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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62BA34 it is the complementary color #9D45CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62BA34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62BA34 shade: #67BA2F, #78CC42, #89DE55, #9AF068 and #ABFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62BA34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62BA34 shade: #62BA34, #51A821, #40960E, #2F8400 and #1E7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62BA34 shade: #62BA34, #87BA34, #ABBA34, #BAA634 and #BA8234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62BA34 shade: #62BA34, #3EBA34, #34BA4F, #34BA73 and #34BA97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62BA34 shade matches the following richer shades: #62BA34, #5CCE21 and #56E10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62BA34 shade: #62BA34, #68A748, #6E945B, #75806E and #7B6D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62BA34 shade: #ABBA34, #87BA34, #63BA34, #3FBA34 and #34BA4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62BA34 shade: #407A22, #519A2B, #62BA34, #78CC4C and #90D56C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62BA34 shade: #62BA34, #34BAA6 and #BA3499

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62BA34 shade: #62BA34, #3463BA and #BA3463

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62BA34 shade: #62BA34, #34BAA6, #8B34BA and #BA3448

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62BA34 shade: #62BA34, #34A6BA, #8B34BA and #BA4834

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

Complementary color

CMYK 23 / 66 / 0 / 20

HEX #9D45CB

RGB 157 69 203

HSL 279.4, 0.56%, 0.53%

LAB 46.63, 57.98, -54.27

 

CMYK 45 / 0 / 75 / 27

HEX #67BA2F

RGB 103 186 47

HSL 95.83, 0.6%, 0.46%

LAB 68.17, -48.26, 58.6

 

CMYK 41 / 0 / 68 / 20

HEX #78CC42

RGB 120 204 66

HSL 96.52, 0.58%, 0.53%

LAB 74.55, -48.67, 58.31

 

CMYK 38 / 0 / 62 / 13

HEX #89DE55

RGB 137 222 85

HSL 97.23, 0.67%, 0.6%

LAB 80.86, -48.9, 57.59

 

CMYK 36 / 0 / 57 / 6

HEX #9AF068

RGB 154 240 104

HSL 97.94, 0.82%, 0.67%

LAB 87.09, -49.01, 56.65

 

CMYK 33 / 0 / 52 / 0

HEX #ABFF7B

RGB 171 255 123

HSL 98.18, 1%, 0.74%

LAB 92.4, -47.76, 54.58

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 52 / 0 / 80 / 34

HEX #51A821

RGB 81 168 33

HSL 98.67, 0.67%, 0.39%

LAB 61.54, -48.84, 56.44

 

CMYK 57 / 0 / 91 / 41

HEX #40960E

RGB 64 150 14

HSL 97.94, 0.83%, 0.32%

LAB 55, -47.78, 55.11

 

CMYK 64 / 0 / 100 / 48

HEX #2F8400

RGB 47 132 0

HSL 98.64, 1%, 0.26%

LAB 48.39, -46.14, 51.95

 

CMYK 74 / 0 / 100 / 55

HEX #1E7200

RGB 30 114 0

HSL 104.21, 1%, 0.22%

LAB 41.71, -43.71, 46.45

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 27 / 0 / 72 / 27

HEX #87BA34

RGB 135 186 52

HSL 82.84, 0.56%, 0.47%

LAB 69.84, -36.62, 59.02

 

CMYK 8 / 0 / 72 / 27

HEX #ABBA34

RGB 171 186 52

HSL 66.72, 0.56%, 0.47%

LAB 72.24, -22.07, 62.2

 

CMYK 0 / 11 / 72 / 27

HEX #BAA634

RGB 186 166 52

HSL 51.04, 0.56%, 0.47%

LAB 67.99, -5.34, 58.48

 

CMYK 0 / 30 / 72 / 27

HEX #BA8234

RGB 186 130 52

HSL 34.93, 0.56%, 0.47%

LAB 58.65, 14.26, 49.08

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 67 / 0 / 72 / 27

HEX #3EBA34

RGB 62 186 52

HSL 115.52, 0.56%, 0.47%

LAB 66.82, -58.76, 54.99

 

CMYK 72 / 0 / 58 / 27

HEX #34BA4F

RGB 52 186 79

HSL 132.09, 0.56%, 0.47%

LAB 66.83, -57.74, 43.46

 

CMYK 72 / 0 / 38 / 27

HEX #34BA73

RGB 52 186 115

HSL 148.21, 0.56%, 0.47%

LAB 67.34, -51.91, 25.95

 

CMYK 72 / 0 / 19 / 27

HEX #34BA97

RGB 52 186 151

HSL 164.33, 0.56%, 0.47%

LAB 68.08, -43.95, 7.53

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 55 / 0 / 84 / 19

HEX #5CCE21

RGB 92 206 33

HSL 99.54, 0.72%, 0.47%

LAB 73.89, -59.74, 67.83

 

