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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61F3A6 it is the complementary color #9E0C59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61F3A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61F3A6 shade: #66F3A1, #77FFB4, #88FFC7, #99FFDA and #AAFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61F3A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61F3A6 shade: #61F3A6, #50E193, #3FCF80, #2EBD6D and #1DAB5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61F3A6 shade: #62F3A6, #62F37F, #6CF362, #93F362 and #BAF362

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61F3A6 shade: #62F3A6, #62F3CD, #62F1F3, #62CAF3 and #62A3F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61F3A6 shade matches the following richer shades: #62F3A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61F3A6 shade: #62F3A6, #70E5A7, #7DD7A8, #8BCAA9 and #98BCA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61F3A6 shade: #6CF362, #62F37F, #62F3A6, #62F3CC and #62F3F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61F3A6 shade: #15ED7B, #3CF091, #62F3A6, #88F6BC and #AFF8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61F3A6 shade: #61F3A6, #6292F3 and #F36C62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61F3A6 shade: #61F3A6, #A662F3 and #F3A662

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61F3A6 shade: #61F3A6, #6292F3, #F362AF and #F3C262

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61F3A6 shade: #61F3A6, #6267F3, #F362AF and #F3EE62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 32 / 5

HEX #61F3A6

RGB 97 243 166

HSL 148.36, 0.86%, 0.67%

LAB 86.7, -56.28, 25.75

 

Complementary color

CMYK 0 / 92 / 44 / 38

HEX #9E0C59

RGB 158 12 89

HSL 328.36, 0.86%, 0.33%

LAB 34.5, 58.59, -3.75

 

CMYK 58 / 0 / 34 / 5

HEX #66F3A1

RGB 102 243 161

HSL 145.11, 0.85%, 0.68%

LAB 86.75, -56.21, 28.38

 

CMYK 53 / 0 / 29 / 0

HEX #77FFB4

RGB 119 255 180

HSL 146.91, 1%, 0.73%

LAB 91.12, -53.8, 24.77

 

CMYK 47 / 0 / 22 / 0

HEX #88FFC7

RGB 136 255 199

HSL 151.76, 1%, 0.77%

LAB 92.08, -46.13, 16.5

 

CMYK 40 / 0 / 15 / 0

HEX #99FFDA

RGB 153 255 218

HSL 158.24, 1%, 0.8%

LAB 93.17, -37.97, 8.38

 

CMYK 33 / 0 / 7 / 0

HEX #AAFFED

RGB 170 255 237

HSL 167.29, 1%, 0.83%

LAB 94.39, -29.45, 0.44

 

CMYK 60 / 0 / 32 / 5

HEX #61F3A6

RGB 97 243 166

HSL 148.36, 0.86%, 0.67%

LAB 86.7, -56.28, 25.75

 

CMYK 64 / 0 / 35 / 12

HEX #50E193

RGB 80 225 147

HSL 147.72, 0.71%, 0.6%

LAB 80.55, -56.09, 27.07

 

CMYK 70 / 0 / 38 / 19

HEX #3FCF80

RGB 63 207 128

HSL 147.08, 0.6%, 0.53%

LAB 74.34, -55.7, 28.5

 

CMYK 76 / 0 / 42 / 26

HEX #2EBD6D

RGB 46 189 109

HSL 146.43, 0.61%, 0.46%

LAB 68.08, -55.02, 30.05

 

CMYK 83 / 0 / 47 / 33

HEX #1DAB5A

RGB 29 171 90

HSL 145.77, 0.71%, 0.39%

LAB 61.76, -53.94, 31.71

 

CMYK 60 / 0 / 32 / 5

HEX #62F3A6

RGB 98 243 166

HSL 148.14, 0.86%, 0.67%

LAB 86.73, -56.09, 25.79

 

CMYK 60 / 0 / 48 / 5

HEX #62F37F

RGB 98 243 127

HSL 132, 0.86%, 0.67%

LAB 86.12, -62.64, 44.37

 

