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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61F8CC it is the complementary color #9E0733. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61F8CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61F8CC shade: #66F8C7, #77FFDA, #88FFED, #99FFFF and #AAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61F8CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61F8CC shade: #61F8CC, #50E6B9, #3FD4A6, #2EC293 and #1DB080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61F8CC shade: #62F8CC, #62F8A4, #62F87B, #71F862 and #99F862

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61F8CC shade: #62F8CC, #62F8F5, #62D3F8, #62AAF8 and #6282F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61F8CC shade matches the following richer shades: #62F8CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61F8CC shade: #62F8CC, #6FEBC7, #7CDEC1, #89D0BC and #97C3B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61F8CC shade: #62F87B, #62F8A3, #62F8CB, #62F8F3 and #62D5F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61F8CC shade: #13F5B3, #3AF6C0, #62F8CC, #89FAD9 and #B1FBE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61F8CC shade: #61F8CC, #6271F8 and #F88F62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61F8CC shade: #61F8CC, #CB62F8 and #F8CB62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61F8CC shade: #61F8CC, #6271F8, #F8628F and #F8E962

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61F8CC shade: #61F8CC, #8062F8, #F8628F and #DAF862

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 18 / 3

HEX #61F8CC

RGB 97 248 204

HSL 162.52, 0.92%, 0.68%

LAB 88.94, -50.33, 9.3

 

Complementary color

CMYK 0 / 96 / 68 / 38

HEX #9E0733

RGB 158 7 51

HSL 342.52, 0.92%, 0.32%

LAB 33.26, 56.49, 19.4

 

CMYK 59 / 0 / 20 / 3

HEX #66F8C7

RGB 102 248 199

HSL 159.86, 0.91%, 0.69%

LAB 88.96, -50.54, 11.94

 

CMYK 53 / 0 / 15 / 0

HEX #77FFDA

RGB 119 255 218

HSL 163.68, 1%, 0.73%

LAB 91.91, -45.91, 6.4

 

CMYK 47 / 0 / 7 / 0

HEX #88FFED

RGB 136 255 237

HSL 170.92, 1%, 0.77%

LAB 92.96, -37.88, -1.83

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 61 / 0 / 18 / 3

HEX #61F8CC

RGB 97 248 204

HSL 162.52, 0.92%, 0.68%

LAB 88.94, -50.33, 9.3

 

CMYK 65 / 0 / 20 / 10

HEX #50E6B9

RGB 80 230 185

HSL 162, 0.75%, 0.61%

LAB 82.81, -50.07, 10.4

 

CMYK 70 / 0 / 22 / 17

HEX #3FD4A6

RGB 63 212 166

HSL 161.48, 0.63%, 0.54%

LAB 76.62, -49.66, 11.61

 

CMYK 76 / 0 / 24 / 24

HEX #2EC293

RGB 46 194 147

HSL 160.95, 0.62%, 0.47%

LAB 70.37, -49.01, 12.93

 

CMYK 84 / 0 / 27 / 31

HEX #1DB080

RGB 29 176 128

HSL 160.41, 0.72%, 0.4%

LAB 64.06, -48.03, 14.4

 

CMYK 60 / 0 / 18 / 3

HEX #62F8CC

RGB 98 248 204

HSL 162.4, 0.91%, 0.68%

LAB 88.97, -50.15, 9.34

 

CMYK 60 / 0 / 34 / 3

HEX #62F8A4

RGB 98 248 164

HSL 146.4, 0.91%, 0.68%

LAB 88.17, -58.42, 28.76

 

CMYK 60 / 0 / 50 / 3

HEX #62F87B

RGB 98 248 123

HSL 130, 0.91%, 0.68%

LAB 87.56, -65.01, 48.05

 

CMYK 54 / 0 / 60 / 3

HEX #71F862

RGB 113 248 98

HSL 114, 0.91%, 0.68%

LAB 87.74, -64.57, 59.55

 

CMYK 38 / 0 / 60 / 3

HEX #99F862

RGB 153 248 98

HSL 98, 0.91%, 0.68%

LAB 89.29, -53.18, 61.72

 

CMYK 60 / 0 / 18 / 3

HEX #62F8CC

RGB 98 248 204

HSL 162.4, 0.91%, 0.68%

LAB 88.97, -50.15, 9.34

 

CMYK 60 / 0 / 1 / 3

HEX #62F8F5

RGB 98 248 245

HSL 178.8, 0.91%, 0.68%

LAB 90.01, -40.06, -10.47

 

CMYK 60 / 15 / 0 / 3

HEX #62D3F8

RGB 98 211 248

HSL 194.8, 0.91%, 0.68%

LAB 79.59, -21.55, -27.77

 

CMYK 60 / 31 / 0 / 3

HEX #62AAF8

RGB 98 170 248

HSL 211.2, 0.91%, 0.68%

LAB 68.11, 0.4, -45.59

 

CMYK 60 / 48 / 0 / 3

HEX #6282F8

RGB 98 130 248

HSL 227.2, 0.91%, 0.68%

LAB 57.4, 23.89, -62.6

 

CMYK 60 / 0 / 18 / 3

HEX #62F8CC

RGB 98 248 204

HSL 162.4, 0.91%, 0.68%

LAB 88.97, -50.15, 9.34

 

CMYK 60 / 0 / 18 / 3

HEX #62F8CC

RGB 98 248 204

HSL 162.4, 0.91%, 0.68%

LAB 88.97, -50.15, 9.34

 

