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Color name
HEX #649701

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #649701 it is the complementary color #9B68FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #649701. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #649701 shade: #699700, #7AA90F, #8BBB22, #9CCD35 and #ADDF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #649701. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #649701 shade: #649701, #538500, #427300, #316100 and #204F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #649701 shade: #649800, #8D9800, #987A00, #985100 and #982800

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #649701 shade: #649800, #3B9800, #139800, #009817 and #009840

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #649701 shade matches the following richer shades: #649800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #649701 shade: #649800, #608B0D, #5C7F19, #587325 and #546632

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #649701 shade: #987900, #8E9800, #659800, #3D9800 and #149800

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #649701 shade: #2E4600, #496F00, #649800, #7FC100 and #9BEA01

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #649701 shade: #649701, #009851 and #8E0098

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #649701 shade: #649701, #006598 and #980065

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #649701 shade: #649701, #009851, #330098 and #980047

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #649701 shade: #649701, #00987E, #330098 and #98001A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 99 / 41

HEX #649701

RGB 100 151 1

HSL 80.4, 0.99%, 0.3%

LAB 56.92, -36.38, 59.45

 

Complementary color

CMYK 39 / 59 / 0 / 0

HEX #9B68FE

RGB 155 104 254

HSL 260.4, 0.99%, 0.7%

LAB 56.11, 52.13, -67.77

 

CMYK 30 / 0 / 100 / 41

HEX #699700

RGB 105 151 0

HSL 78.28, 1%, 0.3%

LAB 57.21, -34.44, 59.95

 

CMYK 28 / 0 / 91 / 34

HEX #7AA90F

RGB 122 169 15

HSL 78.31, 0.84%, 0.36%

LAB 63.79, -35.55, 63.38

 

CMYK 26 / 0 / 82 / 27

HEX #8BBB22

RGB 139 187 34

HSL 78.82, 0.69%, 0.43%

LAB 70.28, -36.42, 65.19

 

CMYK 24 / 0 / 74 / 20

HEX #9CCD35

RGB 156 205 53

HSL 79.34, 0.6%, 0.51%

LAB 76.67, -37.07, 65.78

 

CMYK 22 / 0 / 68 / 13

HEX #ADDF48

RGB 173 223 72

HSL 79.87, 0.7%, 0.58%

LAB 82.98, -37.55, 65.64

 

CMYK 34 / 0 / 99 / 41

HEX #649701

RGB 100 151 1

HSL 80.4, 0.99%, 0.3%

LAB 56.92, -36.38, 59.45

 

CMYK 38 / 0 / 100 / 48

HEX #538500

RGB 83 133 0

HSL 82.56, 1%, 0.26%

LAB 50.23, -34.97, 54.04

 

CMYK 43 / 0 / 100 / 55

HEX #427300

RGB 66 115 0

HSL 85.57, 1%, 0.23%

LAB 43.39, -33.47, 48.35

 

CMYK 49 / 0 / 100 / 62

HEX #316100

RGB 49 97 0

HSL 89.69, 1%, 0.19%

LAB 36.37, -31.86, 42.52

 

CMYK 59 / 0 / 100 / 69

HEX #204F00

RGB 32 79 0

HSL 95.7, 1%, 0.15%

LAB 29.16, -30.03, 36.54

 

CMYK 34 / 0 / 100 / 40

HEX #649800

RGB 100 152 0

HSL 80.53, 1%, 0.3%

LAB 57.24, -36.84, 59.85

 

CMYK 7 / 0 / 100 / 40

HEX #8D9800

RGB 141 152 0

HSL 64.34, 1%, 0.3%

LAB 60, -19.59, 63.15

 

CMYK 0 / 20 / 100 / 40

HEX #987A00

RGB 152 122 0

HSL 48.16, 1%, 0.3%

LAB 52.5, 1.67, 58.2

 

CMYK 0 / 47 / 100 / 40

HEX #985100

RGB 152 81 0

HSL 31.97, 1%, 0.3%

LAB 42.09, 25.05, 51.31

 

CMYK 0 / 74 / 100 / 40

HEX #982800

RGB 152 40 0

HSL 15.79, 1%, 0.3%

LAB 34.38, 45.05, 46.99

 

CMYK 34 / 0 / 100 / 40

HEX #649800

RGB 100 152 0

HSL 80.53, 1%, 0.3%

LAB 57.24, -36.84, 59.85

 

CMYK 61 / 0 / 100 / 40

HEX #3B9800

RGB 59 152 0

HSL 96.71, 1%, 0.3%

LAB 55.47, -50.23, 57.71

 

CMYK 88 / 0 / 100 / 40

HEX #139800

RGB 19 152 0

HSL 112.5, 1%, 0.3%

LAB 54.65, -57.26, 56.71

 

CMYK 100 / 0 / 85 / 40

HEX #009817

RGB 0 152 23

HSL 129.08, 1%, 0.3%

LAB 54.57, -57.74, 52.24

 

CMYK 100 / 0 / 58 / 40

HEX #009840

RGB 0 152 64

HSL 145.26, 1%, 0.3%

LAB 54.89, -53.68, 36.37

 

CMYK 34 / 0 / 100 / 40

HEX #649800

RGB 100 152 0

HSL 80.53, 1%, 0.3%

LAB 57.24, -36.84, 59.85

 

CMYK 34 / 0 / 100 / 40

HEX #649800

RGB 100 152 0

HSL 80.53, 1%, 0.3%

LAB 57.24, -36.84, 59.85

 

