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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6370A5 it is the complementary color #9C8F5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6370A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6370A5 shade: #6870A0, #7982B3, #8A94C6, #9BA6D9 and #ACB8EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6370A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6370A5 shade: #6370A5, #525E92, #414C7F, #303A6C and #1F2859

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6370A5 shade: #6370A5, #6863A5, #7A63A5, #8C63A5 and #9D63A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6370A5 shade: #6370A5 and #6363A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6370A5 shade matches the following richer shades: #6370A5, #4F64B9, #3B58CD, #284CE1 and #1440F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6370A5 shade: #6370A5, #777C91, #8B887E, #9E946A and #B2A056

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6370A5 shade: #6394A5, #6382A5, #6370A5, #6763A5 and #7963A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6370A5 shade: #424C74, #515D8E, #6370A5, #7D88B4 and #97A0C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6370A5 shade: #6370A5, #A563A5 and #8BA563

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6370A5 shade: #6370A5, #A56370 and #70A563

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6370A5 shade: #6370A5, #A563A5, #A59863 and #63A563

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6370A5 shade: #6370A5, #A56391, #A59863 and #63A577

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

Complementary color

CMYK 0 / 8 / 42 / 39

HEX #9C8F5A

RGB 156 143 90

HSL 48.18, 0.27%, 0.48%

LAB 59.39, -2.99, 29.92

 

CMYK 35 / 30 / 0 / 37

HEX #6870A0

RGB 104 112 160

HSL 231.43, 0.23%, 0.52%

LAB 48.35, 8.96, -26.85

 

CMYK 32 / 27 / 0 / 30

HEX #7982B3

RGB 121 130 179

HSL 230.69, 0.28%, 0.59%

LAB 55.36, 8.44, -26.89

 

CMYK 30 / 25 / 0 / 22

HEX #8A94C6

RGB 138 148 198

HSL 230, 0.34%, 0.66%

LAB 62.22, 7.99, -26.98

 

CMYK 29 / 24 / 0 / 15

HEX #9BA6D9

RGB 155 166 217

HSL 229.35, 0.45%, 0.73%

LAB 68.93, 7.6, -27.1

 

CMYK 27 / 22 / 0 / 7

HEX #ACB8EC

RGB 172 184 236

HSL 228.75, 0.63%, 0.8%

LAB 75.52, 7.24, -27.25

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 44 / 36 / 0 / 43

HEX #525E92

RGB 82 94 146

HSL 228.75, 0.28%, 0.45%

LAB 41.02, 9.66, -30.11

 

CMYK 49 / 40 / 0 / 50

HEX #414C7F

RGB 65 76 127

HSL 229.35, 0.32%, 0.38%

LAB 33.62, 10.57, -30.26

 

CMYK 56 / 46 / 0 / 58

HEX #303A6C

RGB 48 58 108

HSL 230, 0.38%, 0.31%

LAB 25.97, 11.76, -30.5

 

CMYK 65 / 55 / 0 / 65

HEX #1F2859

RGB 31 40 89

HSL 230.69, 0.48%, 0.24%

LAB 18.05, 13.43, -30.84

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 37 / 40 / 0 / 35

HEX #6863A5

RGB 104 99 165

HSL 244.55, 0.27%, 0.52%

LAB 45.06, 18.32, -34.94

 

CMYK 26 / 40 / 0 / 35

HEX #7A63A5

RGB 122 99 165

HSL 260.91, 0.27%, 0.52%

LAB 46.68, 23.6, -32.28

 

CMYK 15 / 40 / 0 / 35

HEX #8C63A5

RGB 140 99 165

HSL 277.27, 0.27%, 0.52%

LAB 48.53, 29.16, -29.25

 

CMYK 5 / 40 / 0 / 35

HEX #9D63A5

RGB 157 99 165

HSL 292.73, 0.27%, 0.52%

LAB 50.46, 34.56, -26.1

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 40 / 40 / 0 / 35

HEX #6363A5

RGB 99 99 165

HSL 240, 0.27%, 0.52%

LAB 44.65, 16.93, -35.61

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 57 / 46 / 0 / 27

HEX #4F64B9

RGB 79 100 185

HSL 228.11, 0.43%, 0.52%

LAB 44.63, 17.8, -47.45

 

CMYK 71 / 57 / 0 / 20

HEX #3B58CD

RGB 59 88 205

HSL 228.08, 0.59%, 0.52%

LAB 41.72, 29.09, -63.8

 

CMYK 82 / 66 / 0 / 12

HEX #284CE1

RGB 40 76 225

HSL 228.32, 0.76%, 0.52%

LAB 39.68, 42.01, -78.63

 

