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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #635382 it is the complementary color #9CAC7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #635382. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #635382 shade: #68537D, #796590, #8A77A3, #9B89B6 and #AC9BC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #635382. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #635382 shade: #635382, #52416F, #412F5C, #301D49 and #1F0B36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #635382 shade: #635382, #705382, #7C5382, #82537B and #82536E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #635382 shade: #635382, #565382 and #535382

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #635382 shade matches the following richer shades: #635382, #5E4293, #5830A5, #531FB6 and #4D0EC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #635382 shade: #635382, #696471, #6E7660, #74874E and #79983D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #635382 shade: #535C82, #565382, #635382, #6F5382 and #7C5382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #635382 shade: #3D3350, #504369, #635382, #76639B and #8C7CAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #635382 shade: #635382, #825369 and #568253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #635382 shade: #635382, #826353 and #538263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #635382 shade: #635382, #825369, #728253 and #53826C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #635382 shade: #635382, #82535B, #728253 and #53827A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

Complementary color

CMYK 9 / 0 / 27 / 33

HEX #9CAC7D

RGB 156 172 125

HSL 80.43, 0.22%, 0.58%

LAB 68.06, -13.9, 22.38

 

CMYK 17 / 34 / 0 / 51

HEX #68537D

RGB 104 83 125

HSL 270, 0.2%, 0.41%

LAB 38.92, 17.59, -20.49

 

CMYK 16 / 30 / 0 / 44

HEX #796590

RGB 121 101 144

HSL 267.91, 0.18%, 0.48%

LAB 46.16, 16.92, -20.66

 

CMYK 15 / 27 / 0 / 36

HEX #8A77A3

RGB 138 119 163

HSL 265.91, 0.19%, 0.55%

LAB 53.21, 16.33, -20.86

 

CMYK 15 / 25 / 0 / 29

HEX #9B89B6

RGB 155 137 182

HSL 264, 0.24%, 0.63%

LAB 60.1, 15.8, -21.09

 

CMYK 14 / 23 / 0 / 21

HEX #AC9BC9

RGB 172 155 201

HSL 262.17, 0.3%, 0.7%

LAB 66.85, 15.32, -21.33

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 26 / 41 / 0 / 56

HEX #52416F

RGB 82 65 111

HSL 262.17, 0.26%, 0.35%

LAB 31.17, 17.98, -24

 

CMYK 29 / 49 / 0 / 64

HEX #412F5C

RGB 65 47 92

HSL 264, 0.32%, 0.27%

LAB 23.44, 18.95, -24.05

 

CMYK 34 / 60 / 0 / 71

HEX #301D49

RGB 48 29 73

HSL 265.91, 0.43%, 0.2%

LAB 15.42, 20.08, -24.13

 

CMYK 43 / 80 / 0 / 79

HEX #1F0B36

RGB 31 11 54

HSL 267.91, 0.66%, 0.13%

LAB 7.2, 21.11, -24.03

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 14 / 36 / 0 / 49

HEX #705382

RGB 112 83 130

HSL 277.02, 0.22%, 0.42%

LAB 39.99, 21.5, -21.82

 

CMYK 5 / 36 / 0 / 49

HEX #7C5382

RGB 124 83 130

HSL 292.34, 0.22%, 0.42%

LAB 41.35, 25.6, -19.61

 

CMYK 0 / 36 / 5 / 49

HEX #82537B

RGB 130 83 123

HSL 308.94, 0.22%, 0.42%

LAB 41.79, 26.27, -14.6

 

CMYK 0 / 36 / 15 / 49

HEX #82536E

RGB 130 83 110

HSL 325.53, 0.22%, 0.42%

LAB 41.31, 23.86, -7.35

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 34 / 36 / 0 / 49

HEX #565382

RGB 86 83 130

HSL 243.83, 0.22%, 0.42%

LAB 37.44, 13.03, -25.98

 

CMYK 36 / 36 / 0 / 49

HEX #535382

RGB 83 83 130

HSL 240, 0.22%, 0.42%

LAB 37.18, 12.11, -26.4

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 36 / 55 / 0 / 42

HEX #5E4293

RGB 94 66 147

HSL 260.74, 0.38%, 0.42%

LAB 34.77, 30.82, -40.55

 

CMYK 47 / 71 / 0 / 35

HEX #5830A5

RGB 88 48 165

HSL 260.51, 0.55%, 0.42%

LAB 31.59, 44.81, -56.63

 

CMYK 54 / 83 / 0 / 29

HEX #531FB6

RGB 83 31 182

HSL 260.66, 0.71%, 0.42%

LAB 29.9, 56.42, -69.6

 

