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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6376E3 it is the complementary color #9C891C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6376E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6376E3 shade: #6876DE, #7988F1, #8A9AFF, #9BACFF and #ACBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6376E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6376E3 shade: #6376E3, #5264D0, #4152BD, #3040AA and #1F2E97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6376E3 shade: #6276E3, #7262E3, #9562E3, #B762E3 and #DA62E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6376E3 shade: #6276E3 and #6262E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6376E3 shade matches the following richer shades: #6276E3 and #546BF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6376E3 shade: #6276E3, #7180D4, #808AC5, #8F95B6 and #9E9FA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6376E3 shade: #62BAE3, #6298E3, #6276E3, #7162E3 and #9462E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6376E3 shade: #243DCF, #3F57DD, #6276E3, #8694E9 and #A9B3EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6376E3 shade: #6376E3, #E362DD and #A9E362

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6376E3 shade: #6376E3, #E36276 and #76E362

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6376E3 shade: #6376E3, #E362DD, #E3D062 and #62E369

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6376E3 shade: #6376E3, #E362B6, #E3D062 and #62E38F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 48 / 0 / 11

HEX #6376E3

RGB 99 118 227

HSL 231.09, 0.7%, 0.64%

LAB 53.12, 24.51, -57.78

 

Complementary color

CMYK 0 / 12 / 82 / 39

HEX #9C891C

RGB 156 137 28

HSL 51.09, 0.7%, 0.36%

LAB 57.12, -4.19, 55.77

 

CMYK 53 / 47 / 0 / 13

HEX #6876DE

RGB 104 118 222

HSL 232.88, 0.64%, 0.64%

LAB 53.14, 23.93, -54.92

 

CMYK 50 / 44 / 0 / 5

HEX #7988F1

RGB 121 136 241

HSL 232.5, 0.81%, 0.71%

LAB 59.91, 22.68, -54.64

 

CMYK 46 / 40 / 0 / 0

HEX #8A9AFF

RGB 138 154 255

HSL 231.79, 1%, 0.77%

LAB 66.32, 20.15, -52.09

 

CMYK 39 / 33 / 0 / 0

HEX #9BACFF

RGB 155 172 255

HSL 229.8, 1%, 0.8%

LAB 72.02, 14.06, -43.03

 

CMYK 33 / 25 / 0 / 0

HEX #ACBEFF

RGB 172 190 255

HSL 226.99, 1%, 0.84%

LAB 77.77, 8.6, -34.02

 

CMYK 56 / 48 / 0 / 11

HEX #6376E3

RGB 99 118 227

HSL 231.09, 0.7%, 0.64%

LAB 53.12, 24.51, -57.78

 

CMYK 61 / 52 / 0 / 18

HEX #5264D0

RGB 82 100 208

HSL 231.43, 0.57%, 0.57%

LAB 46.26, 26.14, -58.1

 

CMYK 66 / 57 / 0 / 26

HEX #4152BD

RGB 65 82 189

HSL 231.77, 0.49%, 0.5%

LAB 39.3, 28.09, -58.42

 

CMYK 72 / 62 / 0 / 33

HEX #3040AA

RGB 48 64 170

HSL 232.13, 0.56%, 0.43%

LAB 32.25, 30.46, -58.69

 

CMYK 79 / 70 / 0 / 41

HEX #1F2E97

RGB 31 46 151

HSL 232.5, 0.66%, 0.36%

LAB 25.2, 33.28, -58.77

 

CMYK 57 / 48 / 0 / 11

HEX #6276E3

RGB 98 118 227

HSL 230.7, 0.7%, 0.64%

LAB 53.06, 24.31, -57.88

 

CMYK 50 / 57 / 0 / 11

HEX #7262E3

RGB 114 98 227

HSL 247.44, 0.7%, 0.64%

LAB 49.32, 39.52, -63.84

 

CMYK 34 / 57 / 0 / 11

HEX #9562E3

RGB 149 98 227

HSL 263.72, 0.7%, 0.64%

LAB 52.59, 47.15, -58.41

 

CMYK 19 / 57 / 0 / 11

HEX #B762E3

RGB 183 98 227

HSL 279.53, 0.7%, 0.64%

LAB 56.44, 55.35, -52.04

 

CMYK 4 / 57 / 0 / 11

HEX #DA62E3

RGB 218 98 227

HSL 295.81, 0.7%, 0.64%

LAB 60.95, 64.13, -44.61

 

CMYK 57 / 48 / 0 / 11

HEX #6276E3

RGB 98 118 227

HSL 230.7, 0.7%, 0.64%

LAB 53.06, 24.31, -57.88

 

CMYK 57 / 57 / 0 / 11

HEX #6262E3

RGB 98 98 227

HSL 240, 0.7%, 0.64%

LAB 48.11, 36.47, -65.87

 

CMYK 57 / 48 / 0 / 11

HEX #6276E3

RGB 98 118 227

HSL 230.7, 0.7%, 0.64%

LAB 53.06, 24.31, -57.88

 

CMYK 65 / 56 / 0 / 5

HEX #546BF2

RGB 84 107 242

HSL 231.27, 0.86%, 0.64%

LAB 50.47, 33.62, -70.51

 

CMYK 57 / 48 / 0 / 11

HEX #6276E3

RGB 98 118 227

HSL 230.7, 0.7%, 0.64%

LAB 53.06, 24.31, -57.88

 

CMYK 47 / 40 / 0 / 17

HEX #7180D4

RGB 113 128 212

HSL 230.91, 0.54%, 0.64%

LAB 55.79, 16.85, -45.03

 

