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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62A9BA it is the complementary color #9D5645. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62A9BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62A9BA shade: #67A9B5, #78BBC8, #89CDDB, #9ADFEE and #ABF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62A9BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62A9BA shade: #62A9BA, #5197A7, #408594, #2F7381 and #1E616E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62A9BA shade: #63A9BA, #6392BA, #637ABA, #6363BA and #7A63BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62A9BA shade: #63A9BA, #6392BA, #637ABA and #6363BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62A9BA shade matches the following richer shades: #63A9BA, #50B4CC, #3EBFDE and #2CCBF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62A9BA shade: #63A9BA, #759EA8, #879396, #998884 and #AB7D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62A9BA shade: #63BA9B, #63BAB3, #63AABA, #6393BA and #637BBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62A9BA shade: #3D7D8D, #4A97A9, #63A9BA, #7FB9C7 and #9CC9D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62A9BA shade: #62A9BA, #8463BA and #BAA763

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62A9BA shade: #62A9BA, #BA63AA and #AABA63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62A9BA shade: #62A9BA, #8463BA, #BA7363 and #99BA63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62A9BA shade: #62A9BA, #9E63BA, #BA7363 and #7EBA63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 9 / 0 / 27

HEX #62A9BA

RGB 98 169 186

HSL 191.59, 0.39%, 0.56%

LAB 65.37, -17.7, -15.67

 

Complementary color

CMYK 0 / 45 / 56 / 38

HEX #9D5645

RGB 157 86 69

HSL 11.59, 0.39%, 0.44%

LAB 44.59, 27.57, 22.79

 

CMYK 43 / 7 / 0 / 29

HEX #67A9B5

RGB 103 169 181

HSL 189.23, 0.35%, 0.56%

LAB 65.43, -17.83, -12.77

 

CMYK 40 / 7 / 0 / 22

HEX #78BBC8

RGB 120 187 200

HSL 189.75, 0.42%, 0.63%

LAB 72.03, -17.87, -13.26

 

CMYK 37 / 6 / 0 / 14

HEX #89CDDB

RGB 137 205 219

HSL 190.24, 0.53%, 0.7%

LAB 78.52, -17.9, -13.74

 

CMYK 35 / 6 / 0 / 7

HEX #9ADFEE

RGB 154 223 238

HSL 190.71, 0.71%, 0.77%

LAB 84.9, -17.9, -14.2

 

CMYK 33 / 5 / 0 / 0

HEX #ABF1FF

RGB 171 241 255

HSL 190, 1%, 0.84%

LAB 91.14, -18.37, -13.7

 

CMYK 47 / 9 / 0 / 27

HEX #62A9BA

RGB 98 169 186

HSL 191.59, 0.39%, 0.56%

LAB 65.37, -17.7, -15.67

 

CMYK 51 / 10 / 0 / 35

HEX #5197A7

RGB 81 151 167

HSL 191.16, 0.35%, 0.49%

LAB 58.67, -17.51, -15.18

 

CMYK 57 / 10 / 0 / 42

HEX #408594

RGB 64 133 148

HSL 190.71, 0.4%, 0.42%

LAB 51.84, -17.22, -14.67

 

CMYK 64 / 11 / 0 / 49

HEX #2F7381

RGB 47 115 129

HSL 190.24, 0.47%, 0.35%

LAB 44.87, -16.78, -14.1

 

CMYK 73 / 12 / 0 / 57

HEX #1E616E

RGB 30 97 110

HSL 189.75, 0.57%, 0.27%

LAB 37.75, -16.06, -13.45

 

CMYK 47 / 9 / 0 / 27

HEX #63A9BA

RGB 99 169 186

HSL 191.72, 0.39%, 0.56%

LAB 65.42, -17.46, -15.6

 

CMYK 47 / 22 / 0 / 27

HEX #6392BA

RGB 99 146 186

HSL 207.59, 0.39%, 0.56%

LAB 58.75, -4.9, -25.77

 

