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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62E3DA it is the complementary color #9D1C25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62E3DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62E3DA shade: #67E3D5, #78F5E8, #89FFFB, #9AFFFF and #ABFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62E3DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62E3DA shade: #62E3DA, #51D1C7, #40BFB4, #2FADA1 and #1E9B8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62E3DA shade: #62E3DA, #62E3B7, #62E395, #62E372 and #76E362

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62E3DA shade: #62E3DA, #62C9E3, #62A7E3, #6284E3 and #6262E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62E3DA shade matches the following richer shades: #62E3DA and #54F2E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62E3DA shade: #62E3DA, #71D4CD, #80C5C0, #8FB6B4 and #9EA8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62E3DA shade: #62E394, #62E3B6, #62E3D8, #62CBE3 and #62A9E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62E3DA shade: #24CFC3, #3FDDD2, #62E3DA, #86E9E2 and #A9EFEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62E3DA shade: #62E3DA, #7162E3 and #E3A562

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62E3DA shade: #62E3DA, #D862E3 and #E3D862

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62E3DA shade: #62E3DA, #7162E3, #E3626D and #D4E362

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62E3DA shade: #62E3DA, #9862E3, #E3626D and #ADE362

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

Complementary color

CMYK 0 / 82 / 76 / 38

HEX #9D1C25

RGB 157 28 37

HSL 355.81, 0.7%, 0.36%

LAB 34.26, 51.48, 29.45

 

CMYK 55 / 0 / 6 / 11

HEX #67E3D5

RGB 103 227 213

HSL 173.23, 0.69%, 0.65%

LAB 83.25, -37.87, -3.66

 

CMYK 51 / 0 / 5 / 4

HEX #78F5E8

RGB 120 245 232

HSL 173.76, 0.86%, 0.72%

LAB 89.45, -37.97, -4.45

 

CMYK 46 / 0 / 2 / 0

HEX #89FFFB

RGB 137 255 251

HSL 177.97, 1%, 0.77%

LAB 93.37, -34.33, -8.46

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

CMYK 61 / 0 / 5 / 18

HEX #51D1C7

RGB 81 209 199

HSL 175.31, 0.58%, 0.57%

LAB 76.97, -37.27, -5.53

 

CMYK 66 / 0 / 6 / 25

HEX #40BFB4

RGB 64 191 180

HSL 174.8, 0.5%, 0.5%

LAB 70.63, -36.85, -4.63

 

CMYK 73 / 0 / 7 / 32

HEX #2FADA1

RGB 47 173 161

HSL 174.29, 0.57%, 0.43%

LAB 64.21, -36.22, -3.63

 

CMYK 81 / 0 / 8 / 39

HEX #1E9B8E

RGB 30 155 142

HSL 173.76, 0.68%, 0.36%

LAB 57.72, -35.3, -2.51

 

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

CMYK 57 / 0 / 19 / 11

HEX #62E3B7

RGB 98 227 183

HSL 159.53, 0.7%, 0.64%

LAB 82.35, -45.98, 10.87

 

CMYK 57 / 0 / 34 / 11

HEX #62E395

RGB 98 227 149

HSL 143.72, 0.7%, 0.64%

LAB 81.68, -52.9, 27.65

 

CMYK 57 / 0 / 50 / 11

HEX #62E372

RGB 98 227 114

HSL 127.44, 0.7%, 0.64%

LAB 81.15, -58.54, 44.41

 

CMYK 48 / 0 / 57 / 11

HEX #76E362

RGB 118 227 98

HSL 110.7, 0.7%, 0.64%

LAB 81.66, -55.39, 52.61

 

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

CMYK 57 / 11 / 0 / 11

HEX #62C9E3

RGB 98 201 227

HSL 192.09, 0.7%, 0.64%

LAB 76.02, -22.59, -21.98

 

CMYK 57 / 26 / 0 / 11

HEX #62A7E3

RGB 98 167 227

HSL 207.91, 0.7%, 0.64%

LAB 66.35, -4.54, -36.86

 

CMYK 57 / 42 / 0 / 11

HEX #6284E3

RGB 98 132 227

HSL 224.19, 0.7%, 0.64%

LAB 56.73, 15.82, -52.02

 

CMYK 57 / 57 / 0 / 11

HEX #6262E3

RGB 98 98 227

HSL 240, 0.7%, 0.64%

LAB 48.11, 36.47, -65.87

 

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

CMYK 65 / 0 / 5 / 5

HEX #54F2E7

RGB 84 242 231

HSL 175.82, 0.86%, 0.64%

LAB 87.56, -43.21, -6.83

 

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

CMYK 47 / 0 / 3 / 17

HEX #71D4CD

RGB 113 212 205

HSL 175.76, 0.54%, 0.64%

LAB 79.04, -30.74, -5.56

 

