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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #633FB5 it is the complementary color #9CC04A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #633FB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #633FB5 shade: #683FB0, #7951C3, #8A63D6, #9B75E9 and #AC87FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #633FB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #633FB5 shade: #633FB5, #522DA2, #411B8F, #30097C and #1F0069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #633FB5 shade: #633FB5, #833FB5, #A23FB5, #B53FA7 and #B53F88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #633FB5 shade: #633FB5, #433FB5 and #3F3FB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #633FB5 shade matches the following richer shades: #633FB5, #5B2BC8, #5418DC and #4C04F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #633FB5 shade: #633FB5, #6B53A1, #72678D, #7A7B79 and #828E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #633FB5 shade: #3F5BB5, #433FB5, #623FB5, #823FB5 and #A13FB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #633FB5 shade: #412A78, #523496, #633FB5, #7A59C4 and #9277CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #633FB5 shade: #633FB5, #B53F7A and #4BB53F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #633FB5 shade: #633FB5, #B5623F and #3FB562

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #633FB5 shade: #633FB5, #B53F7A, #91B53F and #3FB57A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #633FB5 shade: #633FB5, #B53F57, #91B53F and #3FB59D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

Complementary color

CMYK 19 / 0 / 61 / 25

HEX #9CC04A

RGB 156 192 74

HSL 78.31, 0.48%, 0.52%

LAB 73.06, -29.67, 53.99

 

CMYK 41 / 64 / 0 / 31

HEX #683FB0

RGB 104 63 176

HSL 261.77, 0.47%, 0.47%

LAB 37.17, 42.92, -54.05

 

CMYK 38 / 58 / 0 / 24

HEX #7951C3

RGB 121 81 195

HSL 261.05, 0.49%, 0.54%

LAB 44.07, 41.78, -53.97

 

CMYK 36 / 54 / 0 / 16

HEX #8A63D6

RGB 138 99 214

HSL 260.35, 0.58%, 0.61%

LAB 50.9, 40.65, -53.83

 

CMYK 33 / 50 / 0 / 9

HEX #9B75E9

RGB 155 117 233

HSL 259.66, 0.73%, 0.69%

LAB 57.63, 39.59, -53.67

 

CMYK 32 / 46 / 0 / 1

HEX #AC87FC

RGB 172 135 252

HSL 258.97, 0.95%, 0.76%

LAB 64.26, 38.61, -53.53

 

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

CMYK 49 / 72 / 0 / 36

HEX #522DA2

RGB 82 45 162

HSL 258.97, 0.57%, 0.41%

LAB 30.11, 44.48, -57.27

 

CMYK 55 / 81 / 0 / 44

HEX #411B8F

RGB 65 27 143

HSL 259.66, 0.68%, 0.33%

LAB 23.31, 45.32, -56.85

 

CMYK 61 / 93 / 0 / 51

HEX #30097C

RGB 48 9 124

HSL 260.35, 0.86%, 0.26%

LAB 16.89, 45.02, -55.54

 

CMYK 70 / 100 / 0 / 59

HEX #1F0069

RGB 31 0 105

HSL 257.71, 1%, 0.21%

LAB 11.35, 42.1, -52.45

 

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

CMYK 28 / 65 / 0 / 29

HEX #833FB5

RGB 131 63 181

HSL 274.58, 0.48%, 0.48%

LAB 40.76, 50.12, -51.06

 

CMYK 10 / 65 / 0 / 29

HEX #A23FB5

RGB 162 63 181

HSL 290.34, 0.48%, 0.48%

LAB 45.04, 57.32, -43.96

 

CMYK 0 / 65 / 8 / 29

HEX #B53FA7

RGB 181 63 167

HSL 307.12, 0.48%, 0.48%

LAB 47.2, 59.54, -32.12

 

CMYK 0 / 65 / 25 / 29

HEX #B53F88

RGB 181 63 136

HSL 322.88, 0.48%, 0.48%

LAB 45.85, 54.96, -15.65

 

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

CMYK 63 / 65 / 0 / 29

HEX #433FB5

RGB 67 63 181

HSL 242.03, 0.48%, 0.48%

LAB 34.16, 37.61, -62.08

 

CMYK 65 / 65 / 0 / 29

HEX #3F3FB5

RGB 63 63 181

HSL 240, 0.48%, 0.48%

LAB 33.87, 37.02, -62.55

 

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

CMYK 55 / 79 / 0 / 22

HEX #5B2BC8

RGB 91 43 200

HSL 258.34, 0.65%, 0.48%

LAB 34.24, 57.24, -73.04

 

CMYK 62 / 89 / 0 / 14

HEX #5418DC

RGB 84 24 220

HSL 258.37, 0.8%, 0.48%

LAB 33.36, 68.4, -86.1

 

CMYK 68 / 98 / 0 / 6

HEX #4C04F0

RGB 76 4 240

HSL 258.31, 0.97%, 0.48%

LAB 33.8, 76.4, -96.81

 

