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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62F3DF it is the complementary color #9D0C20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62F3DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62F3DF shade: #67F3DA, #78FFED, #89FFFF, #9AFFFF and #ABFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62F3DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62F3DF shade: #62F3DF, #51E1CC, #40CFB9, #2FBDA6 and #1EAB93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62F3DF shade: #62F3DF, #62F3B8, #62F391, #62F36A and #81F362

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62F3DF shade: #62F3DF, #62E0F3, #62B9F3, #6292F3 and #626BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62F3DF shade matches the following richer shades: #62F3DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62F3DF shade: #62F3DF, #70E5D5, #7DD7CB, #8BCAC1 and #98BCB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62F3DF shade: #62F390, #62F3B6, #62F3DD, #62E2F3 and #62BBF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62F3DF shade: #15EDCF, #3CF0D7, #62F3DF, #88F6E7 and #AFF8EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62F3DF shade: #62F3DF, #6962F3 and #F3A362

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62F3DF shade: #62F3DF, #DD62F3 and #F3DD62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62F3DF shade: #62F3DF, #6962F3, #F36278 and #EBF362

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62F3DF shade: #62F3DF, #9562F3, #F36278 and #C0F362

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

Complementary color

CMYK 0 / 92 / 80 / 38

HEX #9D0C20

RGB 157 12 32

HSL 351.72, 0.86%, 0.33%

LAB 33, 54.72, 31.12

 

CMYK 58 / 0 / 10 / 5

HEX #67F3DA

RGB 103 243 218

HSL 169.29, 0.85%, 0.68%

LAB 87.99, -43.81, 0.66

 

CMYK 53 / 0 / 7 / 0

HEX #78FFED

RGB 120 255 237

HSL 172, 1%, 0.74%

LAB 92.41, -41.27, -2.69

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

CMYK 64 / 0 / 9 / 12

HEX #51E1CC

RGB 81 225 204

HSL 171.25, 0.71%, 0.6%

LAB 81.82, -43.16, -1.06

 

CMYK 69 / 0 / 11 / 19

HEX #40CFB9

RGB 64 207 185

HSL 170.77, 0.6%, 0.53%

LAB 75.59, -42.7, -0.06

 

CMYK 75 / 0 / 12 / 26

HEX #2FBDA6

RGB 47 189 166

HSL 170.28, 0.6%, 0.46%

LAB 69.29, -42.02, 1.05

 

CMYK 82 / 0 / 14 / 33

HEX #1EAB93

RGB 30 171 147

HSL 169.79, 0.7%, 0.39%

LAB 62.93, -41.04, 2.28

 

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

CMYK 60 / 0 / 24 / 5

HEX #62F3B8

RGB 98 243 184

HSL 155.59, 0.86%, 0.67%

LAB 87.07, -52.47, 17.02

 

CMYK 60 / 0 / 40 / 5

HEX #62F391

RGB 98 243 145

HSL 139.45, 0.86%, 0.67%

LAB 86.38, -59.84, 35.91

 

CMYK 60 / 0 / 56 / 5

HEX #62F36A

RGB 98 243 106

HSL 123.31, 0.86%, 0.67%

LAB 85.88, -65.4, 53.81

 

CMYK 47 / 0 / 60 / 5

HEX #81F362

RGB 129 243 98

HSL 107.17, 0.86%, 0.67%

LAB 86.82, -58.46, 58.66

 

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

CMYK 60 / 8 / 0 / 5

HEX #62E0F3

RGB 98 224 243

HSL 187.86, 0.86%, 0.67%

LAB 83.11, -29.4, -19.76

 

CMYK 60 / 24 / 0 / 5

HEX #62B9F3

RGB 98 185 243

HSL 204, 0.86%, 0.67%

LAB 72.07, -9.46, -36.69

 

CMYK 60 / 40 / 0 / 5

HEX #6292F3

RGB 98 146 243

HSL 220.14, 0.86%, 0.67%

LAB 61.33, 12.67, -53.57

 

CMYK 60 / 56 / 0 / 5

HEX #626BF3

RGB 98 107 243

HSL 236.28, 0.86%, 0.67%

LAB 51.36, 36.17, -69.57

 

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

CMYK 51 / 0 / 7 / 10

HEX #70E5D5

RGB 112 229 213

HSL 171.79, 0.69%, 0.67%

LAB 84.12, -36.95, -2.35

 

CMYK 42 / 0 / 6 / 16

HEX #7DD7CB

RGB 125 215 203

HSL 172, 0.53%, 0.67%

LAB 80.33, -29.8, -2.54

 

