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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625607 it is the complementary color #9DA9F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625607. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625607 shade: #675602, #786815, #897A28, #9A8C3B and #AB9E4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625607. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625607 shade: #625607, #514400, #403200, #2F2000 and #1E0E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625607 shade: #645706, #643E06, #642506, #640C06 and #640606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625607 shade: #645706, #576406, #3E6406, #256406 and #0B6406

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625607 shade matches the following richer shades: #645706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625607 shade: #645706, #5B510F, #524B18, #4A4420 and #413E29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625607 shade: #642606, #643E06, #645706, #576406 and #3E6406

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625607 shade: #161401, #3D3604, #645706, #8A7909 and #B19B0C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625607 shade: #625607, #06640D and #320664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625607 shade: #625607, #066457 and #570664

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625607 shade: #625607, #06640D, #061364 and #64065D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625607 shade: #625607, #066429, #061364 and #640641

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 93 / 62

HEX #625607

RGB 98 86 7

HSL 52.09, 0.87%, 0.21%

LAB 36.49, -3.53, 42.07

 

Complementary color

CMYK 37 / 32 / 0 / 3

HEX #9DA9F8

RGB 157 169 248

HSL 232.09, 0.87%, 0.79%

LAB 71.09, 14.41, -40.68

 

CMYK 0 / 17 / 98 / 60

HEX #675602

RGB 103 86 2

HSL 49.9, 0.96%, 0.21%

LAB 37.01, -1.17, 44.22

 

CMYK 0 / 13 / 83 / 53

HEX #786815

RGB 120 104 21

HSL 50.3, 0.7%, 0.28%

LAB 44.16, -2.81, 45.22

 

CMYK 0 / 11 / 71 / 46

HEX #897A28

RGB 137 122 40

HSL 50.72, 0.55%, 0.35%

LAB 51.14, -4.09, 45.01

 

CMYK 0 / 9 / 62 / 40

HEX #9A8C3B

RGB 154 140 59

HSL 51.16, 0.45%, 0.42%

LAB 57.98, -5.1, 44.11

 

CMYK 0 / 8 / 54 / 33

HEX #AB9E4E

RGB 171 158 78

HSL 51.61, 0.37%, 0.49%

LAB 64.69, -5.89, 42.96

 

CMYK 0 / 12 / 93 / 62

HEX #625607

RGB 98 86 7

HSL 52.09, 0.87%, 0.21%

LAB 36.49, -3.53, 42.07

 

CMYK 0 / 16 / 100 / 68

HEX #514400

RGB 81 68 0

HSL 50.37, 1%, 0.16%

LAB 29.12, -1.54, 38.07

 

CMYK 0 / 22 / 100 / 75

HEX #403200

RGB 64 50 0

HSL 46.88, 1%, 0.13%

LAB 21.47, 0.85, 30.17

 

CMYK 0 / 32 / 100 / 82

HEX #2F2000

RGB 47 32 0

HSL 40.85, 1%, 0.09%

LAB 13.46, 3.51, 19.95

 

CMYK 0 / 53 / 100 / 88

HEX #1E0E00

RGB 30 14 0

HSL 28, 1%, 0.06%

LAB 5.33, 5.39, 8.08

 

CMYK 0 / 13 / 94 / 61

HEX #645706

RGB 100 87 6

HSL 51.7, 0.89%, 0.21%

LAB 37, -3.15, 42.86

 

CMYK 0 / 38 / 94 / 61

HEX #643E06

RGB 100 62 6

HSL 35.74, 0.89%, 0.21%

LAB 29.83, 12.14, 37.23

 

CMYK 0 / 63 / 94 / 61

HEX #642506

RGB 100 37 6

HSL 19.79, 0.89%, 0.21%

LAB 23.82, 26.89, 31.92

 

CMYK 0 / 88 / 94 / 61

HEX #640C06

RGB 100 12 6

HSL 3.83, 0.89%, 0.21%

LAB 19.99, 37.34, 27.84

 

CMYK 0 / 94 / 94 / 61

HEX #640606

RGB 100 6 6

HSL 0, 0.89%, 0.21%

LAB 19.44, 38.89, 27.22

 

CMYK 0 / 13 / 94 / 61

HEX #645706

RGB 100 87 6

HSL 51.7, 0.89%, 0.21%

LAB 37, -3.15, 42.86

 

CMYK 13 / 0 / 94 / 61

HEX #576406

RGB 87 100 6

HSL 68.3, 0.89%, 0.21%

LAB 39.84, -16.91, 44.62

 

CMYK 38 / 0 / 94 / 61

HEX #3E6406

RGB 62 100 6

HSL 84.26, 0.89%, 0.21%

LAB 38.11, -27.98, 42.49

 

CMYK 63 / 0 / 94 / 61

HEX #256406

RGB 37 100 6

HSL 100.21, 0.89%, 0.21%

LAB 36.97, -36.66, 41.07

 

CMYK 89 / 0 / 94 / 61

HEX #0B6406

RGB 11 100 6

HSL 116.81, 0.89%, 0.21%

LAB 36.36, -41.82, 40.31

 

CMYK 0 / 13 / 94 / 61

HEX #645706

RGB 100 87 6

HSL 51.7, 0.89%, 0.21%

LAB 37, -3.15, 42.86

 

CMYK 0 / 13 / 94 / 61

HEX #645706

RGB 100 87 6

HSL 51.7, 0.89%, 0.21%

LAB 37, -3.15, 42.86

 

