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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62A5F2 it is the complementary color #9D5A0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62A5F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62A5F2 shade: #67A5ED, #78B7FF, #89C9FF, #9ADBFF and #ABEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62A5F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62A5F2 shade: #62A5F2, #5193DF, #4081CC, #2F6FB9 and #1E5DA6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62A5F2 shade: #63A5F2, #637FF2, #6D63F2, #9463F2 and #BB63F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62A5F2 shade: #63A5F2, #637FF2 and #6363F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62A5F2 shade matches the following richer shades: #63A5F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62A5F2 shade: #63A5F2, #70A6E4, #7EA7D7, #8CA8C9 and #99A9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62A5F2 shade: #63F2F2, #63CCF2, #63A6F2, #637FF2 and #6C63F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62A5F2 shade: #167AEC, #3D90EF, #63A5F2, #89BBF5 and #AFD1F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62A5F2 shade: #62A5F2, #CC63F2 and #DFF263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62A5F2 shade: #62A5F2, #F263A6 and #A6F263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62A5F2 shade: #62A5F2, #CC63F2, #F2AF63 and #89F263

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62A5F2 shade: #62A5F2, #F263ED, #F2AF63 and #63F268

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 32 / 0 / 5

HEX #62A5F2

RGB 98 165 242

HSL 212.08, 0.85%, 0.67%

LAB 66.46, 1.32, -44.91

 

Complementary color

CMYK 0 / 43 / 92 / 38

HEX #9D5A0D

RGB 157 90 13

HSL 32.08, 0.85%, 0.33%

LAB 44.95, 22.43, 50.2

 

CMYK 57 / 30 / 0 / 7

HEX #67A5ED

RGB 103 165 237

HSL 212.24, 0.79%, 0.67%

LAB 66.45, 0.71, -42.17

 

CMYK 53 / 28 / 0 / 0

HEX #78B7FF

RGB 120 183 255

HSL 212, 1%, 0.74%

LAB 72.94, -0.35, -41.74

 

CMYK 46 / 21 / 0 / 0

HEX #89C9FF

RGB 137 201 255

HSL 207.46, 1%, 0.77%

LAB 78.64, -6.34, -32.83

 

CMYK 40 / 14 / 0 / 0

HEX #9ADBFF

RGB 154 219 255

HSL 201.39, 1%, 0.8%

LAB 84.36, -11.64, -24.01

 

CMYK 33 / 7 / 0 / 0

HEX #ABEDFF

RGB 171 237 255

HSL 192.86, 1%, 0.84%

LAB 90.07, -16.38, -15.3

 

CMYK 60 / 32 / 0 / 5

HEX #62A5F2

RGB 98 165 242

HSL 212.08, 0.85%, 0.67%

LAB 66.46, 1.32, -44.91

 

CMYK 64 / 34 / 0 / 13

HEX #5193DF

RGB 81 147 223

HSL 212.11, 0.69%, 0.6%

LAB 59.84, 2.39, -44.91

 

CMYK 69 / 37 / 0 / 20

HEX #4081CC

RGB 64 129 204

HSL 212.14, 0.58%, 0.53%

LAB 53.11, 3.71, -44.91

 

CMYK 75 / 40 / 0 / 27

HEX #2F6FB9

RGB 47 111 185

HSL 212.17, 0.59%, 0.45%

LAB 46.28, 5.39, -44.9

 

CMYK 82 / 44 / 0 / 35

HEX #1E5DA6

RGB 30 93 166

HSL 212.21, 0.69%, 0.38%

LAB 39.34, 7.56, -44.87

 

CMYK 59 / 32 / 0 / 5

HEX #63A5F2

RGB 99 165 242

HSL 212.31, 0.85%, 0.67%

LAB 66.5, 1.5, -44.84

 

CMYK 59 / 48 / 0 / 5

HEX #637FF2

RGB 99 127 242

HSL 228.25, 0.85%, 0.67%

LAB 56.33, 23.92, -61

 

CMYK 55 / 59 / 0 / 5

HEX #6D63F2

RGB 109 99 242

HSL 244.2, 0.85%, 0.67%

LAB 50.2, 42.51, -70.87

 

CMYK 39 / 59 / 0 / 5

HEX #9463F2

RGB 148 99 242

HSL 260.56, 0.85%, 0.67%

LAB 53.63, 50.22, -65.14

 

CMYK 23 / 59 / 0 / 5

HEX #BB63F2

RGB 187 99 242

HSL 276.92, 0.85%, 0.67%

LAB 57.94, 59.02, -57.99

 

CMYK 59 / 32 / 0 / 5

HEX #63A5F2

RGB 99 165 242

HSL 212.31, 0.85%, 0.67%

LAB 66.5, 1.5, -44.84

 

CMYK 59 / 48 / 0 / 5

HEX #637FF2

RGB 99 127 242

HSL 228.25, 0.85%, 0.67%

LAB 56.33, 23.92, -61

 

CMYK 59 / 59 / 0 / 5

HEX #6363F2

RGB 99 99 242

HSL 240, 0.85%, 0.67%

LAB 49.48, 40.8, -72.07

 

CMYK 59 / 32 / 0 / 5

HEX #63A5F2

RGB 99 165 242

HSL 212.31, 0.85%, 0.67%

LAB 66.5, 1.5, -44.84

 

CMYK 59 / 32 / 0 / 5

HEX #63A5F2

RGB 99 165 242

HSL 212.31, 0.85%, 0.67%

LAB 66.5, 1.5, -44.84

 

