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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #646394 it is the complementary color #9B9C6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #646394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #646394 shade: #69638F, #7A75A2, #8B87B5, #9C99C8 and #ADABDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #646394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #646394 shade: #646394, #535181, #423F6E, #312D5B and #201B48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #646394 shade: #626192, #706192, #7D6192, #8A6192 and #92618E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #646394 shade: #626192 and #616192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #646394 shade matches the following richer shades: #626192, #4F4EA6, #3C3ABA, #2926CE and #1612E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #646394 shade: #626192, #75757F, #88896B, #9B9D57 and #AEB143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #646394 shade: #617B92, #616E92, #626192, #6F6192 and #7C6192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #646394 shade: #414061, #52517A, #626192, #7978A5 and #9291B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #646394 shade: #646394, #926188 and #749261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #646394 shade: #646394, #926261 and #619262

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #646394 shade: #646394, #926188, #929261 and #61926C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #646394 shade: #646394, #926179, #929261 and #61927B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 33 / 0 / 42

HEX #646394

RGB 100 99 148

HSL 241.22, 0.2%, 0.48%

LAB 43.9, 12.38, -26.69

 

Complementary color

CMYK 1 / 0 / 31 / 39

HEX #9B9C6B

RGB 155 156 107

HSL 61.22, 0.2%, 0.52%

LAB 63.18, -8.38, 25.61

 

CMYK 27 / 31 / 0 / 44

HEX #69638F

RGB 105 99 143

HSL 248.18, 0.18%, 0.47%

LAB 44.1, 12.6, -23.36

 

CMYK 25 / 28 / 0 / 36

HEX #7A75A2

RGB 122 117 162

HSL 246.67, 0.19%, 0.55%

LAB 51.23, 12.04, -23.45

 

CMYK 23 / 25 / 0 / 29

HEX #8B87B5

RGB 139 135 181

HSL 245.22, 0.24%, 0.62%

LAB 58.18, 11.56, -23.58

 

CMYK 22 / 24 / 0 / 22

HEX #9C99C8

RGB 156 153 200

HSL 243.83, 0.3%, 0.69%

LAB 64.98, 11.12, -23.74

 

CMYK 21 / 22 / 0 / 14

HEX #ADABDB

RGB 173 171 219

HSL 242.5, 0.4%, 0.76%

LAB 71.64, 10.73, -23.94

 

CMYK 32 / 33 / 0 / 42

HEX #646394

RGB 100 99 148

HSL 241.22, 0.2%, 0.48%

LAB 43.9, 12.38, -26.69

 

CMYK 36 / 37 / 0 / 49

HEX #535181

RGB 83 81 129

HSL 242.5, 0.23%, 0.41%

LAB 36.57, 13.1, -26.74

 

CMYK 40 / 43 / 0 / 57

HEX #423F6E

RGB 66 63 110

HSL 243.83, 0.27%, 0.34%

LAB 29, 13.98, -26.88

 

CMYK 46 / 51 / 0 / 64

HEX #312D5B

RGB 49 45 91

HSL 245.22, 0.34%, 0.27%

LAB 21.15, 15.13, -27.12

 

CMYK 56 / 63 / 0 / 72

HEX #201B48

RGB 32 27 72

HSL 246.67, 0.45%, 0.19%

LAB 12.98, 16.66, -27.47

 

CMYK 33 / 34 / 0 / 43

HEX #626192

RGB 98 97 146

HSL 241.22, 0.2%, 0.48%

LAB 43.09, 12.45, -26.76

 

CMYK 23 / 34 / 0 / 43

HEX #706192

RGB 112 97 146

HSL 258.37, 0.2%, 0.48%

LAB 44.33, 16.86, -24.75

 

CMYK 14 / 34 / 0 / 43

HEX #7D6192

RGB 125 97 146

HSL 274.29, 0.2%, 0.48%

LAB 45.61, 21.13, -22.66

 

CMYK 5 / 34 / 0 / 43

HEX #8A6192

RGB 138 97 146

HSL 290.2, 0.2%, 0.48%

LAB 47.01, 25.52, -20.39

 

CMYK 0 / 34 / 3 / 43

HEX #92618E

RGB 146 97 142

HSL 304.9, 0.2%, 0.48%

LAB 47.77, 27.46, -16.77

 

CMYK 33 / 34 / 0 / 43

HEX #626192

RGB 98 97 146

HSL 241.22, 0.2%, 0.48%

LAB 43.09, 12.45, -26.76

 

CMYK 34 / 34 / 0 / 43

HEX #616192

RGB 97 97 146

HSL 240, 0.2%, 0.48%

LAB 43.01, 12.14, -26.9

 

CMYK 33 / 34 / 0 / 43

HEX #626192

RGB 98 97 146

HSL 241.22, 0.2%, 0.48%

LAB 43.09, 12.45, -26.76

 

CMYK 52 / 53 / 0 / 35

HEX #4F4EA6

RGB 79 78 166

HSL 240.68, 0.36%, 0.48%

LAB 37.6, 25.48, -47.54

 

CMYK 68 / 69 / 0 / 27

HEX #3C3ABA

RGB 60 58 186

HSL 240.94, 0.52%, 0.48%

LAB 32.99, 41.33, -66.97

 

CMYK 80 / 82 / 0 / 19

HEX #2926CE

RGB 41 38 206

HSL 241.07, 0.69%, 0.48%

LAB 30.19, 56.84, -83.36

 

CMYK 90 / 92 / 0 / 11

HEX #1612E2

RGB 22 18 226

HSL 241.15, 0.85%, 0.48%

LAB 29.65, 69.01, -95.84

 

