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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61FF05 it is the complementary color #9E00FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61FF05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61FF05 shade: #66FF00, #77FF13, #88FF26, #99FF39 and #AAFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61FF05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61FF05 shade: #61FF05, #50ED00, #3FDB00, #2EC900 and #1DB700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61FF05 shade: #61FF05, #A4FF05, #E7FF05, #FFD205 and #FF8F05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61FF05 shade: #61FF05, #1DFF05, #05FF2F, #05FF73 and #05FFB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61FF05 shade matches the following richer shades: #61FF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61FF05 shade: #61FF05, #66EA19, #6BD62D, #71C241 and #76AE55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61FF05 shade: #EAFF05, #A7FF05, #64FF05, #22FF05 and #05FF2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61FF05 shade: #41B100, #50DA00, #61FF05, #7BFF2E and #95FF57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61FF05 shade: #61FF05, #05FFD1 and #FF05C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61FF05 shade: #61FF05, #0564FF and #FF0564

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61FF05 shade: #61FF05, #05FFD1, #9F05FF and #FF0532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61FF05 shade: #61FF05, #05E1FF, #9F05FF and #FF2205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

Complementary color

CMYK 37 / 100 / 0 / 2

HEX #9E00FA

RGB 158 0 250

HSL 277.92, 1%, 0.49%

LAB 44.48, 84.81, -84.48

 

CMYK 60 / 0 / 100 / 0

HEX #66FF00

RGB 102 255 0

HSL 96, 1%, 0.5%

LAB 89.09, -74.43, 84.82

 

CMYK 53 / 0 / 93 / 0

HEX #77FF13

RGB 119 255 19

HSL 94.58, 1%, 0.54%

LAB 89.62, -69.99, 83.89

 

CMYK 47 / 0 / 85 / 0

HEX #88FF26

RGB 136 255 38

HSL 92.9, 1%, 0.57%

LAB 90.27, -64.76, 81.72

 

CMYK 40 / 0 / 78 / 0

HEX #99FF39

RGB 153 255 57

HSL 90.91, 1%, 0.61%

LAB 91.05, -58.77, 78.1

 

CMYK 33 / 0 / 70 / 0

HEX #AAFF4C

RGB 170 255 76

HSL 88.49, 1%, 0.65%

LAB 91.95, -52.09, 73.26

 

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

CMYK 66 / 0 / 100 / 7

HEX #50ED00

RGB 80 237 0

HSL 99.75, 1%, 0.46%

LAB 83.06, -73.47, 79.81

 

CMYK 71 / 0 / 100 / 14

HEX #3FDB00

RGB 63 219 0

HSL 102.74, 1%, 0.43%

LAB 77.11, -71.12, 74.93

 

CMYK 77 / 0 / 100 / 21

HEX #2EC900

RGB 46 201 0

HSL 106.27, 1%, 0.39%

LAB 71.11, -68.44, 70.02

 

CMYK 84 / 0 / 100 / 28

HEX #1DB700

RGB 29 183 0

HSL 110.49, 1%, 0.36%

LAB 65.06, -65.29, 65.09

 

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

CMYK 36 / 0 / 98 / 0

HEX #A4FF05

RGB 164 255 5

HSL 81.84, 1%, 0.51%

LAB 91.43, -56.48, 87.29

 

CMYK 9 / 0 / 98 / 0

HEX #E7FF05

RGB 231 255 5

HSL 65.76, 1%, 0.51%

LAB 95.38, -31.27, 92.04

 

CMYK 0 / 18 / 98 / 0

HEX #FFD205

RGB 255 210 5

HSL 49.2, 1%, 0.51%

LAB 85.69, 0.65, 85.83

 

CMYK 0 / 44 / 98 / 0

HEX #FF8F05

RGB 255 143 5

HSL 33.12, 1%, 0.51%

LAB 70.12, 35.35, 75.23

 

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

CMYK 89 / 0 / 98 / 0

HEX #1DFF05

RGB 29 255 5

HSL 114.24, 1%, 0.51%

LAB 87.87, -84.96, 82.96

 

CMYK 98 / 0 / 82 / 0

HEX #05FF2F

RGB 5 255 47

HSL 130.08, 1%, 0.51%

LAB 87.85, -84.75, 76.63

 

CMYK 98 / 0 / 55 / 0

HEX #05FF73

RGB 5 255 115

HSL 146.4, 1%, 0.51%

LAB 88.35, -78.49, 52.4

 

CMYK 98 / 0 / 29 / 0

HEX #05FFB6

RGB 5 255 182

HSL 162.48, 1%, 0.51%

LAB 89.36, -66.57, 21.05

 