CMYK 53 / 0 / 15 / 8

HEX #6FEBC7

RGB 111 235 199

HSL 162.58, 0.76%, 0.68%

LAB 85.46, -43.16, 6.97

 

CMYK 44 / 0 / 13 / 13

HEX #7CDEC1

RGB 124 222 193

HSL 162.24, 0.6%, 0.68%

LAB 82.04, -35.64, 5.27

 

CMYK 34 / 0 / 10 / 18

HEX #89D0BC

RGB 137 208 188

HSL 163.1, 0.43%, 0.68%

LAB 78.5, -26.63, 2.88

 

CMYK 23 / 0 / 7 / 24

HEX #97C3B6

RGB 151 195 182

HSL 162.27, 0.27%, 0.68%

LAB 75.44, -17.22, 1.77

 

CMYK 60 / 0 / 50 / 3

HEX #62F87B

RGB 98 248 123

HSL 130, 0.91%, 0.68%

LAB 87.56, -65.01, 48.05

 

CMYK 60 / 0 / 34 / 3

HEX #62F8A3

RGB 98 248 163

HSL 146, 0.91%, 0.68%

LAB 88.15, -58.6, 29.24

 

CMYK 60 / 0 / 18 / 3

HEX #62F8CB

RGB 98 248 203

HSL 162, 0.91%, 0.68%

LAB 88.94, -50.38, 9.82

 

CMYK 60 / 0 / 2 / 3

HEX #62F8F3

RGB 98 248 243

HSL 178, 0.91%, 0.68%

LAB 89.95, -40.59, -9.51

 

CMYK 60 / 14 / 0 / 3

HEX #62D5F8

RGB 98 213 248

HSL 194, 0.91%, 0.68%

LAB 80.16, -22.56, -26.91

 

CMYK 92 / 0 / 27 / 4

HEX #13F5B3

RGB 19 245 179

HSL 162.48, 0.92%, 0.52%

LAB 86.35, -63.21, 18.41

 

CMYK 76 / 0 / 22 / 4

HEX #3AF6C0

RGB 58 246 192

HSL 162.77, 0.91%, 0.6%

LAB 87.3, -57.83, 13.07

 

CMYK 60 / 0 / 18 / 3

HEX #62F8CC

RGB 98 248 204

HSL 162.4, 0.91%, 0.68%

LAB 88.97, -50.15, 9.34

 

CMYK 45 / 0 / 13 / 2

HEX #89FAD9

RGB 137 250 217

HSL 162.48, 0.92%, 0.76%

LAB 91.1, -39.92, 5.83

 

CMYK 29 / 0 / 8 / 2

HEX #B1FBE6

RGB 177 251 230

HSL 162.97, 0.9%, 0.84%

LAB 93.47, -27.08, 2.76

 

CMYK 61 / 0 / 18 / 3

HEX #61F8CC

RGB 97 248 204

HSL 162.52, 0.92%, 0.68%

LAB 88.94, -50.33, 9.3

 

CMYK 60 / 54 / 0 / 3

HEX #6271F8

RGB 98 113 248

HSL 234, 0.91%, 0.68%

LAB 53.15, 34.18, -69.46

 

CMYK 0 / 42 / 60 / 3

HEX #F88F62

RGB 248 143 98

HSL 18, 0.91%, 0.68%

LAB 69.81, 35.72, 40.91

 

CMYK 61 / 0 / 18 / 3

HEX #61F8CC

RGB 97 248 204

HSL 162.52, 0.92%, 0.68%

LAB 88.94, -50.33, 9.3

 

CMYK 18 / 60 / 0 / 3

HEX #CB62F8

RGB 203 98 248

HSL 282, 0.91%, 0.68%

LAB 60.08, 64.47, -57.79

 

CMYK 0 / 18 / 60 / 3

HEX #F8CB62

RGB 248 203 98

HSL 42, 0.91%, 0.68%

LAB 83.73, 4.39, 57.25

 

CMYK 61 / 0 / 18 / 3

HEX #61F8CC

RGB 97 248 204

HSL 162.52, 0.92%, 0.68%

LAB 88.94, -50.33, 9.3

 

CMYK 60 / 54 / 0 / 3

HEX #6271F8

RGB 98 113 248

HSL 234, 0.91%, 0.68%

LAB 53.15, 34.18, -69.46

 

CMYK 0 / 60 / 42 / 3

HEX #F8628F

RGB 248 98 143

HSL 342, 0.91%, 0.68%

LAB 62.23, 61.07, 5.65

 

CMYK 0 / 6 / 60 / 3

HEX #F8E962

RGB 248 233 98

HSL 54, 0.91%, 0.68%

LAB 91.29, -10.79, 65.64

 

CMYK 61 / 0 / 18 / 3

HEX #61F8CC

RGB 97 248 204

HSL 162.52, 0.92%, 0.68%

LAB 88.94, -50.33, 9.3

 

CMYK 48 / 60 / 0 / 3

HEX #8062F8

RGB 128 98 248

HSL 252, 0.91%, 0.68%

LAB 51.95, 48.34, -71.3

 

CMYK 0 / 60 / 42 / 3

HEX #F8628F

RGB 248 98 143

HSL 342, 0.91%, 0.68%

LAB 62.23, 61.07, 5.65

 

CMYK 12 / 0 / 60 / 3

HEX #DAF862

RGB 218 248 98

HSL 72, 0.91%, 0.68%

LAB 92.98, -29.94, 66.83

 

Description

Color code: HEX #61F8CC | qconv.com Color code: HEX #61F8CC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 248 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 248 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 18 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 18% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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