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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62CB89 it is the complementary color #9D3476. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62CB89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62CB89 shade: #67CB84, #78DD97, #89EFAA, #9AFFBD and #ABFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62CB89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62CB89 shade: #62CB89, #51B976, #40A763, #2F9550 and #1E833D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62CB89 shade: #62CA89, #62CA6C, #73CA62, #8FCA62 and #ACCA62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62CB89 shade: #62CA89, #62CAA5, #62CAC1, #62B7CA and #629BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62CB89 shade matches the following richer shades: #62CA89, #51DB84, #40EC80 and #2FFD7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62CB89 shade: #62CA89, #73B98D, #84A891, #949796 and #A5879A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62CB89 shade: #73CA62, #62CA6C, #62CA88, #62CAA4 and #62CAC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62CB89 shade: #36A35F, #43C071, #62CA89, #81D5A0 and #A0DFB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62CB89 shade: #62CB89, #628FCA and #CA6265

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62CB89 shade: #62CB89, #8862CA and #CA8862

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62CB89 shade: #62CB89, #628FCA, #CA62A4 and #CA9D62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62CB89 shade: #62CB89, #6270CA, #CA62A4 and #CABC62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 33 / 20

HEX #62CB89

RGB 98 203 137

HSL 142.29, 0.5%, 0.59%

LAB 74.26, -45.23, 23.87

 

Complementary color

CMYK 0 / 67 / 25 / 38

HEX #9D3476

RGB 157 52 118

HSL 322.29, 0.5%, 0.41%

LAB 39.47, 50.18, -14.7

 

CMYK 49 / 0 / 35 / 20

HEX #67CB84

RGB 103 203 132

HSL 137.4, 0.49%, 0.6%

LAB 74.36, -44.87, 26.65

 

CMYK 46 / 0 / 32 / 13

HEX #78DD97

RGB 120 221 151

HSL 138.42, 0.6%, 0.67%

LAB 80.71, -44.69, 25.43

 

CMYK 43 / 0 / 29 / 6

HEX #89EFAA

RGB 137 239 170

HSL 139.41, 0.76%, 0.74%

LAB 86.97, -44.47, 24.3

 

CMYK 40 / 0 / 26 / 0

HEX #9AFFBD

RGB 154 255 189

HSL 140.79, 1%, 0.8%

LAB 92.6, -43.36, 22.45

 

CMYK 33 / 0 / 18 / 0

HEX #ABFFD0

RGB 171 255 208

HSL 146.43, 1%, 0.84%

LAB 93.77, -35.03, 14.48

 

CMYK 52 / 0 / 33 / 20

HEX #62CB89

RGB 98 203 137

HSL 142.29, 0.5%, 0.59%

LAB 74.26, -45.23, 23.87

 

CMYK 56 / 0 / 36 / 27

HEX #51B976

RGB 81 185 118

HSL 141.35, 0.43%, 0.52%

LAB 67.84, -45.3, 25.16

 

CMYK 62 / 0 / 41 / 35

HEX #40A763

RGB 64 167 99

HSL 140.39, 0.45%, 0.45%

LAB 61.33, -45.22, 26.56

 

CMYK 68 / 0 / 46 / 42

HEX #2F9550

RGB 47 149 80

HSL 139.41, 0.52%, 0.38%

LAB 54.74, -44.89, 28.08

 

CMYK 77 / 0 / 53 / 49

HEX #1E833D

RGB 30 131 61

HSL 138.42, 0.63%, 0.32%

LAB 48.06, -44.15, 29.71

 

CMYK 51 / 0 / 32 / 21

HEX #62CA89

RGB 98 202 137

HSL 142.5, 0.5%, 0.59%

LAB 73.96, -44.81, 23.46

 

CMYK 51 / 0 / 47 / 21

HEX #62CA6C

RGB 98 202 108

HSL 125.77, 0.5%, 0.59%

LAB 73.49, -49.67, 37.78

 

CMYK 43 / 0 / 51 / 21

HEX #73CA62

RGB 115 202 98

HSL 110.19, 0.5%, 0.59%

LAB 74.04, -46.19, 43.52

 

