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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64D781 it is the complementary color #9B287E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64D781. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64D781 shade: #69D77C, #7AE98F, #8BFBA2, #9CFFB5 and #ADFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64D781. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64D781 shade: #64D781, #53C56E, #42B35B, #31A148 and #208F35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64D781 shade: #64D781, #66D764, #85D764, #A4D764 and #C3D764

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64D781 shade: #64D781, #64D7A0, #64D7BF, #64D0D7 and #64B1D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64D781 shade matches the following richer shades: #64D781, #55E679 and #45F672

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64D781 shade: #64D781, #74C789, #84B791, #93A899 and #A398A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64D781 shade: #85D764, #66D764, #64D781, #64D7A0 and #64D7BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64D781 shade: #2FB952, #44CE67, #64D781, #85DF9C and #A6E8B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64D781 shade: #64D781, #64A3D7 and #D76476

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64D781 shade: #64D781, #8164D7 and #D78164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64D781 shade: #64D781, #64A3D7, #D764BA and #D79864

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64D781 shade: #64D781, #6481D7, #D764BA and #D7BA64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

Complementary color

CMYK 0 / 74 / 19 / 39

HEX #9B287E

RGB 155 40 126

HSL 315.13, 0.59%, 0.38%

LAB 37.83, 55.33, -22.22

 

CMYK 51 / 0 / 42 / 16

HEX #69D77C

RGB 105 215 124

HSL 130.36, 0.58%, 0.63%

LAB 77.91, -50.67, 35.45

 

CMYK 48 / 0 / 39 / 9

HEX #7AE98F

RGB 122 233 143

HSL 131.35, 0.72%, 0.7%

LAB 84.17, -50.57, 34.16

 

CMYK 45 / 0 / 35 / 2

HEX #8BFBA2

RGB 139 251 162

HSL 132.32, 0.93%, 0.76%

LAB 90.36, -50.4, 32.95

 

CMYK 39 / 0 / 29 / 0

HEX #9CFFB5

RGB 156 255 181

HSL 135.15, 1%, 0.81%

LAB 92.54, -44.21, 26.44

 

CMYK 32 / 0 / 22 / 0

HEX #ADFFC8

RGB 173 255 200

HSL 139.76, 1%, 0.84%

LAB 93.7, -35.93, 18.5

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 58 / 0 / 44 / 23

HEX #53C56E

RGB 83 197 110

HSL 134.21, 0.5%, 0.55%

LAB 71.49, -51.07, 34.12

 

CMYK 63 / 0 / 49 / 30

HEX #42B35B

RGB 66 179 91

HSL 133.27, 0.46%, 0.48%

LAB 65.08, -50.85, 35.55

 

CMYK 70 / 0 / 55 / 37

HEX #31A148

RGB 49 161 72

HSL 132.32, 0.53%, 0.41%

LAB 58.61, -50.32, 37.02

 

CMYK 78 / 0 / 63 / 44

HEX #208F35

RGB 32 143 53

HSL 131.35, 0.63%, 0.34%

LAB 52.07, -49.31, 38.46

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 53 / 0 / 53 / 16

HEX #66D764

RGB 102 215 100

HSL 118.96, 0.59%, 0.62%

LAB 77.49, -54.84, 46.61

 

CMYK 38 / 0 / 53 / 16

HEX #85D764

RGB 133 215 100

HSL 102.78, 0.59%, 0.62%

LAB 78.76, -45.76, 48.44

 

CMYK 24 / 0 / 53 / 16

HEX #A4D764

RGB 164 215 100

HSL 86.61, 0.59%, 0.62%

LAB 80.41, -35, 50.8

 

CMYK 9 / 0 / 53 / 16

HEX #C3D764

RGB 195 215 100

HSL 70.43, 0.59%, 0.62%

LAB 82.44, -23.12, 53.69

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 53 / 0 / 26 / 16

HEX #64D7A0

RGB 100 215 160

HSL 151.3, 0.59%, 0.62%

LAB 78.37, -45.35, 17.4

 

CMYK 53 / 0 / 11 / 16

HEX #64D7BF

RGB 100 215 191

HSL 167.48, 0.59%, 0.62%

LAB 79.08, -38.42, 1.93

 

CMYK 53 / 3 / 0 / 16

HEX #64D0D7

RGB 100 208 215

HSL 183.65, 0.59%, 0.62%

LAB 77.71, -29, -12.95

 

CMYK 53 / 18 / 0 / 16

HEX #64B1D7

RGB 100 177 215

HSL 199.83, 0.59%, 0.62%

LAB 68.79, -13.21, -26.48

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 63 / 0 / 47 / 10

HEX #55E679

RGB 85 230 121

HSL 134.9, 0.74%, 0.62%

LAB 81.79, -61.43, 41.75

 