CMYK 92 / 74 / 0 / 4

HEX #1440F4

RGB 20 64 244

HSL 228.21, 0.91%, 0.52%

LAB 38.46, 54.78, -91.42

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 18 / 14 / 0 / 43

HEX #777C91

RGB 119 124 145

HSL 228.46, 0.11%, 0.52%

LAB 52.27, 2.78, -11.97

 

CMYK 0 / 2 / 9 / 45

HEX #8B887E

RGB 139 136 126

HSL 46.15, 0.05%, 0.52%

LAB 56.69, -0.75, 5.76

 

CMYK 0 / 6 / 33 / 38

HEX #9E946A

RGB 158 148 106

HSL 48.46, 0.21%, 0.52%

LAB 61.21, -2.94, 23.58

HEX #9E946A

CMYK 0 / 10 / 52 / 30

HEX #B2A056

RGB 178 160 86

HSL 48.26, 0.37%, 0.52%

LAB 65.96, -3.26, 40.63

HEX #B2A056

CMYK 40 / 10 / 0 / 35

HEX #6394A5

RGB 99 148 165

HSL 195.45, 0.27%, 0.52%

LAB 58.55, -11.93, -14.14

 

CMYK 40 / 21 / 0 / 35

HEX #6382A5

RGB 99 130 165

HSL 211.82, 0.27%, 0.52%

LAB 53.31, -1.77, -22.12

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 38 / 40 / 0 / 35

HEX #6763A5

RGB 103 99 165

HSL 243.64, 0.27%, 0.52%

LAB 44.98, 18.04, -35.08

 

CMYK 27 / 40 / 0 / 35

HEX #7963A5

RGB 121 99 165

HSL 260, 0.27%, 0.52%

LAB 46.59, 23.3, -32.43

 

CMYK 43 / 34 / 0 / 55

HEX #424C74

RGB 66 76 116

HSL 228, 0.27%, 0.36%

LAB 33.11, 7.29, -24.21

 

CMYK 43 / 35 / 0 / 44

HEX #515D8E

RGB 81 93 142

HSL 228.2, 0.27%, 0.44%

LAB 40.46, 8.79, -28.57

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 31 / 24 / 0 / 29

HEX #7D88B4

RGB 125 136 180

HSL 228, 0.27%, 0.6%

LAB 57.33, 6.4, -24.41

 

CMYK 23 / 18 / 0 / 24

HEX #97A0C3

RGB 151 160 195

HSL 227.73, 0.27%, 0.68%

LAB 66.26, 4.44, -19.04

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 0 / 40 / 0 / 35

HEX #A563A5

RGB 165 99 165

HSL 300, 0.27%, 0.52%

LAB 51.43, 37.11, -24.53

 

CMYK 16 / 0 / 40 / 35

HEX #8BA563

RGB 139 165 99

HSL 83.64, 0.27%, 0.52%

LAB 64.4, -20.52, 31.26

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 0 / 40 / 32 / 35

HEX #A56370

RGB 165 99 112

HSL 348.18, 0.27%, 0.52%

LAB 49.61, 28.35, 4.14

 

CMYK 32 / 0 / 40 / 35

HEX #70A563

RGB 112 165 99

HSL 108.18, 0.27%, 0.52%

LAB 62.72, -30.53, 28.76

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 0 / 40 / 0 / 35

HEX #A563A5

RGB 165 99 165

HSL 300, 0.27%, 0.52%

LAB 51.43, 37.11, -24.53

 

CMYK 0 / 8 / 40 / 35

HEX #A59863

RGB 165 152 99

HSL 48.18, 0.27%, 0.52%

LAB 62.81, -3.09, 29.62

 

CMYK 40 / 0 / 40 / 35

HEX #63A563

RGB 99 165 99

HSL 120, 0.27%, 0.52%

LAB 62.05, -34.87, 27.76

 

CMYK 40 / 32 / 0 / 35

HEX #6370A5

RGB 99 112 165

HSL 228.18, 0.27%, 0.52%

LAB 48.21, 8.94, -30.03

 

CMYK 0 / 40 / 12 / 35

HEX #A56391

RGB 165 99 145

HSL 318.18, 0.27%, 0.52%

LAB 50.65, 33.46, -13.95

 

CMYK 0 / 8 / 40 / 35

HEX #A59863

RGB 165 152 99

HSL 48.18, 0.27%, 0.52%

LAB 62.81, -3.09, 29.62

 

CMYK 40 / 0 / 28 / 35

HEX #63A577

RGB 99 165 119

HSL 138.18, 0.27%, 0.52%

LAB 62.42, -31.34, 17.38

 

Description

Color code: HEX #6370A5 | qconv.com Color code: HEX #6370A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 112 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 112 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 32 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 32% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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