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Color name
HEX #62FD53

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62FD53 it is the complementary color #9D02AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62FD53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62FD53 shade: #67FD4E, #78FF61, #89FF74, #9AFF87 and #ABFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62FD53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62FD53 shade: #62FD53, #51EB40, #40D92D, #2FC71A and #1EB507

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62FD53 shade: #62FD53, #90FD53, #BDFD53, #EBFD53 and #FDE053

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62FD53 shade: #62FD53, #53FD72, #53FDA0, #53FDCD and #53FDFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62FD53 shade matches the following richer shades: #62FD53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62FD53 shade: #62FD53, #6DEF61, #79E16F, #84D37D and #90C58B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62FD53 shade: #BEFD53, #91FD53, #64FD53, #53FD6F and #53FD9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62FD53 shade: #18FB02, #3DFC2A, #62FD53, #87FD7C and #ACFEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62FD53 shade: #62FD53, #53ECFD and #FD53A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62FD53 shade: #62FD53, #5364FD and #FD5364

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62FD53 shade: #62FD53, #53ECFD, #EC53FD and #FD6453

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62FD53 shade: #62FD53, #53B9FD, #EC53FD and #FD9753

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

Complementary color

CMYK 9 / 99 / 0 / 33

HEX #9D02AC

RGB 157 2 172

HSL 294.71, 0.98%, 0.34%

LAB 38.18, 70.51, -49.67

 

CMYK 59 / 0 / 69 / 1

HEX #67FD4E

RGB 103 253 78

HSL 111.43, 0.98%, 0.65%

LAB 88.77, -70.49, 68.47

 

CMYK 53 / 0 / 62 / 0

HEX #78FF61

RGB 120 255 97

HSL 111.27, 1%, 0.69%

LAB 90.03, -65.44, 62.6

 

CMYK 46 / 0 / 55 / 0

HEX #89FF74

RGB 137 255 116

HSL 110.94, 1%, 0.73%

LAB 90.83, -58.91, 55.5

 

CMYK 40 / 0 / 47 / 0

HEX #9AFF87

RGB 154 255 135

HSL 110.5, 1%, 0.76%

LAB 91.75, -51.7, 48.02

 

CMYK 33 / 0 / 40 / 0

HEX #ABFF9A

RGB 171 255 154

HSL 109.9, 1%, 0.8%

LAB 92.8, -43.93, 40.37

 

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

CMYK 66 / 0 / 73 / 8

HEX #51EB40

RGB 81 235 64

HSL 114.04, 0.81%, 0.59%

LAB 82.67, -70.25, 66.97

 

CMYK 71 / 0 / 79 / 15

HEX #40D92D

RGB 64 217 45

HSL 113.37, 0.69%, 0.51%

LAB 76.62, -68.93, 66.93

 

CMYK 76 / 0 / 87 / 22

HEX #2FC71A

RGB 47 199 26

HSL 112.72, 0.77%, 0.44%

LAB 70.54, -67.05, 65.99

 

CMYK 83 / 0 / 96 / 29

HEX #1EB507

RGB 30 181 7

HSL 112.07, 0.93%, 0.37%

LAB 64.43, -64.45, 63.71

 

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

CMYK 43 / 0 / 67 / 1

HEX #90FD53

RGB 144 253 83

HSL 98.47, 0.98%, 0.66%

LAB 90.23, -59.2, 68.59

 

CMYK 25 / 0 / 67 / 1

HEX #BDFD53

RGB 189 253 83

HSL 82.59, 0.98%, 0.66%

LAB 92.44, -44.11, 71.57

 

CMYK 7 / 0 / 67 / 1

HEX #EBFD53

RGB 235 253 83

HSL 66.35, 0.98%, 0.66%

LAB 95.39, -26.55, 75.52

 

CMYK 0 / 11 / 67 / 1

HEX #FDE053

RGB 253 224 83

HSL 49.76, 0.98%, 0.66%

LAB 89.31, -5.14, 69.8

 

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

CMYK 67 / 0 / 55 / 1

HEX #53FD72

RGB 83 253 114

HSL 130.94, 0.98%, 0.66%

LAB 88.59, -70.81, 53.35

 

CMYK 67 / 0 / 37 / 1

HEX #53FDA0

RGB 83 253 160

HSL 147.18, 0.98%, 0.66%

LAB 89.22, -63.72, 32.12

 

CMYK 67 / 0 / 19 / 1

HEX #53FDCD

RGB 83 253 205

HSL 163.06, 0.98%, 0.66%

LAB 90.09, -54.43, 10.38

 

CMYK 67 / 0 / 1 / 1

HEX #53FDFB

RGB 83 253 251

HSL 179.29, 0.98%, 0.66%

LAB 91.26, -42.89, -11.76

 

