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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67CCA9 it is the complementary color #983356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67CCA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67CCA9 shade: #6CCCA4, #7DDEB7, #8EF0CA, #9FFFDD and #B0FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67CCA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67CCA9 shade: #67CCA9, #56BA96, #45A883, #349670 and #23845D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67CCA9 shade: #65CCA8, #65CC8D, #65CC71, #75CC65 and #91CC65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67CCA9 shade: #65CCA8, #65CCC4, #65B8CC, #659CCC and #6581CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67CCA9 shade matches the following richer shades: #65CCA8, #55DCAD, #44EDB2 and #34FDB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67CCA9 shade: #65CCA8, #76BBA3, #87AA9E, #979A99 and #A88994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67CCA9 shade: #65CC71, #65CC8D, #65CCA8, #65CCC3 and #65B9CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67CCA9 shade: #37A780, #47C197, #65CCA8, #84D6BA and #A3E0CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67CCA9 shade: #67CCA9, #6575CC and #CC7F65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67CCA9 shade: #67CCA9, #A865CC and #CCA865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67CCA9 shade: #67CCA9, #6575CC, #CC6589 and #CCBC65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67CCA9 shade: #67CCA9, #7565CC, #CC6589 and #BCCC65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 17 / 20

HEX #67CCA9

RGB 103 204 169

HSL 159.21, 0.5%, 0.6%

LAB 75.41, -37.87, 8.44

 

Complementary color

CMYK 0 / 66 / 43 / 40

HEX #983356

RGB 152 51 86

HSL 339.21, 0.5%, 0.4%

LAB 37.33, 45.14, 2.17

 

CMYK 47 / 0 / 20 / 20

HEX #6CCCA4

RGB 108 204 164

HSL 155, 0.48%, 0.61%

LAB 75.49, -37.74, 11.26

 

CMYK 44 / 0 / 18 / 13

HEX #7DDEB7

RGB 125 222 183

HSL 155.88, 0.6%, 0.68%

LAB 81.85, -37.56, 10.29

 

CMYK 41 / 0 / 16 / 6

HEX #8EF0CA

RGB 142 240 202

HSL 156.73, 0.77%, 0.75%

LAB 88.13, -37.35, 9.38

 

CMYK 38 / 0 / 13 / 0

HEX #9FFFDD

RGB 159 255 221

HSL 158.75, 1%, 0.81%

LAB 93.5, -35.78, 7.34

 

CMYK 31 / 0 / 6 / 0

HEX #B0FFF0

RGB 176 255 240

HSL 168.61, 1%, 0.85%

LAB 94.76, -27.17, -0.54

 

CMYK 50 / 0 / 17 / 20

HEX #67CCA9

RGB 103 204 169

HSL 159.21, 0.5%, 0.6%

LAB 75.41, -37.87, 8.44

 

CMYK 54 / 0 / 19 / 27

HEX #56BA96

RGB 86 186 150

HSL 158.4, 0.42%, 0.53%

LAB 68.97, -37.95, 9.46

 

CMYK 59 / 0 / 22 / 34

HEX #45A883

RGB 69 168 131

HSL 157.58, 0.42%, 0.46%

LAB 62.43, -37.95, 10.58

 

CMYK 65 / 0 / 25 / 41

HEX #349670

RGB 52 150 112

HSL 156.73, 0.49%, 0.4%

LAB 55.8, -37.8, 11.83

 

CMYK 73 / 0 / 30 / 48

HEX #23845D

RGB 35 132 93

HSL 155.88, 0.58%, 0.33%

LAB 49.07, -37.4, 13.24

 

CMYK 50 / 0 / 18 / 20

HEX #65CCA8

RGB 101 204 168

HSL 159.03, 0.5%, 0.6%

LAB 75.31, -38.56, 8.83

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8D

RGB 101 204 141

HSL 143.3, 0.5%, 0.6%

LAB 74.75, -44.16, 22.43

 

CMYK 50 / 0 / 45 / 20

HEX #65CC71

RGB 101 204 113

HSL 126.99, 0.5%, 0.6%

LAB 74.28, -48.94, 36.3

 

