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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6344C5 it is the complementary color #9CBB3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6344C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6344C5 shade: #6844C0, #7956D3, #8A68E6, #9B7AF9 and #AC8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6344C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6344C5 shade: #6344C5, #5232B2, #41209F, #300E8C and #1F0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6344C5 shade: #6243C5, #8543C5, #A843C5, #C543BF and #C5439C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6344C5 shade: #6243C5 and #4343C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6344C5 shade matches the following richer shades: #6243C5, #582FD9 and #4E1CED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6344C5 shade: #6243C5, #6D57B1, #776B9D, #817F8A and #8C9276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6344C5 shade: #436AC5, #4348C5, #6243C5, #8443C5 and #A743C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6344C5 shade: #422A8B, #5134AB, #6243C5, #7D63CF and #9782D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6344C5 shade: #6344C5, #C5438D and #59C543

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6344C5 shade: #6344C5, #C56243 and #43C562

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6344C5 shade: #6344C5, #C5438D, #A7C543 and #43C57B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6344C5 shade: #6344C5, #C54366, #A7C543 and #43C5A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 65 / 0 / 23

HEX #6344C5

RGB 99 68 197

HSL 254.42, 0.53%, 0.52%

LAB 39.27, 45.07, -63.01

 

Complementary color

CMYK 17 / 0 / 69 / 27

HEX #9CBB3A

RGB 156 187 58

HSL 74.42, 0.53%, 0.48%

LAB 71.5, -28.42, 58.89

 

CMYK 46 / 65 / 0 / 25

HEX #6844C0

RGB 104 68 192

HSL 257.42, 0.5%, 0.51%

LAB 39.38, 44.59, -59.89

 

CMYK 43 / 59 / 0 / 17

HEX #7956D3

RGB 121 86 211

HSL 256.8, 0.59%, 0.58%

LAB 46.21, 43.3, -59.75

 

CMYK 40 / 55 / 0 / 10

HEX #8A68E6

RGB 138 104 230

HSL 256.19, 0.72%, 0.65%

LAB 52.97, 42.07, -59.55

 

CMYK 38 / 51 / 0 / 2

HEX #9B7AF9

RGB 155 122 249

HSL 255.59, 0.91%, 0.73%

LAB 59.64, 40.93, -59.34

 

CMYK 33 / 45 / 0 / 0

HEX #AC8CFF

RGB 172 140 255

HSL 256.7, 1%, 0.77%

LAB 65.55, 36.57, -53.13

 

CMYK 50 / 65 / 0 / 23

HEX #6344C5

RGB 99 68 197

HSL 254.42, 0.53%, 0.52%

LAB 39.27, 45.07, -63.01

 

CMYK 54 / 72 / 0 / 30

HEX #5232B2

RGB 82 50 178

HSL 255, 0.56%, 0.45%

LAB 32.46, 46.46, -63.03

 

CMYK 59 / 80 / 0 / 38

HEX #41209F

RGB 65 32 159

HSL 255.59, 0.66%, 0.37%

LAB 25.74, 47.58, -62.68

 

CMYK 66 / 90 / 0 / 45

HEX #300E8C

RGB 48 14 140

HSL 256.19, 0.82%, 0.3%

LAB 19.37, 47.82, -61.54

 

CMYK 74 / 100 / 0 / 53

HEX #1F0079

RGB 31 0 121

HSL 255.37, 1%, 0.24%

LAB 13.66, 46.3, -59.03

 

CMYK 50 / 66 / 0 / 23

HEX #6243C5

RGB 98 67 197

HSL 254.31, 0.53%, 0.52%

LAB 38.97, 45.44, -63.51

 

CMYK 32 / 66 / 0 / 23

HEX #8543C5

RGB 133 67 197

HSL 270.46, 0.53%, 0.52%

LAB 42.81, 52.37, -57.1

 

CMYK 15 / 66 / 0 / 23

HEX #A843C5

RGB 168 67 197

HSL 286.62, 0.53%, 0.52%

LAB 47.46, 60.1, -49.38

 

CMYK 0 / 66 / 3 / 23

HEX #C543BF

RGB 197 67 191

HSL 302.77, 0.53%, 0.52%

LAB 51.43, 65.78, -39.33

 

CMYK 0 / 66 / 21 / 23

HEX #C5439C

RGB 197 67 156

HSL 318.92, 0.53%, 0.52%

LAB 49.84, 60.51, -21.29

 

CMYK 50 / 66 / 0 / 23

HEX #6243C5

RGB 98 67 197

HSL 254.31, 0.53%, 0.52%

LAB 38.97, 45.44, -63.51

 

CMYK 66 / 66 / 0 / 23

HEX #4343C5

RGB 67 67 197

HSL 240, 0.53%, 0.52%

LAB 36.44, 40.51, -67.75

 

CMYK 50 / 66 / 0 / 23

HEX #6243C5

RGB 98 67 197

HSL 254.31, 0.53%, 0.52%

LAB 38.97, 45.44, -63.51

 

CMYK 59 / 78 / 0 / 15

HEX #582FD9

RGB 88 47 217

HSL 254.47, 0.69%, 0.52%

LAB 36.21, 59.76, -79.65

 

CMYK 67 / 88 / 0 / 7

HEX #4E1CED

RGB 78 28 237

HSL 254.35, 0.85%, 0.52%

LAB 35.13, 71.15, -92.9

 

CMYK 50 / 66 / 0 / 23

HEX #6243C5

RGB 98 67 197

HSL 254.31, 0.53%, 0.52%

LAB 38.97, 45.44, -63.51

 