CMYK 72 / 0 / 54 / 4

HEX #45F672

RGB 69 246 114

HSL 135.25, 0.91%, 0.62%

LAB 86.2, -70.74, 50.41

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 42 / 0 / 31 / 22

HEX #74C789

RGB 116 199 137

HSL 135.18, 0.43%, 0.62%

LAB 73.78, -38.65, 23.33

 

CMYK 28 / 0 / 21 / 28

HEX #84B791

RGB 132 183 145

HSL 135.29, 0.26%, 0.62%

LAB 70.05, -24.66, 14.01

 

CMYK 13 / 0 / 9 / 34

HEX #93A899

RGB 147 168 153

HSL 137.14, 0.11%, 0.62%

LAB 66.91, -10.3, 5.28

 

CMYK 0 / 7 / 2 / 36

HEX #A398A0

RGB 163 152 160

HSL 316.36, 0.06%, 0.62%

LAB 63.98, 5.52, -2.74

 

CMYK 38 / 0 / 53 / 16

HEX #85D764

RGB 133 215 100

HSL 102.78, 0.59%, 0.62%

LAB 78.76, -45.76, 48.44

 

CMYK 53 / 0 / 53 / 16

HEX #66D764

RGB 102 215 100

HSL 118.96, 0.59%, 0.62%

LAB 77.49, -54.84, 46.61

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 53 / 0 / 26 / 16

HEX #64D7A0

RGB 100 215 160

HSL 151.3, 0.59%, 0.62%

LAB 78.37, -45.35, 17.4

 

CMYK 53 / 0 / 12 / 16

HEX #64D7BE

RGB 100 215 190

HSL 166.96, 0.59%, 0.62%

LAB 79.06, -38.66, 2.43

 

CMYK 75 / 0 / 56 / 27

HEX #2FB952

RGB 47 185 82

HSL 135.22, 0.59%, 0.45%

LAB 66.45, -57.78, 41.56

 

CMYK 67 / 0 / 50 / 19

HEX #44CE67

RGB 68 206 103

HSL 135.22, 0.58%, 0.54%

LAB 73.77, -58.66, 40.41

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 40 / 0 / 30 / 13

HEX #85DF9C

RGB 133 223 156

HSL 135.33, 0.58%, 0.7%

LAB 81.93, -41.07, 24.59

 

CMYK 28 / 0 / 21 / 9

HEX #A6E8B7

RGB 166 232 183

HSL 135.45, 0.59%, 0.78%

LAB 86.62, -30.46, 17.3

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 53 / 24 / 0 / 16

HEX #64A3D7

RGB 100 163 215

HSL 207.13, 0.59%, 0.62%

LAB 64.81, -5.57, -32.63

 

CMYK 0 / 53 / 45 / 16

HEX #D76476

RGB 215 100 118

HSL 350.61, 0.59%, 0.62%

LAB 56.95, 46.83, 11.99

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 40 / 53 / 0 / 16

HEX #8164D7

RGB 129 100 215

HSL 255.13, 0.59%, 0.62%

LAB 50.32, 38.2, -55.37

 

CMYK 0 / 40 / 53 / 16

HEX #D78164

RGB 215 129 100

HSL 15.13, 0.59%, 0.62%

LAB 62.56, 30.27, 29.83

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 53 / 24 / 0 / 16

HEX #64A3D7

RGB 100 163 215

HSL 207.13, 0.59%, 0.62%

LAB 64.81, -5.57, -32.63

 

CMYK 0 / 53 / 13 / 16

HEX #D764BA

RGB 215 100 186

HSL 315.13, 0.59%, 0.62%

LAB 59.07, 55.56, -24.35

 

CMYK 0 / 29 / 53 / 16

HEX #D79864

RGB 215 152 100

HSL 27.13, 0.59%, 0.62%

LAB 67.89, 17.88, 36.59

 

CMYK 53 / 0 / 40 / 16

HEX #64D781

RGB 100 215 129

HSL 135.13, 0.59%, 0.62%

LAB 77.81, -51.11, 32.75

 

CMYK 53 / 40 / 0 / 16

HEX #6481D7

RGB 100 129 215

HSL 224.87, 0.59%, 0.62%

LAB 55.4, 14.19, -47.4

 

CMYK 0 / 53 / 13 / 16

HEX #D764BA

RGB 215 100 186

HSL 315.13, 0.59%, 0.62%

LAB 59.07, 55.56, -24.35

 

CMYK 0 / 13 / 53 / 16

HEX #D7BA64

RGB 215 186 100

HSL 44.87, 0.59%, 0.62%

LAB 76.37, -0.28, 46.95

 

Description

Color code: HEX #64D781 | qconv.com Color code: HEX #64D781 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 215 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 215 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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