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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67D628 it is the complementary color #9829D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67D628. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67D628 shade: #6CD623, #7DE836, #8EFA49, #9FFF5C and #B0FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67D628. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67D628 shade: #67D628, #56C415, #45B202, #34A000 and #238E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67D628 shade: #67D727, #96D727, #C6D727, #D7B927 and #D78927

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67D628 shade: #67D727, #37D727, #27D746, #27D776 and #27D7A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67D628 shade matches the following richer shades: #67D727 and #61EC12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67D628 shade: #67D727, #6CC23C, #72AE50, #789965 and #7D847A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67D628 shade: #C5D727, #96D727, #68D727, #39D727 and #27D744

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67D628 shade: #45911A, #56B421, #67D727, #7FDD4A and #98E46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67D628 shade: #67D628, #27D7BA and #D727AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67D628 shade: #67D628, #2768D7 and #D72768

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67D628 shade: #67D628, #27D7BA, #9627D7 and #D72744

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67D628 shade: #67D628, #27C0D7, #9627D7 and #D73E27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 81 / 16

HEX #67D628

RGB 103 214 40

HSL 98.28, 0.69%, 0.5%

LAB 76.76, -59.3, 68.82

 

Complementary color

CMYK 29 / 81 / 0 / 16

HEX #9829D7

RGB 152 41 215

HSL 278.28, 0.69%, 0.5%

LAB 43.01, 70.23, -67.05

 

CMYK 50 / 0 / 84 / 16

HEX #6CD623

RGB 108 214 35

HSL 95.53, 0.72%, 0.49%

LAB 76.92, -58.09, 70.27

 

CMYK 46 / 0 / 77 / 9

HEX #7DE836

RGB 125 232 54

HSL 96.07, 0.79%, 0.56%

LAB 83.09, -58.85, 71.07

 

CMYK 43 / 0 / 71 / 2

HEX #8EFA49

RGB 142 250 73

HSL 96.61, 0.95%, 0.63%

LAB 89.21, -59.37, 71.12

 

CMYK 38 / 0 / 64 / 0

HEX #9FFF5C

RGB 159 255 92

HSL 95.34, 1%, 0.68%

LAB 91.53, -54.6, 66.7

 

CMYK 31 / 0 / 56 / 0

HEX #B0FF6F

RGB 176 255 111

HSL 92.92, 1%, 0.72%

LAB 92.53, -47.31, 60.14

 

CMYK 52 / 0 / 81 / 16

HEX #67D628

RGB 103 214 40

HSL 98.28, 0.69%, 0.5%

LAB 76.76, -59.3, 68.82

 

CMYK 56 / 0 / 89 / 23

HEX #56C415

RGB 86 196 21

HSL 97.71, 0.81%, 0.43%

LAB 70.53, -58.22, 67.31

 

CMYK 61 / 0 / 99 / 30

HEX #45B202

RGB 69 178 2

HSL 97.16, 0.98%, 0.35%

LAB 64.25, -56.74, 64.52

 

CMYK 68 / 0 / 100 / 37

HEX #34A000

RGB 52 160 0

HSL 100.5, 1%, 0.31%

LAB 57.92, -54.62, 59.56

 

CMYK 75 / 0 / 100 / 44

HEX #238E00

RGB 35 142 0

HSL 105.21, 1%, 0.28%

LAB 51.5, -52.06, 54.3

 

CMYK 52 / 0 / 82 / 16

HEX #67D727

RGB 103 215 39

HSL 98.18, 0.69%, 0.5%

LAB 77.06, -59.71, 69.35

 

CMYK 30 / 0 / 82 / 16

HEX #96D727

RGB 150 215 39

HSL 82.16, 0.69%, 0.5%

LAB 79.17, -44.35, 72.04

 

CMYK 8 / 0 / 82 / 16

HEX #C6D727

RGB 198 215 39

HSL 65.8, 0.69%, 0.5%

LAB 82.25, -25.42, 75.91

 

CMYK 0 / 14 / 82 / 16

HEX #D7B927

RGB 215 185 39

HSL 49.77, 0.69%, 0.5%

LAB 75.63, -3.15, 70.79

 

CMYK 0 / 36 / 82 / 16

HEX #D78927

RGB 215 137 39

HSL 33.41, 0.69%, 0.5%

LAB 63.74, 22.47, 60.45

 

CMYK 52 / 0 / 82 / 16

HEX #67D727

RGB 103 215 39

HSL 98.18, 0.69%, 0.5%

LAB 77.06, -59.71, 69.35

 

CMYK 74 / 0 / 82 / 16

HEX #37D727

RGB 55 215 39

HSL 114.55, 0.69%, 0.5%

LAB 75.8, -70.1, 67.73

 

CMYK 82 / 0 / 67 / 16

HEX #27D746

RGB 39 215 70

HSL 130.57, 0.69%, 0.5%

LAB 75.75, -69.87, 57.33

 

CMYK 82 / 0 / 45 / 16

HEX #27D776

RGB 39 215 118

HSL 146.93, 0.69%, 0.5%

LAB 76.28, -63.45, 36.05

 

CMYK 82 / 0 / 23 / 16

HEX #27D7A5

RGB 39 215 165

HSL 162.95, 0.69%, 0.5%

LAB 77.13, -53.85, 12.81

 

CMYK 52 / 0 / 82 / 16

HEX #67D727

RGB 103 215 39

HSL 98.18, 0.69%, 0.5%

LAB 77.06, -59.71, 69.35

 

CMYK 59 / 0 / 92 / 7

HEX #61EC12

RGB 97 236 18

HSL 98.26, 0.86%, 0.5%

LAB 83.22, -69.17, 78.47

 