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

CMYK 56 / 0 / 89 / 8

HEX #66EA19

RGB 102 234 25

HSL 97.89, 0.83%, 0.51%

LAB 82.78, -67.11, 77.19

 

CMYK 50 / 0 / 79 / 16

HEX #6BD62D

RGB 107 214 45

HSL 97.99, 0.67%, 0.51%

LAB 76.93, -57.92, 67.66

 

CMYK 42 / 0 / 66 / 24

HEX #71C241

RGB 113 194 65

HSL 97.67, 0.51%, 0.51%

LAB 71.2, -46.94, 55.06

 

CMYK 32 / 0 / 51 / 32

HEX #76AE55

RGB 118 174 85

HSL 97.75, 0.35%, 0.51%

LAB 65.58, -34.51, 39.63

 

CMYK 8 / 0 / 98 / 0

HEX #EAFF05

RGB 234 255 5

HSL 65.04, 1%, 0.51%

LAB 95.59, -30.06, 92.29

 

CMYK 35 / 0 / 98 / 0

HEX #A7FF05

RGB 167 255 5

HSL 81.12, 1%, 0.51%

LAB 91.57, -55.45, 87.47

 

CMYK 61 / 0 / 98 / 0

HEX #64FF05

RGB 100 255 5

HSL 97.2, 1%, 0.51%

LAB 89.04, -74.82, 84.39

 

CMYK 87 / 0 / 98 / 0

HEX #22FF05

RGB 34 255 5

HSL 113.04, 1%, 0.51%

LAB 87.91, -84.62, 83.01

 

CMYK 98 / 0 / 84 / 0

HEX #05FF2A

RGB 5 255 42

HSL 128.88, 1%, 0.51%

LAB 87.83, -84.99, 77.78

 

CMYK 63 / 0 / 100 / 31

HEX #41B100

RGB 65 177 0

HSL 97.97, 1%, 0.35%

LAB 63.81, -57.4, 64.38

 

CMYK 63 / 0 / 100 / 15

HEX #50DA00

RGB 80 218 0

HSL 97.98, 1%, 0.43%

LAB 77.19, -67.49, 75.16

 

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

CMYK 52 / 0 / 82 / 0

HEX #7BFF2E

RGB 123 255 46

HSL 97.89, 1%, 0.59%

LAB 89.83, -68.13, 79.4

 

CMYK 42 / 0 / 66 / 0

HEX #95FF57

RGB 149 255 87

HSL 97.86, 1%, 0.67%

LAB 91.05, -58.14, 68

 

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

CMYK 98 / 0 / 18 / 0

HEX #05FFD1

RGB 5 255 209

HSL 168.96, 1%, 0.51%

LAB 89.93, -60.29, 7.97

 

CMYK 0 / 98 / 22 / 0

HEX #FF05C8

RGB 255 5 200

HSL 313.2, 1%, 0.51%

LAB 57.6, 90.98, -34.15

 

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

CMYK 98 / 61 / 0 / 0

HEX #0564FF

RGB 5 100 255

HSL 217.2, 1%, 0.51%

LAB 47.45, 36.58, -82.76

 

CMYK 0 / 98 / 61 / 0

HEX #FF0564

RGB 255 5 100

HSL 337.2, 1%, 0.51%

LAB 54.33, 82.44, 20.17

 

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

CMYK 98 / 0 / 18 / 0

HEX #05FFD1

RGB 5 255 209

HSL 168.96, 1%, 0.51%

LAB 89.93, -60.29, 7.97

 

CMYK 38 / 98 / 0 / 0

HEX #9F05FF

RGB 159 5 255

HSL 276.96, 1%, 0.51%

LAB 45.22, 85.41, -86.05

 

CMYK 0 / 98 / 80 / 0

HEX #FF0532

RGB 255 5 50

HSL 349.2, 1%, 0.51%

LAB 53.6, 80.45, 48.47

 

CMYK 62 / 0 / 98 / 0

HEX #61FF05

RGB 97 255 5

HSL 97.92, 1%, 0.51%

LAB 88.96, -75.48, 84.29

 

CMYK 98 / 12 / 0 / 0

HEX #05E1FF

RGB 5 225 255

HSL 187.2, 1%, 0.51%

LAB 82.43, -34.48, -27.27

 

CMYK 38 / 98 / 0 / 0

HEX #9F05FF

RGB 159 5 255

HSL 276.96, 1%, 0.51%

LAB 45.22, 85.41, -86.05

 

CMYK 0 / 87 / 98 / 0

HEX #FF2205

RGB 255 34 5

HSL 6.96, 1%, 0.51%

LAB 54.46, 76.63, 66.49

 

Description

Color code: HEX #61FF05 | qconv.com Color code: HEX #61FF05 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 255 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 255 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 98% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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