 0.65%

LAB 75.94, -20.65, -23.7

 

CMYK 56 / 28 / 0 / 10

HEX #65A5E6

RGB 101 165 230

HSL 210.23, 0.72%, 0.65%

LAB 66.05, -1.88, -38.96

 

CMYK 56 / 43 / 0 / 10

HEX #6582E6

RGB 101 130 230

HSL 226.51, 0.72%, 0.65%

LAB 56.53, 18.6, -54

 

CMYK 56 / 0 / 17 / 10

HEX #65E6BE

RGB 101 230 190

HSL 161.4, 0.72%, 0.65%

LAB 83.48, -45.1, 8.82

 

CMYK 64 / 0 / 20 / 4

HEX #57F4C4

RGB 87 244 196

HSL 161.66, 0.88%, 0.65%

LAB 87.35, -52.2, 11.14

 

CMYK 56 / 0 / 17 / 10

HEX #65E6BE

RGB 101 230 190

HSL 161.4, 0.72%, 0.65%

LAB 83.48, -45.1, 8.82

 

CMYK 47 / 0 / 14 / 16

HEX #73D7B8

RGB 115 215 184

HSL 161.4, 0.56%, 0.65%

LAB 79.45, -36.64, 6.26

 

CMYK 35 / 0 / 11 / 21

HEX #82C9B3

RGB 130 201 179

HSL 161.41, 0.4%, 0.65%

LAB 75.93, -27.17, 3.95

 

CMYK 23 / 0 / 7 / 27

HEX #90BAAD

RGB 144 186 173

HSL 161.43, 0.23%, 0.65%

LAB 72.27, -16.71, 2

 

CMYK 8 / 0 / 2 / 33

HEX #9FACA8

RGB 159 172 168

HSL 161.54, 0.07%, 0.65%

LAB 69.26, -5.33, 0.48

 

CMYK 56 / 0 / 48 / 10

HEX #65E678

RGB 101 230 120

HSL 128.84, 0.72%, 0.65%

LAB 82.23, -58.13, 42.88

 

CMYK 56 / 0 / 33 / 10

HEX #65E69B

RGB 101 230 155

HSL 145.12, 0.72%, 0.65%

LAB 82.77, -52.35, 26.06

 

CMYK 56 / 0 / 18 / 10

HEX #65E6BD

RGB 101 230 189

HSL 160.93, 0.72%, 0.65%

LAB 83.46, -45.32, 9.31

 

CMYK 56 / 0 / 3 / 10

HEX #65E6DF

RGB 101 230 223

HSL 176.74, 0.72%, 0.65%

LAB 84.32, -37.09, -7.37

 

CMYK 56 / 12 / 0 / 10

HEX #65CAE6

RGB 101 202 230

HSL 193.02, 0.72%, 0.65%

LAB 76.51, -21.66, -22.84

 

CMYK 84 / 0 / 26 / 16

HEX #22D69E

RGB 34 214 158

HSL 161.33, 0.73%, 0.49%

LAB 76.62, -55.5, 15.8

 

CMYK 71 / 0 / 22 / 12

HEX #42E0AF

RGB 66 224 175

HSL 161.39, 0.72%, 0.57%

LAB 80.5, -52.04, 12.34

 

CMYK 56 / 0 / 17 / 10

HEX #65E6BE

RGB 101 230 190

HSL 161.4, 0.72%, 0.65%

LAB 83.48, -45.1, 8.82

 

CMYK 42 / 0 / 13 / 8

HEX #88EBCD

RGB 136 235 205

HSL 161.82, 0.71%, 0.73%

LAB 86.53, -35.97, 5.49

 

CMYK 29 / 0 / 9 / 5

HEX #ACF1DC

RGB 172 241 220

HSL 161.74, 0.71%, 0.81%

LAB 90.25, -25.78, 3.24

 

CMYK 57 / 0 / 17 / 10

HEX #64E6BE

RGB 100 230 190

HSL 161.54, 0.72%, 0.65%

LAB 83.45, -45.3, 8.77

 

CMYK 56 / 50 / 0 / 10

HEX #6574E6

RGB 101 116 230

HSL 233.02, 0.72%, 0.65%

LAB 52.92, 27.08, -59.78

 

CMYK 0 / 40 / 56 / 10

HEX #E68965

RGB 230 137 101

HSL 16.74, 0.72%, 0.65%

LAB 66.25, 32.03, 34.38

 

CMYK 57 / 0 / 17 / 10

HEX #64E6BE

RGB 100 230 190

HSL 161.54, 0.72%, 0.65%

LAB 83.45, -45.3, 8.77

 

CMYK 18 / 56 / 0 / 10

HEX #BD65E6

RGB 189 101 230

HSL 280.93, 0.72%, 0.65%

LAB 57.88, 55.99, -51.37

 

CMYK 0 / 18 / 56 / 10

HEX #E6BD65

RGB 230 189 101

HSL 40.93, 0.72%, 0.65%

LAB 78.55, 4.45, 49.41

 

CMYK 57 / 0 / 17 / 10

HEX #64E6BE

RGB 100 230 190

HSL 161.54, 0.72%, 0.65%

LAB 83.45, -45.3, 8.77

 

CMYK 56 / 50 / 0 / 10

HEX #6574E6

RGB 101 116 230

HSL 233.02, 0.72%, 0.65%

LAB 52.92, 27.08, -59.78

 

CMYK 0 / 56 / 38 / 10

HEX #E6658E

RGB 230 101 142

HSL 340.93, 0.72%, 0.65%

LAB 59.96, 53.92, 2.61

 

CMYK 0 / 7 / 56 / 10

HEX #E6D765

RGB 230 215 101

HSL 53.02, 0.72%, 0.65%

LAB 85.18, -8.93, 57.1

 

CMYK 57 / 0 / 17 / 10

HEX #64E6BE

RGB 100 230 190

HSL 161.54, 0.72%, 0.65%

LAB 83.45, -45.3, 8.77

 

CMYK 46 / 56 / 0 / 10

HEX #7D65E6

RGB 125 101 230

HSL 251.16, 0.72%, 0.65%

LAB 51.13, 40.92, -62.57

 

CMYK 0 / 56 / 38 / 10

HEX #E6658E

RGB 230 101 142

HSL 340.93, 0.72%, 0.65%

LAB 59.96, 53.92, 2.61

 

CMYK 10 / 0 / 56 / 10

HEX #CEE665

RGB 206 230 101

HSL 71.16, 0.72%, 0.65%

LAB 87.32, -25.92, 59.03

 

Description

Color code: HEX #64E6BE | qconv.com Color code: HEX #64E6BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 230 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 230 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 17 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 17% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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