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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62182D it is the complementary color #9DE7D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62182D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62182D shade: #671828, #782A3B, #893C4E, #9A4E61 and #AB6074

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62182D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62182D shade: #62182D, #51061A, #400007, #2F0000 and #1E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62182D shade: #62172D, #621718 and #621717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62182D shade: #62172D, #621741, #621755, #5B1762 and #471762

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62182D shade matches the following richer shades: #62172D, #6C0D28 and #760424

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62182D shade: #62172D, #582131, #4E2B35, #443539 and #3A3F3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62182D shade: #621756, #621742, #62172E, #62171A and #622917

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62182D shade: #20070E, #410F1D, #62172D, #831F3C and #A4274B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62182D shade: #62182D, #625B17 and #174C62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62182D shade: #62182D, #2E6217 and #172E62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62182D shade: #62182D, #625B17, #17624C and #171F62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62182D shade: #62182D, #536217, #17624C and #261762

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 54 / 62

HEX #62182D

RGB 98 24 45

HSL 342.97, 0.61%, 0.24%

LAB 21.72, 34.67, 5.74

 

Complementary color

CMYK 32 / 0 / 9 / 9

HEX #9DE7D2

RGB 157 231 210

HSL 162.97, 0.61%, 0.76%

LAB 86.49, -27.36, 2.92

 

CMYK 0 / 77 / 61 / 60

HEX #671828

RGB 103 24 40

HSL 347.85, 0.62%, 0.25%

LAB 22.62, 35.92, 10.61

 

CMYK 0 / 65 / 51 / 53

HEX #782A3B

RGB 120 42 59

HSL 346.92, 0.48%, 0.32%

LAB 29.32, 35.56, 7.51

 

CMYK 0 / 56 / 43 / 46

HEX #893C4E

RGB 137 60 78

HSL 345.97, 0.39%, 0.39%

LAB 36.18, 34.73, 5.28

 

CMYK 0 / 49 / 37 / 40

HEX #9A4E61

RGB 154 78 97

HSL 345, 0.33%, 0.45%

LAB 43.04, 33.77, 3.57

 

CMYK 0 / 44 / 32 / 33

HEX #AB6074

RGB 171 96 116

HSL 344, 0.31%, 0.52%

LAB 49.84, 32.81, 2.19

 

CMYK 0 / 76 / 54 / 62

HEX #62182D

RGB 98 24 45

HSL 342.97, 0.61%, 0.24%

LAB 21.72, 34.67, 5.74

 

CMYK 0 / 93 / 68 / 68

HEX #51061A

RGB 81 6 26

HSL 344, 0.86%, 0.17%

LAB 15.24, 33.94, 9.83

 

CMYK 0 / 100 / 89 / 75

HEX #400007

RGB 64 0 7

HSL 353.44, 1%, 0.13%

LAB 9.84, 30.09, 12.66

 

CMYK 0 / 100 / 100 / 82

HEX #2F0000

RGB 47 0 0

HSL 0, 1%, 0.09%

LAB 5.46, 23.03, 8.63

 

CMYK 0 / 100 / 100 / 88

HEX #1E0000

RGB 30 0 0

HSL 0, 1%, 0.06%

LAB 2.49, 11.19, 3.94

 

CMYK 0 / 77 / 54 / 62

HEX #62172D

RGB 98 23 45

HSL 342.4, 0.62%, 0.24%

LAB 21.58, 35.08, 5.53

 

CMYK 0 / 77 / 76 / 62

HEX #621718

RGB 98 23 24

HSL 359.2, 0.62%, 0.24%

LAB 21.11, 33.51, 19.41

 

CMYK 0 / 77 / 77 / 62

HEX #621717

RGB 98 23 23

HSL 0, 0.62%, 0.24%

LAB 21.1, 33.46, 20.05

 

CMYK 0 / 77 / 54 / 62

HEX #62172D

RGB 98 23 45

HSL 342.4, 0.62%, 0.24%

LAB 21.58, 35.08, 5.53

 

CMYK 0 / 77 / 34 / 62

HEX #621741

RGB 98 23 65

HSL 326.4, 0.62%, 0.24%

LAB 22.27, 37.36, -7.33

 

CMYK 0 / 77 / 13 / 62

HEX #621755

RGB 98 23 85

HSL 310.4, 0.62%, 0.24%

LAB 23.22, 40.36, -19.41

 

CMYK 7 / 77 / 0 / 62

HEX #5B1762

RGB 91 23 98

HSL 294.4, 0.62%, 0.24%

LAB 22.72, 40.93, -28.9

 

CMYK 28 / 77 / 0 / 62

HEX #471762

RGB 71 23 98

HSL 278.4, 0.62%, 0.24%

LAB 19.37, 36.26, -34.46

 

CMYK 0 / 77 / 54 / 62

HEX #62172D

RGB 98 23 45

HSL 342.4, 0.62%, 0.24%

LAB 21.58, 35.08, 5.53

 

CMYK 0 / 88 / 63 / 58

HEX #6C0D28

RGB 108 13 40

HSL 342.95, 0.79%, 0.24%

LAB 22.41, 41.12, 10.5

 

CMYK 0 / 97 / 69 / 54

HEX #760424

RGB 118 4 36

HSL 343.16, 0.93%, 0.24%

LAB 23.89, 45.66, 15.64

 

CMYK 0 / 77 / 54 / 62

HEX #62172D

RGB 98 23 45

HSL 342.4, 0.62%, 0.24%

LAB 21.58, 35.08, 5.53

 