CMYK 52 / 0 / 82 / 16

HEX #67D727

RGB 103 215 39

HSL 98.18, 0.69%, 0.5%

LAB 77.06, -59.71, 69.35

 

CMYK 44 / 0 / 69 / 24

HEX #6CC23C

RGB 108 194 60

HSL 98.51, 0.53%, 0.5%

LAB 70.94, -48.95, 56.7

 

CMYK 34 / 0 / 54 / 32

HEX #72AE50

RGB 114 174 80

HSL 98.3, 0.37%, 0.5%

LAB 65.3, -36.51, 41.71

 

CMYK 22 / 0 / 34 / 40

HEX #789965

RGB 120 153 101

HSL 98.08, 0.2%, 0.5%

LAB 59.63, -21.41, 23.71

 

CMYK 5 / 0 / 8 / 48

HEX #7D847A

RGB 125 132 122

HSL 102, 0.04%, 0.5%

LAB 54.31, -4.57, 4.5

 

CMYK 8 / 0 / 82 / 16

HEX #C5D727

RGB 197 215 39

HSL 66.14, 0.69%, 0.5%

LAB 82.17, -25.84, 75.82

 

CMYK 30 / 0 / 82 / 16

HEX #96D727

RGB 150 215 39

HSL 82.16, 0.69%, 0.5%

LAB 79.17, -44.35, 72.04

 

CMYK 52 / 0 / 82 / 16

HEX #68D727

RGB 104 215 39

HSL 97.84, 0.69%, 0.5%

LAB 77.1, -59.43, 69.39

 

CMYK 73 / 0 / 82 / 16

HEX #39D727

RGB 57 215 39

HSL 113.86, 0.69%, 0.5%

LAB 75.83, -69.79, 67.78

 

CMYK 82 / 0 / 68 / 16

HEX #27D744

RGB 39 215 68

HSL 129.89, 0.69%, 0.5%

LAB 75.73, -70.06, 58.1

 

CMYK 52 / 0 / 82 / 43

HEX #45911A

RGB 69 145 26

HSL 98.32, 0.7%, 0.34%

LAB 53.59, -43.9, 50.98

 

CMYK 52 / 0 / 82 / 29

HEX #56B421

RGB 86 180 33

HSL 98.37, 0.69%, 0.42%

LAB 65.54, -51.93, 60.21

 

CMYK 52 / 0 / 82 / 16

HEX #67D727

RGB 103 215 39

HSL 98.18, 0.69%, 0.5%

LAB 77.06, -59.71, 69.35

 

CMYK 43 / 0 / 67 / 13

HEX #7FDD4A

RGB 127 221 74

HSL 98.37, 0.68%, 0.58%

LAB 80.02, -52.64, 61.04

 

CMYK 33 / 0 / 52 / 11

HEX #98E46D

RGB 152 228 109

HSL 98.32, 0.69%, 0.66%

LAB 83.58, -44.06, 50.23

 

CMYK 52 / 0 / 81 / 16

HEX #67D628

RGB 103 214 40

HSL 98.28, 0.69%, 0.5%

LAB 76.76, -59.3, 68.82

 

CMYK 82 / 0 / 13 / 16

HEX #27D7BA

RGB 39 215 186

HSL 170.11, 0.69%, 0.5%

LAB 77.62, -48.62, 2.32

 

CMYK 0 / 82 / 19 / 16

HEX #D727AE

RGB 215 39 174

HSL 313.98, 0.69%, 0.5%

LAB 50.63, 75.85, -30.45

 

CMYK 52 / 0 / 81 / 16

HEX #67D628

RGB 103 214 40

HSL 98.28, 0.69%, 0.5%

LAB 76.76, -59.3, 68.82

 

CMYK 82 / 52 / 0 / 16

HEX #2768D7

RGB 39 104 215

HSL 217.84, 0.69%, 0.5%

LAB 45.96, 20.35, -62.67

 

CMYK 0 / 82 / 52 / 16

HEX #D72768

RGB 215 39 104

HSL 337.84, 0.69%, 0.5%

LAB 48.13, 68.67, 7.94

 

CMYK 52 / 0 / 81 / 16

HEX #67D628

RGB 103 214 40

HSL 98.28, 0.69%, 0.5%

LAB 76.76, -59.3, 68.82

 

CMYK 82 / 0 / 13 / 16

HEX #27D7BA

RGB 39 215 186

HSL 170.11, 0.69%, 0.5%

LAB 77.62, -48.62, 2.32

 

CMYK 30 / 82 / 0 / 16

HEX #9627D7

RGB 150 39 215

HSL 277.84, 0.69%, 0.5%

LAB 42.52, 70.52, -67.86

 

CMYK 0 / 82 / 68 / 16

HEX #D72744

RGB 215 39 68

HSL 350.11, 0.69%, 0.5%

LAB 47.39, 66.43, 28.98

 

CMYK 52 / 0 / 81 / 16

HEX #67D628

RGB 103 214 40

HSL 98.28, 0.69%, 0.5%

LAB 76.76, -59.3, 68.82

 

CMYK 82 / 11 / 0 / 16

HEX #27C0D7

RGB 39 192 215

HSL 187.84, 0.69%, 0.5%

LAB 71.58, -29.84, -22.36

 

CMYK 30 / 82 / 0 / 16

HEX #9627D7

RGB 150 39 215

HSL 277.84, 0.69%, 0.5%

LAB 42.52, 70.52, -67.86

 

CMYK 0 / 71 / 82 / 16

HEX #D73E27

RGB 215 62 39

HSL 7.84, 0.69%, 0.5%

LAB 49.54, 58.35, 47.57

 

Description

Color code: HEX #67D628 | qconv.com Color code: HEX #67D628 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 214 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 214 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 81% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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