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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64AE05 it is the complementary color #9B51FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64AE05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64AE05 shade: #69AE00, #7AC013, #8BD226, #9CE439 and #ADF64C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64AE05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64AE05 shade: #64AE05, #539C00, #428A00, #317800 and #206600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64AE05 shade: #63AD05, #90AD05, #AD9C05, #AD6E05 and #AD4105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64AE05 shade: #63AD05, #36AD05, #09AD05, #05AD2E and #05AD5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64AE05 shade matches the following richer shades: #63AD05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64AE05 shade: #63AD05, #619E13, #609022, #5E8130 and #5C733F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64AE05 shade: #AD9C05, #91AD05, #64AD05, #37AD05 and #0AAD05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64AE05 shade: #355D02, #4C8504, #63AD05, #7AD506 and #91F70D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64AE05 shade: #64AE05, #05AD6F and #AD05A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64AE05 shade: #64AE05, #0564AD and #AD0564

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64AE05 shade: #64AE05, #05AD6F, #4E05AD and #AD0542

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64AE05 shade: #64AE05, #05ADA1, #4E05AD and #AD0510

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 97 / 32

HEX #64AE05

RGB 100 174 5

HSL 86.27, 0.94%, 0.35%

LAB 64.15, -46.04, 64.56

 

Complementary color

CMYK 38 / 68 / 0 / 2

HEX #9B51FA

RGB 155 81 250

HSL 266.27, 0.94%, 0.65%

LAB 51.56, 62.74, -72.92

 

CMYK 40 / 0 / 100 / 32

HEX #69AE00

RGB 105 174 0

HSL 83.79, 1%, 0.34%

LAB 64.38, -44.39, 65.48

 

CMYK 36 / 0 / 90 / 25

HEX #7AC013

RGB 122 192 19

HSL 84.28, 0.82%, 0.41%

LAB 70.79, -45.44, 68.47

 

CMYK 34 / 0 / 82 / 18

HEX #8BD226

RGB 139 210 38

HSL 84.77, 0.69%, 0.49%

LAB 77.11, -46.27, 70.24

 

CMYK 32 / 0 / 75 / 11

HEX #9CE439

RGB 156 228 57

HSL 85.26, 0.76%, 0.56%

LAB 83.36, -46.87, 70.91

 

CMYK 30 / 0 / 69 / 4

HEX #ADF64C

RGB 173 246 76

HSL 85.76, 0.9%, 0.63%

LAB 89.54, -47.31, 70.87

 

CMYK 43 / 0 / 97 / 32

HEX #64AE05

RGB 100 174 5

HSL 86.27, 0.94%, 0.35%

LAB 64.15, -46.04, 64.56

 

CMYK 47 / 0 / 100 / 39

HEX #539C00

RGB 83 156 0

HSL 88.08, 1%, 0.31%

LAB 57.67, -44.64, 59.82

 

CMYK 52 / 0 / 100 / 46

HEX #428A00

RGB 66 138 0

HSL 91.3, 1%, 0.27%

LAB 51.08, -43.01, 54.35

 

CMYK 59 / 0 / 100 / 53

HEX #317800

RGB 49 120 0

HSL 95.5, 1%, 0.24%

LAB 44.36, -41.19, 48.79

 

CMYK 69 / 0 / 100 / 60

HEX #206600

RGB 32 102 0

HSL 101.18, 1%, 0.2%

LAB 37.5, -39.01, 43.13

 

CMYK 43 / 0 / 97 / 32

HEX #63AD05

RGB 99 173 5

HSL 86.43, 0.94%, 0.35%

LAB 63.8, -45.97, 64.25

 

CMYK 17 / 0 / 97 / 32

HEX #90AD05

RGB 144 173 5

HSL 70.36, 0.94%, 0.35%

LAB 66.39, -28.59, 67.39

 

CMYK 0 / 10 / 97 / 32

HEX #AD9C05

RGB 173 156 5

HSL 53.93, 0.94%, 0.35%

LAB 63.89, -7.19, 66.54

 

CMYK 0 / 36 / 97 / 32

HEX #AD6E05

RGB 173 110 5

HSL 37.5, 0.94%, 0.35%

LAB 51.89, 18.21, 57.95

 

CMYK 0 / 62 / 97 / 32

HEX #AD4105

RGB 173 65 5

HSL 21.43, 0.94%, 0.35%

LAB 42.27, 41.96, 51.68

 

CMYK 43 / 0 / 97 / 32

HEX #63AD05

RGB 99 173 5

HSL 86.43, 0.94%, 0.35%

LAB 63.8, -45.97, 64.25

 

CMYK 69 / 0 / 97 / 32

HEX #36AD05

RGB 54 173 5

HSL 102.5, 0.94%, 0.35%

LAB 62.24, -58.36, 62.35

 

CMYK 95 / 0 / 97 / 32

HEX #09AD05

RGB 9 173 5

HSL 118.57, 0.94%, 0.35%

LAB 61.62, -63.85, 61.58

 

CMYK 97 / 0 / 73 / 32

HEX #05AD2E

RGB 5 173 46

HSL 134.64, 0.94%, 0.35%

LAB 61.75, -61.98, 51.78

 

CMYK 97 / 0 / 47 / 32

HEX #05AD5C

RGB 5 173 92

HSL 151.07, 0.94%, 0.35%

LAB 62.25, -55.9, 31.26

 

CMYK 43 / 0 / 97 / 32

HEX #63AD05

RGB 99 173 5

HSL 86.43, 0.94%, 0.35%

LAB 63.8, -45.97, 64.25

 

CMYK 43 / 0 / 97 / 32

HEX #63AD05

RGB 99 173 5

HSL 86.43, 0.94%, 0.35%

LAB 63.8, -45.97, 64.25

 