CMYK 51 / 27 / 0 / 11

HEX #70A6E4

RGB 112 166 228

HSL 212.07, 0.68%, 0.67%

LAB 66.76, -0.68, -36.72

 

CMYK 41 / 22 / 0 / 16

HEX #7EA7D7

RGB 126 167 215

HSL 212.36, 0.53%, 0.67%

LAB 67.26, -1.57, -28.73

 

CMYK 30 / 16 / 0 / 21

HEX #8CA8C9

RGB 140 168 201

HSL 212.46, 0.36%, 0.67%

LAB 67.87, -1.91, -19.99

 

CMYK 18 / 10 / 0 / 27

HEX #99A9BB

RGB 153 169 187

HSL 211.76, 0.2%, 0.67%

LAB 68.56, -1.73, -11.11

 

CMYK 59 / 0 / 0 / 5

HEX #63F2F2

RGB 99 242 242

HSL 180, 0.85%, 0.67%

LAB 88.24, -37.97, -11.53

 

CMYK 59 / 16 / 0 / 5

HEX #63CCF2

RGB 99 204 242

HSL 195.94, 0.85%, 0.67%

LAB 77.43, -19.58, -27.88

 

CMYK 59 / 31 / 0 / 5

HEX #63A6F2

RGB 99 166 242

HSL 211.89, 0.85%, 0.67%

LAB 66.78, 0.94, -44.41

 

CMYK 59 / 48 / 0 / 5

HEX #637FF2

RGB 99 127 242

HSL 228.25, 0.85%, 0.67%

LAB 56.33, 23.92, -61

 

CMYK 55 / 59 / 0 / 5

HEX #6C63F2

RGB 108 99 242

HSL 243.78, 0.85%, 0.67%

LAB 50.12, 42.34, -70.99

 

CMYK 91 / 48 / 0 / 7

HEX #167AEC

RGB 22 122 236

HSL 211.96, 0.85%, 0.51%

LAB 52, 15.88, -64.76

 

CMYK 74 / 40 / 0 / 6

HEX #3D90EF

RGB 61 144 239

HSL 212.02, 0.85%, 0.59%

LAB 59.13, 6.77, -54.95

 

CMYK 59 / 32 / 0 / 5

HEX #63A5F2

RGB 99 165 242

HSL 212.31, 0.85%, 0.67%

LAB 66.5, 1.5, -44.84

 

CMYK 44 / 24 / 0 / 4

HEX #89BBF5

RGB 137 187 245

HSL 212.22, 0.84%, 0.75%

LAB 74.48, -1.54, -33.9

 

CMYK 29 / 16 / 0 / 3

HEX #AFD1F8

RGB 175 209 248

HSL 212.05, 0.84%, 0.83%

LAB 82.64, -2.5, -22.8

 

CMYK 60 / 32 / 0 / 5

HEX #62A5F2

RGB 98 165 242

HSL 212.08, 0.85%, 0.67%

LAB 66.46, 1.32, -44.91

 

CMYK 16 / 59 / 0 / 5

HEX #CC63F2

RGB 204 99 242

HSL 284.06, 0.85%, 0.67%

LAB 60.04, 63.05, -54.51

 

CMYK 8 / 0 / 59 / 5

HEX #DFF263

RGB 223 242 99

HSL 67.97, 0.85%, 0.67%

LAB 91.73, -25.1, 65.14

 

CMYK 60 / 32 / 0 / 5

HEX #62A5F2

RGB 98 165 242

HSL 212.08, 0.85%, 0.67%

LAB 66.46, 1.32, -44.91

 

CMYK 0 / 59 / 31 / 5

HEX #F263A6

RGB 242 99 166

HSL 331.89, 0.85%, 0.67%

LAB 62.13, 61.3, -7.87

 

CMYK 31 / 0 / 59 / 5

HEX #A6F263

RGB 166 242 99

HSL 91.89, 0.85%, 0.67%

LAB 88.21, -46.3, 60.26

 

CMYK 60 / 32 / 0 / 5

HEX #62A5F2

RGB 98 165 242

HSL 212.08, 0.85%, 0.67%

LAB 66.46, 1.32, -44.91

 

CMYK 16 / 59 / 0 / 5

HEX #CC63F2

RGB 204 99 242

HSL 284.06, 0.85%, 0.67%

LAB 60.04, 63.05, -54.51

 

CMYK 0 / 28 / 59 / 5

HEX #F2AF63

RGB 242 175 99

HSL 31.89, 0.85%, 0.67%

LAB 76.34, 16.62, 48.06

 

CMYK 43 / 0 / 59 / 5

HEX #89F263

RGB 137 242 99

HSL 104.06, 0.85%, 0.67%

LAB 86.86, -55.64, 58.36

 

CMYK 60 / 32 / 0 / 5

HEX #62A5F2

RGB 98 165 242

HSL 212.08, 0.85%, 0.67%

LAB 66.46, 1.32, -44.91

 

CMYK 0 / 59 / 2 / 5

HEX #F263ED

RGB 242 99 237

HSL 302.1, 0.85%, 0.67%

LAB 64.9, 71.39, -43.73

 

CMYK 0 / 28 / 59 / 5

HEX #F2AF63

RGB 242 175 99

HSL 31.89, 0.85%, 0.67%

LAB 76.34, 16.62, 48.06

 

CMYK 59 / 0 / 57 / 5

HEX #63F268

RGB 99 242 104

HSL 122.1, 0.85%, 0.67%

LAB 85.58, -65.06, 54.36

 

Description

Color code: HEX #62A5F2 | qconv.com Color code: HEX #62A5F2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 165 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 165 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 32 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 32% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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