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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62BEEE it is the complementary color #9D4111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62BEEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62BEEE shade: #67BEE9, #78D0FC, #89E2FF, #9AF4FF and #ABFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62BEEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62BEEE shade: #62BEEE, #51ACDB, #409AC8, #2F88B5 and #1E76A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62BEEE shade: #62BEED, #6298ED, #6273ED, #7862ED and #9D62ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62BEEE shade: #62BEED, #6298ED, #6273ED and #6262ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62BEEE shade matches the following richer shades: #62BEED and #54C2FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62BEEE shade: #62BEED, #70B9DF, #7EB5D1, #8DB0C3 and #9BACB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62BEEE shade: #62EDD1, #62E4ED, #62BFED, #629AED and #6275ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62BEEE shade: #199EE4, #3DAEE9, #62BEED, #88CDF1 and #ADDCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62BEEE shade: #62BEEE, #AC62ED and #EDE462

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62BEEE shade: #62BEEE, #ED62BF and #BFED62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62BEEE shade: #62BEEE, #AC62ED, #ED9162 and #A3ED62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62BEEE shade: #62BEEE, #D662ED, #ED9162 and #7AED62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 20 / 0 / 7

HEX #62BEEE

RGB 98 190 238

HSL 200.57, 0.8%, 0.66%

LAB 73.28, -13.67, -32.11

 

Complementary color

CMYK 0 / 59 / 89 / 38

HEX #9D4111

RGB 157 65 17

HSL 20.57, 0.8%, 0.34%

LAB 39.56, 35.99, 44.72

 

CMYK 56 / 18 / 0 / 9

HEX #67BEE9

RGB 103 190 233

HSL 199.85, 0.75%, 0.66%

LAB 73.28, -14.19, -29.39

 

CMYK 52 / 17 / 0 / 1

HEX #78D0FC

RGB 120 208 252

HSL 200, 0.96%, 0.73%

LAB 79.69, -14.64, -29.69

 

CMYK 46 / 11 / 0 / 0

HEX #89E2FF

RGB 137 226 255

HSL 194.75, 1%, 0.77%

LAB 85.47, -19.29, -22.39

 

CMYK 40 / 4 / 0 / 0

HEX #9AF4FF

RGB 154 244 255

HSL 186.53, 1%, 0.8%

LAB 91.14, -24.19, -13.78

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 59 / 20 / 0 / 7

HEX #62BEEE

RGB 98 190 238

HSL 200.57, 0.8%, 0.66%

LAB 73.28, -13.67, -32.11

 

CMYK 63 / 21 / 0 / 14

HEX #51ACDB

RGB 81 172 219

HSL 200.43, 0.66%, 0.59%

LAB 66.8, -12.98, -31.81

 

CMYK 68 / 23 / 0 / 22

HEX #409AC8

RGB 64 154 200

HSL 200.29, 0.55%, 0.52%

LAB 60.22, -12.1, -31.5

 

CMYK 74 / 25 / 0 / 29

HEX #2F88B5

RGB 47 136 181

HSL 200.15, 0.59%, 0.45%

LAB 53.55, -10.96, -31.15

 

CMYK 81 / 27 / 0 / 36

HEX #1E76A2

RGB 30 118 162

HSL 200, 0.69%, 0.38%

LAB 46.77, -9.44, -30.75

 

CMYK 59 / 20 / 0 / 7

HEX #62BEED

RGB 98 190 237

HSL 200.29, 0.79%, 0.66%

LAB 73.24, -13.97, -31.62

 

CMYK 59 / 36 / 0 / 7

HEX #6298ED

RGB 98 152 237

HSL 216.69, 0.79%, 0.66%

LAB 62.65, 7.2, -48.17

 

CMYK 59 / 51 / 0 / 7

HEX #6273ED

RGB 98 115 237

HSL 232.66, 0.79%, 0.66%

LAB 52.92, 29.39, -63.71

 

CMYK 49 / 59 / 0 / 7

HEX #7862ED

RGB 120 98 237

HSL 249.5, 0.79%, 0.66%

LAB 50.5, 43.65, -67.53

 

CMYK 34 / 59 / 0 / 7

HEX #9D62ED

RGB 157 98 237

HSL 265.47, 0.79%, 0.66%

LAB 54.05, 51.47, -61.64

 

CMYK 59 / 20 / 0 / 7

HEX #62BEED

RGB 98 190 237

HSL 200.29, 0.79%, 0.66%

LAB 73.24, -13.97, -31.62

 

CMYK 59 / 36 / 0 / 7

HEX #6298ED

RGB 98 152 237

HSL 216.69, 0.79%, 0.66%

LAB 62.65, 7.2, -48.17

 

CMYK 59 / 51 / 0 / 7

HEX #6273ED

RGB 98 115 237

HSL 232.66, 0.79%, 0.66%

LAB 52.92, 29.39, -63.71

 

CMYK 59 / 59 / 0 / 7

HEX #6262ED

RGB 98 98 237

HSL 240, 0.79%, 0.66%

LAB 48.82, 39.65, -70.35

 

CMYK 59 / 20 / 0 / 7

HEX #62BEED

RGB 98 190 237

HSL 200.29, 0.79%, 0.66%

LAB 73.24, -13.97, -31.62

 

CMYK 67 / 23 / 0 / 2

HEX #54C2FB

RGB 84 194 251

HSL 200.48, 0.95%, 0.66%

LAB 74.47, -14.12, -37.32

 

CMYK 59 / 20 / 0 / 7

HEX #62BEED

RGB 98 190 237

HSL 200.29, 0.79%, 0.66%

LAB 73.24, -13.97, -31.62

 

