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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #640EBB it is the complementary color #9BF144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #640EBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #640EBB shade: #690EB6, #7A20C9, #8B32DC, #9C44EF and #AD56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #640EBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #640EBB shade: #640EBB, #5300A8, #420095, #310082 and #20006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #640EBB shade: #620DB8, #910DB8, #B80DB2, #B80D84 and #B80D56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #640EBB shade: #620DB8, #340DB8 and #0D0DB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #640EBB shade matches the following richer shades: #620DB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #640EBB shade: #620DB8, #631EA8, #632E98, #633E88 and #634E78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #640EBB shade: #0D16B8, #320DB8, #600DB8, #8E0DB8 and #B80DB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #640EBB shade: #39086C, #4E0B92, #620DB8, #7710DF and #8C2AEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #640EBB shade: #640EBB, #B80D44 and #0DB81C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #640EBB shade: #640EBB, #B8600D and #0DB860

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #640EBB shade: #640EBB, #B80D44, #66B80D and #0DB882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #640EBB shade: #640EBB, #B80D10, #66B80D and #0DB8B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 93 / 0 / 27

HEX #640EBB

RGB 100 14 187

HSL 269.83, 0.86%, 0.39%

LAB 30.91, 64.26, -70.85

 

Complementary color

CMYK 36 / 0 / 72 / 5

HEX #9BF144

RGB 155 241 68

HSL 89.83, 0.86%, 0.61%

LAB 87.14, -51.97, 70.96

 

CMYK 42 / 92 / 0 / 29

HEX #690EB6

RGB 105 14 182

HSL 272.5, 0.86%, 0.38%

LAB 31.1, 63.69, -67.53

 

CMYK 39 / 84 / 0 / 21

HEX #7A20C9

RGB 122 32 201

HSL 271.95, 0.73%, 0.46%

LAB 36.72, 65.55, -69.41

 

CMYK 37 / 77 / 0 / 14

HEX #8B32DC

RGB 139 50 220

HSL 271.41, 0.71%, 0.53%

LAB 42.67, 66.22, -70.56

 

CMYK 35 / 72 / 0 / 6

HEX #9C44EF

RGB 156 68 239

HSL 270.88, 0.84%, 0.6%

LAB 48.8, 66.17, -71.24

 

CMYK 32 / 66 / 0 / 0

HEX #AD56FF

RGB 173 86 255

HSL 270.89, 1%, 0.67%

LAB 54.82, 65.03, -70.31

 

CMYK 47 / 93 / 0 / 27

HEX #640EBB

RGB 100 14 187

HSL 269.83, 0.86%, 0.39%

LAB 30.91, 64.26, -70.85

 

CMYK 51 / 100 / 0 / 34

HEX #5300A8

RGB 83 0 168

HSL 269.64, 1%, 0.33%

LAB 25.76, 60.93, -68.05

 

CMYK 56 / 100 / 0 / 42

HEX #420095

RGB 66 0 149

HSL 266.58, 1%, 0.29%

LAB 21.31, 55.25, -63.86

 

CMYK 62 / 100 / 0 / 49

HEX #310082

RGB 49 0 130

HSL 262.62, 1%, 0.25%

LAB 16.82, 49.51, -59.47

 

CMYK 71 / 100 / 0 / 56

HEX #20006F

RGB 32 0 111

HSL 257.3, 1%, 0.22%

LAB 12.32, 43.73, -54.78

 

CMYK 47 / 93 / 0 / 28

HEX #620DB8

RGB 98 13 184

HSL 269.82, 0.87%, 0.39%

LAB 30.27, 63.57, -70.13

 

CMYK 21 / 93 / 0 / 28

HEX #910DB8

RGB 145 13 184

HSL 286.32, 0.87%, 0.39%

LAB 37.42, 69.45, -58.13

 

CMYK 0 / 93 / 3 / 28

HEX #B80DB2

RGB 184 13 178

HSL 302.11, 0.87%, 0.39%

LAB 43.79, 74.77, -43.98

 

CMYK 0 / 93 / 28 / 28

HEX #B80D84

RGB 184 13 132

HSL 318.25, 0.87%, 0.39%

LAB 41.44, 68.76, -19.9

 

CMYK 0 / 93 / 53 / 28

HEX #B80D56

RGB 184 13 86

HSL 334.39, 0.87%, 0.39%

LAB 39.83, 64.42, 6.58

 

CMYK 47 / 93 / 0 / 28

HEX #620DB8

RGB 98 13 184

HSL 269.82, 0.87%, 0.39%

LAB 30.27, 63.57, -70.13

 

CMYK 72 / 93 / 0 / 28

HEX #340DB8

RGB 52 13 184

HSL 253.68, 0.87%, 0.39%

LAB 25.19, 60.14, -78.69

 

CMYK 93 / 93 / 0 / 28

HEX #0D0DB8

RGB 13 13 184

HSL 240, 0.87%, 0.39%

LAB 23.12, 58.97, -82.21

 

CMYK 47 / 93 / 0 / 28

HEX #620DB8

RGB 98 13 184

HSL 269.82, 0.87%, 0.39%

LAB 30.27, 63.57, -70.13

 

CMYK 47 / 93 / 0 / 28

HEX #620DB8

RGB 98 13 184

HSL 269.82, 0.87%, 0.39%

LAB 30.27, 63.57, -70.13

 

CMYK 41 / 82 / 0 / 34

HEX #631EA8

RGB 99 30 168

HSL 270, 0.7%, 0.39%

LAB 30.42, 55.38, -60.3

 

