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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6236E6 it is the complementary color #9DC919. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6236E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6236E6 shade: #6736E1, #7848F4, #895AFF, #9A6CFF and #AB7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6236E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6236E6 shade: #6236E6, #5124D3, #4012C0, #2F00AD and #1E009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6236E6 shade: #6337E6, #9237E6, #C137E6, #E637DB and #E637AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6236E6 shade: #6337E6 and #3737E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6236E6 shade matches the following richer shades: #6337E6 and #5925F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6236E6 shade: #6337E6, #6C49D4, #755BC2, #7E6DAF and #877F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6236E6 shade: #3768E6, #373AE6, #6337E6, #9137E6 and #C037E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6236E6 shade: #3D16B4, #4A1AD9, #6337E6, #7F5CEA and #9C80EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6236E6 shade: #6236E6, #E63797 and #51E637

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6236E6 shade: #6236E6, #E66337 and #37E663

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6236E6 shade: #6236E6, #E63797, #BAE637 and #37E686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6236E6 shade: #6236E6, #E63763, #BAE637 and #37E6BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 77 / 0 / 10

HEX #6236E6

RGB 98 54 230

HSL 255, 0.78%, 0.56%

LAB 39.49, 61.34, -81.65

 

Complementary color

CMYK 22 / 0 / 88 / 21

HEX #9DC919

RGB 157 201 25

HSL 75, 0.78%, 0.44%

LAB 75.46, -35.95, 72.09

 

CMYK 54 / 76 / 0 / 12

HEX #6736E1

RGB 103 54 225

HSL 257.19, 0.74%, 0.55%

LAB 39.51, 60.6, -78.75

 

CMYK 51 / 70 / 0 / 4

HEX #7848F4

RGB 120 72 244

HSL 256.74, 0.89%, 0.62%

LAB 45.85, 59.6, -79.03

 

CMYK 46 / 65 / 0 / 0

HEX #895AFF

RGB 137 90 255

HSL 257.09, 1%, 0.68%

LAB 51.67, 56.25, -75.61

 

CMYK 40 / 58 / 0 / 0

HEX #9A6CFF

RGB 154 108 255

HSL 258.78, 1%, 0.71%

LAB 56.89, 50.02, -67.07

 

CMYK 33 / 51 / 0 / 0

HEX #AB7EFF

RGB 171 126 255

HSL 260.93, 1%, 0.75%

LAB 62.34, 44.09, -58.25

 

CMYK 57 / 77 / 0 / 10

HEX #6236E6

RGB 98 54 230

HSL 255, 0.78%, 0.56%

LAB 39.49, 61.34, -81.65

 

CMYK 62 / 83 / 0 / 17

HEX #5124D3

RGB 81 36 211

HSL 255.43, 0.71%, 0.48%

LAB 33.38, 61.97, -80.89

 

CMYK 67 / 91 / 0 / 25

HEX #4012C0

RGB 64 18 192

HSL 255.86, 0.83%, 0.41%

LAB 27.65, 61.6, -79.32

 

CMYK 73 / 100 / 0 / 32

HEX #2F00AD

RGB 47 0 173

HSL 256.3, 1%, 0.34%

LAB 22.38, 60.04, -76.8

 

CMYK 81 / 100 / 0 / 40

HEX #1E009A

RGB 30 0 154

HSL 251.69, 1%, 0.3%

LAB 18.41, 54.78, -71.88

 

CMYK 57 / 76 / 0 / 10

HEX #6337E6

RGB 99 55 230

HSL 255.09, 0.78%, 0.56%

LAB 39.75, 61, -81.23

 

CMYK 37 / 76 / 0 / 10

HEX #9237E6

RGB 146 55 230

HSL 271.2, 0.78%, 0.56%

LAB 45.02, 67.69, -72.38

 

CMYK 16 / 76 / 0 / 10

HEX #C137E6

RGB 193 55 230

HSL 287.31, 0.78%, 0.56%

LAB 51.59, 75.84, -61.42

 

CMYK 0 / 76 / 5 / 10

HEX #E637DB

RGB 230 55 219

HSL 303.77, 0.78%, 0.56%

LAB 56.75, 81.2, -46.61

 

CMYK 0 / 76 / 25 / 10

HEX #E637AC

RGB 230 55 172

HSL 319.89, 0.78%, 0.56%

LAB 54.59, 74.89, -22.95

 

CMYK 57 / 76 / 0 / 10

HEX #6337E6

RGB 99 55 230

HSL 255.09, 0.78%, 0.56%

LAB 39.75, 61, -81.23

 

CMYK 76 / 76 / 0 / 10

HEX #3737E6

RGB 55 55 230

HSL 240, 0.78%, 0.56%

LAB 36.48, 56.76, -86.73

 

CMYK 57 / 76 / 0 / 10

HEX #6337E6

RGB 99 55 230

HSL 255.09, 0.78%, 0.56%

LAB 39.75, 61, -81.23

 

CMYK 64 / 85 / 0 / 3

HEX #5925F8

RGB 89 37 248

HSL 254.79, 0.94%, 0.56%

LAB 38.24, 71.91, -93.92

 

CMYK 57 / 76 / 0 / 10

HEX #6337E6

RGB 99 55 230

HSL 255.09, 0.78%, 0.56%

LAB 39.75, 61, -81.23

 

CMYK 49 / 66 / 0 / 17

HEX #6C49D4

RGB 108 73 212

HSL 255.11, 0.62%, 0.56%

LAB 42.32, 48.24, -66.69

 