CMYK 62 / 0 / 94 / 12

HEX #56E10D

RGB 86 225 13

HSL 99.34, 0.89%, 0.47%

LAB 79.53, -68.22, 75.89

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 38 / 0 / 57 / 35

HEX #68A748

RGB 104 167 72

HSL 99.79, 0.4%, 0.47%

LAB 62.55, -37.76, 42.19

 

CMYK 26 / 0 / 39 / 42

HEX #6E945B

RGB 110 148 91

HSL 100, 0.24%, 0.47%

LAB 57.32, -24.14, 26.01

 

CMYK 9 / 0 / 14 / 50

HEX #75806E

RGB 117 128 110

HSL 96.67, 0.08%, 0.47%

LAB 52.23, -7.64, 8.4

 

CMYK 5 / 16 / 0 / 49

HEX #7B6D82

RGB 123 109 130

HSL 280, 0.09%, 0.47%

LAB 47.96, 9.67, -9.57

 

CMYK 8 / 0 / 72 / 27

HEX #ABBA34

RGB 171 186 52

HSL 66.72, 0.56%, 0.47%

LAB 72.24, -22.07, 62.2

 

CMYK 27 / 0 / 72 / 27

HEX #87BA34

RGB 135 186 52

HSL 82.84, 0.56%, 0.47%

LAB 69.84, -36.62, 59.02

 

CMYK 47 / 0 / 72 / 27

HEX #63BA34

RGB 99 186 52

HSL 98.96, 0.56%, 0.47%

LAB 68.03, -49.18, 56.63

 

CMYK 66 / 0 / 72 / 27

HEX #3FBA34

RGB 63 186 52

HSL 115.07, 0.56%, 0.47%

LAB 66.84, -58.55, 55.03

 

CMYK 72 / 0 / 59 / 27

HEX #34BA4D

RGB 52 186 77

HSL 131.19, 0.56%, 0.47%

LAB 66.81, -58, 44.36

 

CMYK 48 / 0 / 72 / 52

HEX #407A22

RGB 64 122 34

HSL 99.55, 0.56%, 0.31%

LAB 45.8, -35.48, 40.41

 

CMYK 47 / 0 / 72 / 40

HEX #519A2B

RGB 81 154 43

HSL 99.46, 0.56%, 0.39%

LAB 57.11, -42.63, 48.67

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 41 / 0 / 63 / 20

HEX #78CC4C

RGB 120 204 76

HSL 99.38, 0.56%, 0.55%

LAB 74.64, -47.82, 54.3

 

CMYK 32 / 0 / 49 / 16

HEX #90D56C

RGB 144 213 108

HSL 99.43, 0.56%, 0.63%

LAB 78.81, -40.32, 44.83

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 72 / 0 / 11 / 27

HEX #34BAA6

RGB 52 186 166

HSL 171.04, 0.56%, 0.47%

LAB 68.46, -40.07, -0.15

 

CMYK 0 / 72 / 18 / 27

HEX #BA3499

RGB 186 52 153

HSL 314.78, 0.56%, 0.47%

LAB 45.9, 62.79, -25.74

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 72 / 47 / 0 / 27

HEX #3463BA

RGB 52 99 186

HSL 218.96, 0.56%, 0.47%

LAB 43.06, 14.06, -50.62

 

CMYK 0 / 72 / 47 / 27

HEX #BA3463

RGB 186 52 99

HSL 338.96, 0.56%, 0.47%

LAB 43.94, 56.48, 4.32

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 72 / 0 / 11 / 27

HEX #34BAA6

RGB 52 186 166

HSL 171.04, 0.56%, 0.47%

LAB 68.46, -40.07, -0.15

 

CMYK 25 / 72 / 0 / 27

HEX #8B34BA

RGB 139 52 186

HSL 278.96, 0.56%, 0.47%

LAB 40.39, 57.93, -54.54

 

CMYK 0 / 72 / 61 / 27

HEX #BA3448

RGB 186 52 72

HSL 351.04, 0.56%, 0.47%

LAB 43.31, 54.35, 20.21

 

CMYK 47 / 0 / 72 / 27

HEX #62BA34

RGB 98 186 52

HSL 99.4, 0.56%, 0.47%

LAB 67.99, -49.49, 56.57

 

CMYK 72 / 11 / 0 / 27

HEX #34A6BA

RGB 52 166 186

HSL 188.96, 0.56%, 0.47%

LAB 62.97, -24.72, -19.46

 

CMYK 25 / 72 / 0 / 27

HEX #8B34BA

RGB 139 52 186

HSL 278.96, 0.56%, 0.47%

LAB 40.39, 57.93, -54.54

 

CMYK 0 / 61 / 72 / 27

HEX #BA4834

RGB 186 72 52

HSL 8.96, 0.56%, 0.47%

LAB 46.07, 44.87, 35.48

 

Description

Color code: HEX #62BA34 | qconv.com Color code: HEX #62BA34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 186 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 186 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 72 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 72% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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