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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #642539 it is the complementary color #9BDAC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #642539. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #642539 shade: #692534, #7A3747, #8B495A, #9C5B6D and #AD6D80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #642539. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #642539 shade: #642539, #531326, #420113, #310000 and #200000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #642539 shade: #642539, #642528 and #642525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #642539 shade: #642539, #64254A, #64255B, #5C2564 and #4B2564

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #642539 shade matches the following richer shades: #642539, #6F1A35, #7A0E31 and #85032D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #642539 shade: #642539, #59303D, #4E3B41, #434645 and #375149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #642539 shade: #64255C, #64254B, #64253A, #642529 and #643125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #642539 shade: #280E16, #461A28, #642539, #82304A and #A03B5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #642539 shade: #642539, #645C25 and #255364

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #642539 shade: #642539, #3A6425 and #253A64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #642539 shade: #642539, #645C25, #25644F and #252D64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #642539 shade: #642539, #596425, #25644F and #2F2564

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

Complementary color

CMYK 29 / 0 / 9 / 15

HEX #9BDAC6

RGB 155 218 198

HSL 160.95, 0.46%, 0.73%

LAB 82.48, -24.16, 3.43

 

CMYK 0 / 65 / 50 / 59

HEX #692534

RGB 105 37 52

HSL 346.76, 0.48%, 0.28%

LAB 25.49, 31.83, 6.42

 

CMYK 0 / 55 / 42 / 52

HEX #7A3747

RGB 122 55 71

HSL 345.67, 0.38%, 0.35%

LAB 32.54, 30.93, 4.25

 

CMYK 0 / 47 / 35 / 45

HEX #8B495A

RGB 139 73 90

HSL 344.55, 0.31%, 0.42%

LAB 39.57, 29.94, 2.63

 

CMYK 0 / 42 / 30 / 39

HEX #9C5B6D

RGB 156 91 109

HSL 343.38, 0.26%, 0.48%

LAB 46.52, 28.97, 1.32

 

CMYK 0 / 37 / 26 / 32

HEX #AD6D80

RGB 173 109 128

HSL 342.19, 0.28%, 0.55%

LAB 53.36, 28.07, 0.23

 

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

CMYK 0 / 77 / 54 / 67

HEX #531326

RGB 83 19 38

HSL 342.19, 0.63%, 0.2%

LAB 17.67, 30.95, 4.52

 

CMYK 0 / 98 / 71 / 74

HEX #420113

RGB 66 1 19

HSL 343.38, 0.97%, 0.13%

LAB 10.75, 30.86, 8.13

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

CMYK 0 / 63 / 60 / 61

HEX #642528

RGB 100 37 40

HSL 357.14, 0.46%, 0.27%

LAB 24.28, 28.75, 12.72

 

CMYK 0 / 63 / 63 / 61

HEX #642525

RGB 100 37 37

HSL 0, 0.46%, 0.27%

LAB 24.21, 28.49, 14.65

 

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

CMYK 0 / 63 / 26 / 61

HEX #64254A

RGB 100 37 74

HSL 324.76, 0.46%, 0.27%

LAB 25.34, 32.9, -8.75

 

CMYK 0 / 63 / 9 / 61

HEX #64255B

RGB 100 37 91

HSL 308.57, 0.46%, 0.27%

LAB 26.12, 35.77, -18.83

 

CMYK 8 / 63 / 0 / 61

HEX #5C2564

RGB 92 37 100

HSL 292.38, 0.46%, 0.27%

LAB 25.32, 35.18, -26.07

 

CMYK 25 / 63 / 0 / 61

HEX #4B2564

RGB 75 37 100

HSL 276.19, 0.46%, 0.27%

LAB 22.79, 30.37, -30.25

 

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

CMYK 0 / 77 / 52 / 56

HEX #6F1A35

RGB 111 26 53

HSL 340.94, 0.62%, 0.27%

LAB 24.88, 38.91, 5.04

 

CMYK 0 / 89 / 60 / 52

HEX #7A0E31

RGB 122 14 49

HSL 340.56, 0.79%, 0.27%

LAB 25.78, 45.56, 9.39

 

CMYK 0 / 98 / 66 / 48

HEX #85032D

RGB 133 3 45

HSL 340.62, 0.96%, 0.27%

LAB 27.41, 50.33, 14.72

 

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

CMYK 0 / 46 / 31 / 65

HEX #59303D

RGB 89 48 61

HSL 340.98, 0.3%, 0.27%

LAB 25.49, 20.47, 0

 