CMYK 35 / 0 / 3 / 23

HEX #80C5C0

RGB 128 197 192

HSL 175.65, 0.37%, 0.64%

LAB 75.03, -22.8, -4.4

 

CMYK 21 / 0 / 1 / 29

HEX #8FB6B4

RGB 143 182 180

HSL 176.92, 0.21%, 0.64%

LAB 71.28, -13.45, -3.3

 

CMYK 6 / 0 / 1 / 34

HEX #9EA8A7

RGB 158 168 167

HSL 174, 0.05%, 0.64%

LAB 68.07, -3.71, -0.71

 

CMYK 57 / 0 / 35 / 11

HEX #62E394

RGB 98 227 148

HSL 143.26, 0.7%, 0.64%

LAB 81.66, -53.09, 28.14

 

CMYK 57 / 0 / 20 / 11

HEX #62E3B6

RGB 98 227 182

HSL 159.07, 0.7%, 0.64%

LAB 82.33, -46.21, 11.37

 

CMYK 57 / 0 / 5 / 11

HEX #62E3D8

RGB 98 227 216

HSL 174.88, 0.7%, 0.64%

LAB 83.17, -38.07, -5.37

 

CMYK 57 / 11 / 0 / 11

HEX #62CBE3

RGB 98 203 227

HSL 191.16, 0.7%, 0.64%

LAB 76.59, -23.6, -21.11

 

CMYK 57 / 26 / 0 / 11

HEX #62A9E3

RGB 98 169 227

HSL 206.98, 0.7%, 0.64%

LAB 66.91, -5.65, -35.98

 

CMYK 83 / 0 / 6 / 19

HEX #24CFC3

RGB 36 207 195

HSL 175.79, 0.7%, 0.48%

LAB 75.41, -42.99, -5.76

 

CMYK 71 / 0 / 5 / 13

HEX #3FDDD2

RGB 63 221 210

HSL 175.82, 0.7%, 0.56%

LAB 80.42, -42.34, -6.36

 

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

CMYK 42 / 0 / 3 / 9

HEX #86E9E2

RGB 134 233 226

HSL 175.76, 0.69%, 0.72%

LAB 86.42, -30.72, -5.71

 

CMYK 29 / 0 / 2 / 6

HEX #A9EFEA

RGB 169 239 234

HSL 175.71, 0.69%, 0.8%

LAB 89.91, -22.69, -4.58

 

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

CMYK 50 / 57 / 0 / 11

HEX #7162E3

RGB 113 98 227

HSL 246.98, 0.7%, 0.64%

LAB 49.24, 39.32, -63.97

 

CMYK 0 / 27 / 57 / 11

HEX #E3A562

RGB 227 165 98

HSL 31.16, 0.7%, 0.64%

LAB 72.31, 15.68, 43.36

 

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

CMYK 5 / 57 / 0 / 11

HEX #D862E3

RGB 216 98 227

HSL 294.88, 0.7%, 0.64%

LAB 60.68, 63.63, -45.05

 

CMYK 0 / 5 / 57 / 11

HEX #E3D862

RGB 227 216 98

HSL 54.88, 0.7%, 0.64%

LAB 85.16, -10.88, 58.36

 

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

CMYK 50 / 57 / 0 / 11

HEX #7162E3

RGB 113 98 227

HSL 246.98, 0.7%, 0.64%

LAB 49.24, 39.32, -63.97

 

CMYK 0 / 57 / 52 / 11

HEX #E3626D

RGB 227 98 109

HSL 354.88, 0.7%, 0.64%

LAB 58.2, 51.11, 19.24

 

CMYK 7 / 0 / 57 / 11

HEX #D4E362

RGB 212 227 98

HSL 66.98, 0.7%, 0.64%

LAB 86.91, -22.35, 60

 

CMYK 57 / 0 / 4 / 11

HEX #62E3DA

RGB 98 227 218

HSL 175.81, 0.7%, 0.64%

LAB 83.23, -37.55, -6.35

 

CMYK 33 / 57 / 0 / 11

HEX #9862E3

RGB 152 98 227

HSL 265.12, 0.7%, 0.64%

LAB 52.9, 47.85, -57.89

 

CMYK 0 / 57 / 52 / 11

HEX #E3626D

RGB 227 98 109

HSL 354.88, 0.7%, 0.64%

LAB 58.2, 51.11, 19.24

 

CMYK 24 / 0 / 57 / 11

HEX #ADE362

RGB 173 227 98

HSL 85.12, 0.7%, 0.64%

LAB 84.33, -37.33, 56.39

 

Description

Color code: HEX #62E3DA | qconv.com Color code: HEX #62E3DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 227 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 227 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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