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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625112 it is the complementary color #9DAEED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625112 shade: #67510D, #786320, #897533, #9A8746 and #AB9959

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625112 shade: #625112, #513F00, #402D00, #2F1B00 and #1E0900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625112 shade: #635112, #633C12, #632612 and #631212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625112 shade: #635112, #5E6312, #486312, #326312 and #1D6312

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625112 shade matches the following richer shades: #635112 and #6C5708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625112 shade: #635112, #594C1B, #504725, #46412E and #3D3C38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625112 shade: #632612, #633B12, #635112, #5F6312 and #496312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625112 shade: #1D1805, #40350B, #635112, #856E18 and #A88B1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625112 shade: #625112, #136312 and #311263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625112 shade: #625112, #126351 and #511263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625112 shade: #625112, #136312, #122363 and #611263

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625112 shade: #625112, #126329, #122363 and #63124C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 82 / 62

HEX #625112

RGB 98 81 18

HSL 47.25, 0.69%, 0.23%

LAB 35.05, -0.13, 37.16

 

Complementary color

CMYK 34 / 27 / 0 / 7

HEX #9DAEED

RGB 157 174 237

HSL 227.25, 0.69%, 0.77%

LAB 71.93, 8.74, -33.41

 

CMYK 0 / 21 / 87 / 60

HEX #67510D

RGB 103 81 13

HSL 45.33, 0.78%, 0.23%

LAB 35.59, 2.17, 39.71

 

CMYK 0 / 18 / 73 / 53

HEX #786320

RGB 120 99 32

HSL 45.68, 0.58%, 0.3%

LAB 42.79, 0.63, 39.51

 

CMYK 0 / 15 / 63 / 46

HEX #897533

RGB 137 117 51

HSL 46.05, 0.46%, 0.37%

LAB 49.83, -0.54, 38.47

 

CMYK 0 / 12 / 55 / 40

HEX #9A8746

RGB 154 135 70

HSL 46.43, 0.38%, 0.44%

LAB 56.72, -1.45, 37.2

 

CMYK 0 / 11 / 48 / 33

HEX #AB9959

RGB 171 153 89

HSL 46.83, 0.33%, 0.51%

LAB 63.48, -2.18, 35.89

 

CMYK 0 / 17 / 82 / 62

HEX #625112

RGB 98 81 18

HSL 47.25, 0.69%, 0.23%

LAB 35.05, -0.13, 37.16

 

CMYK 0 / 22 / 100 / 68

HEX #513F00

RGB 81 63 0

HSL 46.67, 1%, 0.16%

LAB 27.58, 1.59, 36.81

 

CMYK 0 / 30 / 100 / 75

HEX #402D00

RGB 64 45 0

HSL 42.19, 1%, 0.13%

LAB 19.91, 4.15, 28.44

 

CMYK 0 / 43 / 100 / 82

HEX #2F1B00

RGB 47 27 0

HSL 34.47, 1%, 0.09%

LAB 11.88, 7.01, 17.83

 

CMYK 0 / 70 / 100 / 88

HEX #1E0900

RGB 30 9 0

HSL 18, 1%, 0.06%

LAB 4.26, 7.58, 6.52

 

CMYK 0 / 18 / 82 / 61

HEX #635112

RGB 99 81 18

HSL 46.67, 0.69%, 0.23%

LAB 35.17, 0.37, 37.3

 

CMYK 0 / 39 / 82 / 61

HEX #633C12

RGB 99 60 18

HSL 31.11, 0.69%, 0.23%

LAB 29.23, 13.33, 31.64

 

CMYK 0 / 62 / 82 / 61

HEX #632612

RGB 99 38 18

HSL 14.81, 0.69%, 0.23%

LAB 23.94, 26.34, 26.34

 

CMYK 0 / 82 / 82 / 61

HEX #631212

RGB 99 18 18

HSL 0, 0.69%, 0.23%

LAB 20.55, 35.5, 22.74

 

CMYK 0 / 18 / 82 / 61

HEX #635112

RGB 99 81 18

HSL 46.67, 0.69%, 0.23%

LAB 35.17, 0.37, 37.3

 

CMYK 5 / 0 / 82 / 61

HEX #5E6312

RGB 94 99 18

HSL 63.7, 0.69%, 0.23%

LAB 40.16, -12.6, 41.71

 

CMYK 27 / 0 / 82 / 61

HEX #486312

RGB 72 99 18

HSL 80, 0.69%, 0.23%

LAB 38.45, -22.73, 39.52

 

CMYK 49 / 0 / 82 / 61

HEX #326312

RGB 50 99 18

HSL 96.3, 0.69%, 0.23%

LAB 37.2, -31.48, 37.88

 

CMYK 71 / 0 / 82 / 61

HEX #1D6312

RGB 29 99 18

HSL 111.85, 0.69%, 0.23%

LAB 36.42, -37.64, 36.87

 

CMYK 0 / 18 / 82 / 61

HEX #635112

RGB 99 81 18

HSL 46.67, 0.69%, 0.23%

LAB 35.17, 0.37, 37.3

 

CMYK 0 / 19 / 93 / 58

HEX #6C5708

RGB 108 87 8

HSL 47.4, 0.86%, 0.23%

LAB 37.88, 0.9, 43.34

 

CMYK 0 / 18 / 82 / 61

HEX #635112

RGB 99 81 18

HSL 46.67, 0.69%, 0.23%

LAB 35.17, 0.37, 37.3

 

