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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #646A18 it is the complementary color #9B95E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #646A18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #646A18 shade: #696A13, #7A7C26, #8B8E39, #9CA04C and #ADB25F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #646A18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #646A18 shade: #646A18, #535805, #424600, #313400 and #202200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #646A18 shade: #626717, #675817, #674217, #672C17 and #671717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #646A18 shade: #626717, #4C6717, #366717, #216717 and #176723

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #646A18 shade matches the following richer shades: #626717, #6A720D and #737C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #646A18 shade: #626717, #595D21, #50532C, #474836 and #3E3E40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #646A18 shade: #674217, #675717, #626717, #4D6717 and #376717

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #646A18 shade: #222408, #42460F, #626717, #81891F and #A1AB26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #646A18 shade: #646A18, #17672D and #4D1767

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #646A18 shade: #646A18, #176267 and #671762

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #646A18 shade: #646A18, #17672D, #1C1767 and #671752

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #646A18 shade: #646A18, #176745, #1C1767 and #67173A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 77 / 58

HEX #646A18

RGB 100 106 24

HSL 64.39, 0.63%, 0.25%

LAB 42.89, -13.35, 42.27

 

Complementary color

CMYK 33 / 35 / 0 / 9

HEX #9B95E7

RGB 155 149 231

HSL 244.39, 0.63%, 0.75%

LAB 65.15, 20.78, -40.69

 

CMYK 1 / 0 / 82 / 58

HEX #696A13

RGB 105 106 19

HSL 60.69, 0.7%, 0.25%

LAB 43.3, -11.22, 44.57

 

CMYK 2 / 0 / 69 / 51

HEX #7A7C26

RGB 122 124 38

HSL 61.4, 0.53%, 0.32%

LAB 50.33, -12.23, 44.6

 

CMYK 2 / 0 / 60 / 44

HEX #8B8E39

RGB 139 142 57

HSL 62.12, 0.43%, 0.39%

LAB 57.2, -12.97, 43.82

 

CMYK 2 / 0 / 53 / 37

HEX #9CA04C

RGB 156 160 76

HSL 62.86, 0.36%, 0.46%

LAB 63.94, -13.54, 42.75

 

CMYK 3 / 0 / 47 / 30

HEX #ADB25F

RGB 173 178 95

HSL 63.61, 0.35%, 0.54%

LAB 70.56, -13.98, 41.57

 

CMYK 6 / 0 / 77 / 58

HEX #646A18

RGB 100 106 24

HSL 64.39, 0.63%, 0.25%

LAB 42.89, -13.35, 42.27

 

CMYK 6 / 0 / 94 / 65

HEX #535805

RGB 83 88 5

HSL 63.61, 0.89%, 0.18%

LAB 35.65, -12.22, 41.39

 

CMYK 6 / 0 / 100 / 73

HEX #424600

RGB 66 70 0

HSL 63.43, 1%, 0.14%

LAB 28.22, -10.56, 36.7

 

CMYK 6 / 0 / 100 / 80

HEX #313400

RGB 49 52 0

HSL 63.46, 1%, 0.1%

LAB 20.48, -8.63, 28.6

 

CMYK 6 / 0 / 100 / 87

HEX #202200

RGB 32 34 0

HSL 63.53, 1%, 0.07%

LAB 12.29, -6.58, 18.07

 

CMYK 5 / 0 / 78 / 60

HEX #626717

RGB 98 103 23

HSL 63.75, 0.63%, 0.25%

LAB 41.78, -12.68, 41.54

 

CMYK 0 / 15 / 78 / 60

HEX #675817

RGB 103 88 23

HSL 48.75, 0.63%, 0.25%

LAB 37.71, -1.61, 37.8

 

CMYK 0 / 36 / 78 / 60

HEX #674217

RGB 103 66 23

HSL 32.25, 0.63%, 0.25%

LAB 31.44, 11.81, 31.56

 

CMYK 0 / 57 / 78 / 60

HEX #672C17

RGB 103 44 23

HSL 15.75, 0.63%, 0.25%

LAB 26, 24.98, 25.83

 

CMYK 0 / 78 / 78 / 60

HEX #671717

RGB 103 23 23

HSL 0, 0.63%, 0.25%

LAB 22.15, 35.23, 21.54

 

CMYK 5 / 0 / 78 / 60

HEX #626717

RGB 98 103 23

HSL 63.75, 0.63%, 0.25%

LAB 41.78, -12.68, 41.54

 

CMYK 26 / 0 / 78 / 60

HEX #4C6717

RGB 76 103 23

HSL 80.25, 0.63%, 0.25%

LAB 40.08, -22.73, 39.31

 

CMYK 48 / 0 / 78 / 60

HEX #366717

RGB 54 103 23

HSL 96.75, 0.63%, 0.25%

LAB 38.81, -31.49, 37.63

 

CMYK 68 / 0 / 78 / 60

HEX #216717

RGB 33 103 23

HSL 112.5, 0.63%, 0.25%

LAB 38, -37.81, 36.55

 

CMYK 78 / 0 / 66 / 60

HEX #176723

RGB 23 103 35

HSL 129, 0.63%, 0.25%

LAB 37.85, -38.63, 30.93

 

CMYK 5 / 0 / 78 / 60

HEX #626717

RGB 98 103 23

HSL 63.75, 0.63%, 0.25%

LAB 41.78, -12.68, 41.54

 

CMYK 7 / 0 / 89 / 55

HEX #6A720D

RGB 106 114 13

HSL 64.75, 0.8%, 0.25%

LAB 45.81, -15.35, 48.49

 

CMYK 7 / 0 / 98 / 51

HEX #737C02

RGB 115 124 2

HSL 64.43, 0.97%, 0.25%

LAB 49.57, -16.79, 54.09

 