CMYK 50 / 17 / 0 / 13

HEX #70B9DF

RGB 112 185 223

HSL 200.54, 0.63%, 0.66%

LAB 71.87, -12.53, -26.09

 

CMYK 40 / 13 / 0 / 18

HEX #7EB5D1

RGB 126 181 209

HSL 200.24, 0.47%, 0.66%

LAB 70.93, -10.82, -19.82

 

CMYK 28 / 10 / 0 / 24

HEX #8DB0C3

RGB 141 176 195

HSL 201.11, 0.31%, 0.66%

LAB 69.93, -7.43, -13.56

 

CMYK 14 / 5 / 0 / 29

HEX #9BACB5

RGB 155 172 181

HSL 200.77, 0.15%, 0.66%

LAB 69.33, -4.02, -6.63

 

CMYK 59 / 0 / 12 / 7

HEX #62EDD1

RGB 98 237 209

HSL 167.91, 0.79%, 0.66%

LAB 85.89, -44.27, 2.3

 

CMYK 59 / 4 / 0 / 7

HEX #62E4ED

RGB 98 228 237

HSL 183.88, 0.79%, 0.66%

LAB 84.07, -32.97, -15.15

 

CMYK 59 / 19 / 0 / 7

HEX #62BFED

RGB 98 191 237

HSL 199.86, 0.79%, 0.66%

LAB 73.53, -14.5, -31.19

 

CMYK 59 / 35 / 0 / 7

HEX #629AED

RGB 98 154 237

HSL 215.83, 0.79%, 0.66%

LAB 63.2, 6.03, -47.31

 

CMYK 59 / 51 / 0 / 7

HEX #6275ED

RGB 98 117 237

HSL 231.8, 0.79%, 0.66%

LAB 53.42, 28.17, -62.9

 

CMYK 89 / 31 / 0 / 11

HEX #199EE4

RGB 25 158 228

HSL 200.69, 0.8%, 0.5%

LAB 61.88, -8.51, -44.55

 

CMYK 74 / 25 / 0 / 9

HEX #3DAEE9

RGB 61 174 233

HSL 200.58, 0.8%, 0.58%

LAB 67.39, -12.43, -38.62

 

CMYK 59 / 20 / 0 / 7

HEX #62BEED

RGB 98 190 237

HSL 200.29, 0.79%, 0.66%

LAB 73.24, -13.97, -31.62

 

CMYK 44 / 15 / 0 / 5

HEX #88CDF1

RGB 136 205 241

HSL 200.57, 0.79%, 0.74%

LAB 79.18, -12.49, -24.53

 

CMYK 29 / 10 / 0 / 4

HEX #ADDCF5

RGB 173 220 245

HSL 200.83, 0.78%, 0.82%

LAB 85.33, -9.52, -17.15

 

CMYK 59 / 20 / 0 / 7

HEX #62BEEE

RGB 98 190 238

HSL 200.57, 0.8%, 0.66%

LAB 73.28, -13.67, -32.11

 

CMYK 27 / 59 / 0 / 7

HEX #AC62ED

RGB 172 98 237

HSL 271.94, 0.79%, 0.66%

LAB 55.71, 54.91, -58.88

 

CMYK 0 / 4 / 59 / 7

HEX #EDE462

RGB 237 228 98

HSL 56.12, 0.79%, 0.66%

LAB 89.1, -12.78, 62.98

 

CMYK 59 / 20 / 0 / 7

HEX #62BEEE

RGB 98 190 238

HSL 200.57, 0.8%, 0.66%

LAB 73.28, -13.67, -32.11

 

CMYK 0 / 59 / 19 / 7

HEX #ED62BF

RGB 237 98 191

HSL 319.86, 0.79%, 0.66%

LAB 62.08, 63.52, -22.31

 

CMYK 19 / 0 / 59 / 7

HEX #BFED62

RGB 191 237 98

HSL 79.86, 0.79%, 0.66%

LAB 88.22, -35.18, 61.08

 

CMYK 59 / 20 / 0 / 7

HEX #62BEEE

RGB 98 190 238

HSL 200.57, 0.8%, 0.66%

LAB 73.28, -13.67, -32.11

 

CMYK 27 / 59 / 0 / 7

HEX #AC62ED

RGB 172 98 237

HSL 271.94, 0.79%, 0.66%

LAB 55.71, 54.91, -58.88

 

CMYK 0 / 39 / 59 / 7

HEX #ED9162

RGB 237 145 98

HSL 20.29, 0.79%, 0.66%

LAB 68.85, 30.37, 39.41

 

CMYK 31 / 0 / 59 / 7

HEX #A3ED62

RGB 163 237 98

HSL 91.94, 0.79%, 0.66%

LAB 86.62, -45.29, 58.85

 

CMYK 59 / 20 / 0 / 7

HEX #62BEEE

RGB 98 190 238

HSL 200.57, 0.8%, 0.66%

LAB 73.28, -13.67, -32.11

 

CMYK 10 / 59 / 0 / 7

HEX #D662ED

RGB 214 98 237

HSL 290.07, 0.79%, 0.66%

LAB 60.91, 64.96, -50.28

 

CMYK 0 / 39 / 59 / 7

HEX #ED9162

RGB 237 145 98

HSL 20.29, 0.79%, 0.66%

LAB 68.85, 30.37, 39.41

 

CMYK 49 / 0 / 59 / 7

HEX #7AED62

RGB 122 237 98

HSL 109.64, 0.79%, 0.66%

LAB 84.79, -58.13, 56.27

 

Description

Color code: HEX #62BEEE | qconv.com Color code: HEX #62BEEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 190 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 190 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 20 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 20% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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