CMYK 0 / 15 / 70 / 65

HEX #594C1B

RGB 89 76 27

HSL 47.42, 0.53%, 0.23%

LAB 32.64, -1.05, 30.26

 

CMYK 0 / 11 / 54 / 69

HEX #504725

RGB 80 71 37

HSL 47.44, 0.37%, 0.23%

LAB 30.27, -1.51, 21.71

 

CMYK 0 / 7 / 34 / 73

HEX #46412E

RGB 70 65 46

HSL 47.5, 0.21%, 0.23%

LAB 27.52, -1.37, 12.39

 

CMYK 0 / 2 / 8 / 76

HEX #3D3C38

RGB 61 60 56

HSL 48, 0.04%, 0.23%

LAB 25.29, -0.44, 2.62

 

CMYK 0 / 62 / 82 / 61

HEX #632612

RGB 99 38 18

HSL 14.81, 0.69%, 0.23%

LAB 23.94, 26.34, 26.34

 

CMYK 0 / 40 / 82 / 61

HEX #633B12

RGB 99 59 18

HSL 30.37, 0.69%, 0.23%

LAB 28.96, 13.95, 31.38

 

CMYK 0 / 18 / 82 / 61

HEX #635112

RGB 99 81 18

HSL 46.67, 0.69%, 0.23%

LAB 35.17, 0.37, 37.3

 

CMYK 4 / 0 / 82 / 61

HEX #5F6312

RGB 95 99 18

HSL 62.96, 0.69%, 0.23%

LAB 40.25, -12.12, 41.83

 

CMYK 26 / 0 / 82 / 61

HEX #496312

RGB 73 99 18

HSL 79.26, 0.69%, 0.23%

LAB 38.52, -22.29, 39.61

 

CMYK 0 / 17 / 83 / 89

HEX #1D1805

RGB 29 24 5

HSL 47.5, 0.71%, 0.07%

LAB 8.35, -0.76, 10.44

 

CMYK 0 / 17 / 83 / 75

HEX #40350B

RGB 64 53 11

HSL 47.55, 0.71%, 0.15%

LAB 22.52, -0.5, 26.78

 

CMYK 0 / 18 / 82 / 61

HEX #635112

RGB 99 81 18

HSL 46.67, 0.69%, 0.23%

LAB 35.17, 0.37, 37.3

 

CMYK 0 / 17 / 82 / 48

HEX #856E18

RGB 133 110 24

HSL 47.34, 0.69%, 0.31%

LAB 47.24, 0.07, 47.45

 

CMYK 0 / 17 / 82 / 34

HEX #A88B1E

RGB 168 139 30

HSL 47.39, 0.7%, 0.39%

LAB 58.87, 0.27, 57.14

 

CMYK 0 / 17 / 82 / 62

HEX #625112

RGB 98 81 18

HSL 47.25, 0.69%, 0.23%

LAB 35.05, -0.13, 37.16

 

CMYK 81 / 0 / 82 / 61

HEX #136312

RGB 19 99 18

HSL 119.26, 0.69%, 0.23%

LAB 36.19, -39.62, 36.56

 

CMYK 51 / 82 / 0 / 61

HEX #311263

RGB 49 18 99

HSL 262.96, 0.69%, 0.23%

LAB 15.42, 34.58, -41.7

 

CMYK 0 / 17 / 82 / 62

HEX #625112

RGB 98 81 18

HSL 47.25, 0.69%, 0.23%

LAB 35.05, -0.13, 37.16

 

CMYK 82 / 0 / 18 / 61

HEX #126351

RGB 18 99 81

HSL 166.67, 0.69%, 0.23%

LAB 37.2, -28.07, 3.58

 

CMYK 18 / 82 / 0 / 61

HEX #511263

RGB 81 18 99

HSL 286.67, 0.69%, 0.23%

LAB 20.37, 40.77, -33.42

 

CMYK 0 / 17 / 82 / 62

HEX #625112

RGB 98 81 18

HSL 47.25, 0.69%, 0.23%

LAB 35.05, -0.13, 37.16

 

CMYK 81 / 0 / 82 / 61

HEX #136312

RGB 19 99 18

HSL 119.26, 0.69%, 0.23%

LAB 36.19, -39.62, 36.56

 

CMYK 82 / 65 / 0 / 61

HEX #122363

RGB 18 35 99

HSL 227.41, 0.69%, 0.23%

LAB 16.66, 19.03, -39.77

 

CMYK 2 / 82 / 0 / 61

HEX #611263

RGB 97 18 99

HSL 298.52, 0.69%, 0.23%

LAB 23.25, 44.29, -28.64

 

CMYK 0 / 17 / 82 / 62

HEX #625112

RGB 98 81 18

HSL 47.25, 0.69%, 0.23%

LAB 35.05, -0.13, 37.16

 

CMYK 82 / 0 / 59 / 61

HEX #126329

RGB 18 99 41

HSL 137.04, 0.69%, 0.23%

LAB 36.39, -37.09, 26.1

 

CMYK 82 / 65 / 0 / 61

HEX #122363

RGB 18 35 99

HSL 227.41, 0.69%, 0.23%

LAB 16.66, 19.03, -39.77

 

CMYK 0 / 82 / 23 / 61

HEX #63124C

RGB 99 18 76

HSL 317.04, 0.69%, 0.23%

LAB 22.33, 41, -14.73

 

Description

Color code: HEX #625112 | qconv.com Color code: HEX #625112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 81 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 81 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 82 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 82% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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