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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67F207 it is the complementary color #980DF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67F207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67F207 shade: #6CF202, #7DFF15, #8EFF28, #9FFF3B and #B0FF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67F207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67F207 shade: #67F207, #56E000, #45CE00, #34BC00 and #23AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67F207 shade: #67F207, #A6F207, #E6F207, #F2BF07 and #F27F07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67F207 shade: #67F207, #28F207, #07F226, #07F265 and #07F2A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67F207 shade matches the following richer shades: #67F207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67F207 shade: #67F207, #6BDE1B, #6EC92F, #72B544 and #76A158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67F207 shade: #E6F207, #A8F207, #69F207, #2AF207 and #07F222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67F207 shade: #45A205, #56CA06, #67F207, #7EF82A and #96F952

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67F207 shade: #67F207, #07F2BF and #F207C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67F207 shade: #67F207, #0769F2 and #F20769

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67F207 shade: #67F207, #07F2BF, #9007F2 and #F2073A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67F207 shade: #67F207, #07DEF2, #9007F2 and #F21B07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

Complementary color

CMYK 39 / 95 / 0 / 3

HEX #980DF8

RGB 152 13 248

HSL 275.49, 0.94%, 0.51%

LAB 43.86, 82.56, -84.41

 

CMYK 55 / 0 / 99 / 5

HEX #6CF202

RGB 108 242 2

HSL 93.5, 0.98%, 0.48%

LAB 85.35, -68.68, 81.79

 

CMYK 51 / 0 / 92 / 0

HEX #7DFF15

RGB 125 255 21

HSL 93.33, 1%, 0.54%

LAB 89.83, -68.34, 83.91

 

CMYK 44 / 0 / 84 / 0

HEX #8EFF28

RGB 142 255 40

HSL 91.53, 1%, 0.58%

LAB 90.52, -62.9, 81.61

 

CMYK 38 / 0 / 77 / 0

HEX #9FFF3B

RGB 159 255 59

HSL 89.39, 1%, 0.62%

LAB 91.33, -56.72, 77.89

 

CMYK 31 / 0 / 69 / 0

HEX #B0FF4E

RGB 176 255 78

HSL 86.78, 1%, 0.65%

LAB 92.27, -49.9, 72.98

 

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

CMYK 62 / 0 / 100 / 12

HEX #56E000

RGB 86 224 0

HSL 96.96, 1%, 0.44%

LAB 79.21, -68.09, 76.82

 

CMYK 67 / 0 / 100 / 19

HEX #45CE00

RGB 69 206 0

HSL 99.9, 1%, 0.4%

LAB 73.16, -65.99, 71.84

 

CMYK 72 / 0 / 100 / 26

HEX #34BC00

RGB 52 188 0

HSL 103.4, 1%, 0.37%

LAB 67.05, -63.58, 66.82

 

CMYK 79 / 0 / 100 / 33

HEX #23AA00

RGB 35 170 0

HSL 107.65, 1%, 0.33%

LAB 60.88, -60.75, 61.77

 

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

CMYK 31 / 0 / 97 / 5

HEX #A6F207

RGB 166 242 7

HSL 79.4, 0.94%, 0.49%

LAB 87.79, -50.53, 84.35

 

CMYK 5 / 0 / 97 / 5

HEX #E6F207

RGB 230 242 7

HSL 63.06, 0.94%, 0.49%

LAB 91.84, -25.61, 89.21

 

CMYK 0 / 21 / 97 / 5

HEX #F2BF07

RGB 242 191 7

HSL 46.98, 0.94%, 0.49%

LAB 79.7, 4.87, 80.8

 

CMYK 0 / 48 / 97 / 5

HEX #F27F07

RGB 242 127 7

HSL 30.64, 0.94%, 0.49%

LAB 65.02, 38.29, 70.82

 

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

CMYK 83 / 0 / 97 / 5

HEX #28F207

RGB 40 242 7

HSL 111.57, 0.94%, 0.49%

LAB 83.95, -80.59, 79.67

 

CMYK 97 / 0 / 84 / 5

HEX #07F226

RGB 7 242 38

HSL 127.91, 0.94%, 0.49%

LAB 83.8, -81.67, 75.05

 

CMYK 97 / 0 / 58 / 5

HEX #07F265

RGB 7 242 101

HSL 144, 0.94%, 0.49%

LAB 84.22, -76.39, 53.75

 

CMYK 97 / 0 / 32 / 5

HEX #07F2A4

RGB 7 242 164

HSL 160.09, 0.94%, 0.49%

LAB 85.11, -65.75, 24.4

 

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

CMYK 52 / 0 / 88 / 13

HEX #6BDE1B

RGB 107 222 27

HSL 95.38, 0.78%, 0.49%

LAB 79.3, -61.55, 73.97

 