CMYK 29 / 0 / 51 / 21

HEX #8FCA62

RGB 143 202 98

HSL 94.04, 0.5%, 0.59%

LAB 75.43, -36.89, 45.52

 

CMYK 15 / 0 / 51 / 21

HEX #ACCA62

RGB 172 202 98

HSL 77.31, 0.5%, 0.59%

LAB 77.22, -26.05, 48.09

 

CMYK 51 / 0 / 32 / 21

HEX #62CA89

RGB 98 202 137

HSL 142.5, 0.5%, 0.59%

LAB 73.96, -44.81, 23.46

 

CMYK 51 / 0 / 18 / 21

HEX #62CAA5

RGB 98 202 165

HSL 158.65, 0.5%, 0.59%

LAB 74.54, -39.03, 9.33

 

CMYK 51 / 0 / 4 / 21

HEX #62CAC1

RGB 98 202 193

HSL 174.81, 0.5%, 0.59%

LAB 75.26, -32.31, -4.75

 

CMYK 51 / 9 / 0 / 21

HEX #62B7CA

RGB 98 183 202

HSL 190.96, 0.5%, 0.59%

LAB 69.98, -20.52, -17.54

 

CMYK 51 / 23 / 0 / 21

HEX #629BCA

RGB 98 155 202

HSL 207.12, 0.5%, 0.59%

LAB 61.92, -5.47, -29.89

 

CMYK 51 / 0 / 32 / 21

HEX #62CA89

RGB 98 202 137

HSL 142.5, 0.5%, 0.59%

LAB 73.96, -44.81, 23.46

 

CMYK 63 / 0 / 40 / 14

HEX #51DB84

RGB 81 219 132

HSL 142.17, 0.66%, 0.59%

LAB 78.51, -56.33, 32.03

 

CMYK 73 / 0 / 46 / 7

HEX #40EC80

RGB 64 236 128

HSL 142.33, 0.82%, 0.59%

LAB 83.25, -66.03, 40.1

 

CMYK 81 / 0 / 51 / 1

HEX #2FFD7B

RGB 47 253 123

HSL 142.14, 0.98%, 0.59%

LAB 88.11, -74.43, 48.5

 

CMYK 51 / 0 / 32 / 21

HEX #62CA89

RGB 98 202 137

HSL 142.5, 0.5%, 0.59%

LAB 73.96, -44.81, 23.46

 

CMYK 38 / 0 / 24 / 27

HEX #73B98D

RGB 115 185 141

HSL 142.29, 0.33%, 0.59%

LAB 69.66, -31.73, 15.51

 

CMYK 21 / 0 / 14 / 34

HEX #84A891

RGB 132 168 145

HSL 141.67, 0.17%, 0.59%

LAB 65.71, -17.05, 7.88

 

CMYK 2 / 0 / 1 / 41

HEX #949796

RGB 148 151 150

HSL 160, 0.01%, 0.59%

LAB 62.19, -1.28, 0.14

 

CMYK 0 / 18 / 7 / 35

HEX #A5879A

RGB 165 135 154

HSL 322, 0.14%, 0.59%

LAB 59.58, 14.71, -5.81

 

CMYK 43 / 0 / 51 / 21

HEX #73CA62

RGB 115 202 98

HSL 110.19, 0.5%, 0.59%

LAB 74.04, -46.19, 43.52

 

CMYK 51 / 0 / 47 / 21

HEX #62CA6C

RGB 98 202 108

HSL 125.77, 0.5%, 0.59%

LAB 73.49, -49.67, 37.78

 

CMYK 51 / 0 / 33 / 21

HEX #62CA88

RGB 98 202 136

HSL 141.92, 0.5%, 0.59%

LAB 73.94, -44.99, 23.96

 

CMYK 51 / 0 / 19 / 21

HEX #62CAA4

RGB 98 202 164

HSL 158.08, 0.5%, 0.59%

LAB 74.52, -39.25, 9.83

 

