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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6468C3 it is the complementary color #9B973C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6468C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6468C3 shade: #6968BE, #7A7AD1, #8B8CE4, #9C9EF7 and #ADB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6468C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6468C3 shade: #6468C3, #5356B0, #42449D, #31328A and #202077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6468C3 shade: #6468C3, #7A64C3, #9364C3, #AD64C3 and #C364BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6468C3 shade: #6468C3 and #6464C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6468C3 shade matches the following richer shades: #6468C3, #5358D4, #4249E5 and #3039F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6468C3 shade: #6468C3, #7678B1, #8788A0, #98988F and #AAA87D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6468C3 shade: #649BC3, #6482C3, #6469C3, #7964C3 and #9264C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6468C3 shade: #3B3F99, #474BB7, #6468C3, #8285CE and #A0A2DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6468C3 shade: #6468C3, #C364B4 and #8FC364

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6468C3 shade: #6468C3, #C36469 and #69C364

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6468C3 shade: #6468C3, #C364B4, #C3BE64 and #64C372

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6468C3 shade: #6468C3, #C36498, #C3BE64 and #64C38F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

Complementary color

CMYK 0 / 3 / 61 / 39

HEX #9B973C

RGB 155 151 60

HSL 57.47, 0.44%, 0.42%

LAB 61.16, -10.52, 47.16

 

CMYK 45 / 45 / 0 / 25

HEX #6968BE

RGB 105 104 190

HSL 240.7, 0.4%, 0.58%

LAB 47.78, 22.83, -45.22

 

CMYK 42 / 42 / 0 / 18

HEX #7A7AD1

RGB 122 122 209

HSL 240, 0.49%, 0.65%

LAB 54.72, 21.79, -44.99

 

CMYK 39 / 39 / 0 / 11

HEX #8B8CE4

RGB 139 140 228

HSL 239.33, 0.62%, 0.72%

LAB 61.52, 20.89, -44.81

 

CMYK 37 / 36 / 0 / 3

HEX #9C9EF7

RGB 156 158 247

HSL 238.68, 0.85%, 0.79%

LAB 68.19, 20.11, -44.68

 

CMYK 32 / 31 / 0 / 0

HEX #ADB0FF

RGB 173 176 255

HSL 237.8, 1%, 0.84%

LAB 74.29, 16.62, -39.4

 

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

CMYK 53 / 51 / 0 / 31

HEX #5356B0

RGB 83 86 176

HSL 238.06, 0.37%, 0.51%

LAB 40.62, 24.53, -48.59

 

CMYK 58 / 57 / 0 / 38

HEX #42449D

RGB 66 68 157

HSL 238.68, 0.41%, 0.44%

LAB 33.41, 26.18, -48.94

 

CMYK 64 / 64 / 0 / 46

HEX #31328A

RGB 49 50 138

HSL 239.33, 0.48%, 0.37%

LAB 26.07, 28.21, -49.28

 

CMYK 73 / 73 / 0 / 53

HEX #202077

RGB 32 32 119

HSL 240, 0.58%, 0.3%

LAB 18.68, 30.62, -49.43

 

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

CMYK 37 / 49 / 0 / 24

HEX #7A64C3

RGB 122 100 195

HSL 253.89, 0.44%, 0.58%

LAB 48.5, 30.98, -46.87

 

CMYK 25 / 49 / 0 / 24

HEX #9364C3

RGB 147 100 195

HSL 269.68, 0.44%, 0.58%

LAB 50.99, 37.66, -42.77

 

CMYK 11 / 49 / 0 / 24

HEX #AD64C3

RGB 173 100 195

HSL 286.11, 0.44%, 0.58%

LAB 53.96, 44.97, -37.88

 

CMYK 0 / 49 / 2 / 24

HEX #C364BF

RGB 195 100 191

HSL 302.53, 0.44%, 0.58%

LAB 56.56, 50.55, -31.31

 

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

CMYK 49 / 49 / 0 / 24

HEX #6464C3

RGB 100 100 195

HSL 240, 0.44%, 0.58%

LAB 46.66, 25.62, -49.91

 

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

CMYK 61 / 58 / 0 / 17

HEX #5358D4

RGB 83 88 212

HSL 237.67, 0.6%, 0.58%

LAB 43.61, 35.1, -64.67

 

CMYK 71 / 68 / 0 / 10

HEX #4249E5

RGB 66 73 229

HSL 237.42, 0.76%, 0.58%

LAB 40.54, 47.47, -79.44

 

CMYK 81 / 77 / 0 / 3

HEX #3039F7

RGB 48 57 247

HSL 237.29, 0.93%, 0.58%

LAB 38.32, 60.6, -93.31

 