CMYK 56 / 0 / 60 / 5

HEX #6CF362

RGB 108 243 98

HSL 115.86, 0.86%, 0.67%

LAB 86.09, -63.99, 57.64

 

CMYK 40 / 0 / 60 / 5

HEX #93F362

RGB 147 243 98

HSL 99.72, 0.86%, 0.67%

LAB 87.58, -53.06, 59.72

 

CMYK 23 / 0 / 60 / 5

HEX #BAF362

RGB 186 243 98

HSL 83.59, 0.86%, 0.67%

LAB 89.59, -39.73, 62.53

 

CMYK 60 / 0 / 32 / 5

HEX #62F3A6

RGB 98 243 166

HSL 148.14, 0.86%, 0.67%

LAB 86.73, -56.09, 25.79

 

CMYK 60 / 0 / 16 / 5

HEX #62F3CD

RGB 98 243 205

HSL 164.28, 0.86%, 0.67%

LAB 87.54, -47.81, 6.77

 

CMYK 60 / 1 / 0 / 5

HEX #62F1F3

RGB 98 241 243

HSL 180.83, 0.86%, 0.67%

LAB 87.96, -37.41, -12.48

 

CMYK 60 / 17 / 0 / 5

HEX #62CAF3

RGB 98 202 243

HSL 196.97, 0.86%, 0.67%

LAB 76.87, -18.43, -29.28

 

CMYK 60 / 33 / 0 / 5

HEX #62A3F3

RGB 98 163 243

HSL 213.1, 0.86%, 0.67%

LAB 65.95, 2.78, -46.26

 

CMYK 60 / 0 / 32 / 5

HEX #62F3A6

RGB 98 243 166

HSL 148.14, 0.86%, 0.67%

LAB 86.73, -56.09, 25.79

 

CMYK 60 / 0 / 32 / 5

HEX #62F3A6

RGB 98 243 166

HSL 148.14, 0.86%, 0.67%

LAB 86.73, -56.09, 25.79

 

CMYK 51 / 0 / 27 / 10

HEX #70E5A7

RGB 112 229 167

HSL 148.21, 0.69%, 0.67%

LAB 83.06, -47.12, 20.31

 

CMYK 42 / 0 / 22 / 16

HEX #7DD7A8

RGB 125 215 168

HSL 148.67, 0.53%, 0.67%

LAB 79.49, -37.46, 14.88

 

CMYK 31 / 0 / 16 / 21

HEX #8BCAA9

RGB 139 202 169

HSL 148.57, 0.37%, 0.67%

LAB 76.43, -27.1, 10.12

 

CMYK 19 / 0 / 10 / 26

HEX #98BCA9

RGB 152 188 169

HSL 148.33, 0.21%, 0.67%

LAB 73.22, -15.94, 5.62

 

CMYK 56 / 0 / 60 / 5

HEX #6CF362

RGB 108 243 98

HSL 115.86, 0.86%, 0.67%

LAB 86.09, -63.99, 57.64

 

CMYK 60 / 0 / 48 / 5

HEX #62F37F

RGB 98 243 127

HSL 132, 0.86%, 0.67%

LAB 86.12, -62.64, 44.37

 

CMYK 60 / 0 / 32 / 5

HEX #62F3A6

RGB 98 243 166

HSL 148.14, 0.86%, 0.67%

LAB 86.73, -56.09, 25.79

 

CMYK 60 / 0 / 16 / 5

HEX #62F3CC

RGB 98 243 204

HSL 163.86, 0.86%, 0.67%

LAB 87.51, -48.04, 7.25

 

CMYK 60 / 0 / 0 / 5

HEX #62F3F3

RGB 98 243 243

HSL 180, 0.86%, 0.67%

LAB 88.53, -38.32, -11.63

 