CMYK 35 / 30 / 0 / 23

HEX #808AC5

RGB 128 138 197

HSL 231.3, 0.37%, 0.64%

LAB 58.79, 10.61, -31.79

 

CMYK 21 / 18 / 0 / 29

HEX #8F95B6

RGB 143 149 182

HSL 230.77, 0.21%, 0.64%

LAB 62.26, 5.04, -17.88

 

CMYK 6 / 5 / 0 / 34

HEX #9E9FA8

RGB 158 159 168

HSL 234, 0.05%, 0.64%

LAB 65.66, 1.42, -4.8

 

CMYK 57 / 18 / 0 / 11

HEX #62BAE3

RGB 98 186 227

HSL 199.07, 0.7%, 0.64%

LAB 71.73, -14.85, -28.53

 

CMYK 57 / 33 / 0 / 11

HEX #6298E3

RGB 98 152 227

HSL 214.88, 0.7%, 0.64%

LAB 62.17, 3.99, -43.41

 

CMYK 57 / 48 / 0 / 11

HEX #6276E3

RGB 98 118 227

HSL 230.7, 0.7%, 0.64%

LAB 53.06, 24.31, -57.88

 

CMYK 50 / 57 / 0 / 11

HEX #7162E3

RGB 113 98 227

HSL 246.98, 0.7%, 0.64%

LAB 49.24, 39.32, -63.97

 

CMYK 35 / 57 / 0 / 11

HEX #9462E3

RGB 148 98 227

HSL 263.26, 0.7%, 0.64%

LAB 52.48, 46.92, -58.59

 

CMYK 83 / 71 / 0 / 19

HEX #243DCF

RGB 36 61 207

HSL 231.23, 0.7%, 0.48%

LAB 34.43, 44.52, -76.92

 

CMYK 71 / 61 / 0 / 13

HEX #3F57DD

RGB 63 87 221

HSL 230.89, 0.7%, 0.56%

LAB 42.9, 35.92, -71.02

 

CMYK 57 / 48 / 0 / 11

HEX #6276E3

RGB 98 118 227

HSL 230.7, 0.7%, 0.64%

LAB 53.06, 24.31, -57.88

 

CMYK 42 / 36 / 0 / 9

HEX #8694E9

RGB 134 148 233

HSL 231.52, 0.69%, 0.72%

LAB 63.45, 16.36, -44.56

 

CMYK 29 / 25 / 0 / 6

HEX #A9B3EF

RGB 169 179 239

HSL 231.43, 0.69%, 0.8%

LAB 74.13, 9.85, -31.03

 

CMYK 56 / 48 / 0 / 11

HEX #6376E3

RGB 99 118 227

HSL 231.09, 0.7%, 0.64%

LAB 53.12, 24.51, -57.78

 

CMYK 0 / 57 / 3 / 11

HEX #E362DD

RGB 227 98 221

HSL 302.79, 0.7%, 0.64%

LAB 61.9, 65.4, -39.66

 

CMYK 26 / 0 / 57 / 11

HEX #A9E362

RGB 169 227 98

HSL 86.98, 0.7%, 0.64%

LAB 84.1, -38.79, 56.06

 

CMYK 56 / 48 / 0 / 11

HEX #6376E3

RGB 99 118 227

HSL 231.09, 0.7%, 0.64%

LAB 53.12, 24.51, -57.78

 

CMYK 0 / 57 / 48 / 11

HEX #E36276

RGB 227 98 118

HSL 350.7, 0.7%, 0.64%

LAB 58.39, 51.9, 14.27

 

CMYK 48 / 0 / 57 / 11

HEX #76E362

RGB 118 227 98

HSL 110.7, 0.7%, 0.64%

LAB 81.66, -55.39, 52.61

 

CMYK 56 / 48 / 0 / 11

HEX #6376E3

RGB 99 118 227

HSL 231.09, 0.7%, 0.64%

LAB 53.12, 24.51, -57.78

 

CMYK 0 / 57 / 3 / 11

HEX #E362DD

RGB 227 98 221

HSL 302.79, 0.7%, 0.64%

LAB 61.9, 65.4, -39.66

 

CMYK 0 / 8 / 57 / 11

HEX #E3D062

RGB 227 208 98

HSL 51.16, 0.7%, 0.64%

LAB 83.09, -6.83, 56

 

CMYK 57 / 0 / 54 / 11

HEX #62E369

RGB 98 227 105

HSL 123.26, 0.7%, 0.64%

LAB 81.05, -59.73, 48.52

 

CMYK 56 / 48 / 0 / 11

HEX #6376E3

RGB 99 118 227

HSL 231.09, 0.7%, 0.64%

LAB 53.12, 24.51, -57.78

 

CMYK 0 / 57 / 20 / 11

HEX #E362B6

RGB 227 98 182

HSL 320.93, 0.7%, 0.64%

LAB 60.29, 59.39, -20.05

 

CMYK 0 / 8 / 57 / 11

HEX #E3D062

RGB 227 208 98

HSL 51.16, 0.7%, 0.64%

LAB 83.09, -6.83, 56

 

CMYK 57 / 0 / 37 / 11

HEX #62E38F

RGB 98 227 143

HSL 140.93, 0.7%, 0.64%

LAB 81.58, -53.98, 30.58

 

Description

Color code: HEX #6376E3 | qconv.com Color code: HEX #6376E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 118 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 118 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 48 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 48% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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