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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62CAAC it is the complementary color #9D3553. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62CAAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62CAAC shade: #67CAA7, #78DCBA, #89EECD, #9AFFE0 and #ABFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62CAAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62CAAC shade: #62CAAC, #51B899, #40A686, #2F9473 and #1E8260

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62CAAC shade: #62CAAC, #62CA90, #62CA74, #6CCA62 and #88CA62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62CAAC shade: #62CAAC, #62CAC8, #62B0CA, #6294CA and #6278CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62CAAC shade matches the following richer shades: #62CAAC, #51DBB3, #40ECBA and #2FFDC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62CAAC shade: #62CAAC, #73B9A5, #84A89E, #949797 and #A5878F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62CAAC shade: #62CA73, #62CA8F, #62CAAB, #62CAC7 and #62B2CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62CAAC shade: #36A384, #43C09C, #62CAAC, #81D5BC and #A0DFCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62CAAC shade: #62CAAC, #626CCA and #CA8162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62CAAC shade: #62CAAC, #AB62CA and #CAAB62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62CAAC shade: #62CAAC, #626CCA, #CA6281 and #CAC062

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62CAAC shade: #62CAAC, #7762CA, #CA6281 and #B5CA62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

Complementary color

CMYK 0 / 66 / 47 / 38

HEX #9D3553

RGB 157 53 83

HSL 342.69, 0.5%, 0.41%

LAB 38.44, 45.59, 5.8

 

CMYK 49 / 0 / 17 / 21

HEX #67CAA7

RGB 103 202 167

HSL 158.79, 0.48%, 0.6%

LAB 74.77, -37.4, 8.6

 

CMYK 45 / 0 / 15 / 14

HEX #78DCBA

RGB 120 220 186

HSL 159.6, 0.59%, 0.67%

LAB 81.14, -37.26, 7.66

 

CMYK 42 / 0 / 14 / 7

HEX #89EECD

RGB 137 238 205

HSL 160.4, 0.75%, 0.74%

LAB 87.42, -37.09, 6.78

 

CMYK 40 / 0 / 12 / 0

HEX #9AFFE0

RGB 154 255 224

HSL 161.58, 1%, 0.8%

LAB 93.35, -36.45, 5.55

 

CMYK 33 / 0 / 5 / 0

HEX #ABFFF3

RGB 171 255 243

HSL 171.43, 1%, 0.84%

LAB 94.59, -27.89, -2.36

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

CMYK 56 / 0 / 17 / 28

HEX #51B899

RGB 81 184 153

HSL 161.94, 0.42%, 0.52%

LAB 68.26, -37.45, 6.79

 

CMYK 61 / 0 / 19 / 35

HEX #40A686

RGB 64 166 134

HSL 161.18, 0.44%, 0.45%

LAB 61.73, -37.37, 7.89

 

CMYK 68 / 0 / 22 / 42

HEX #2F9473

RGB 47 148 115

HSL 160.4, 0.52%, 0.38%

LAB 55.09, -37.11, 9.12

 

CMYK 77 / 0 / 26 / 49

HEX #1E8260

RGB 30 130 96

HSL 159.6, 0.63%, 0.31%

LAB 48.37, -36.55, 10.51

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

CMYK 51 / 0 / 29 / 21

HEX #62CA90

RGB 98 202 144

HSL 146.54, 0.5%, 0.59%

LAB 74.09, -43.46, 19.94

 

CMYK 51 / 0 / 43 / 21

HEX #62CA74

RGB 98 202 116

HSL 130.38, 0.5%, 0.59%

LAB 73.61, -48.45, 33.89

 

CMYK 47 / 0 / 51 / 21

HEX #6CCA62

RGB 108 202 98

HSL 114.23, 0.5%, 0.59%

LAB 73.75, -48.27, 43.09

 

CMYK 33 / 0 / 51 / 21

HEX #88CA62

RGB 136 202 98

HSL 98.08, 0.5%, 0.59%

LAB 75.05, -39.34, 44.98

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

CMYK 51 / 0 / 1 / 21

HEX #62CAC8

RGB 98 202 200

HSL 178.85, 0.5%, 0.59%

LAB 75.46, -30.5, -8.24

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 51 / 27 / 0 / 21

HEX #6294CA

RGB 98 148 202

HSL 211.15, 0.5%, 0.59%

LAB 59.93, -1.5, -32.97

 

CMYK 51 / 41 / 0 / 21

HEX #6278CA

RGB 98 120 202

HSL 227.31, 0.5%, 0.59%

LAB 52.17, 15.08, -45.16

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

CMYK 63 / 0 / 18 / 14

HEX #51DBB3

RGB 81 219 179

HSL 162.61, 0.66%, 0.59%

LAB 79.42, -46.68, 8.75

 

CMYK 73 / 0 / 21 / 7

HEX #40ECBA

RGB 64 236 186

HSL 162.56, 0.82%, 0.59%

LAB 84.29, -54.58, 11.94

 