CMYK 61 / 93 / 0 / 22

HEX #4D0EC7

RGB 77 14 199

HSL 260.43, 0.87%, 0.42%

LAB 29.45, 65.14, -80.41

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 7 / 12 / 0 / 56

HEX #696471

RGB 105 100 113

HSL 263.08, 0.06%, 0.42%

LAB 43.23, 4.71, -6.6

 

CMYK 7 / 0 / 19 / 54

HEX #6E7660

RGB 110 118 96

HSL 81.82, 0.1%, 0.42%

LAB 48.41, -7.29, 11.12

 

CMYK 14 / 0 / 42 / 47

HEX #74874E

RGB 116 135 78

HSL 80, 0.27%, 0.42%

LAB 53.59, -16.92, 28.37

 

CMYK 20 / 0 / 60 / 40

HEX #79983D

RGB 121 152 61

HSL 80.44, 0.43%, 0.42%

LAB 58.84, -25.42, 43.4

 

CMYK 36 / 29 / 0 / 49

HEX #535C82

RGB 83 92 130

HSL 228.51, 0.22%, 0.42%

LAB 39.76, 6.42, -22.39

 

CMYK 34 / 36 / 0 / 49

HEX #565382

RGB 86 83 130

HSL 243.83, 0.22%, 0.42%

LAB 37.44, 13.03, -25.98

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 15 / 36 / 0 / 49

HEX #6F5382

RGB 111 83 130

HSL 275.74, 0.22%, 0.42%

LAB 39.88, 21.16, -22

 

CMYK 5 / 36 / 0 / 49

HEX #7C5382

RGB 124 83 130

HSL 292.34, 0.22%, 0.42%

LAB 41.35, 25.6, -19.61

 

CMYK 24 / 36 / 0 / 69

HEX #3D3350

RGB 61 51 80

HSL 260.69, 0.22%, 0.26%

LAB 23.47, 11.51, -16.1

 

CMYK 24 / 36 / 0 / 59

HEX #504369

RGB 80 67 105

HSL 260.53, 0.22%, 0.34%

LAB 31.21, 14.41, -20.15

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 24 / 36 / 0 / 39

HEX #76639B

RGB 118 99 155

HSL 260.36, 0.22%, 0.5%

LAB 45.83, 19.83, -27.73

 

CMYK 18 / 27 / 0 / 33

HEX #8C7CAB

RGB 140 124 171

HSL 260.43, 0.22%, 0.58%

LAB 55, 15.91, -22.73

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 0 / 36 / 19 / 49

HEX #825369

RGB 130 83 105

HSL 331.91, 0.22%, 0.42%

LAB 41.14, 23, -4.52

 

CMYK 34 / 0 / 36 / 49

HEX #568253

RGB 86 130 83

HSL 116.17, 0.22%, 0.42%

LAB 50.18, -25.14, 20.78

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 0 / 24 / 36 / 49

HEX #826353

RGB 130 99 83

HSL 20.43, 0.22%, 0.42%

LAB 44.65, 10.14, 13.92

 

CMYK 36 / 0 / 24 / 49

HEX #538263

RGB 83 130 99

HSL 140.43, 0.22%, 0.42%

LAB 50.34, -23.14, 11.81

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 0 / 36 / 19 / 49

HEX #825369

RGB 130 83 105

HSL 331.91, 0.22%, 0.42%

LAB 41.14, 23, -4.52

 

CMYK 12 / 0 / 36 / 49

HEX #728253

RGB 114 130 83

HSL 80.43, 0.22%, 0.42%

LAB 52.03, -14.38, 23.56

 

CMYK 36 / 0 / 17 / 49

HEX #53826C

RGB 83 130 108

HSL 151.91, 0.22%, 0.42%

LAB 50.55, -21.21, 6.88

 

CMYK 24 / 36 / 0 / 49

HEX #635382

RGB 99 83 130

HSL 260.43, 0.22%, 0.42%

LAB 38.64, 17.17, -24.02

 

CMYK 0 / 36 / 30 / 49

HEX #82535B

RGB 130 83 91

HSL 349.79, 0.22%, 0.42%

LAB 40.72, 20.77, 3.51

 

CMYK 12 / 0 / 36 / 49

HEX #728253

RGB 114 130 83

HSL 80.43, 0.22%, 0.42%

LAB 52.03, -14.38, 23.56

 

CMYK 36 / 0 / 6 / 49

HEX #53827A

RGB 83 130 122

HSL 169.79, 0.22%, 0.42%

LAB 50.93, -17.92, -0.75

 

Description

Color code: HEX #635382 | qconv.com Color code: HEX #635382 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 83 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 83 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 36 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 36% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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