CMYK 91 / 0 / 48 / 7

HEX #15ED7B

RGB 21 237 123

HSL 148.33, 0.86%, 0.51%

LAB 83, -71.19, 42.1

 

CMYK 75 / 0 / 40 / 6

HEX #3CF091

RGB 60 240 145

HSL 148.33, 0.86%, 0.59%

LAB 84.65, -65.06, 33.49

 

CMYK 60 / 0 / 32 / 5

HEX #62F3A6

RGB 98 243 166

HSL 148.14, 0.86%, 0.67%

LAB 86.73, -56.09, 25.79

 

CMYK 45 / 0 / 24 / 4

HEX #88F6BC

RGB 136 246 188

HSL 148.36, 0.86%, 0.75%

LAB 89.29, -44.4, 18.24

 

CMYK 29 / 0 / 15 / 3

HEX #AFF8D2

RGB 175 248 210

HSL 148.77, 0.84%, 0.83%

LAB 92.09, -30.22, 11.09

 

CMYK 60 / 0 / 32 / 5

HEX #61F3A6

RGB 97 243 166

HSL 148.36, 0.86%, 0.67%

LAB 86.7, -56.28, 25.75

 

CMYK 60 / 40 / 0 / 5

HEX #6292F3

RGB 98 146 243

HSL 220.14, 0.86%, 0.67%

LAB 61.33, 12.67, -53.57

 

CMYK 0 / 56 / 60 / 5

HEX #F36C62

RGB 243 108 98

HSL 4.14, 0.86%, 0.67%

LAB 62.22, 51.18, 31.28

 

CMYK 60 / 0 / 32 / 5

HEX #61F3A6

RGB 97 243 166

HSL 148.36, 0.86%, 0.67%

LAB 86.7, -56.28, 25.75

 

CMYK 32 / 60 / 0 / 5

HEX #A662F3

RGB 166 98 243

HSL 268.14, 0.86%, 0.67%

LAB 55.39, 54.94, -62.77

 

CMYK 0 / 32 / 60 / 5

HEX #F3A662

RGB 243 166 98

HSL 28.14, 0.86%, 0.67%

LAB 74.32, 21.71, 46.2

 

CMYK 60 / 0 / 32 / 5

HEX #61F3A6

RGB 97 243 166

HSL 148.36, 0.86%, 0.67%

LAB 86.7, -56.28, 25.75

 

CMYK 60 / 40 / 0 / 5

HEX #6292F3

RGB 98 146 243

HSL 220.14, 0.86%, 0.67%

LAB 61.33, 12.67, -53.57

 

CMYK 0 / 60 / 28 / 5

HEX #F362AF

RGB 243 98 175

HSL 328.14, 0.86%, 0.67%

LAB 62.41, 63.13, -12.6

 

CMYK 0 / 20 / 60 / 5

HEX #F3C262

RGB 243 194 98

HSL 39.72, 0.86%, 0.67%

LAB 81.03, 6.99, 54.04

 

CMYK 60 / 0 / 32 / 5

HEX #61F3A6

RGB 97 243 166

HSL 148.36, 0.86%, 0.67%

LAB 86.7, -56.28, 25.75

 

CMYK 60 / 58 / 0 / 5

HEX #6267F3

RGB 98 103 243

HSL 237.93, 0.86%, 0.67%

LAB 50.41, 38.57, -71.11

 

CMYK 0 / 60 / 28 / 5

HEX #F362AF

RGB 243 98 175

HSL 328.14, 0.86%, 0.67%

LAB 62.41, 63.13, -12.6

 

CMYK 0 / 2 / 60 / 5

HEX #F3EE62

RGB 243 238 98

HSL 57.93, 0.86%, 0.67%

LAB 92.17, -15.27, 66.48

 

Description

Color code: HEX #61F3A6 | qconv.com Color code: HEX #61F3A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 243 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 243 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 32 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 32% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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