CMYK 51 / 0 / 5 / 21

HEX #62CAC0

RGB 98 202 192

HSL 174.23, 0.5%, 0.59%

LAB 75.23, -32.57, -4.25

 

CMYK 67 / 0 / 42 / 36

HEX #36A35F

RGB 54 163 95

HSL 142.57, 0.5%, 0.43%

LAB 59.71, -46.39, 26.53

 

CMYK 65 / 0 / 41 / 25

HEX #43C071

RGB 67 192 113

HSL 142.08, 0.5%, 0.51%

LAB 69.53, -52, 29.95

 

CMYK 51 / 0 / 32 / 21

HEX #62CA89

RGB 98 202 137

HSL 142.5, 0.5%, 0.59%

LAB 73.96, -44.81, 23.46

 

CMYK 39 / 0 / 25 / 16

HEX #81D5A0

RGB 129 213 160

HSL 142.14, 0.5%, 0.67%

LAB 78.92, -36.99, 18.34

 

CMYK 28 / 0 / 18 / 13

HEX #A0DFB7

RGB 160 223 183

HSL 141.9, 0.5%, 0.75%

LAB 83.79, -28.05, 13.28

 

CMYK 52 / 0 / 33 / 20

HEX #62CB89

RGB 98 203 137

HSL 142.29, 0.5%, 0.59%

LAB 74.26, -45.23, 23.87

 

CMYK 51 / 29 / 0 / 21

HEX #628FCA

RGB 98 143 202

HSL 214.04, 0.5%, 0.59%

LAB 58.51, 1.38, -35.17

 

CMYK 0 / 51 / 50 / 21

HEX #CA6265

RGB 202 98 101

HSL 358.27, 0.5%, 0.59%

LAB 54.27, 41.55, 17.94

 

CMYK 52 / 0 / 33 / 20

HEX #62CB89

RGB 98 203 137

HSL 142.29, 0.5%, 0.59%

LAB 74.26, -45.23, 23.87

 

CMYK 33 / 51 / 0 / 21

HEX #8862CA

RGB 136 98 202

HSL 261.92, 0.5%, 0.59%

LAB 49.78, 37.61, -48.78

 

CMYK 0 / 33 / 51 / 21

HEX #CA8862

RGB 202 136 98

HSL 21.92, 0.5%, 0.59%

LAB 62.55, 21.06, 30.59

 

CMYK 52 / 0 / 33 / 20

HEX #62CB89

RGB 98 203 137

HSL 142.29, 0.5%, 0.59%

LAB 74.26, -45.23, 23.87

 

CMYK 51 / 29 / 0 / 21

HEX #628FCA

RGB 98 143 202

HSL 214.04, 0.5%, 0.59%

LAB 58.51, 1.38, -35.17

 

CMYK 0 / 51 / 19 / 21

HEX #CA62A4

RGB 202 98 164

HSL 321.92, 0.5%, 0.59%

LAB 56.06, 49.23, -16.42

 

CMYK 0 / 22 / 51 / 21

HEX #CA9D62

RGB 202 157 98

HSL 34.04, 0.5%, 0.59%

LAB 67.69, 9.6, 37.09

 

CMYK 52 / 0 / 33 / 20

HEX #62CB89

RGB 98 203 137

HSL 142.29, 0.5%, 0.59%

LAB 74.26, -45.23, 23.87

 

CMYK 51 / 45 / 0 / 21

HEX #6270CA

RGB 98 112 202

HSL 231.92, 0.5%, 0.59%

LAB 50.04, 19.97, -48.55

 

CMYK 0 / 51 / 19 / 21

HEX #CA62A4

RGB 202 98 164

HSL 321.92, 0.5%, 0.59%

LAB 56.06, 49.23, -16.42

 

CMYK 0 / 7 / 51 / 21

HEX #CABC62

RGB 202 188 98

HSL 51.92, 0.5%, 0.59%

LAB 75.7, -6.89, 46.85

 

Description

Color code: HEX #62CB89 | qconv.com Color code: HEX #62CB89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 203 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 203 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 33 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 33% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - 前を向く、医療人づくりを、追求する。 |...
Link: http://www.thcu.ac.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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