CMYK 31 / 0 / 91 / 45

HEX #608B0D

RGB 96 139 13

HSL 80.48, 0.83%, 0.3%

LAB 52.93, -32.24, 54.15

 

CMYK 28 / 0 / 80 / 50

HEX #5C7F19

RGB 92 127 25

HSL 80.59, 0.67%, 0.3%

LAB 48.91, -27.73, 47.37

 

CMYK 23 / 0 / 68 / 55

HEX #587325

RGB 88 115 37

HSL 80.77, 0.51%, 0.3%

LAB 44.9, -22.67, 38.57

 

CMYK 18 / 0 / 51 / 60

HEX #546632

RGB 84 102 50

HSL 80.77, 0.34%, 0.3%

LAB 40.6, -16.22, 27

 

CMYK 0 / 20 / 100 / 40

HEX #987900

RGB 152 121 0

HSL 47.76, 1%, 0.3%

LAB 52.23, 2.23, 58.01

 

CMYK 7 / 0 / 100 / 40

HEX #8E9800

RGB 142 152 0

HSL 63.95, 1%, 0.3%

LAB 60.08, -19.14, 63.24

 

CMYK 34 / 0 / 100 / 40

HEX #659800

RGB 101 152 0

HSL 80.13, 1%, 0.3%

LAB 57.29, -36.46, 59.91

 

CMYK 60 / 0 / 100 / 40

HEX #3D9800

RGB 61 152 0

HSL 95.92, 1%, 0.3%

LAB 55.53, -49.7, 57.78

 

CMYK 87 / 0 / 100 / 40

HEX #149800

RGB 20 152 0

HSL 112.11, 1%, 0.3%

LAB 54.66, -57.16, 56.73

 

CMYK 34 / 0 / 100 / 73

HEX #2E4600

RGB 46 70 0

HSL 80.57, 1%, 0.14%

LAB 26.62, -20.33, 34.71

 

CMYK 34 / 0 / 100 / 56

HEX #496F00

RGB 73 111 0

HSL 80.54, 1%, 0.22%

LAB 42.44, -28.89, 47.78

 

CMYK 34 / 0 / 100 / 40

HEX #649800

RGB 100 152 0

HSL 80.53, 1%, 0.3%

LAB 57.24, -36.84, 59.85

 

CMYK 34 / 0 / 100 / 24

HEX #7FC100

RGB 127 193 0

HSL 80.52, 1%, 0.38%

LAB 71.32, -44.38, 71.33

 

CMYK 34 / 0 / 100 / 8

HEX #9BEA01

RGB 155 234 1

HSL 80.34, 0.99%, 0.46%

LAB 84.9, -51.25, 82.35

 

CMYK 34 / 0 / 99 / 41

HEX #649701

RGB 100 151 1

HSL 80.4, 0.99%, 0.3%

LAB 56.92, -36.38, 59.45

 

CMYK 100 / 0 / 47 / 40

HEX #009851

RGB 0 152 81

HSL 151.97, 1%, 0.3%

LAB 55.12, -50.86, 27.92

 

CMYK 7 / 100 / 0 / 40

HEX #8E0098

RGB 142 0 152

HSL 296.05, 1%, 0.3%

LAB 34.02, 65.13, -44.43

 

CMYK 34 / 0 / 99 / 41

HEX #649701

RGB 100 151 1

HSL 80.4, 0.99%, 0.3%

LAB 56.92, -36.38, 59.45

 

CMYK 100 / 34 / 0 / 40

HEX #006598

RGB 0 101 152

HSL 200.13, 1%, 0.3%

LAB 40.53, -5.13, -34.66

 

CMYK 0 / 100 / 34 / 40

HEX #980065

RGB 152 0 101

HSL 320.13, 1%, 0.3%

LAB 33.17, 60.05, -13.65

 

CMYK 34 / 0 / 99 / 41

HEX #649701

RGB 100 151 1

HSL 80.4, 0.99%, 0.3%

LAB 56.92, -36.38, 59.45

 

CMYK 100 / 0 / 47 / 40

HEX #009851

RGB 0 152 81

HSL 151.97, 1%, 0.3%

LAB 55.12, -50.86, 27.92

 

CMYK 66 / 100 / 0 / 40

HEX #330098

RGB 51 0 152

HSL 260.13, 1%, 0.3%

LAB 19.93, 55.05, -68.07

 

CMYK 0 / 100 / 53 / 40

HEX #980047

RGB 152 0 71

HSL 331.97, 1%, 0.3%

LAB 32.1, 57.26, 4.39

 

CMYK 34 / 0 / 99 / 41

HEX #649701

RGB 100 151 1

HSL 80.4, 0.99%, 0.3%

LAB 56.92, -36.38, 59.45

 

CMYK 100 / 0 / 17 / 40

HEX #00987E

RGB 0 152 126

HSL 169.74, 1%, 0.3%

LAB 56.05, -40.4, 4.13

 

CMYK 66 / 100 / 0 / 40

HEX #330098

RGB 51 0 152

HSL 260.13, 1%, 0.3%

LAB 19.93, 55.05, -68.07

 

CMYK 0 / 100 / 83 / 40

HEX #98001A

RGB 152 0 26

HSL 349.74, 1%, 0.3%

LAB 31.23, 54.93, 32.57

 

Description

Color code: HEX #649701 | qconv.com Color code: HEX #649701 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 151 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 151 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 99 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 99% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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