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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #641553 it is the complementary color #9BEAAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #641553. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #641553 shade: #69154E, #7A2761, #8B3974, #9C4B87 and #AD5D9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #641553. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #641553 shade: #641553, #530340, #42002D, #31001A and #200007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #641553 shade: #641553, #64153E, #641528 and #641515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #641553 shade: #641553, #601564, #4B1564, #351564 and #201564

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #641553 shade matches the following richer shades: #641553, #6E0B59 and #78015F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #641553 shade: #641553, #5B1F4E, #512948, #473342 and #3D3D3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #641553 shade: #4A1564, #5F1564, #641555, #64153F and #64152A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #641553 shade: #20061B, #420E37, #641553, #871C70 and #A9238C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #641553 shade: #641553, #643515 and #156455

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #641553 shade: #641553, #556415 and #155564

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #641553 shade: #641553, #643515, #156425 and #154564

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #641553 shade: #641553, #644D15, #156425 and #152D64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

Complementary color

CMYK 34 / 0 / 26 / 8

HEX #9BEAAC

RGB 155 234 172

HSL 132.91, 0.65%, 0.76%

LAB 86.4, -36.72, 22.61

 

CMYK 0 / 80 / 26 / 59

HEX #69154E

RGB 105 21 78

HSL 319.29, 0.67%, 0.25%

LAB 23.97, 41.9, -13.45

 

CMYK 0 / 68 / 20 / 52

HEX #7A2761

RGB 122 39 97

HSL 318.07, 0.52%, 0.32%

LAB 30.52, 42.45, -15.62

 

CMYK 0 / 59 / 17 / 45

HEX #8B3974

RGB 139 57 116

HSL 316.83, 0.42%, 0.38%

LAB 37.25, 42.22, -17.1

 

CMYK 0 / 52 / 13 / 39

HEX #9C4B87

RGB 156 75 135

HSL 315.56, 0.35%, 0.45%

LAB 44.02, 41.65, -18.19

 

CMYK 0 / 46 / 11 / 32

HEX #AD5D9A

RGB 173 93 154

HSL 314.25, 0.33%, 0.52%

LAB 50.74, 40.93, -19.04

 

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

CMYK 0 / 96 / 23 / 67

HEX #530340

RGB 83 3 64

HSL 314.25, 0.93%, 0.17%

LAB 16.87, 39.56, -15.2

 

CMYK 0 / 100 / 32 / 74

HEX #42002D

RGB 66 0 45

HSL 319.09, 1%, 0.13%

LAB 11.61, 33.96, -9.99

 

CMYK 0 / 100 / 47 / 81

HEX #31001A

RGB 49 0 26

HSL 328.16, 1%, 0.1%

LAB 6.57, 26.8, -3.53

 

CMYK 0 / 100 / 78 / 87

HEX #200007

RGB 32 0 7

HSL 346.88, 1%, 0.06%

LAB 2.91, 13.42, 1.73

 

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

CMYK 0 / 79 / 38 / 61

HEX #64153E

RGB 100 21 62

HSL 328.86, 0.65%, 0.24%

LAB 22.28, 38.35, -5.21

 

CMYK 0 / 79 / 60 / 61

HEX #641528

RGB 100 21 40

HSL 345.57, 0.65%, 0.24%

LAB 21.58, 36.09, 9.08

 

CMYK 0 / 79 / 79 / 61

HEX #641515

RGB 100 21 21

HSL 0, 0.65%, 0.24%

LAB 21.21, 34.87, 21.6

 

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

CMYK 4 / 79 / 0 / 61

HEX #601564

RGB 96 21 100

HSL 296.96, 0.65%, 0.24%

LAB 23.48, 43.24, -28.94

 

CMYK 25 / 79 / 0 / 61

HEX #4B1564

RGB 75 21 100

HSL 281.01, 0.65%, 0.24%

LAB 19.85, 38.51, -34.97

 

CMYK 47 / 79 / 0 / 61

HEX #351564

RGB 53 21 100

HSL 264.3, 0.65%, 0.24%

LAB 16.57, 34.06, -40.45

 

CMYK 68 / 79 / 0 / 61

HEX #201564

RGB 32 21 100

HSL 248.35, 0.65%, 0.24%

LAB 14.19, 30.7, -44.44

 

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

CMYK 0 / 90 / 19 / 57

HEX #6E0B59

RGB 110 11 89

HSL 312.73, 0.82%, 0.24%

LAB 24.56, 47.46, -19.8

 

CMYK 0 / 99 / 21 / 53

HEX #78015F

RGB 120 1 95

HSL 312.61, 0.98%, 0.24%

LAB 26.28, 52.41, -20.94

 

