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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625EA0 it is the complementary color #9DA15F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625EA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625EA0 shade: #675E9B, #7870AE, #8982C1, #9A94D4 and #ABA6E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625EA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625EA0 shade: #625EA0, #514C8D, #403A7A, #2F2867 and #1E1654

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625EA0 shade: #625EA0, #745EA0, #865EA0, #985EA0 and #A05E97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625EA0 shade: #625EA0 and #5E5EA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625EA0 shade matches the following richer shades: #625EA0, #5049B5, #3E35C9, #2B20DE and #190BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625EA0 shade: #625EA0, #74728C, #868777, #989C62 and #AAB04E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625EA0 shade: #5E7EA0, #5E6CA0, #615EA0, #735EA0 and #855EA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625EA0 shade: #423F6C, #524F86, #625EA0, #7B78AF and #9592BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625EA0 shade: #625EA0, #A05E90 and #75A05E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625EA0 shade: #625EA0, #A0615E and #5EA061

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625EA0 shade: #625EA0, #A05E90, #9DA05E and #5EA06E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625EA0 shade: #625EA0, #A05E7C, #9DA05E and #5EA082

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

Complementary color

CMYK 2 / 0 / 41 / 37

HEX #9DA15F

RGB 157 161 95

HSL 63.64, 0.26%, 0.5%

LAB 64.55, -11.7, 33.84

 

CMYK 34 / 39 / 0 / 39

HEX #675E9B

RGB 103 94 155

HSL 248.85, 0.24%, 0.49%

LAB 43.15, 18.31, -32.03

 

CMYK 31 / 36 / 0 / 32

HEX #7870AE

RGB 120 112 174

HSL 247.74, 0.28%, 0.56%

LAB 50.26, 17.53, -31.95

 

CMYK 29 / 33 / 0 / 24

HEX #8982C1

RGB 137 130 193

HSL 246.67, 0.34%, 0.63%

LAB 57.21, 16.85, -31.93

 

CMYK 27 / 30 / 0 / 17

HEX #9A94D4

RGB 154 148 212

HSL 245.63, 0.43%, 0.71%

LAB 64, 16.26, -31.95

 

CMYK 26 / 28 / 0 / 9

HEX #ABA6E7

RGB 171 166 231

HSL 244.62, 0.58%, 0.78%

LAB 70.66, 15.73, -32.01

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 43 / 46 / 0 / 45

HEX #514C8D

RGB 81 76 141

HSL 244.62, 0.3%, 0.43%

LAB 35.68, 19.32, -35.52

 

CMYK 48 / 52 / 0 / 52

HEX #403A7A

RGB 64 58 122

HSL 245.63, 0.36%, 0.35%

LAB 28.17, 20.58, -35.8

 

CMYK 54 / 61 / 0 / 60

HEX #2F2867

RGB 47 40 103

HSL 246.67, 0.44%, 0.28%

LAB 20.44, 22.16, -36.15

 

CMYK 64 / 74 / 0 / 67

HEX #1E1654

RGB 30 22 84

HSL 247.74, 0.58%, 0.21%

LAB 12.54, 24.11, -36.42

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 28 / 41 / 0 / 37

HEX #745EA0

RGB 116 94 160

HSL 260, 0.26%, 0.5%

LAB 44.6, 23.52, -32.63

 

CMYK 16 / 41 / 0 / 37

HEX #865EA0

RGB 134 94 160

HSL 276.36, 0.26%, 0.5%

LAB 46.46, 29.05, -29.58

 

CMYK 5 / 41 / 0 / 37

HEX #985EA0

RGB 152 94 160

HSL 292.73, 0.26%, 0.5%

LAB 48.53, 34.75, -26.2

 

CMYK 0 / 41 / 6 / 37

HEX #A05E97

RGB 160 94 151

HSL 308.18, 0.26%, 0.5%

LAB 49.15, 35.6, -19.85

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 41 / 41 / 0 / 37

HEX #5E5EA0

RGB 94 94 160

HSL 240, 0.26%, 0.5%

LAB 42.65, 17.2, -35.84

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 56 / 60 / 0 / 29

HEX #5049B5

RGB 80 73 181

HSL 243.89, 0.43%, 0.5%

LAB 37.49, 33.68, -56.6

 

CMYK 69 / 74 / 0 / 21

HEX #3E35C9

RGB 62 53 201

HSL 243.65, 0.58%, 0.5%

LAB 33.54, 49.29, -74.87

 

CMYK 81 / 86 / 0 / 13

HEX #2B20DE

RGB 43 32 222

HSL 243.47, 0.75%, 0.5%

LAB 31.39, 64.09, -90.61

 

