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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625043 it is the complementary color #9DAFBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625043. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625043 shade: #67503E, #786251, #897464, #9A8677 and #AB988A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625043. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625043 shade: #625043, #513E30, #402C1D, #2F1A0A and #1E0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625043 shade: #614F42, #614642 and #614242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625043 shade: #614F42, #615742, #615F42, #5A6142 and #516142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625043 shade matches the following richer shades: #614F42, #6E4C34, #7B4A27, #88481A and #95460D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625043 shade: #614F42, #53514F, #46535C, #395569 and #2C5776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625043 shade: #614245, #614642, #614F42, #615742 and #615F42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625043 shade: #302720, #483B31, #614F42, #796352 and #927763

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625043 shade: #625043, #4D6142 and #424261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625043 shade: #625043, #42614F and #4F4261

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625043 shade: #625043, #4D6142, #425461 and #554261

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625043 shade: #625043, #446142, #425461 and #5E4261

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 32 / 62

HEX #625043

RGB 98 80 67

HSL 25.16, 0.19%, 0.32%

LAB 35.48, 5.32, 10.48

 

Complementary color

CMYK 16 / 7 / 0 / 26

HEX #9DAFBC

RGB 157 175 188

HSL 205.16, 0.19%, 0.68%

LAB 70.5, -3.48, -8.75

 

CMYK 0 / 22 / 40 / 60

HEX #67503E

RGB 103 80 62

HSL 26.34, 0.25%, 0.32%

LAB 35.92, 6.85, 14.29

 

CMYK 0 / 18 / 33 / 53

HEX #786251

RGB 120 98 81

HSL 26.15, 0.19%, 0.39%

LAB 43.25, 6.14, 13.01

 

CMYK 0 / 15 / 27 / 46

HEX #897464

RGB 137 116 100

HSL 25.95, 0.16%, 0.46%

LAB 50.37, 5.57, 11.88

 

CMYK 0 / 13 / 23 / 40

HEX #9A8677

RGB 154 134 119

HSL 25.71, 0.15%, 0.54%

LAB 57.32, 5.1, 10.86

 

CMYK 0 / 11 / 19 / 33

HEX #AB988A

RGB 171 152 138

HSL 25.45, 0.16%, 0.61%

LAB 64.12, 4.69, 9.92

 

CMYK 0 / 18 / 32 / 62

HEX #625043

RGB 98 80 67

HSL 25.16, 0.19%, 0.32%

LAB 35.48, 5.32, 10.48

 

CMYK 0 / 23 / 41 / 68

HEX #513E30

RGB 81 62 48

HSL 25.45, 0.26%, 0.25%

LAB 27.87, 6.05, 11.79

 

CMYK 0 / 31 / 55 / 75

HEX #402C1D

RGB 64 44 29

HSL 25.71, 0.38%, 0.18%

LAB 19.96, 7.05, 13.36

 

CMYK 0 / 45 / 79 / 82

HEX #2F1A0A

RGB 47 26 10

HSL 25.95, 0.65%, 0.11%

LAB 11.72, 8.55, 13.54

 

CMYK 0 / 73 / 100 / 88

HEX #1E0800

RGB 30 8 0

HSL 16, 1%, 0.06%

LAB 4.06, 7.98, 6.23

 

CMYK 0 / 19 / 32 / 62

HEX #614F42

RGB 97 79 66

HSL 25.16, 0.19%, 0.32%

LAB 35.06, 5.34, 10.51

 

CMYK 0 / 28 / 32 / 62

HEX #614642

RGB 97 70 66

HSL 7.74, 0.19%, 0.32%

LAB 32.51, 10.95, 6.95

 

CMYK 0 / 32 / 32 / 62

HEX #614242

RGB 97 66 66

HSL 0, 0.19%, 0.32%

LAB 31.42, 13.46, 5.4

 

CMYK 0 / 19 / 32 / 62

HEX #614F42

RGB 97 79 66

HSL 25.16, 0.19%, 0.32%

LAB 35.06, 5.34, 10.51

 

CMYK 0 / 10 / 32 / 62

HEX #615742

RGB 97 87 66

HSL 40.65, 0.19%, 0.32%

LAB 37.39, 0.44, 13.71

 

CMYK 0 / 2 / 32 / 62

HEX #615F42

RGB 97 95 66

HSL 56.13, 0.19%, 0.32%

LAB 39.78, -4.35, 16.93

 

CMYK 7 / 0 / 32 / 62

HEX #5A6142

RGB 90 97 66

HSL 73.55, 0.19%, 0.32%

LAB 39.78, -8.58, 16.81

 

CMYK 16 / 0 / 32 / 62

HEX #516142

RGB 81 97 66

HSL 90.97, 0.19%, 0.32%

LAB 39.06, -12.4, 15.72

 

CMYK 0 / 19 / 32 / 62

HEX #614F42

RGB 97 79 66

HSL 25.16, 0.19%, 0.32%

LAB 35.06, 5.34, 10.51

 

CMYK 0 / 31 / 53 / 57

HEX #6E4C34

RGB 110 76 52

HSL 24.83, 0.36%, 0.32%

LAB 35.46, 11.31, 19.96

 

CMYK 0 / 40 / 68 / 52

HEX #7B4A27

RGB 123 74 39

HSL 25, 0.52%, 0.32%

LAB 36.47, 17.37, 29.22

 

CMYK 0 / 47 / 81 / 47

HEX #88481A

RGB 136 72 26

HSL 25.09, 0.68%, 0.32%

LAB 37.74, 23.69, 37.94

 

CMYK 0 / 53 / 91 / 42

HEX #95460D

RGB 149 70 13

HSL 25.15, 0.84%, 0.32%

LAB 39.24, 30.03, 45.33

 