CMYK 0 / 63 / 44 / 65

HEX #582131

RGB 88 33 49

HSL 342.55, 0.45%, 0.24%

LAB 21.52, 27.14, 2.4

 

CMYK 0 / 45 / 32 / 69

HEX #4E2B35

RGB 78 43 53

HSL 342.86, 0.29%, 0.24%

LAB 22.32, 17.68, 0.6

 

CMYK 0 / 22 / 16 / 73

HEX #443539

RGB 68 53 57

HSL 344, 0.12%, 0.24%

LAB 23.9, 7.47, 0.04

 

CMYK 8 / 0 / 2 / 75

HEX #3A3F3E

RGB 58 63 62

HSL 168, 0.04%, 0.24%

LAB 26.16, -2.32, -0.11

 

CMYK 0 / 77 / 12 / 62

HEX #621756

RGB 98 23 86

HSL 309.6, 0.62%, 0.24%

LAB 23.28, 40.52, -19.99

 

CMYK 0 / 77 / 33 / 62

HEX #621742

RGB 98 23 66

HSL 325.6, 0.62%, 0.24%

LAB 22.31, 37.5, -7.95

 

CMYK 0 / 77 / 53 / 62

HEX #62172E

RGB 98 23 46

HSL 341.6, 0.62%, 0.24%

LAB 21.6, 35.17, 4.87

 

CMYK 0 / 77 / 73 / 62

HEX #62171A

RGB 98 23 26

HSL 357.6, 0.62%, 0.24%

LAB 21.15, 33.63, 18.11

 

CMYK 0 / 58 / 77 / 62

HEX #622917

RGB 98 41 23

HSL 14.4, 0.62%, 0.24%

LAB 24.46, 24.5, 23.88

 

CMYK 0 / 78 / 56 / 87

HEX #20070E

RGB 32 7 14

HSL 343.2, 0.64%, 0.08%

LAB 4.43, 11.65, 0.91

 

CMYK 0 / 77 / 55 / 75

HEX #410F1D

RGB 65 15 29

HSL 343.2, 0.63%, 0.16%

LAB 12.95, 25.35, 3.89

 

CMYK 0 / 77 / 54 / 62

HEX #62172D

RGB 98 23 45

HSL 342.4, 0.62%, 0.24%

LAB 21.58, 35.08, 5.53

 

CMYK 0 / 76 / 54 / 49

HEX #831F3C

RGB 131 31 60

HSL 342.6, 0.62%, 0.32%

LAB 29.74, 44, 7.74

 

CMYK 0 / 76 / 54 / 36

HEX #A4274B

RGB 164 39 75

HSL 342.72, 0.62%, 0.4%

LAB 37.57, 52.46, 9.86

 

CMYK 0 / 76 / 54 / 62

HEX #62182D

RGB 98 24 45

HSL 342.97, 0.61%, 0.24%

LAB 21.72, 34.67, 5.74

 

CMYK 0 / 7 / 77 / 62

HEX #625B17

RGB 98 91 23

HSL 54.4, 0.62%, 0.24%

LAB 38.09, -5.84, 38

 

CMYK 77 / 22 / 0 / 62

HEX #174C62

RGB 23 76 98

HSL 197.6, 0.62%, 0.24%

LAB 29.99, -9.13, -17.87

 

CMYK 0 / 76 / 54 / 62

HEX #62182D

RGB 98 24 45

HSL 342.97, 0.61%, 0.24%

LAB 21.72, 34.67, 5.74

 

CMYK 53 / 0 / 77 / 62

HEX #2E6217

RGB 46 98 23

HSL 101.6, 0.62%, 0.24%

LAB 36.7, -32.04, 35.4

 

CMYK 77 / 53 / 0 / 62

HEX #172E62

RGB 23 46 98

HSL 221.6, 0.62%, 0.24%

LAB 20.12, 11.23, -33.49

 

CMYK 0 / 76 / 54 / 62

HEX #62182D

RGB 98 24 45

HSL 342.97, 0.61%, 0.24%

LAB 21.72, 34.67, 5.74

 

CMYK 0 / 7 / 77 / 62

HEX #625B17

RGB 98 91 23

HSL 54.4, 0.62%, 0.24%

LAB 38.09, -5.84, 38

 

CMYK 77 / 0 / 22 / 62

HEX #17624C

RGB 23 98 76

HSL 162.4, 0.62%, 0.24%

LAB 36.82, -28.29, 6.12

 

CMYK 77 / 68 / 0 / 62

HEX #171F62

RGB 23 31 98

HSL 233.6, 0.62%, 0.24%

LAB 15.72, 22.14, -40.64

 

CMYK 0 / 76 / 54 / 62

HEX #62182D

RGB 98 24 45

HSL 342.97, 0.61%, 0.24%

LAB 21.72, 34.67, 5.74

 

CMYK 15 / 0 / 77 / 62

HEX #536217

RGB 83 98 23

HSL 72, 0.62%, 0.24%

LAB 38.96, -16.96, 38.4

 

CMYK 77 / 0 / 22 / 62

HEX #17624C

RGB 23 98 76

HSL 162.4, 0.62%, 0.24%

LAB 36.82, -28.29, 6.12

 

CMYK 61 / 77 / 0 / 62

HEX #261762

RGB 38 23 98

HSL 252, 0.62%, 0.24%

LAB 14.99, 29.71, -41.78

 

Description

Color code: HEX #62182D | qconv.com Color code: HEX #62182D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 24 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 24 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 54 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 54% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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