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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6461A2 it is the complementary color #9B9E5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6461A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6461A2 shade: #69619D, #7A73B0, #8B85C3, #9C97D6 and #ADA9E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6461A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6461A2 shade: #6461A2, #534F8F, #423D7C, #312B69 and #201956

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6461A2 shade: #6461A2, #7661A2, #8761A2, #9961A2 and #A2619A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6461A2 shade: #6461A2 and #6161A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6461A2 shade matches the following richer shades: #6461A2, #524DB6, #3F39CA, #2D24DF and #1B10F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6461A2 shade: #6461A2, #76758E, #89897A, #9B9E65 and #ADB251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6461A2 shade: #6182A2, #6170A2, #6361A2, #7561A2 and #8661A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6461A2 shade: #43416F, #535089, #6461A2, #7E7BB1 and #9795C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6461A2 shade: #6461A2, #A26193 and #79A261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6461A2 shade: #6461A2, #A26361 and #61A263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6461A2 shade: #6461A2, #A26193, #A0A261 and #61A270

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6461A2 shade: #6461A2, #A2617F, #A0A261 and #61A284

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

Complementary color

CMYK 2 / 0 / 41 / 38

HEX #9B9E5D

RGB 155 158 93

HSL 62.77, 0.26%, 0.49%

LAB 63.52, -11.17, 33.55

 

CMYK 33 / 38 / 0 / 38

HEX #69619D

RGB 105 97 157

HSL 248, 0.24%, 0.5%

LAB 44.21, 17.6, -31.53

 

CMYK 31 / 35 / 0 / 31

HEX #7A73B0

RGB 122 115 176

HSL 246.89, 0.28%, 0.57%

LAB 51.31, 16.85, -31.47

 

CMYK 29 / 32 / 0 / 24

HEX #8B85C3

RGB 139 133 195

HSL 245.81, 0.34%, 0.64%

LAB 58.23, 16.2, -31.46

 

CMYK 27 / 29 / 0 / 16

HEX #9C97D6

RGB 156 151 214

HSL 244.76, 0.43%, 0.72%

LAB 65.01, 15.63, -31.49

 

CMYK 26 / 27 / 0 / 9

HEX #ADA9E9

RGB 173 169 233

HSL 243.75, 0.59%, 0.79%

LAB 71.65, 15.12, -31.56

 

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

CMYK 42 / 45 / 0 / 44

HEX #534F8F

RGB 83 79 143

HSL 243.75, 0.29%, 0.44%

LAB 36.77, 18.56, -34.99

 

CMYK 47 / 51 / 0 / 51

HEX #423D7C

RGB 66 61 124

HSL 244.76, 0.34%, 0.36%

LAB 29.29, 19.76, -35.26

 

CMYK 53 / 59 / 0 / 59

HEX #312B69

RGB 49 43 105

HSL 245.81, 0.42%, 0.29%

LAB 21.58, 21.28, -35.6

 

CMYK 63 / 71 / 0 / 66

HEX #201956

RGB 32 25 86

HSL 246.89, 0.55%, 0.22%

LAB 13.68, 23.19, -35.92

 

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

CMYK 27 / 40 / 0 / 36

HEX #7661A2

RGB 118 97 162

HSL 259.38, 0.26%, 0.51%

LAB 45.65, 22.83, -32.16

 

CMYK 17 / 40 / 0 / 36

HEX #8761A2

RGB 135 97 162

HSL 275.08, 0.26%, 0.51%

LAB 47.38, 28.07, -29.33

 

CMYK 6 / 40 / 0 / 36

HEX #9961A2

RGB 153 97 162

HSL 291.69, 0.26%, 0.51%

LAB 49.41, 33.79, -26.01

 

CMYK 0 / 40 / 5 / 36

HEX #A2619A

RGB 162 97 154

HSL 307.38, 0.26%, 0.51%

LAB 50.17, 35.16, -20.03

 

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

CMYK 40 / 40 / 0 / 36

HEX #6161A2

RGB 97 97 162

HSL 240, 0.26%, 0.51%

LAB 43.8, 16.74, -35.19

 

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

CMYK 55 / 58 / 0 / 29

HEX #524DB6

RGB 82 77 182

HSL 242.86, 0.42%, 0.51%

LAB 38.69, 31.91, -55.25

 

CMYK 69 / 72 / 0 / 21

HEX #3F39CA

RGB 63 57 202

HSL 242.48, 0.58%, 0.51%

LAB 34.49, 47.51, -73.87

 

CMYK 80 / 84 / 0 / 13

HEX #2D24DF

RGB 45 36 223

HSL 242.89, 0.75%, 0.51%

LAB 32.14, 62.9, -89.94

 

CMYK 89 / 93 / 0 / 5

HEX #1B10F3

RGB 27 16 243

HSL 242.91, 0.9%, 0.51%

LAB 31.98, 73.89, -101.63

 