CMYK 45 / 0 / 77 / 21

HEX #6EC92F

RGB 110 201 47

HSL 95.45, 0.62%, 0.49%

LAB 73.08, -51.97, 63.46

 

CMYK 37 / 0 / 62 / 29

HEX #72B544

RGB 114 181 68

HSL 95.58, 0.45%, 0.49%

LAB 67.31, -40.85, 49.57

 

CMYK 27 / 0 / 45 / 37

HEX #76A158

RGB 118 161 88

HSL 95.34, 0.29%, 0.49%

LAB 61.69, -28, 33.31

 

CMYK 5 / 0 / 97 / 5

HEX #E6F207

RGB 230 242 7

HSL 63.06, 0.94%, 0.49%

LAB 91.84, -25.61, 89.21

 

CMYK 31 / 0 / 97 / 5

HEX #A8F207

RGB 168 242 7

HSL 78.89, 0.94%, 0.49%

LAB 87.89, -49.81, 84.47

 

CMYK 57 / 0 / 97 / 5

HEX #69F207

RGB 105 242 7

HSL 94.98, 0.94%, 0.49%

LAB 85.26, -69.38, 81.28

 

CMYK 83 / 0 / 97 / 5

HEX #2AF207

RGB 42 242 7

HSL 111.06, 0.94%, 0.49%

LAB 83.97, -80.4, 79.7

 

CMYK 97 / 0 / 86 / 5

HEX #07F222

RGB 7 242 34

HSL 126.89, 0.94%, 0.49%

LAB 83.79, -81.83, 75.88

 

CMYK 57 / 0 / 97 / 36

HEX #45A205

RGB 69 162 5

HSL 95.54, 0.94%, 0.33%

LAB 59.08, -51.04, 59.97

 

CMYK 57 / 0 / 97 / 21

HEX #56CA06

RGB 86 202 6

HSL 95.51, 0.94%, 0.41%

LAB 72.38, -60.64, 70.79

 

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

CMYK 49 / 0 / 83 / 3

HEX #7EF82A

RGB 126 248 42

HSL 95.53, 0.94%, 0.57%

LAB 87.84, -64.98, 78.59

 

CMYK 40 / 0 / 67 / 2

HEX #96F952

RGB 150 249 82

HSL 95.57, 0.93%, 0.65%

LAB 89.32, -55.86, 68.09

 

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

CMYK 97 / 0 / 21 / 5

HEX #07F2BF

RGB 7 242 191

HSL 166.98, 0.94%, 0.49%

LAB 85.66, -59.65, 11.21

 

CMYK 0 / 97 / 18 / 5

HEX #F207C7

RGB 242 7 199

HSL 310.98, 0.94%, 0.49%

LAB 55.23, 88.37, -37.45

 

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

CMYK 97 / 57 / 0 / 5

HEX #0769F2

RGB 7 105 242

HSL 214.98, 0.94%, 0.49%

LAB 47.7, 28.5, -75.11

 

CMYK 0 / 97 / 57 / 5

HEX #F20769

RGB 242 7 105

HSL 334.98, 0.94%, 0.49%

LAB 51.89, 79.68, 13.38

 

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

CMYK 97 / 0 / 21 / 5

HEX #07F2BF

RGB 7 242 191

HSL 166.98, 0.94%, 0.49%

LAB 85.66, -59.65, 11.21

 

CMYK 40 / 97 / 0 / 5

HEX #9007F2

RGB 144 7 242

HSL 274.98, 0.94%, 0.49%

LAB 41.99, 81.17, -84.15

 

CMYK 0 / 97 / 76 / 5

HEX #F2073A

RGB 242 7 58

HSL 346.98, 0.94%, 0.49%

LAB 51.08, 77.46, 40.57

 

CMYK 57 / 0 / 97 / 5

HEX #67F207

RGB 103 242 7

HSL 95.49, 0.94%, 0.49%

LAB 85.2, -69.87, 81.2

 

CMYK 97 / 8 / 0 / 5

HEX #07DEF2

RGB 7 222 242

HSL 185.11, 0.94%, 0.49%

LAB 81.13, -37.1, -22.38

 

CMYK 40 / 97 / 0 / 5

HEX #9007F2

RGB 144 7 242

HSL 274.98, 0.94%, 0.49%

LAB 41.99, 81.17, -84.15

 

CMYK 0 / 89 / 97 / 5

HEX #F21B07

RGB 242 27 7

HSL 5.11, 0.94%, 0.49%

LAB 51.47, 74.42, 63.15

 

Description

Color code: HEX #67F207 | qconv.com Color code: HEX #67F207 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 242 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 242 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 97 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 97% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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