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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6303B9 it is the complementary color #9CFC46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6303B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6303B9 shade: #6803B4, #7915C7, #8A27DA, #9B39ED and #AC4BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6303B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6303B9 shade: #6303B9, #5200A6, #410093, #300080 and #1F006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6303B9 shade: #6302B9, #9402B9, #B902AD, #B9027C and #B9024A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6303B9 shade: #6302B9, #3202B9 and #0202B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6303B9 shade matches the following richer shades: #6302B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6303B9 shade: #6302B9, #6212AA, #61219B, #60308C and #603F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6303B9 shade: #0205B9, #3002B9, #6102B9, #9202B9 and #B902B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6303B9 shade: #370168, #4D0291, #6302B9, #7903E2 and #8D13FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6303B9 shade: #6303B9, #B90236 and #02B918

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6303B9 shade: #6303B9, #B96102 and #02B961

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6303B9 shade: #6303B9, #B90236, #5BB902 and #02B986

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6303B9 shade: #6303B9, #B90502, #5BB902 and #02B6B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 98 / 0 / 27

HEX #6303B9

RGB 99 3 185

HSL 271.65, 0.97%, 0.37%

LAB 29.96, 65.54, -71.22

 

Complementary color

CMYK 38 / 0 / 72 / 1

HEX #9CFC46

RGB 156 252 70

HSL 91.65, 0.97%, 0.63%

LAB 90.38, -55.92, 73.52

 

CMYK 42 / 98 / 0 / 29

HEX #6803B4

RGB 104 3 180

HSL 274.24, 0.97%, 0.36%

LAB 30.17, 64.94, -67.89

 

CMYK 39 / 89 / 0 / 22

HEX #7915C7

RGB 121 21 199

HSL 273.71, 0.81%, 0.43%

LAB 35.45, 67.81, -70.33

 

CMYK 37 / 82 / 0 / 15

HEX #8A27DA

RGB 138 39 218

HSL 273.18, 0.71%, 0.5%

LAB 41.08, 69.37, -72.01

 

CMYK 35 / 76 / 0 / 7

HEX #9B39ED

RGB 155 57 237

HSL 272.67, 0.83%, 0.58%

LAB 46.99, 69.94, -73.08

 

CMYK 33 / 71 / 0 / 0

HEX #AC4BFF

RGB 172 75 255

HSL 272.33, 1%, 0.65%

LAB 52.97, 69.67, -73.31

 

CMYK 46 / 98 / 0 / 27

HEX #6303B9

RGB 99 3 185

HSL 271.65, 0.97%, 0.37%

LAB 29.96, 65.54, -71.22

 

CMYK 51 / 100 / 0 / 35

HEX #5200A6

RGB 82 0 166

HSL 269.64, 1%, 0.33%

LAB 25.4, 60.4, -67.43

 

CMYK 56 / 100 / 0 / 42

HEX #410093

RGB 65 0 147

HSL 266.53, 1%, 0.29%

LAB 20.94, 54.71, -63.24

 

CMYK 63 / 100 / 0 / 50

HEX #300080

RGB 48 0 128

HSL 262.5, 1%, 0.25%

LAB 16.44, 48.95, -58.84

 

CMYK 72 / 100 / 0 / 57

HEX #1F006D

RGB 31 0 109

HSL 257.06, 1%, 0.21%

LAB 11.93, 43.16, -54.13

 

CMYK 46 / 99 / 0 / 27

HEX #6302B9

RGB 99 2 185

HSL 271.8, 0.98%, 0.37%

LAB 29.91, 65.7, -71.31

 

CMYK 20 / 99 / 0 / 27

HEX #9402B9

RGB 148 2 185

HSL 287.87, 0.98%, 0.37%

LAB 37.56, 71.38, -58.48

 

CMYK 0 / 99 / 6 / 27

HEX #B902AD

RGB 185 2 173

HSL 303.93, 0.98%, 0.37%

LAB 43.32, 75.29, -41.75

 

CMYK 0 / 99 / 33 / 27

HEX #B9027C

RGB 185 2 124

HSL 320, 0.98%, 0.37%

LAB 40.92, 69.23, -15.75

 

CMYK 0 / 99 / 60 / 27

HEX #B9024A

RGB 185 2 74

HSL 336.39, 0.98%, 0.37%

LAB 39.33, 65.05, 13.59

 

CMYK 46 / 99 / 0 / 27

HEX #6302B9

RGB 99 2 185

HSL 271.8, 0.98%, 0.37%

LAB 29.91, 65.7, -71.31

 

CMYK 73 / 99 / 0 / 27

HEX #3202B9

RGB 50 2 185

HSL 255.74, 0.98%, 0.37%

LAB 24.4, 62.64, -80.61

 

CMYK 99 / 99 / 0 / 27

HEX #0202B9

RGB 2 2 185

HSL 240, 0.98%, 0.37%

LAB 22.16, 61.76, -84.42

 

CMYK 46 / 99 / 0 / 27

HEX #6302B9

RGB 99 2 185

HSL 271.8, 0.98%, 0.37%

LAB 29.91, 65.7, -71.31

 

CMYK 46 / 99 / 0 / 27

HEX #6302B9

RGB 99 2 185

HSL 271.8, 0.98%, 0.37%

LAB 29.91, 65.7, -71.31

 

CMYK 42 / 89 / 0 / 33

HEX #6212AA

RGB 98 18 170

HSL 271.58, 0.81%, 0.37%

LAB 29.24, 59.33, -63.45

 