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

CMYK 54 / 0 / 59 / 6

HEX #6DEF61

RGB 109 239 97

HSL 114.93, 0.82%, 0.66%

LAB 84.92, -62.4, 56.73

 

CMYK 46 / 0 / 51 / 12

HEX #79E16F

RGB 121 225 111

HSL 114.74, 0.66%, 0.66%

LAB 81.33, -52.21, 46.23

 

CMYK 37 / 0 / 41 / 17

HEX #84D37D

RGB 132 211 125

HSL 115.12, 0.49%, 0.66%

LAB 77.86, -41.1, 35.1

 

CMYK 27 / 0 / 29 / 23

HEX #90C58B

RGB 144 197 139

HSL 114.83, 0.33%, 0.66%

LAB 74.65, -28.55, 23.69

 

CMYK 25 / 0 / 67 / 1

HEX #BEFD53

RGB 190 253 83

HSL 82.24, 0.98%, 0.66%

LAB 92.5, -43.75, 71.65

 

CMYK 43 / 0 / 67 / 1

HEX #91FD53

RGB 145 253 83

HSL 98.12, 0.98%, 0.66%

LAB 90.27, -58.9, 68.64

 

CMYK 60 / 0 / 67 / 1

HEX #64FD53

RGB 100 253 83

HSL 114, 0.98%, 0.66%

LAB 88.73, -70.74, 66.54

 

CMYK 67 / 0 / 56 / 1

HEX #53FD6F

RGB 83 253 111

HSL 129.88, 0.98%, 0.66%

LAB 88.56, -71.18, 54.65

 

CMYK 67 / 0 / 38 / 1

HEX #53FD9C

RGB 83 253 156

HSL 145.76, 0.98%, 0.66%

LAB 89.15, -64.44, 34.03

 

CMYK 90 / 0 / 99 / 2

HEX #18FB02

RGB 24 251 2

HSL 114.7, 0.98%, 0.5%

LAB 86.6, -84.25, 82.15

 

CMYK 76 / 0 / 83 / 1

HEX #3DFC2A

RGB 61 252 42

HSL 114.57, 0.97%, 0.58%

LAB 87.38, -80.01, 77.55

 

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

CMYK 47 / 0 / 51 / 1

HEX #87FD7C

RGB 135 253 124

HSL 114.88, 0.97%, 0.74%

LAB 90.26, -57.75, 51.16

 

CMYK 32 / 0 / 35 / 0

HEX #ACFEA5

RGB 172 254 165

HSL 115.28, 0.98%, 0.82%

LAB 92.74, -41.58, 34.87

 

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

CMYK 67 / 7 / 0 / 1

HEX #53ECFD

RGB 83 236 253

HSL 186, 0.98%, 0.66%

LAB 86.47, -34.59, -20

 

CMYK 0 / 67 / 34 / 1

HEX #FD53A8

RGB 253 83 168

HSL 330, 0.98%, 0.66%

LAB 61.56, 71.09, -9.68

 

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

CMYK 67 / 60 / 0 / 1

HEX #5364FD

RGB 83 100 253

HSL 234, 0.98%, 0.66%

LAB 49.55, 41.42, -78.12

 

CMYK 0 / 67 / 60 / 1

HEX #FD5364

RGB 253 83 100

HSL 354, 0.98%, 0.66%

LAB 59.88, 65.22, 27.44

 

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

CMYK 67 / 7 / 0 / 1

HEX #53ECFD

RGB 83 236 253

HSL 186, 0.98%, 0.66%

LAB 86.47, -34.59, -20

 

CMYK 7 / 67 / 0 / 1

HEX #EC53FD

RGB 236 83 253

HSL 294, 0.98%, 0.66%

LAB 62.6, 78.9, -56.27

 

CMYK 0 / 60 / 67 / 1

HEX #FD6453

RGB 253 100 83

HSL 6, 0.98%, 0.66%

LAB 62.19, 57.33, 39.89

 

CMYK 61 / 0 / 67 / 1

HEX #62FD53

RGB 98 253 83

HSL 114.71, 0.98%, 0.66%

LAB 88.67, -71.17, 66.47

 

CMYK 67 / 27 / 0 / 1

HEX #53B9FD

RGB 83 185 253

HSL 204, 0.98%, 0.66%

LAB 71.98, -8.81, -42.27

 

CMYK 7 / 67 / 0 / 1

HEX #EC53FD

RGB 236 83 253

HSL 294, 0.98%, 0.66%

LAB 62.6, 78.9, -56.27

 

CMYK 0 / 40 / 67 / 1

HEX #FD9753

RGB 253 151 83

HSL 24, 0.98%, 0.66%

LAB 71.99, 32.64, 51.22

 

Description

Color code: HEX #62FD53 | qconv.com Color code: HEX #62FD53 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 253 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 253 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 67 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 67% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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