CMYK 40 / 53 / 0 / 24

HEX #755BC2

RGB 117 91 194

HSL 255.15, 0.46%, 0.56%

LAB 45.85, 34.78, -50.56

 

CMYK 28 / 38 / 0 / 31

HEX #7E6DAF

RGB 126 109 175

HSL 255.45, 0.29%, 0.56%

LAB 50.06, 21.38, -32.81

 

CMYK 14 / 19 / 0 / 38

HEX #877F9D

RGB 135 127 157

HSL 256, 0.13%, 0.56%

LAB 54.83, 9.27, -14.94

 

CMYK 76 / 55 / 0 / 10

HEX #3768E6

RGB 55 104 230

HSL 223.2, 0.78%, 0.56%

LAB 47.53, 27.52, -68.61

 

CMYK 76 / 75 / 0 / 10

HEX #373AE6

RGB 55 58 230

HSL 238.97, 0.78%, 0.56%

LAB 37.03, 55.19, -85.83

 

CMYK 57 / 76 / 0 / 10

HEX #6337E6

RGB 99 55 230

HSL 255.09, 0.78%, 0.56%

LAB 39.75, 61, -81.23

 

CMYK 37 / 76 / 0 / 10

HEX #9137E6

RGB 145 55 230

HSL 270.86, 0.78%, 0.56%

LAB 44.89, 67.53, -72.59

 

CMYK 17 / 76 / 0 / 10

HEX #C037E6

RGB 192 55 230

HSL 286.97, 0.78%, 0.56%

LAB 51.44, 75.66, -61.66

 

CMYK 66 / 88 / 0 / 29

HEX #3D16B4

RGB 61 22 180

HSL 254.81, 0.78%, 0.4%

LAB 26.34, 57.05, -74.39

 

CMYK 66 / 88 / 0 / 15

HEX #4A1AD9

RGB 74 26 217

HSL 255.08, 0.79%, 0.48%

LAB 32.27, 66.39, -86.22

 

CMYK 57 / 76 / 0 / 10

HEX #6337E6

RGB 99 55 230

HSL 255.09, 0.78%, 0.56%

LAB 39.75, 61, -81.23

 

CMYK 46 / 61 / 0 / 8

HEX #7F5CEA

RGB 127 92 234

HSL 254.79, 0.77%, 0.64%

LAB 49.63, 47.55, -67.24

 

CMYK 35 / 46 / 0 / 6

HEX #9C80EF

RGB 156 128 239

HSL 255.14, 0.78%, 0.72%

LAB 60.55, 35.16, -52.36

 

CMYK 57 / 77 / 0 / 10

HEX #6236E6

RGB 98 54 230

HSL 255, 0.78%, 0.56%

LAB 39.49, 61.34, -81.65

 

CMYK 0 / 76 / 34 / 10

HEX #E63797

RGB 230 55 151

HSL 327.09, 0.78%, 0.56%

LAB 53.8, 72.52, -11.78

 

CMYK 65 / 0 / 76 / 10

HEX #51E637

RGB 81 230 55

HSL 111.09, 0.78%, 0.56%

LAB 81.08, -69.25, 68.34

 

CMYK 57 / 77 / 0 / 10

HEX #6236E6

RGB 98 54 230

HSL 255, 0.78%, 0.56%

LAB 39.49, 61.34, -81.65

 

CMYK 0 / 57 / 76 / 10

HEX #E66337

RGB 230 99 55

HSL 15.09, 0.78%, 0.56%

LAB 58.06, 48.43, 48.94

 

CMYK 76 / 0 / 57 / 10

HEX #37E663

RGB 55 230 99

HSL 135.09, 0.78%, 0.56%

LAB 80.91, -69.43, 50.86

 

CMYK 57 / 77 / 0 / 10

HEX #6236E6

RGB 98 54 230

HSL 255, 0.78%, 0.56%

LAB 39.49, 61.34, -81.65

 

CMYK 0 / 76 / 34 / 10

HEX #E63797

RGB 230 55 151

HSL 327.09, 0.78%, 0.56%

LAB 53.8, 72.52, -11.78

 

CMYK 19 / 0 / 76 / 10

HEX #BAE637

RGB 186 230 55

HSL 75.09, 0.78%, 0.56%

LAB 85.66, -36.63, 74.3

 

CMYK 76 / 0 / 42 / 10

HEX #37E686

RGB 55 230 134

HSL 147.09, 0.78%, 0.56%

LAB 81.36, -64.12, 34.66

 

CMYK 57 / 77 / 0 / 10

HEX #6236E6

RGB 98 54 230

HSL 255, 0.78%, 0.56%

LAB 39.49, 61.34, -81.65

 

CMYK 0 / 76 / 57 / 10

HEX #E63763

RGB 230 55 99

HSL 344.91, 0.78%, 0.56%

LAB 52.35, 68, 17.28

 

CMYK 19 / 0 / 76 / 10

HEX #BAE637

RGB 186 230 55

HSL 75.09, 0.78%, 0.56%

LAB 85.66, -36.63, 74.3

 

CMYK 76 / 0 / 19 / 10

HEX #37E6BA

RGB 55 230 186

HSL 164.91, 0.78%, 0.56%

LAB 82.35, -53.23, 9.16

 

Description

Color code: HEX #6236E6 | qconv.com Color code: HEX #6236E6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 54 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 54 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 77 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 77% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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