CMYK 47 / 34 / 0 / 27

HEX #637ABA

RGB 99 122 186

HSL 224.14, 0.39%, 0.56%

LAB 51.97, 9.15, -36.32

 

CMYK 47 / 47 / 0 / 27

HEX #6363BA

RGB 99 99 186

HSL 240, 0.39%, 0.56%

LAB 45.8, 23.23, -46.08

 

CMYK 34 / 47 / 0 / 27

HEX #7A63BA

RGB 122 99 186

HSL 255.86, 0.39%, 0.56%

LAB 47.76, 29.12, -42.85

 

CMYK 47 / 9 / 0 / 27

HEX #63A9BA

RGB 99 169 186

HSL 191.72, 0.39%, 0.56%

LAB 65.42, -17.46, -15.6

 

CMYK 47 / 22 / 0 / 27

HEX #6392BA

RGB 99 146 186

HSL 207.59, 0.39%, 0.56%

LAB 58.75, -4.9, -25.77

 

CMYK 47 / 34 / 0 / 27

HEX #637ABA

RGB 99 122 186

HSL 224.14, 0.39%, 0.56%

LAB 51.97, 9.15, -36.32

 

CMYK 47 / 47 / 0 / 27

HEX #6363BA

RGB 99 99 186

HSL 240, 0.39%, 0.56%

LAB 45.8, 23.23, -46.08

 

CMYK 47 / 9 / 0 / 27

HEX #63A9BA

RGB 99 169 186

HSL 191.72, 0.39%, 0.56%

LAB 65.42, -17.46, -15.6

 

CMYK 61 / 12 / 0 / 20

HEX #50B4CC

RGB 80 180 204

HSL 191.61, 0.55%, 0.56%

LAB 68.54, -21.97, -20.89

 

CMYK 72 / 14 / 0 / 13

HEX #3EBFDE

RGB 62 191 222

HSL 191.63, 0.71%, 0.56%

LAB 71.93, -24.78, -25.59

 

CMYK 82 / 16 / 0 / 5

HEX #2CCBF1

RGB 44 203 241

HSL 191.57, 0.88%, 0.56%

LAB 75.82, -26.57, -29.92

 

CMYK 47 / 9 / 0 / 27

HEX #63A9BA

RGB 99 169 186

HSL 191.72, 0.39%, 0.56%

LAB 65.42, -17.46, -15.6

 

CMYK 30 / 6 / 0 / 34

HEX #759EA8

RGB 117 158 168

HSL 191.76, 0.23%, 0.56%

LAB 62.56, -11.44, -9.72

 

CMYK 10 / 2 / 0 / 41

HEX #879396

RGB 135 147 150

HSL 192, 0.07%, 0.56%

LAB 60.09, -3.68, -3.07

 

CMYK 0 / 11 / 14 / 40

HEX #998884

RGB 153 136 132

HSL 11.43, 0.09%, 0.56%

LAB 58.08, 5.7, 4.48

 

CMYK 0 / 27 / 34 / 33

HEX #AB7D71

RGB 171 125 113

HSL 12.41, 0.26%, 0.56%

LAB 56.6, 16.18, 13.56

 

CMYK 47 / 0 / 17 / 27

HEX #63BA9B

RGB 99 186 155

HSL 158.62, 0.39%, 0.56%

LAB 69.57, -33.69, 7.65

 

CMYK 47 / 0 / 4 / 27

HEX #63BAB3

RGB 99 186 179

HSL 175.17, 0.39%, 0.56%

LAB 70.19, -27.94, -4.59

 

CMYK 47 / 9 / 0 / 27

HEX #63AABA

RGB 99 170 186

HSL 191.03, 0.39%, 0.56%

LAB 65.71, -17.98, -15.16

 

CMYK 47 / 21 / 0 / 27

HEX #6393BA

RGB 99 147 186

HSL 206.9, 0.39%, 0.56%

LAB 59.03, -5.47, -25.33

 

CMYK 47 / 34 / 0 / 27

HEX #637BBA

RGB 99 123 186

HSL 223.45, 0.39%, 0.56%

LAB 52.25, 8.55, -35.88

 