CMYK 31 / 0 / 4 / 21

HEX #8BCAC1

RGB 139 202 193

HSL 171.43, 0.37%, 0.67%

LAB 77.03, -21.99, -1.94

 

CMYK 19 / 0 / 3 / 26

HEX #98BCB7

RGB 152 188 183

HSL 171.67, 0.21%, 0.67%

LAB 73.58, -13.08, -1.48

 

CMYK 60 / 0 / 41 / 5

HEX #62F390

RGB 98 243 144

HSL 139.03, 0.86%, 0.67%

LAB 86.36, -60.01, 36.38

 

CMYK 60 / 0 / 25 / 5

HEX #62F3B6

RGB 98 243 182

HSL 154.76, 0.86%, 0.67%

LAB 87.03, -52.89, 18

 

CMYK 60 / 0 / 9 / 5

HEX #62F3DD

RGB 98 243 221

HSL 170.9, 0.86%, 0.67%

LAB 87.93, -43.97, -1.02

 

CMYK 60 / 7 / 0 / 5

HEX #62E2F3

RGB 98 226 243

HSL 187.03, 0.86%, 0.67%

LAB 83.68, -30.37, -18.9

 

CMYK 60 / 23 / 0 / 5

HEX #62BBF3

RGB 98 187 243

HSL 203.17, 0.86%, 0.67%

LAB 72.63, -10.54, -35.81

 

CMYK 91 / 0 / 13 / 7

HEX #15EDCF

RGB 21 237 207

HSL 171.67, 0.86%, 0.51%

LAB 84.6, -53.23, 1.32

 

CMYK 75 / 0 / 10 / 6

HEX #3CF0D7

RGB 60 240 215

HSL 171.67, 0.86%, 0.59%

LAB 86.1, -49.55, -0.65

 

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

CMYK 45 / 0 / 6 / 4

HEX #88F6E7

RGB 136 246 231

HSL 171.82, 0.86%, 0.75%

LAB 90.28, -35.16, -2.64

 

CMYK 29 / 0 / 4 / 3

HEX #AFF8EE

RGB 175 248 238

HSL 171.78, 0.84%, 0.83%

LAB 92.76, -24.52, -2.43

 

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

CMYK 57 / 60 / 0 / 5

HEX #6962F3

RGB 105 98 243

HSL 242.9, 0.86%, 0.67%

LAB 49.75, 42.71, -72.17

 

CMYK 0 / 33 / 60 / 5

HEX #F3A362

RGB 243 163 98

HSL 26.9, 0.86%, 0.67%

LAB 73.63, 23.29, 45.37

 

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

CMYK 9 / 60 / 0 / 5

HEX #DD62F3

RGB 221 98 243

HSL 290.9, 0.86%, 0.67%

LAB 62.15, 67.75, -51.58

 

CMYK 0 / 9 / 60 / 5

HEX #F3DD62

RGB 243 221 98

HSL 50.9, 0.86%, 0.67%

LAB 87.8, -6.84, 61.68

 

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

CMYK 57 / 60 / 0 / 5

HEX #6962F3

RGB 105 98 243

HSL 242.9, 0.86%, 0.67%

LAB 49.75, 42.71, -72.17

 

CMYK 0 / 60 / 51 / 5

HEX #F36278

RGB 243 98 120

HSL 350.9, 0.86%, 0.67%

LAB 60.91, 57.38, 16.98

 

CMYK 3 / 0 / 60 / 5

HEX #EBF362

RGB 235 243 98

HSL 63.31, 0.86%, 0.67%

LAB 92.86, -20.9, 67.05

 

CMYK 60 / 0 / 8 / 5

HEX #62F3DF

RGB 98 243 223

HSL 171.72, 0.86%, 0.67%

LAB 87.98, -43.47, -1.99

 

CMYK 39 / 60 / 0 / 5

HEX #9562F3

RGB 149 98 243

HSL 261.1, 0.86%, 0.67%

LAB 53.6, 51.23, -65.76

 

CMYK 0 / 60 / 51 / 5

HEX #F36278

RGB 243 98 120

HSL 350.9, 0.86%, 0.67%

LAB 60.91, 57.38, 16.98

 

CMYK 21 / 0 / 60 / 5

HEX #C0F362

RGB 192 243 98

HSL 81.1, 0.86%, 0.67%

LAB 89.95, -37.52, 63.02

 

Description

Color code: HEX #62F3DF | qconv.com Color code: HEX #62F3DF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 243 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 243 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 8 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 8% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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