CMYK 0 / 19 / 32 / 62

HEX #614F42

RGB 97 79 66

HSL 25.16, 0.19%, 0.32%

LAB 35.06, 5.34, 10.51

 

CMYK 0 / 2 / 5 / 67

HEX #53514F

RGB 83 81 79

HSL 30, 0.02%, 0.32%

LAB 34.58, 0.4, 1.46

 

CMYK 24 / 10 / 0 / 64

HEX #46535C

RGB 70 83 92

HSL 204.55, 0.14%, 0.32%

LAB 34.52, -2.82, -6.94

 

CMYK 46 / 19 / 0 / 59

HEX #395569

RGB 57 85 105

HSL 205, 0.3%, 0.32%

LAB 34.78, -4.54, -14.8

 

CMYK 63 / 26 / 0 / 54

HEX #2C5776

RGB 44 87 118

HSL 205.14, 0.46%, 0.32%

LAB 35.32, -4.7, -22.1

 

CMYK 0 / 32 / 29 / 62

HEX #614245

RGB 97 66 69

HSL 354.19, 0.19%, 0.32%

LAB 31.5, 13.93, 3.59

 

CMYK 0 / 28 / 32 / 62

HEX #614642

RGB 97 70 66

HSL 7.74, 0.19%, 0.32%

LAB 32.51, 10.95, 6.95

 

CMYK 0 / 19 / 32 / 62

HEX #614F42

RGB 97 79 66

HSL 25.16, 0.19%, 0.32%

LAB 35.06, 5.34, 10.51

 

CMYK 0 / 10 / 32 / 62

HEX #615742

RGB 97 87 66

HSL 40.65, 0.19%, 0.32%

LAB 37.39, 0.44, 13.71

 

CMYK 0 / 2 / 32 / 62

HEX #615F42

RGB 97 95 66

HSL 56.13, 0.19%, 0.32%

LAB 39.78, -4.35, 16.93

 

CMYK 0 / 19 / 33 / 81

HEX #302720

RGB 48 39 32

HSL 26.25, 0.2%, 0.16%

LAB 16.42, 2.85, 6.19

 

CMYK 0 / 18 / 32 / 72

HEX #483B31

RGB 72 59 49

HSL 26.09, 0.19%, 0.24%

LAB 25.94, 3.91, 8.33

 

CMYK 0 / 19 / 32 / 62

HEX #614F42

RGB 97 79 66

HSL 25.16, 0.19%, 0.32%

LAB 35.06, 5.34, 10.51

 

CMYK 0 / 18 / 32 / 53

HEX #796352

RGB 121 99 82

HSL 26.15, 0.19%, 0.4%

LAB 43.65, 6.12, 12.98

 

CMYK 0 / 18 / 32 / 43

HEX #927763

RGB 146 119 99

HSL 25.53, 0.19%, 0.48%

LAB 52.07, 7.44, 14.96

 

CMYK 0 / 18 / 32 / 62

HEX #625043

RGB 98 80 67

HSL 25.16, 0.19%, 0.32%

LAB 35.48, 5.32, 10.48

 

CMYK 21 / 0 / 32 / 62

HEX #4D6142

RGB 77 97 66

HSL 98.71, 0.19%, 0.32%

LAB 38.76, -14.04, 15.27

 

CMYK 32 / 32 / 0 / 62

HEX #424261

RGB 66 66 97

HSL 240, 0.19%, 0.32%

LAB 29.2, 8.07, -18.26

 

CMYK 0 / 18 / 32 / 62

HEX #625043

RGB 98 80 67

HSL 25.16, 0.19%, 0.32%

LAB 35.48, 5.32, 10.48

 

CMYK 32 / 0 / 19 / 62

HEX #42614F

RGB 66 97 79

HSL 145.16, 0.19%, 0.32%

LAB 38.33, -15.66, 6.67

 

CMYK 19 / 32 / 0 / 62

HEX #4F4261

RGB 79 66 97

HSL 265.16, 0.19%, 0.32%

LAB 30.45, 12.6, -16.23

 

CMYK 0 / 18 / 32 / 62

HEX #625043

RGB 98 80 67

HSL 25.16, 0.19%, 0.32%

LAB 35.48, 5.32, 10.48

 

CMYK 21 / 0 / 32 / 62

HEX #4D6142

RGB 77 97 66

HSL 98.71, 0.19%, 0.32%

LAB 38.76, -14.04, 15.27

 

CMYK 32 / 13 / 0 / 62

HEX #425461

RGB 66 84 97

HSL 205.16, 0.19%, 0.32%

LAB 34.73, -3.48, -9.81

 

CMYK 12 / 32 / 0 / 62

HEX #554261

RGB 85 66 97

HSL 276.77, 0.19%, 0.32%

LAB 31.09, 14.78, -15.19

 

CMYK 0 / 18 / 32 / 62

HEX #625043

RGB 98 80 67

HSL 25.16, 0.19%, 0.32%

LAB 35.48, 5.32, 10.48

 

CMYK 30 / 0 / 32 / 62

HEX #446142

RGB 68 97 66

HSL 116.13, 0.19%, 0.32%

LAB 38.15, -17.6, 14.34

 

CMYK 32 / 13 / 0 / 62

HEX #425461

RGB 66 84 97

HSL 205.16, 0.19%, 0.32%

LAB 34.73, -3.48, -9.81

 

CMYK 3 / 32 / 0 / 62

HEX #5E4261

RGB 94 66 97

HSL 294.19, 0.19%, 0.32%

LAB 32.12, 18.1, -13.52

 

Description

Color code: HEX #625043 | qconv.com Color code: HEX #625043 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 80 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 80 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 32 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 32% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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