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

CMYK 33 / 32 / 0 / 31

HEX #7678B1

RGB 118 120 177

HSL 237.97, 0.27%, 0.58%

LAB 52.35, 12.95, -30.44

 

CMYK 16 / 15 / 0 / 37

HEX #8788A0

RGB 135 136 160

HSL 237.6, 0.12%, 0.58%

LAB 57.36, 4.74, -12.84

 

CMYK 0 / 0 / 6 / 40

HEX #98988F

RGB 152 152 143

HSL 60, 0.04%, 0.58%

LAB 62.6, -1.68, 4.73

 

CMYK 0 / 1 / 26 / 33

HEX #AAA87D

RGB 170 168 125

HSL 57.33, 0.21%, 0.58%

LAB 68.04, -6.35, 22.54

 

CMYK 49 / 21 / 0 / 24

HEX #649BC3

RGB 100 155 195

HSL 205.26, 0.44%, 0.58%

LAB 61.73, -7.08, -26.24

 

CMYK 49 / 33 / 0 / 24

HEX #6482C3

RGB 100 130 195

HSL 221.05, 0.44%, 0.58%

LAB 54.67, 7.35, -37.22

 

CMYK 49 / 46 / 0 / 24

HEX #6469C3

RGB 100 105 195

HSL 236.84, 0.44%, 0.58%

LAB 47.95, 22.54, -47.86

 

CMYK 38 / 49 / 0 / 24

HEX #7964C3

RGB 121 100 195

HSL 253.26, 0.44%, 0.58%

LAB 48.41, 30.72, -47.02

 

CMYK 25 / 49 / 0 / 24

HEX #9264C3

RGB 146 100 195

HSL 269.05, 0.44%, 0.58%

LAB 50.88, 37.38, -42.95

 

CMYK 61 / 59 / 0 / 40

HEX #3B3F99

RGB 59 63 153

HSL 237.45, 0.44%, 0.42%

LAB 31.31, 26.73, -49.94

 

CMYK 61 / 59 / 0 / 28

HEX #474BB7

RGB 71 75 183

HSL 237.86, 0.44%, 0.5%

LAB 37.46, 31.47, -57.86

 

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

CMYK 37 / 35 / 0 / 19

HEX #8285CE

RGB 130 133 206

HSL 237.63, 0.44%, 0.66%

LAB 58.02, 16.54, -38.06

 

CMYK 27 / 26 / 0 / 15

HEX #A0A2DA

RGB 160 162 218

HSL 237.93, 0.44%, 0.74%

LAB 68.3, 11.57, -28.6

 

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

CMYK 0 / 49 / 8 / 24

HEX #C364B4

RGB 195 100 180

HSL 309.47, 0.44%, 0.58%

LAB 56.1, 48.63, -25.71

 

CMYK 27 / 0 / 49 / 24

HEX #8FC364

RGB 143 195 100

HSL 92.84, 0.44%, 0.58%

LAB 73.41, -33.46, 42.1

 

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

CMYK 0 / 49 / 46 / 24

HEX #C36469

RGB 195 100 105

HSL 356.84, 0.44%, 0.58%

LAB 53.75, 38.33, 14.71

 

CMYK 46 / 0 / 49 / 24

HEX #69C364

RGB 105 195 100

HSL 116.84, 0.44%, 0.58%

LAB 71.52, -45.99, 39.36

 

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

CMYK 0 / 49 / 8 / 24

HEX #C364B4

RGB 195 100 180

HSL 309.47, 0.44%, 0.58%

LAB 56.1, 48.63, -25.71

 

CMYK 0 / 3 / 49 / 24

HEX #C3BE64

RGB 195 190 100

HSL 56.84, 0.44%, 0.58%

LAB 75.67, -10.63, 45.69

 

CMYK 49 / 0 / 42 / 24

HEX #64C372

RGB 100 195 114

HSL 128.84, 0.44%, 0.58%

LAB 71.52, -45.33, 32.23

 

CMYK 49 / 47 / 0 / 24

HEX #6468C3

RGB 100 104 195

HSL 237.47, 0.44%, 0.58%

LAB 47.69, 23.16, -48.27

 

CMYK 0 / 49 / 22 / 24

HEX #C36498

RGB 195 100 152

HSL 327.16, 0.44%, 0.58%

LAB 55.06, 44.19, -11.04

 

CMYK 0 / 3 / 49 / 24

HEX #C3BE64

RGB 195 190 100

HSL 56.84, 0.44%, 0.58%

LAB 75.67, -10.63, 45.69

 

CMYK 49 / 0 / 27 / 24

HEX #64C38F

RGB 100 195 143

HSL 147.16, 0.44%, 0.58%

LAB 72.04, -40.09, 17.65

 

Description

Color code: HEX #6468C3 | qconv.com Color code: HEX #6468C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 104 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 104 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 47 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 47% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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