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

CMYK 0 / 66 / 14 / 64

HEX #5B1F4E

RGB 91 31 78

HSL 313, 0.49%, 0.24%

LAB 22.84, 33.63, -15.4

 

CMYK 0 / 49 / 11 / 68

HEX #512948

RGB 81 41 72

HSL 313.5, 0.33%, 0.24%

LAB 23.01, 23.55, -11.24

 

CMYK 0 / 28 / 7 / 72

HEX #473342

RGB 71 51 66

HSL 315, 0.16%, 0.24%

LAB 24, 11.96, -5.83

 

CMYK 0 / 0 / 0 / 76

HEX #3D3D3D

RGB 61 61 61

HSL 0, 0%, 0.24%

LAB 25.76, 0, -0

 

CMYK 26 / 79 / 0 / 61

HEX #4A1564

RGB 74 21 100

HSL 280.25, 0.65%, 0.24%

LAB 19.69, 38.29, -35.24

 

CMYK 5 / 79 / 0 / 61

HEX #5F1564

RGB 95 21 100

HSL 296.2, 0.65%, 0.24%

LAB 23.3, 43.01, -29.24

 

CMYK 0 / 79 / 15 / 61

HEX #641555

RGB 100 21 85

HSL 311.39, 0.65%, 0.24%

LAB 23.34, 41.62, -19.19

 

CMYK 0 / 79 / 37 / 61

HEX #64153F

RGB 100 21 63

HSL 328.1, 0.65%, 0.24%

LAB 22.32, 38.47, -5.84

 

CMYK 0 / 79 / 58 / 61

HEX #64152A

RGB 100 21 42

HSL 344.05, 0.65%, 0.24%

LAB 21.63, 36.25, 7.76

 

CMYK 0 / 81 / 16 / 87

HEX #20061B

RGB 32 6 27

HSL 311.54, 0.68%, 0.07%

LAB 4.67, 15.06, -7.49

 

CMYK 0 / 79 / 17 / 74

HEX #420E37

RGB 66 14 55

HSL 312.69, 0.65%, 0.16%

LAB 14.11, 29.87, -13.39

 

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

CMYK 0 / 79 / 17 / 47

HEX #871C70

RGB 135 28 112

HSL 312.9, 0.66%, 0.32%

LAB 32.15, 52.25, -22.54

 

CMYK 0 / 79 / 17 / 34

HEX #A9238C

RGB 169 35 140

HSL 312.99, 0.66%, 0.4%

LAB 40.46, 62.22, -26.56

 

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

CMYK 0 / 47 / 79 / 61

HEX #643515

RGB 100 53 21

HSL 24.3, 0.65%, 0.24%

LAB 27.6, 18.25, 28.51

 

CMYK 79 / 0 / 15 / 61

HEX #156455

RGB 21 100 85

HSL 168.61, 0.65%, 0.24%

LAB 37.72, -27, 1.88

 

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

CMYK 15 / 0 / 79 / 61

HEX #556415

RGB 85 100 21

HSL 71.39, 0.65%, 0.24%

LAB 39.75, -17.24, 39.99

 

CMYK 79 / 15 / 0 / 61

HEX #155564

RGB 21 85 100

HSL 191.39, 0.65%, 0.24%

LAB 33.08, -14.07, -14.38

 

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

CMYK 0 / 47 / 79 / 61

HEX #643515

RGB 100 53 21

HSL 24.3, 0.65%, 0.24%

LAB 27.6, 18.25, 28.51

 

CMYK 79 / 0 / 63 / 61

HEX #156425

RGB 21 100 37

HSL 132.15, 0.65%, 0.24%

LAB 36.76, -37.58, 28.65

 

CMYK 79 / 31 / 0 / 61

HEX #154564

RGB 21 69 100

HSL 203.54, 0.65%, 0.24%

LAB 27.67, -4.22, -22.77

 

CMYK 0 / 79 / 17 / 61

HEX #641553

RGB 100 21 83

HSL 312.91, 0.65%, 0.24%

LAB 23.24, 41.3, -18.02

 

CMYK 0 / 23 / 79 / 61

HEX #644D15

RGB 100 77 21

HSL 42.53, 0.65%, 0.24%

LAB 34.13, 3.45, 35.08

 

CMYK 79 / 0 / 63 / 61

HEX #156425

RGB 21 100 37

HSL 132.15, 0.65%, 0.24%

LAB 36.76, -37.58, 28.65

 

CMYK 79 / 55 / 0 / 61

HEX #152D64

RGB 21 45 100

HSL 221.77, 0.65%, 0.24%

LAB 19.87, 12.5, -35.21

 

Description

Color code: HEX #641553 | qconv.com Color code: HEX #641553 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 21 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 21 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 17 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 17% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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