CMYK 39 / 0 / 88 / 38

HEX #619E13

RGB 97 158 19

HSL 86.33, 0.79%, 0.35%

LAB 59.01, -40.11, 58.07

 

CMYK 33 / 0 / 76 / 44

HEX #609022

RGB 96 144 34

HSL 86.18, 0.62%, 0.35%

LAB 54.6, -33.61, 49.78

 

CMYK 27 / 0 / 63 / 49

HEX #5E8130

RGB 94 129 48

HSL 85.93, 0.46%, 0.35%

LAB 49.85, -26.22, 38.97

 

CMYK 20 / 0 / 45 / 55

HEX #5C733F

RGB 92 115 63

HSL 86.54, 0.29%, 0.35%

LAB 45.49, -18.17, 26

 

CMYK 0 / 10 / 97 / 32

HEX #AD9C05

RGB 173 156 5

HSL 53.93, 0.94%, 0.35%

LAB 63.89, -7.19, 66.54

 

CMYK 16 / 0 / 97 / 32

HEX #91AD05

RGB 145 173 5

HSL 70, 0.94%, 0.35%

LAB 66.46, -28.17, 67.47

 

CMYK 42 / 0 / 97 / 32

HEX #64AD05

RGB 100 173 5

HSL 86.07, 0.94%, 0.35%

LAB 63.84, -45.63, 64.31

 

CMYK 68 / 0 / 97 / 32

HEX #37AD05

RGB 55 173 5

HSL 102.14, 0.94%, 0.35%

LAB 62.26, -58.15, 62.38

 

CMYK 94 / 0 / 97 / 32

HEX #0AAD05

RGB 10 173 5

HSL 118.21, 0.94%, 0.35%

LAB 61.62, -63.8, 61.59

 

CMYK 43 / 0 / 98 / 64

HEX #355D02

RGB 53 93 2

HSL 86.37, 0.96%, 0.19%

LAB 35.18, -28.48, 41.05

 

CMYK 43 / 0 / 97 / 48

HEX #4C8504

RGB 76 133 4

HSL 86.51, 0.94%, 0.27%

LAB 49.88, -37.47, 52.85

 

CMYK 43 / 0 / 97 / 32

HEX #63AD05

RGB 99 173 5

HSL 86.43, 0.94%, 0.35%

LAB 63.8, -45.97, 64.25

 

CMYK 43 / 0 / 97 / 16

HEX #7AD506

RGB 122 213 6

HSL 86.38, 0.95%, 0.43%

LAB 77.12, -54.1, 75.15

 

CMYK 41 / 0 / 95 / 3

HEX #91F70D

RGB 145 247 13

HSL 86.15, 0.94%, 0.51%

LAB 88.24, -59.59, 83.8

 

CMYK 43 / 0 / 97 / 32

HEX #64AE05

RGB 100 174 5

HSL 86.27, 0.94%, 0.35%

LAB 64.15, -46.04, 64.56

 

CMYK 97 / 0 / 36 / 32

HEX #05AD6F

RGB 5 173 111

HSL 157.86, 0.94%, 0.35%

LAB 62.56, -52.17, 21.59

 

CMYK 0 / 97 / 3 / 32

HEX #AD05A7

RGB 173 5 167

HSL 302.14, 0.94%, 0.35%

LAB 40.87, 72.06, -42.21

 

CMYK 43 / 0 / 97 / 32

HEX #64AE05

RGB 100 174 5

HSL 86.27, 0.94%, 0.35%

LAB 64.15, -46.04, 64.56

 

CMYK 97 / 42 / 0 / 32

HEX #0564AD

RGB 5 100 173

HSL 206.07, 0.94%, 0.35%

LAB 41.48, 4.22, -45.61

 

CMYK 0 / 97 / 42 / 32

HEX #AD0564

RGB 173 5 100

HSL 326.07, 0.94%, 0.35%

LAB 37.69, 63.94, -5.76

 

CMYK 43 / 0 / 97 / 32

HEX #64AE05

RGB 100 174 5

HSL 86.27, 0.94%, 0.35%

LAB 64.15, -46.04, 64.56

 

CMYK 97 / 0 / 36 / 32

HEX #05AD6F

RGB 5 173 111

HSL 157.86, 0.94%, 0.35%

LAB 62.56, -52.17, 21.59

 

CMYK 55 / 97 / 0 / 32

HEX #4E05AD

RGB 78 5 173

HSL 266.07, 0.94%, 0.35%

LAB 26, 60.7, -70.69

 

CMYK 0 / 97 / 62 / 32

HEX #AD0542

RGB 173 5 66

HSL 338.21, 0.94%, 0.35%

LAB 36.72, 61.34, 14.77

 

CMYK 43 / 0 / 97 / 32

HEX #64AE05

RGB 100 174 5

HSL 86.27, 0.94%, 0.35%

LAB 64.15, -46.04, 64.56

 

CMYK 97 / 0 / 7 / 32

HEX #05ADA1

RGB 5 173 161

HSL 175.71, 0.94%, 0.35%

LAB 63.75, -39.38, -4.37

 

CMYK 55 / 97 / 0 / 32

HEX #4E05AD

RGB 78 5 173

HSL 266.07, 0.94%, 0.35%

LAB 26, 60.7, -70.69

 

CMYK 0 / 97 / 91 / 32

HEX #AD0510

RGB 173 5 16

HSL 356.07, 0.94%, 0.35%

LAB 36.04, 59.48, 43.82

 

Description

Color code: HEX #64AE05 | qconv.com Color code: HEX #64AE05 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 174 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 174 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 97 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 97% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - 腾讯云 - 亿万云端,信心共享
Link: http://www.qcloud.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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