CMYK 0 / 11 / 84 / 64

HEX #5B510F

RGB 91 81 15

HSL 52.11, 0.72%, 0.21%

LAB 34.28, -3.77, 37.33

 

CMYK 0 / 9 / 71 / 68

HEX #524B18

RGB 82 75 24

HSL 52.76, 0.55%, 0.21%

LAB 31.56, -4.15, 30.4

 

CMYK 0 / 8 / 57 / 71

HEX #4A4420

RGB 74 68 32

HSL 51.43, 0.4%, 0.21%

LAB 28.63, -3.14, 22.52

 

CMYK 0 / 5 / 37 / 75

HEX #413E29

RGB 65 62 41

HSL 52.5, 0.23%, 0.21%

LAB 25.95, -2.61, 13.41

 

CMYK 0 / 62 / 94 / 61

HEX #642606

RGB 100 38 6

HSL 20.43, 0.89%, 0.21%

LAB 24.03, 26.35, 32.13

 

CMYK 0 / 38 / 94 / 61

HEX #643E06

RGB 100 62 6

HSL 35.74, 0.89%, 0.21%

LAB 29.83, 12.14, 37.23

 

CMYK 0 / 13 / 94 / 61

HEX #645706

RGB 100 87 6

HSL 51.7, 0.89%, 0.21%

LAB 37, -3.15, 42.86

 

CMYK 13 / 0 / 94 / 61

HEX #576406

RGB 87 100 6

HSL 68.3, 0.89%, 0.21%

LAB 39.84, -16.91, 44.62

 

CMYK 38 / 0 / 94 / 61

HEX #3E6406

RGB 62 100 6

HSL 84.26, 0.89%, 0.21%

LAB 38.11, -27.98, 42.49

 

CMYK 0 / 9 / 95 / 91

HEX #161401

RGB 22 20 1

HSL 54.29, 0.91%, 0.05%

LAB 6.08, -2.18, 8.66

 

CMYK 0 / 11 / 93 / 76

HEX #3D3604

RGB 61 54 4

HSL 52.63, 0.88%, 0.13%

LAB 22.44, -3.15, 29.46

 

CMYK 0 / 13 / 94 / 61

HEX #645706

RGB 100 87 6

HSL 51.7, 0.89%, 0.21%

LAB 37, -3.15, 42.86

 

CMYK 0 / 12 / 93 / 46

HEX #8A7909

RGB 138 121 9

HSL 52.09, 0.88%, 0.29%

LAB 50.8, -4.21, 54.57

 

CMYK 0 / 12 / 93 / 31

HEX #B19B0C

RGB 177 155 12

HSL 52, 0.87%, 0.37%

LAB 64.01, -4.75, 65.83

 

CMYK 0 / 12 / 93 / 62

HEX #625607

RGB 98 86 7

HSL 52.09, 0.87%, 0.21%

LAB 36.49, -3.53, 42.07

 

CMYK 94 / 0 / 87 / 61

HEX #06640D

RGB 6 100 13

HSL 124.47, 0.89%, 0.21%

LAB 36.33, -41.98, 38.31

 

CMYK 50 / 94 / 0 / 61

HEX #320664

RGB 50 6 100

HSL 268.09, 0.89%, 0.21%

LAB 13.99, 39.88, -44.7

 

CMYK 0 / 12 / 93 / 62

HEX #625607

RGB 98 86 7

HSL 52.09, 0.87%, 0.21%

LAB 36.49, -3.53, 42.07

 

CMYK 94 / 0 / 13 / 61

HEX #066457

RGB 6 100 87

HSL 171.7, 0.89%, 0.21%

LAB 37.56, -27.93, 0.39

 

CMYK 13 / 94 / 0 / 61

HEX #570664

RGB 87 6 100

HSL 291.7, 0.89%, 0.21%

LAB 20.35, 45.63, -34.06

 

CMYK 0 / 12 / 93 / 62

HEX #625607

RGB 98 86 7

HSL 52.09, 0.87%, 0.21%

LAB 36.49, -3.53, 42.07

 

CMYK 94 / 0 / 87 / 61

HEX #06640D

RGB 6 100 13

HSL 124.47, 0.89%, 0.21%

LAB 36.33, -41.98, 38.31

 

CMYK 94 / 81 / 0 / 61

HEX #061364

RGB 6 19 100

HSL 231.7, 0.89%, 0.21%

LAB 12.12, 29.61, -47.92

 

CMYK 0 / 94 / 7 / 61

HEX #64065D

RGB 100 6 93

HSL 304.47, 0.89%, 0.21%

LAB 22.41, 46.95, -25.99

 

CMYK 0 / 12 / 93 / 62

HEX #625607

RGB 98 86 7

HSL 52.09, 0.87%, 0.21%

LAB 36.49, -3.53, 42.07

 

CMYK 94 / 0 / 59 / 61

HEX #066429

RGB 6 100 41

HSL 142.34, 0.89%, 0.21%

LAB 36.58, -38.89, 26.29

 

CMYK 94 / 81 / 0 / 61

HEX #061364

RGB 6 19 100

HSL 231.7, 0.89%, 0.21%

LAB 12.12, 29.61, -47.92

 

CMYK 0 / 94 / 35 / 61

HEX #640641

RGB 100 6 65

HSL 322.34, 0.89%, 0.21%

LAB 20.91, 42.99, -9.35

 

Description

Color code: HEX #625607 | qconv.com Color code: HEX #625607 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 86 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 86 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 93 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 93% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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