CMYK 0 / 24 / 17 / 69

HEX #4E3B41

RGB 78 59 65

HSL 341.05, 0.14%, 0.27%

LAB 27.1, 9.48, -0.48

 

CMYK 4 / 0 / 1 / 73

HEX #434645

RGB 67 70 69

HSL 160, 0.02%, 0.27%

LAB 29.42, -1.46, 0.17

 

CMYK 32 / 0 / 10 / 68

HEX #375149

RGB 55 81 73

HSL 161.54, 0.19%, 0.27%

LAB 32.21, -11.85, 1.55

 

CMYK 0 / 63 / 8 / 61

HEX #64255C

RGB 100 37 92

HSL 307.62, 0.46%, 0.27%

LAB 26.17, 35.96, -19.41

 

CMYK 0 / 63 / 25 / 61

HEX #64254B

RGB 100 37 75

HSL 323.81, 0.46%, 0.27%

LAB 25.38, 33.06, -9.35

 

CMYK 0 / 63 / 42 / 61

HEX #64253A

RGB 100 37 58

HSL 340, 0.46%, 0.27%

LAB 24.76, 30.66, 1.19

 

CMYK 0 / 63 / 59 / 61

HEX #642529

RGB 100 37 41

HSL 356.19, 0.46%, 0.27%

LAB 24.3, 28.84, 12.08

 

CMYK 0 / 51 / 63 / 61

HEX #643125

RGB 100 49 37

HSL 11.43, 0.46%, 0.27%

LAB 26.85, 21.73, 18.03

 

CMYK 0 / 65 / 45 / 84

HEX #280E16

RGB 40 14 22

HSL 341.54, 0.48%, 0.11%

LAB 7.44, 14.66, 0.58

 

CMYK 0 / 63 / 43 / 73

HEX #461A28

RGB 70 26 40

HSL 340.91, 0.46%, 0.19%

LAB 16.47, 22.78, 1.04

 

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

CMYK 0 / 63 / 43 / 49

HEX #82304A

RGB 130 48 74

HSL 340.98, 0.46%, 0.35%

LAB 32.6, 37.81, 2.57

 

CMYK 0 / 63 / 43 / 37

HEX #A03B5B

RGB 160 59 91

HSL 340.99, 0.46%, 0.43%

LAB 40.18, 44.73, 3.3

 

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

CMYK 0 / 8 / 63 / 61

HEX #645C25

RGB 100 92 37

HSL 52.38, 0.46%, 0.27%

LAB 38.72, -4.5, 32.11

 

CMYK 63 / 17 / 0 / 61

HEX #255364

RGB 37 83 100

HSL 196.19, 0.46%, 0.27%

LAB 32.92, -10.06, -14.59

 

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

CMYK 42 / 0 / 63 / 61

HEX #3A6425

RGB 58 100 37

HSL 100, 0.46%, 0.27%

LAB 38.11, -27.33, 30.56

 

CMYK 63 / 42 / 0 / 61

HEX #253A64

RGB 37 58 100

HSL 220, 0.46%, 0.27%

LAB 24.76, 6.19, -27.32

 

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

CMYK 0 / 8 / 63 / 61

HEX #645C25

RGB 100 92 37

HSL 52.38, 0.46%, 0.27%

LAB 38.72, -4.5, 32.11

 

CMYK 63 / 0 / 21 / 61

HEX #25644F

RGB 37 100 79

HSL 160, 0.46%, 0.27%

LAB 37.97, -25.77, 5.98

 

CMYK 63 / 55 / 0 / 61

HEX #252D64

RGB 37 45 100

HSL 232.38, 0.46%, 0.27%

LAB 20.79, 15.36, -33.67

 

CMYK 0 / 63 / 43 / 61

HEX #642539

RGB 100 37 57

HSL 340.95, 0.46%, 0.27%

LAB 24.73, 30.54, 1.82

 

CMYK 11 / 0 / 63 / 61

HEX #596425

RGB 89 100 37

HSL 70.48, 0.46%, 0.27%

LAB 40.2, -14.25, 33.48

 

CMYK 63 / 0 / 21 / 61

HEX #25644F

RGB 37 100 79

HSL 160, 0.46%, 0.27%

LAB 37.97, -25.77, 5.98

 

CMYK 53 / 63 / 0 / 61

HEX #2F2564

RGB 47 37 100

HSL 249.52, 0.46%, 0.27%

LAB 19.42, 23.16, -35.84

 

Description

Color code: HEX #642539 | qconv.com Color code: HEX #642539 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 37 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 37 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 43 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 43% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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