CMYK 81 / 0 / 23 / 1

HEX #2FFDC2

RGB 47 253 194

HSL 162.82, 0.98%, 0.59%

LAB 89.28, -61.11, 14.82

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

CMYK 38 / 0 / 11 / 27

HEX #73B9A5

RGB 115 185 165

HSL 162.86, 0.33%, 0.59%

LAB 70.22, -26.68, 3.2

 

CMYK 21 / 0 / 6 / 34

HEX #84A89E

RGB 132 168 158

HSL 163.33, 0.17%, 0.59%

LAB 66.04, -14.38, 1.12

 

CMYK 2 / 0 / 0 / 41

HEX #949797

RGB 148 151 151

HSL 180, 0.01%, 0.59%

LAB 62.22, -1.08, -0.39

 

CMYK 0 / 18 / 13 / 35

HEX #A5878F

RGB 165 135 143

HSL 344, 0.14%, 0.59%

LAB 59.26, 12.74, 0.02

 

CMYK 51 / 0 / 43 / 21

HEX #62CA73

RGB 98 202 115

HSL 129.81, 0.5%, 0.59%

LAB 73.59, -48.6, 34.38

 

CMYK 51 / 0 / 29 / 21

HEX #62CA8F

RGB 98 202 143

HSL 145.96, 0.5%, 0.59%

LAB 74.08, -43.65, 20.44

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAB

RGB 98 202 171

HSL 162.12, 0.5%, 0.59%

LAB 74.68, -37.67, 6.3

 

CMYK 51 / 0 / 1 / 21

HEX #62CAC7

RGB 98 202 199

HSL 178.27, 0.5%, 0.59%

LAB 75.43, -30.76, -7.75

 

CMYK 51 / 12 / 0 / 21

HEX #62B2CA

RGB 98 178 202

HSL 193.85, 0.5%, 0.59%

LAB 68.53, -17.93, -19.74

 

CMYK 67 / 0 / 19 / 36

HEX #36A384

RGB 54 163 132

HSL 162.94, 0.5%, 0.43%

LAB 60.47, -38.36, 7.18

 

CMYK 65 / 0 / 19 / 25

HEX #43C09C

RGB 67 192 156

HSL 162.72, 0.5%, 0.51%

LAB 70.38, -42.98, 8.13

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

CMYK 39 / 0 / 12 / 16

HEX #81D5BC

RGB 129 213 188

HSL 162.14, 0.5%, 0.67%

LAB 79.55, -31.24, 4.35

 

CMYK 28 / 0 / 8 / 13

HEX #A0DFCD

RGB 160 223 205

HSL 162.86, 0.5%, 0.75%

LAB 84.31, -23.67, 2.41

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

CMYK 51 / 47 / 0 / 21

HEX #626CCA

RGB 98 108 202

HSL 234.23, 0.5%, 0.59%

LAB 48.99, 22.43, -50.22

 

CMYK 0 / 36 / 51 / 21

HEX #CA8162

RGB 202 129 98

HSL 17.88, 0.5%, 0.59%

LAB 60.9, 24.88, 28.47

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

CMYK 15 / 51 / 0 / 21

HEX #AB62CA

RGB 171 98 202

HSL 282.12, 0.5%, 0.59%

LAB 53.66, 46.93, -42.37

 

CMYK 0 / 15 / 51 / 21

HEX #CAAB62

RGB 202 171 98

HSL 42.12, 0.5%, 0.59%

LAB 71.26, 2.06, 41.49

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

CMYK 51 / 47 / 0 / 21

HEX #626CCA

RGB 98 108 202

HSL 234.23, 0.5%, 0.59%

LAB 48.99, 22.43, -50.22

 

CMYK 0 / 51 / 36 / 21

HEX #CA6281

RGB 202 98 129

HSL 342.12, 0.5%, 0.59%

LAB 54.95, 44.51, 2.42

 

CMYK 0 / 5 / 51 / 21

HEX #CAC062

RGB 202 192 98

HSL 54.23, 0.5%, 0.59%

LAB 76.76, -8.96, 48.11

 

CMYK 51 / 0 / 15 / 21

HEX #62CAAC

RGB 98 202 172

HSL 162.69, 0.5%, 0.59%

LAB 74.71, -37.43, 5.8

 

CMYK 41 / 51 / 0 / 21

HEX #7762CA

RGB 119 98 202

HSL 252.12, 0.5%, 0.59%

LAB 48.16, 33.37, -51.46

 

CMYK 0 / 51 / 36 / 21

HEX #CA6281

RGB 202 98 129

HSL 342.12, 0.5%, 0.59%

LAB 54.95, 44.51, 2.42

 

CMYK 10 / 0 / 51 / 21

HEX #B5CA62

RGB 181 202 98

HSL 72.12, 0.5%, 0.59%

LAB 77.84, -22.51, 48.99

 

Description

Color code: HEX #62CAAC | qconv.com Color code: HEX #62CAAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 202 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 202 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 15 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 15% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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