CMYK 38 / 51 / 0 / 31

HEX #6D57B1

RGB 109 87 177

HSL 254.67, 0.37%, 0.52%

LAB 43.13, 30.41, -45.04

 

CMYK 24 / 32 / 0 / 38

HEX #776B9D

RGB 119 107 157

HSL 254.4, 0.2%, 0.52%

LAB 48.1, 15.82, -25.38

 

CMYK 7 / 8 / 0 / 46

HEX #817F8A

RGB 129 127 138

HSL 250.91, 0.04%, 0.52%

LAB 53.69, 3, -5.67

 

CMYK 4 / 0 / 19 / 43

HEX #8C9276

RGB 140 146 118

HSL 72.86, 0.11%, 0.52%

LAB 59.38, -7.3, 14.13

 

CMYK 66 / 46 / 0 / 23

HEX #436AC5

RGB 67 106 197

HSL 222, 0.53%, 0.52%

LAB 46.36, 15.93, -51.67

 

CMYK 66 / 63 / 0 / 23

HEX #4348C5

RGB 67 72 197

HSL 237.69, 0.53%, 0.52%

LAB 37.59, 37.46, -65.87

 

CMYK 50 / 66 / 0 / 23

HEX #6243C5

RGB 98 67 197

HSL 254.31, 0.53%, 0.52%

LAB 38.97, 45.44, -63.51

 

CMYK 33 / 66 / 0 / 23

HEX #8443C5

RGB 132 67 197

HSL 270, 0.53%, 0.52%

LAB 42.69, 52.16, -57.3

 

CMYK 15 / 66 / 0 / 23

HEX #A743C5

RGB 167 67 197

HSL 286.15, 0.53%, 0.52%

LAB 47.32, 59.87, -49.62

 

CMYK 53 / 70 / 0 / 45

HEX #422A8B

RGB 66 42 139

HSL 254.85, 0.54%, 0.35%

LAB 25.8, 36.51, -50.27

 

CMYK 53 / 70 / 0 / 33

HEX #5134AB

RGB 81 52 171

HSL 254.62, 0.53%, 0.44%

LAB 32.14, 43.15, -59.38

 

CMYK 50 / 66 / 0 / 23

HEX #6243C5

RGB 98 67 197

HSL 254.31, 0.53%, 0.52%

LAB 38.97, 45.44, -63.51

 

CMYK 40 / 52 / 0 / 19

HEX #7D63CF

RGB 125 99 207

HSL 254.44, 0.53%, 0.6%

LAB 49.24, 35.62, -52.57

 

CMYK 30 / 40 / 0 / 15

HEX #9782D8

RGB 151 130 216

HSL 254.65, 0.52%, 0.68%

LAB 59.44, 26.76, -41.33

 

CMYK 50 / 65 / 0 / 23

HEX #6344C5

RGB 99 68 197

HSL 254.42, 0.53%, 0.52%

LAB 39.27, 45.07, -63.01

 

CMYK 0 / 66 / 28 / 23

HEX #C5438D

RGB 197 67 141

HSL 325.85, 0.53%, 0.52%

LAB 49.26, 58.53, -13.23

 

CMYK 55 / 0 / 66 / 23

HEX #59C543

RGB 89 197 67

HSL 109.85, 0.53%, 0.52%

LAB 71.19, -55.03, 53.95

 

CMYK 50 / 65 / 0 / 23

HEX #6344C5

RGB 99 68 197

HSL 254.42, 0.53%, 0.52%

LAB 39.27, 45.07, -63.01

 

CMYK 0 / 50 / 66 / 23

HEX #C56243

RGB 197 98 67

HSL 14.31, 0.53%, 0.52%

LAB 52.96, 37.05, 35.59

 

CMYK 66 / 0 / 50 / 23

HEX #43C562

RGB 67 197 98

HSL 134.31, 0.53%, 0.52%

LAB 70.88, -56.32, 39.27

 

CMYK 50 / 65 / 0 / 23

HEX #6344C5

RGB 99 68 197

HSL 254.42, 0.53%, 0.52%

LAB 39.27, 45.07, -63.01

 

CMYK 0 / 66 / 28 / 23

HEX #C5438D

RGB 197 67 141

HSL 325.85, 0.53%, 0.52%

LAB 49.26, 58.53, -13.23

 

CMYK 15 / 0 / 66 / 23

HEX #A7C543

RGB 167 197 67

HSL 73.85, 0.53%, 0.52%

LAB 75.17, -28.18, 59.38

 

CMYK 66 / 0 / 38 / 23

HEX #43C57B

RGB 67 197 123

HSL 145.85, 0.53%, 0.52%

LAB 71.25, -52.11, 27.01

 

CMYK 50 / 65 / 0 / 23

HEX #6344C5

RGB 99 68 197

HSL 254.42, 0.53%, 0.52%

LAB 39.27, 45.07, -63.01

 

CMYK 0 / 66 / 48 / 23

HEX #C54366

RGB 197 67 102

HSL 343.85, 0.53%, 0.52%

LAB 48.06, 54.29, 8.61

 

CMYK 15 / 0 / 66 / 23

HEX #A7C543

RGB 167 197 67

HSL 73.85, 0.53%, 0.52%

LAB 75.17, -28.18, 59.38

 

CMYK 66 / 0 / 18 / 23

HEX #43C5A2

RGB 67 197 162

HSL 163.85, 0.53%, 0.52%

LAB 72.05, -43.69, 7.26

 

Description

Color code: HEX #6344C5 | qconv.com Color code: HEX #6344C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 68 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 68 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 65 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 65% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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