CMYK 35 / 70 / 0 / 40

HEX #632E98

RGB 99 46 152

HSL 270, 0.54%, 0.39%

LAB 31.52, 44.54, -48.81

 

CMYK 27 / 54 / 0 / 47

HEX #633E88

RGB 99 62 136

HSL 270, 0.37%, 0.39%

LAB 33.72, 31.63, -35.45

 

CMYK 18 / 35 / 0 / 53

HEX #634E78

RGB 99 78 120

HSL 270, 0.21%, 0.39%

LAB 36.85, 17.76, -20.64

 

CMYK 93 / 88 / 0 / 28

HEX #0D16B8

RGB 13 22 184

HSL 236.84, 0.87%, 0.39%

LAB 24.06, 56.08, -80.63

 

CMYK 73 / 93 / 0 / 28

HEX #320DB8

RGB 50 13 184

HSL 252.98, 0.87%, 0.39%

LAB 25.03, 60.04, -78.96

 

CMYK 48 / 93 / 0 / 28

HEX #600DB8

RGB 96 13 184

HSL 269.12, 0.87%, 0.39%

LAB 30, 63.37, -70.58

 

CMYK 23 / 93 / 0 / 28

HEX #8E0DB8

RGB 142 13 184

HSL 285.26, 0.87%, 0.39%

LAB 36.93, 69.01, -58.96

 

CMYK 0 / 93 / 1 / 28

HEX #B80DB6

RGB 184 13 182

HSL 300.7, 0.87%, 0.39%

LAB 44.03, 75.36, -45.96

 

CMYK 47 / 93 / 0 / 58

HEX #39086C

RGB 57 8 108

HSL 269.4, 0.86%, 0.23%

LAB 16.14, 42.11, -46.4

 

CMYK 47 / 92 / 0 / 43

HEX #4E0B92

RGB 78 11 146

HSL 269.78, 0.86%, 0.31%

LAB 23.45, 53.1, -58.41

 

CMYK 47 / 93 / 0 / 28

HEX #620DB8

RGB 98 13 184

HSL 269.82, 0.87%, 0.39%

LAB 30.27, 63.57, -70.13

 

CMYK 47 / 93 / 0 / 13

HEX #7710DF

RGB 119 16 223

HSL 269.86, 0.87%, 0.47%

LAB 37.15, 73.71, -81.43

 

CMYK 41 / 82 / 0 / 7

HEX #8C2AEE

RGB 140 42 238

HSL 270, 0.85%, 0.55%

LAB 43.37, 73.1, -79.64

 

CMYK 47 / 93 / 0 / 27

HEX #640EBB

RGB 100 14 187

HSL 269.83, 0.86%, 0.39%

LAB 30.91, 64.26, -70.85

 

CMYK 0 / 93 / 63 / 28

HEX #B80D44

RGB 184 13 68

HSL 340.7, 0.87%, 0.39%

LAB 39.4, 63.24, 17.49

 

CMYK 93 / 0 / 85 / 28

HEX #0DB81C

RGB 13 184 28

HSL 125.26, 0.87%, 0.39%

LAB 65.32, -65.98, 60.76

 

CMYK 47 / 93 / 0 / 27

HEX #640EBB

RGB 100 14 187

HSL 269.83, 0.86%, 0.39%

LAB 30.91, 64.26, -70.85

 

CMYK 0 / 48 / 93 / 28

HEX #B8600D

RGB 184 96 13

HSL 29.12, 0.87%, 0.39%

LAB 50.2, 30.79, 55.8

 

CMYK 93 / 0 / 48 / 28

HEX #0DB860

RGB 13 184 96

HSL 149.12, 0.87%, 0.39%

LAB 65.91, -58.59, 33.87

 

CMYK 47 / 93 / 0 / 27

HEX #640EBB

RGB 100 14 187

HSL 269.83, 0.86%, 0.39%

LAB 30.91, 64.26, -70.85

 

CMYK 0 / 93 / 63 / 28

HEX #B80D44

RGB 184 13 68

HSL 340.7, 0.87%, 0.39%

LAB 39.4, 63.24, 17.49

 

CMYK 45 / 0 / 93 / 28

HEX #66B80D

RGB 102 184 13

HSL 88.77, 0.87%, 0.39%

LAB 67.38, -49.2, 66.19

 

CMYK 93 / 0 / 29 / 28

HEX #0DB882

RGB 13 184 130

HSL 161.05, 0.87%, 0.39%

LAB 66.5, -51.74, 16.69

 

CMYK 47 / 93 / 0 / 27

HEX #640EBB

RGB 100 14 187

HSL 269.83, 0.86%, 0.39%

LAB 30.91, 64.26, -70.85

 

CMYK 0 / 93 / 91 / 28

HEX #B80D10

RGB 184 13 16

HSL 358.95, 0.87%, 0.39%

LAB 38.75, 61.42, 46.83

 

CMYK 45 / 0 / 93 / 28

HEX #66B80D

RGB 102 184 13

HSL 88.77, 0.87%, 0.39%

LAB 67.38, -49.2, 66.19

 

CMYK 93 / 0 / 1 / 28

HEX #0DB8B6

RGB 13 184 182

HSL 179.3, 0.87%, 0.39%

LAB 67.83, -37.81, -9.95

 

Description

Color code: HEX #640EBB | qconv.com Color code: HEX #640EBB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 14 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 14 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 93 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 93% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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