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

CMYK 17 / 18 / 0 / 44

HEX #76758E

RGB 118 117 142

HSL 242.4, 0.1%, 0.51%

LAB 50.13, 5.84, -13.44

 

CMYK 0 / 0 / 11 / 46

HEX #89897A

RGB 137 137 122

HSL 60, 0.06%, 0.51%

LAB 56.7, -2.8, 8.05

 

CMYK 2 / 0 / 36 / 38

HEX #9B9E65

RGB 155 158 101

HSL 63.16, 0.23%, 0.51%

LAB 63.64, -10.22, 29.45

 

CMYK 3 / 0 / 54 / 30

HEX #ADB251

RGB 173 178 81

HSL 63.09, 0.39%, 0.51%

LAB 70.4, -15.26, 48.18

 

CMYK 40 / 20 / 0 / 36

HEX #6182A2

RGB 97 130 162

HSL 209.54, 0.26%, 0.51%

LAB 53.08, -3.18, -20.76

 

CMYK 40 / 31 / 0 / 36

HEX #6170A2

RGB 97 112 162

HSL 226.15, 0.26%, 0.51%

LAB 47.93, 7.51, -28.72

 

CMYK 39 / 40 / 0 / 36

HEX #6361A2

RGB 99 97 162

HSL 241.85, 0.26%, 0.51%

LAB 43.96, 17.29, -34.93

 

CMYK 28 / 40 / 0 / 36

HEX #7561A2

RGB 117 97 162

HSL 258.46, 0.26%, 0.51%

LAB 45.55, 22.52, -32.31

 

CMYK 17 / 40 / 0 / 36

HEX #8661A2

RGB 134 97 162

HSL 274.15, 0.26%, 0.51%

LAB 47.27, 27.76, -29.5

 

CMYK 40 / 41 / 0 / 56

HEX #43416F

RGB 67 65 111

HSL 242.61, 0.26%, 0.35%

LAB 29.72, 13.27, -26.38

 

CMYK 39 / 42 / 0 / 46

HEX #535089

RGB 83 80 137

HSL 243.16, 0.26%, 0.43%

LAB 36.71, 16.1, -31.43

 

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

CMYK 29 / 31 / 0 / 31

HEX #7E7BB1

RGB 126 123 177

HSL 243.33, 0.26%, 0.59%

LAB 53.79, 13.55, -28.16

 

CMYK 22 / 23 / 0 / 24

HEX #9795C1

RGB 151 149 193

HSL 242.73, 0.26%, 0.67%

LAB 63.28, 10.18, -22.46

 

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

CMYK 0 / 40 / 9 / 36

HEX #A26193

RGB 162 97 147

HSL 313.85, 0.26%, 0.51%

LAB 49.9, 33.89, -16.31

 

CMYK 25 / 0 / 40 / 36

HEX #79A261

RGB 121 162 97

HSL 97.85, 0.26%, 0.51%

LAB 62.31, -26.14, 29.4

 

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

CMYK 0 / 39 / 40 / 36

HEX #A26361

RGB 162 99 97

HSL 1.85, 0.26%, 0.51%

LAB 48.84, 25.24, 11.96

 

CMYK 40 / 0 / 39 / 36

HEX #61A263

RGB 97 162 99

HSL 121.85, 0.26%, 0.51%

LAB 61.03, -34.13, 26.41

 

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

CMYK 0 / 40 / 9 / 36

HEX #A26193

RGB 162 97 147

HSL 313.85, 0.26%, 0.51%

LAB 49.9, 33.89, -16.31

 

CMYK 1 / 0 / 40 / 36

HEX #A0A261

RGB 160 162 97

HSL 61.85, 0.26%, 0.51%

LAB 65.1, -10.76, 33.53

 

CMYK 40 / 0 / 31 / 36

HEX #61A270

RGB 97 162 112

HSL 133.85, 0.26%, 0.51%

LAB 61.27, -31.86, 19.64

 

CMYK 38 / 40 / 0 / 36

HEX #6461A2

RGB 100 97 162

HSL 242.77, 0.26%, 0.51%

LAB 44.04, 17.57, -34.79

 

CMYK 0 / 40 / 22 / 36

HEX #A2617F

RGB 162 97 127

HSL 332.31, 0.26%, 0.51%

LAB 49.21, 30.54, -5.45

 

CMYK 1 / 0 / 40 / 36

HEX #A0A261

RGB 160 162 97

HSL 61.85, 0.26%, 0.51%

LAB 65.1, -10.76, 33.53

 

CMYK 40 / 0 / 19 / 36

HEX #61A284

RGB 97 162 132

HSL 152.31, 0.26%, 0.51%

LAB 61.7, -27.83, 9.14

 

Description

Color code: HEX #6461A2 | qconv.com Color code: HEX #6461A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 97 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 97 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 40 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 40% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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