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

CMYK 34 / 48 / 0 / 37

HEX #6B53A1

RGB 107 83 161

HSL 258.46, 0.32%, 0.48%

LAB 41.03, 27.86, -38.92

 

CMYK 19 / 27 / 0 / 45

HEX #72678D

RGB 114 103 141

HSL 257.37, 0.16%, 0.48%

LAB 45.91, 12.63, -19.31

 

CMYK 1 / 0 / 2 / 52

HEX #7A7B79

RGB 122 123 121

HSL 90, 0.01%, 0.48%

LAB 51.48, -0.77, 0.95

 

CMYK 8 / 0 / 29 / 44

HEX #828E65

RGB 130 142 101

HSL 77.56, 0.17%, 0.48%

LAB 57.11, -11.75, 20.45

 

CMYK 65 / 50 / 0 / 29

HEX #3F5BB5

RGB 63 91 181

HSL 225.76, 0.48%, 0.48%

LAB 41.02, 19.12, -50.96

 

CMYK 63 / 65 / 0 / 29

HEX #433FB5

RGB 67 63 181

HSL 242.03, 0.48%, 0.48%

LAB 34.16, 37.61, -62.08

 

CMYK 46 / 65 / 0 / 29

HEX #623FB5

RGB 98 63 181

HSL 257.8, 0.48%, 0.48%

LAB 36.91, 43.08, -57.48

 

CMYK 28 / 65 / 0 / 29

HEX #823FB5

RGB 130 63 181

HSL 274.07, 0.48%, 0.48%

LAB 40.63, 49.9, -51.27

 

CMYK 11 / 65 / 0 / 29

HEX #A13FB5

RGB 161 63 181

HSL 289.83, 0.48%, 0.48%

LAB 44.9, 57.08, -44.2

 

CMYK 46 / 65 / 0 / 53

HEX #412A78

RGB 65 42 120

HSL 257.69, 0.48%, 0.32%

LAB 24.12, 30.48, -41.07

 

CMYK 45 / 65 / 0 / 41

HEX #523496

RGB 82 52 150

HSL 258.37, 0.49%, 0.4%

LAB 30.52, 37.17, -49.29

 

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

CMYK 38 / 55 / 0 / 23

HEX #7A59C4

RGB 122 89 196

HSL 258.5, 0.48%, 0.56%

LAB 46, 37.71, -51.45

 

CMYK 29 / 43 / 0 / 19

HEX #9277CF

RGB 146 119 207

HSL 258.41, 0.48%, 0.64%

LAB 55.9, 29.45, -41.87

 

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

CMYK 0 / 65 / 33 / 29

HEX #B53F7A

RGB 181 63 122

HSL 330, 0.48%, 0.48%

LAB 45.34, 53.16, -7.9

 

CMYK 59 / 0 / 65 / 29

HEX #4BB53F

RGB 75 181 63

HSL 113.9, 0.48%, 0.48%

LAB 65.67, -53.05, 49.48

 

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

CMYK 0 / 46 / 65 / 29

HEX #B5623F

RGB 181 98 63

HSL 17.8, 0.48%, 0.48%

LAB 50.59, 30.4, 34.42

 

CMYK 65 / 0 / 46 / 29

HEX #3FB562

RGB 63 181 98

HSL 137.8, 0.48%, 0.48%

LAB 65.74, -51.11, 32.78

 

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

CMYK 0 / 65 / 33 / 29

HEX #B53F7A

RGB 181 63 122

HSL 330, 0.48%, 0.48%

LAB 45.34, 53.16, -7.9

 

CMYK 20 / 0 / 65 / 29

HEX #91B53F

RGB 145 181 63

HSL 78.31, 0.48%, 0.48%

LAB 69.06, -29.65, 54.13

 

CMYK 65 / 0 / 33 / 29

HEX #3FB57A

RGB 63 181 122

HSL 150, 0.48%, 0.48%

LAB 66.14, -46.67, 20.64

 

CMYK 45 / 65 / 0 / 29

HEX #633FB5

RGB 99 63 181

HSL 258.31, 0.48%, 0.48%

LAB 37.01, 43.28, -57.3

 

CMYK 0 / 65 / 52 / 29

HEX #B53F57

RGB 181 63 87

HSL 347.8, 0.48%, 0.48%

LAB 44.33, 49.51, 12.17

 

CMYK 20 / 0 / 65 / 29

HEX #91B53F

RGB 145 181 63

HSL 78.31, 0.48%, 0.48%

LAB 69.06, -29.65, 54.13

 

CMYK 65 / 0 / 13 / 29

HEX #3FB59D

RGB 63 181 157

HSL 167.8, 0.48%, 0.48%

LAB 66.93, -38.56, 2.6

 

Description

Color code: HEX #633FB5 | qconv.com Color code: HEX #633FB5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 63 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 63 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 65 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 65% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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