CMYK 33 / 34 / 0 / 43

HEX #626192

RGB 98 97 146

HSL 241.22, 0.2%, 0.48%

LAB 43.09, 12.45, -26.76

 

CMYK 8 / 8 / 0 / 50

HEX #75757F

RGB 117 117 127

HSL 240, 0.04%, 0.48%

LAB 49.54, 2.1, -5.48

 

CMYK 1 / 0 / 22 / 46

HEX #88896B

RGB 136 137 107

HSL 62, 0.12%, 0.48%

LAB 56.27, -5.69, 16.01

 

CMYK 1 / 0 / 45 / 38

HEX #9B9D57

RGB 155 157 87

HSL 61.71, 0.29%, 0.48%

LAB 63.15, -11.3, 36.23

 

CMYK 2 / 0 / 62 / 31

HEX #AEB143

RGB 174 177 67

HSL 61.64, 0.45%, 0.48%

LAB 70.07, -15.39, 54.15

 

CMYK 34 / 16 / 0 / 43

HEX #617B92

RGB 97 123 146

HSL 208.16, 0.2%, 0.48%

LAB 50.43, -3.53, -15.48

 

CMYK 34 / 25 / 0 / 43

HEX #616E92

RGB 97 110 146

HSL 224.08, 0.2%, 0.48%

LAB 46.67, 4.18, -21.23

 

CMYK 33 / 34 / 0 / 43

HEX #626192

RGB 98 97 146

HSL 241.22, 0.2%, 0.48%

LAB 43.09, 12.45, -26.76

 

CMYK 24 / 34 / 0 / 43

HEX #6F6192

RGB 111 97 146

HSL 257.14, 0.2%, 0.48%

LAB 44.24, 16.53, -24.9

 

CMYK 15 / 34 / 0 / 43

HEX #7C6192

RGB 124 97 146

HSL 273.06, 0.2%, 0.48%

LAB 45.51, 20.8, -22.83

 

CMYK 33 / 34 / 0 / 62

HEX #414061

RGB 65 64 97

HSL 241.82, 0.2%, 0.32%

LAB 28.52, 9.06, -19.33

 

CMYK 33 / 34 / 0 / 52

HEX #52517A

RGB 82 81 122

HSL 241.46, 0.2%, 0.4%

LAB 36.15, 10.77, -23.1

 

CMYK 33 / 34 / 0 / 43

HEX #626192

RGB 98 97 146

HSL 241.22, 0.2%, 0.48%

LAB 43.09, 12.45, -26.76

 

CMYK 27 / 27 / 0 / 35

HEX #7978A5

RGB 121 120 165

HSL 241.33, 0.2%, 0.56%

LAB 52.08, 10.7, -23.89

 

CMYK 19 / 20 / 0 / 29

HEX #9291B5

RGB 146 145 181

HSL 241.67, 0.2%, 0.64%

LAB 61.39, 8.05, -18.62

 

CMYK 32 / 33 / 0 / 42

HEX #646394

RGB 100 99 148

HSL 241.22, 0.2%, 0.48%

LAB 43.9, 12.38, -26.69

 

CMYK 0 / 34 / 7 / 43

HEX #926188

RGB 146 97 136

HSL 312.24, 0.2%, 0.48%

LAB 47.54, 26.31, -13.53

 

CMYK 21 / 0 / 34 / 43

HEX #749261

RGB 116 146 97

HSL 96.73, 0.2%, 0.48%

LAB 57.21, -19.95, 22.64

 

CMYK 32 / 33 / 0 / 42

HEX #646394

RGB 100 99 148

HSL 241.22, 0.2%, 0.48%

LAB 43.9, 12.38, -26.69

 

CMYK 0 / 33 / 34 / 43

HEX #926261

RGB 146 98 97

HSL 1.22, 0.2%, 0.48%

LAB 46.59, 19.35, 8.5

 

CMYK 34 / 0 / 33 / 43

HEX #619262

RGB 97 146 98

HSL 121.22, 0.2%, 0.48%

LAB 56.07, -26.66, 20.36

 

CMYK 32 / 33 / 0 / 42

HEX #646394

RGB 100 99 148

HSL 241.22, 0.2%, 0.48%

LAB 43.9, 12.38, -26.69

 

CMYK 0 / 34 / 7 / 43

HEX #926188

RGB 146 97 136

HSL 312.24, 0.2%, 0.48%

LAB 47.54, 26.31, -13.53

 

CMYK 0 / 0 / 34 / 43

HEX #929261

RGB 146 146 97

HSL 60, 0.2%, 0.48%

LAB 59.46, -7.97, 26.03

 

CMYK 34 / 0 / 26 / 43

HEX #61926C

RGB 97 146 108

HSL 133.47, 0.2%, 0.48%

LAB 56.27, -24.82, 15.02

 

CMYK 32 / 33 / 0 / 42

HEX #646394

RGB 100 99 148

HSL 241.22, 0.2%, 0.48%

LAB 43.9, 12.38, -26.69

 

CMYK 0 / 34 / 17 / 43

HEX #926179

RGB 146 97 121

HSL 330.61, 0.2%, 0.48%

LAB 47.03, 23.63, -5.31

 

CMYK 0 / 0 / 34 / 43

HEX #929261

RGB 146 146 97

HSL 60, 0.2%, 0.48%

LAB 59.46, -7.97, 26.03

 

CMYK 34 / 0 / 16 / 43

HEX #61927B

RGB 97 146 123

HSL 151.84, 0.2%, 0.48%

LAB 56.61, -21.75, 6.98

 

Description

Color code: HEX #646394 | qconv.com Color code: HEX #646394 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 99 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 99 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 33 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 33% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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