CMYK 43 / 0 / 50 / 20

HEX #75CC65

RGB 117 204 101

HSL 110.68, 0.5%, 0.6%

LAB 74.77, -46.04, 42.97

 

CMYK 29 / 0 / 50 / 20

HEX #91CC65

RGB 145 204 101

HSL 94.37, 0.5%, 0.6%

LAB 76.16, -36.75, 44.99

 

CMYK 50 / 0 / 18 / 20

HEX #65CCA8

RGB 101 204 168

HSL 159.03, 0.5%, 0.6%

LAB 75.31, -38.56, 8.83

 

CMYK 50 / 0 / 4 / 20

HEX #65CCC4

RGB 101 204 196

HSL 175.34, 0.5%, 0.6%

LAB 76.03, -31.86, -5.22

 

CMYK 50 / 10 / 0 / 20

HEX #65B8CC

RGB 101 184 204

HSL 191.65, 0.5%, 0.6%

LAB 70.46, -19.82, -17.9

 

CMYK 50 / 24 / 0 / 20

HEX #659CCC

RGB 101 156 204

HSL 207.96, 0.5%, 0.6%

LAB 62.43, -4.74, -30.2

 

CMYK 50 / 37 / 0 / 20

HEX #6581CC

RGB 101 129 204

HSL 223.69, 0.5%, 0.6%

LAB 54.89, 10.96, -41.98

 

CMYK 50 / 0 / 18 / 20

HEX #65CCA8

RGB 101 204 168

HSL 159.03, 0.5%, 0.6%

LAB 75.31, -38.56, 8.83

 

CMYK 61 / 0 / 21 / 14

HEX #55DCAD

RGB 85 220 173

HSL 159.11, 0.66%, 0.6%

LAB 79.69, -47.76, 12.32

 

CMYK 71 / 0 / 25 / 7

HEX #44EDB2

RGB 68 237 178

HSL 159.05, 0.82%, 0.6%

LAB 84.49, -56.27, 16.41

 

CMYK 79 / 0 / 28 / 1

HEX #34FDB7

RGB 52 253 183

HSL 159.1, 0.98%, 0.6%

LAB 89.11, -63.11, 20.24

 

CMYK 50 / 0 / 18 / 20

HEX #65CCA8

RGB 101 204 168

HSL 159.03, 0.5%, 0.6%

LAB 75.31, -38.56, 8.83

 

CMYK 37 / 0 / 13 / 27

HEX #76BBA3

RGB 118 187 163

HSL 159.13, 0.34%, 0.6%

LAB 70.9, -27.25, 5.3

 

CMYK 21 / 0 / 7 / 33

HEX #87AA9E

RGB 135 170 158

HSL 159.43, 0.17%, 0.6%

LAB 66.8, -14.45, 2.25

 

CMYK 2 / 0 / 1 / 40

HEX #979A99

RGB 151 154 153

HSL 160, 0.01%, 0.6%

LAB 63.33, -1.27, 0.14

 

CMYK 0 / 18 / 12 / 34

HEX #A88994

RGB 168 137 148

HSL 338.71, 0.15%, 0.6%

LAB 60.21, 13.61, -1.42

 

CMYK 50 / 0 / 45 / 20

HEX #65CC71

RGB 101 204 113

HSL 126.99, 0.5%, 0.6%

LAB 74.28, -48.94, 36.3

 

CMYK 50 / 0 / 31 / 20

HEX #65CC8D

RGB 101 204 141

HSL 143.3, 0.5%, 0.6%

LAB 74.75, -44.16, 22.43

 

CMYK 50 / 0 / 18 / 20

HEX #65CCA8

RGB 101 204 168

HSL 159.03, 0.5%, 0.6%

LAB 75.31, -38.56, 8.83

 

CMYK 50 / 0 / 4 / 20

HEX #65CCC3

RGB 101 204 195

HSL 174.76, 0.5%, 0.6%

LAB 76, -32.11, -4.72

 