CMYK 57 / 11 / 0 / 45

HEX #3D7D8D

RGB 61 125 141

HSL 192, 0.4%, 0.4%

LAB 48.99, -15.64, -14.91

 

CMYK 56 / 11 / 0 / 34

HEX #4A97A9

RGB 74 151 169

HSL 191.37, 0.39%, 0.48%

LAB 58.47, -18.45, -16.66

 

CMYK 47 / 9 / 0 / 27

HEX #63A9BA

RGB 99 169 186

HSL 191.72, 0.39%, 0.56%

LAB 65.42, -17.46, -15.6

 

CMYK 36 / 7 / 0 / 22

HEX #7FB9C7

RGB 127 185 199

HSL 191.67, 0.39%, 0.64%

LAB 71.78, -15.23, -13.06

 

CMYK 26 / 5 / 0 / 17

HEX #9CC9D3

RGB 156 201 211

HSL 190.91, 0.38%, 0.72%

LAB 78.2, -12.44, -9.81

 

CMYK 47 / 9 / 0 / 27

HEX #62A9BA

RGB 98 169 186

HSL 191.59, 0.39%, 0.56%

LAB 65.37, -17.7, -15.67

 

CMYK 29 / 47 / 0 / 27

HEX #8463BA

RGB 132 99 186

HSL 262.76, 0.39%, 0.56%

LAB 48.73, 31.85, -41.25

 

CMYK 0 / 10 / 47 / 27

HEX #BAA763

RGB 186 167 99

HSL 46.9, 0.39%, 0.56%

LAB 68.73, -2.4, 37.53

 

CMYK 47 / 9 / 0 / 27

HEX #62A9BA

RGB 98 169 186

HSL 191.59, 0.39%, 0.56%

LAB 65.37, -17.7, -15.67

 

CMYK 0 / 47 / 9 / 27

HEX #BA63AA

RGB 186 99 170

HSL 311.03, 0.39%, 0.56%

LAB 54.31, 44.67, -22.78

 

CMYK 9 / 0 / 47 / 27

HEX #AABA63

RGB 170 186 99

HSL 71.03, 0.39%, 0.56%

LAB 72.6, -18.85, 42.02

 

CMYK 47 / 9 / 0 / 27

HEX #62A9BA

RGB 98 169 186

HSL 191.59, 0.39%, 0.56%

LAB 65.37, -17.7, -15.67

 

CMYK 29 / 47 / 0 / 27

HEX #8463BA

RGB 132 99 186

HSL 262.76, 0.39%, 0.56%

LAB 48.73, 31.85, -41.25

 

CMYK 0 / 38 / 47 / 27

HEX #BA7363

RGB 186 115 99

HSL 11.03, 0.39%, 0.56%

LAB 55.69, 26.19, 20.65

 

CMYK 18 / 0 / 47 / 27

HEX #99BA63

RGB 153 186 99

HSL 82.76, 0.39%, 0.56%

LAB 71.41, -25.54, 40.28

 

CMYK 47 / 9 / 0 / 27

HEX #62A9BA

RGB 98 169 186

HSL 191.59, 0.39%, 0.56%

LAB 65.37, -17.7, -15.67

 

CMYK 15 / 47 / 0 / 27

HEX #9E63BA

RGB 158 99 186

HSL 280.69, 0.39%, 0.56%

LAB 51.54, 39.28, -36.63

 

CMYK 0 / 38 / 47 / 27

HEX #BA7363

RGB 186 115 99

HSL 11.03, 0.39%, 0.56%

LAB 55.69, 26.19, 20.65

 

CMYK 32 / 0 / 47 / 27

HEX #7EBA63

RGB 126 186 99

HSL 101.38, 0.39%, 0.56%

LAB 69.79, -35.46, 37.92

 

Description

Color code: HEX #62A9BA | qconv.com Color code: HEX #62A9BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 169 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 169 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 9 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 9% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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