CMYK 5 / 0 / 78 / 60

HEX #626717

RGB 98 103 23

HSL 63.75, 0.63%, 0.25%

LAB 41.78, -12.68, 41.54

 

CMYK 4 / 0 / 65 / 64

HEX #595D21

RGB 89 93 33

HSL 64, 0.48%, 0.25%

LAB 37.95, -10.66, 33

 

CMYK 4 / 0 / 47 / 67

HEX #50532C

RGB 80 83 44

HSL 64.62, 0.31%, 0.25%

LAB 34.14, -7.97, 22.37

 

CMYK 1 / 0 / 25 / 72

HEX #474836

RGB 71 72 54

HSL 63.33, 0.14%, 0.25%

LAB 30.01, -3.98, 10.7

 

CMYK 3 / 3 / 0 / 75

HEX #3E3E40

RGB 62 62 64

HSL 240, 0.02%, 0.25%

LAB 26.27, 0.46, -1.23

 

CMYK 0 / 36 / 78 / 60

HEX #674217

RGB 103 66 23

HSL 32.25, 0.63%, 0.25%

LAB 31.44, 11.81, 31.56

 

CMYK 0 / 16 / 78 / 60

HEX #675717

RGB 103 87 23

HSL 48, 0.63%, 0.25%

LAB 37.41, -1.01, 37.51

 

CMYK 5 / 0 / 78 / 60

HEX #626717

RGB 98 103 23

HSL 63.75, 0.63%, 0.25%

LAB 41.78, -12.68, 41.54

 

CMYK 25 / 0 / 78 / 60

HEX #4D6717

RGB 77 103 23

HSL 79.5, 0.63%, 0.25%

LAB 40.15, -22.3, 39.4

 

CMYK 47 / 0 / 78 / 60

HEX #376717

RGB 55 103 23

HSL 96, 0.63%, 0.25%

LAB 38.85, -31.13, 37.7

 

CMYK 6 / 0 / 78 / 86

HEX #222408

RGB 34 36 8

HSL 64.29, 0.64%, 0.09%

LAB 13.35, -5.88, 16.26

 

CMYK 6 / 0 / 79 / 73

HEX #42460F

RGB 66 70 15

HSL 64.36, 0.65%, 0.17%

LAB 28.31, -9.79, 30.81

 

CMYK 5 / 0 / 78 / 60

HEX #626717

RGB 98 103 23

HSL 63.75, 0.63%, 0.25%

LAB 41.78, -12.68, 41.54

 

CMYK 6 / 0 / 77 / 46

HEX #81891F

RGB 129 137 31

HSL 64.53, 0.63%, 0.33%

LAB 54.72, -16.38, 51.73

 

CMYK 6 / 0 / 78 / 33

HEX #A1AB26

RGB 161 171 38

HSL 64.51, 0.64%, 0.41%

LAB 67.16, -19.49, 61.82

 

CMYK 6 / 0 / 77 / 58

HEX #646A18

RGB 100 106 24

HSL 64.39, 0.63%, 0.25%

LAB 42.89, -13.35, 42.27

 

CMYK 78 / 0 / 56 / 60

HEX #17672D

RGB 23 103 45

HSL 136.5, 0.63%, 0.25%

LAB 37.97, -37.19, 25.87

 

CMYK 25 / 78 / 0 / 60

HEX #4D1767

RGB 77 23 103

HSL 280.5, 0.63%, 0.25%

LAB 20.71, 38.78, -35.53

 

CMYK 6 / 0 / 77 / 58

HEX #646A18

RGB 100 106 24

HSL 64.39, 0.63%, 0.25%

LAB 42.89, -13.35, 42.27

 

CMYK 78 / 5 / 0 / 60

HEX #176267

RGB 23 98 103

HSL 183.75, 0.63%, 0.25%

LAB 37.66, -20.02, -9.3

 

CMYK 0 / 78 / 5 / 60

HEX #671762

RGB 103 23 98

HSL 303.75, 0.63%, 0.25%

LAB 24.88, 43.85, -25.33

 

CMYK 6 / 0 / 77 / 58

HEX #646A18

RGB 100 106 24

HSL 64.39, 0.63%, 0.25%

LAB 42.89, -13.35, 42.27

 

CMYK 78 / 0 / 56 / 60

HEX #17672D

RGB 23 103 45

HSL 136.5, 0.63%, 0.25%

LAB 37.97, -37.19, 25.87

 

CMYK 73 / 78 / 0 / 60

HEX #1C1767

RGB 28 23 103

HSL 243.75, 0.63%, 0.25%

LAB 14.62, 30.04, -45.73

 

CMYK 0 / 78 / 20 / 60

HEX #671752

RGB 103 23 82

HSL 315.75, 0.63%, 0.25%

LAB 24.02, 41.23, -16.09

 

CMYK 6 / 0 / 77 / 58

HEX #646A18

RGB 100 106 24

HSL 64.39, 0.63%, 0.25%

LAB 42.89, -13.35, 42.27

 

CMYK 78 / 0 / 33 / 60

HEX #176745

RGB 23 103 69

HSL 154.5, 0.63%, 0.25%

LAB 38.4, -32.36, 12.58

 

CMYK 73 / 78 / 0 / 60

HEX #1C1767

RGB 28 23 103

HSL 243.75, 0.63%, 0.25%

LAB 14.62, 30.04, -45.73

 

CMYK 0 / 78 / 44 / 60

HEX #67173A

RGB 103 23 58

HSL 333.75, 0.63%, 0.25%

LAB 23.01, 38.05, -1.31

 

Description

Color code: HEX #646A18 | qconv.com Color code: HEX #646A18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 106 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 106 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 77 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 77% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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