CMYK 50 / 9 / 0 / 20

HEX #65B9CC

RGB 101 185 204

HSL 191.07, 0.5%, 0.6%

LAB 70.75, -20.33, -17.47

 

CMYK 67 / 0 / 23 / 35

HEX #37A780

RGB 55 167 128

HSL 159.11, 0.5%, 0.44%

LAB 61.66, -40.91, 11.11

 

CMYK 63 / 0 / 22 / 24

HEX #47C197

RGB 71 193 151

HSL 159.34, 0.5%, 0.52%

LAB 70.67, -43.88, 11.28

 

CMYK 50 / 0 / 18 / 20

HEX #65CCA8

RGB 101 204 168

HSL 159.03, 0.5%, 0.6%

LAB 75.31, -38.56, 8.83

 

CMYK 38 / 0 / 13 / 16

HEX #84D6BA

RGB 132 214 186

HSL 159.51, 0.5%, 0.68%

LAB 79.92, -31.34, 5.97

 

CMYK 27 / 0 / 9 / 12

HEX #A3E0CB

RGB 163 224 203

HSL 159.34, 0.5%, 0.76%

LAB 84.69, -23.68, 4.05

 

CMYK 50 / 0 / 17 / 20

HEX #67CCA9

RGB 103 204 169

HSL 159.21, 0.5%, 0.6%

LAB 75.41, -37.87, 8.44

 

CMYK 50 / 43 / 0 / 20

HEX #6575CC

RGB 101 117 204

HSL 230.68, 0.5%, 0.6%

LAB 51.67, 18.22, -47.09

 

CMYK 0 / 38 / 50 / 20

HEX #CC7F65

RGB 204 127 101

HSL 15.15, 0.5%, 0.6%

LAB 60.74, 27.05, 26.63

 

CMYK 50 / 0 / 17 / 20

HEX #67CCA9

RGB 103 204 169

HSL 159.21, 0.5%, 0.6%

LAB 75.41, -37.87, 8.44

 

CMYK 18 / 50 / 0 / 20

HEX #A865CC

RGB 168 101 204

HSL 279.03, 0.5%, 0.6%

LAB 54.02, 44.95, -42.97

 

CMYK 0 / 18 / 50 / 20

HEX #CCA865

RGB 204 168 101

HSL 39.03, 0.5%, 0.6%

LAB 70.72, 4.77, 39.34

 

CMYK 50 / 0 / 17 / 20

HEX #67CCA9

RGB 103 204 169

HSL 159.21, 0.5%, 0.6%

LAB 75.41, -37.87, 8.44

 

CMYK 50 / 43 / 0 / 20

HEX #6575CC

RGB 101 117 204

HSL 230.68, 0.5%, 0.6%

LAB 51.67, 18.22, -47.09

 

CMYK 0 / 50 / 33 / 20

HEX #CC6589

RGB 204 101 137

HSL 339.03, 0.5%, 0.6%

LAB 56.04, 44.67, -0.66

 

CMYK 0 / 8 / 50 / 20

HEX #CCBC65

RGB 204 188 101

HSL 50.68, 0.5%, 0.6%

LAB 75.91, -5.8, 45.68

 

CMYK 50 / 0 / 17 / 20

HEX #67CCA9

RGB 103 204 169

HSL 159.21, 0.5%, 0.6%

LAB 75.41, -37.87, 8.44

 

CMYK 43 / 50 / 0 / 20

HEX #7565CC

RGB 117 101 204

HSL 249.32, 0.5%, 0.6%

LAB 48.82, 31.68, -51.56

 

CMYK 0 / 50 / 33 / 20

HEX #CC6589

RGB 204 101 137

HSL 339.03, 0.5%, 0.6%

LAB 56.04, 44.67, -0.66

 

CMYK 8 / 0 / 50 / 20

HEX #BCCC65

RGB 188 204 101

HSL 69.32, 0.5%, 0.6%

LAB 78.94, -20.43, 48.98

 

Description

Color code: HEX #67CCA9 | qconv.com Color code: HEX #67CCA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 204 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 204 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 17 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 17% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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