CMYK 90 / 95 / 0 / 5

HEX #190BF3

RGB 25 11 243

HSL 243.62, 0.91%, 0.5%

LAB 31.62, 74.79, -102.24

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 17 / 19 / 0 / 45

HEX #74728C

RGB 116 114 140

HSL 244.62, 0.1%, 0.5%

LAB 49.06, 6.46, -13.9

 

CMYK 1 / 0 / 12 / 47

HEX #868777

RGB 134 135 119

HSL 63.75, 0.06%, 0.5%

LAB 55.81, -3.37, 8.48

 

CMYK 3 / 0 / 37 / 39

HEX #989C62

RGB 152 156 98

HSL 64.14, 0.23%, 0.5%

LAB 62.79, -10.75, 29.91

 

CMYK 3 / 0 / 56 / 31

HEX #AAB04E

RGB 170 176 78

HSL 63.67, 0.39%, 0.5%

LAB 69.57, -15.74, 48.58

 

CMYK 41 / 21 / 0 / 37

HEX #5E7EA0

RGB 94 126 160

HSL 210.91, 0.26%, 0.5%

LAB 51.66, -2.26, -21.8

 

CMYK 41 / 33 / 0 / 37

HEX #5E6CA0

RGB 94 108 160

HSL 227.27, 0.26%, 0.5%

LAB 46.5, 8.52, -29.78

 

CMYK 39 / 41 / 0 / 37

HEX #615EA0

RGB 97 94 160

HSL 242.73, 0.26%, 0.5%

LAB 42.89, 18.02, -35.44

 

CMYK 28 / 41 / 0 / 37

HEX #735EA0

RGB 115 94 160

HSL 259.09, 0.26%, 0.5%

LAB 44.5, 23.22, -32.79

 

CMYK 17 / 41 / 0 / 37

HEX #855EA0

RGB 133 94 160

HSL 275.45, 0.26%, 0.5%

LAB 46.35, 28.74, -29.76

 

CMYK 39 / 42 / 0 / 58

HEX #423F6C

RGB 66 63 108

HSL 244, 0.26%, 0.34%

LAB 28.89, 13.36, -25.78

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 30 / 31 / 0 / 31

HEX #7B78AF

RGB 123 120 175

HSL 243.27, 0.26%, 0.58%

LAB 52.66, 13.9, -28.77

 

CMYK 22 / 24 / 0 / 25

HEX #9592BF

RGB 149 146 191

HSL 244, 0.26%, 0.66%

LAB 62.26, 10.78, -22.91

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 0 / 41 / 10 / 37

HEX #A05E90

RGB 160 94 144

HSL 314.55, 0.26%, 0.5%

LAB 48.87, 34.34, -16.11

 

CMYK 27 / 0 / 41 / 37

HEX #75A05E

RGB 117 160 94

HSL 99.09, 0.26%, 0.5%

LAB 61.42, -27.06, 29.8

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 0 / 39 / 41 / 37

HEX #A0615E

RGB 160 97 94

HSL 2.73, 0.26%, 0.5%

LAB 48.05, 25.21, 12.6

 

CMYK 41 / 0 / 39 / 37

HEX #5EA061

RGB 94 160 97

HSL 122.73, 0.26%, 0.5%

LAB 60.23, -34.49, 26.41

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 0 / 41 / 10 / 37

HEX #A05E90

RGB 160 94 144

HSL 314.55, 0.26%, 0.5%

LAB 48.87, 34.34, -16.11

 

CMYK 2 / 0 / 41 / 37

HEX #9DA05E

RGB 157 160 94

HSL 62.73, 0.26%, 0.5%

LAB 64.26, -11.29, 33.99

 

CMYK 41 / 0 / 31 / 37

HEX #5EA06E

RGB 94 160 110

HSL 134.55, 0.26%, 0.5%

LAB 60.47, -32.21, 19.64

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 0 / 41 / 23 / 37

HEX #A05E7C

RGB 160 94 124

HSL 332.73, 0.26%, 0.5%

LAB 48.18, 31.01, -5.22

 

CMYK 2 / 0 / 41 / 37

HEX #9DA05E

RGB 157 160 94

HSL 62.73, 0.26%, 0.5%

LAB 64.26, -11.29, 33.99

 

CMYK 41 / 0 / 19 / 37

HEX #5EA082

RGB 94 160 130

HSL 152.73, 0.26%, 0.5%

LAB 60.9, -28.16, 9.11

 

Description

Color code: HEX #625EA0 | qconv.com Color code: HEX #625EA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 94 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 94 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 41 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 41% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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