CMYK 37 / 79 / 0 / 39

HEX #61219B

RGB 97 33 155

HSL 271.48, 0.65%, 0.37%

LAB 29.4, 50.81, -54.09

 

CMYK 31 / 66 / 0 / 45

HEX #60308C

RGB 96 48 140

HSL 271.3, 0.49%, 0.37%

LAB 30.63, 39.81, -42.9

 

CMYK 23 / 49 / 0 / 51

HEX #603F7C

RGB 96 63 124

HSL 272.46, 0.33%, 0.37%

LAB 32.91, 27.08, -29.31

 

CMYK 99 / 97 / 0 / 27

HEX #0205B9

RGB 2 5 185

HSL 239.02, 0.98%, 0.37%

LAB 22.39, 61.04, -84.03

 

CMYK 74 / 99 / 0 / 27

HEX #3002B9

RGB 48 2 185

HSL 255.08, 0.98%, 0.37%

LAB 24.24, 62.57, -80.88

 

CMYK 48 / 99 / 0 / 27

HEX #6102B9

RGB 97 2 185

HSL 271.15, 0.98%, 0.37%

LAB 29.63, 65.52, -71.78

 

CMYK 21 / 99 / 0 / 27

HEX #9202B9

RGB 146 2 185

HSL 287.21, 0.98%, 0.37%

LAB 37.22, 71.1, -59.04

 

CMYK 0 / 99 / 5 / 27

HEX #B902B0

RGB 185 2 176

HSL 302.95, 0.98%, 0.37%

LAB 43.5, 75.71, -43.25

 

CMYK 47 / 99 / 0 / 59

HEX #370168

RGB 55 1 104

HSL 271.46, 0.98%, 0.21%

LAB 14.59, 43.3, -46.34

 

CMYK 47 / 99 / 0 / 43

HEX #4D0291

RGB 77 2 145

HSL 271.47, 0.97%, 0.29%

LAB 22.53, 54.78, -59.31

 

CMYK 46 / 99 / 0 / 27

HEX #6302B9

RGB 99 2 185

HSL 271.8, 0.98%, 0.37%

LAB 29.91, 65.7, -71.31

 

CMYK 46 / 99 / 0 / 11

HEX #7903E2

RGB 121 3 226

HSL 271.75, 0.97%, 0.45%

LAB 37.15, 76.23, -83.14

 

CMYK 44 / 92 / 0 / 2

HEX #8D13FB

RGB 141 19 251

HSL 271.55, 0.97%, 0.53%

LAB 42.9, 81.27, -87.71

 

CMYK 46 / 98 / 0 / 27

HEX #6303B9

RGB 99 3 185

HSL 271.65, 0.97%, 0.37%

LAB 29.96, 65.54, -71.22

 

CMYK 0 / 99 / 71 / 27

HEX #B90236

RGB 185 2 54

HSL 342.95, 0.98%, 0.37%

LAB 38.94, 63.99, 25.83

 

CMYK 99 / 0 / 87 / 27

HEX #02B918

RGB 2 185 24

HSL 127.21, 0.98%, 0.37%

LAB 65.57, -66.96, 61.87

 

CMYK 46 / 98 / 0 / 27

HEX #6303B9

RGB 99 3 185

HSL 271.65, 0.97%, 0.37%

LAB 29.96, 65.54, -71.22

 

CMYK 0 / 48 / 99 / 27

HEX #B96102

RGB 185 97 2

HSL 31.15, 0.98%, 0.37%

LAB 50.53, 30.53, 58.49

 

CMYK 99 / 0 / 48 / 27

HEX #02B961

RGB 2 185 97

HSL 151.15, 0.98%, 0.37%

LAB 66.19, -59.22, 33.71

 

CMYK 46 / 98 / 0 / 27

HEX #6303B9

RGB 99 3 185

HSL 271.65, 0.97%, 0.37%

LAB 29.96, 65.54, -71.22

 

CMYK 0 / 99 / 71 / 27

HEX #B90236

RGB 185 2 54

HSL 342.95, 0.98%, 0.37%

LAB 38.94, 63.99, 25.83

 

CMYK 51 / 0 / 99 / 27

HEX #5BB902

RGB 91 185 2

HSL 90.82, 0.98%, 0.37%

LAB 67.22, -53.24, 67.2

 

CMYK 99 / 0 / 28 / 27

HEX #02B986

RGB 2 185 134

HSL 163.28, 0.98%, 0.37%

LAB 66.85, -51.62, 14.99

 

CMYK 46 / 98 / 0 / 27

HEX #6303B9

RGB 99 3 185

HSL 271.65, 0.97%, 0.37%

LAB 29.96, 65.54, -71.22

 

CMYK 0 / 97 / 99 / 27

HEX #B90502

RGB 185 5 2

HSL 0.98, 0.98%, 0.37%

LAB 38.6, 62.42, 52.08

 

CMYK 51 / 0 / 99 / 27

HEX #5BB902

RGB 91 185 2

HSL 90.82, 0.98%, 0.37%

LAB 67.22, -53.24, 67.2

 

CMYK 99 / 2 / 0 / 27

HEX #02B6B9

RGB 2 182 185

HSL 180.98, 0.98%, 0.37%

LAB 67.26, -36.34, -12.48

 

Description

Color code: HEX #6303B9 | qconv.com Color code: HEX #6303B9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 3 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 3 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 98 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 98% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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