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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61EFA1 it is the complementary color #9E105E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61EFA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61EFA1 shade: #66EF9C, #77FFAF, #88FFC2, #99FFD5 and #AAFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61EFA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61EFA1 shade: #61EFA1, #50DD8E, #3FCB7B, #2EB968 and #1DA755

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61EFA1 shade: #61EFA1, #61EF7A, #6DEF61, #94EF61 and #BAEF61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61EFA1 shade: #61EFA1, #61EFC7, #61EFED, #61CAEF and #61A4EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61EFA1 shade matches the following richer shades: #61EFA1 and #53FD9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61EFA1 shade: #61EFA1, #6FE1A2, #7DD3A4, #8BC5A5 and #99B7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61EFA1 shade: #6DEF61, #61EF7B, #61EFA1, #61EFC7 and #61EFED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61EFA1 shade: #16E774, #3BEB8A, #61EFA1, #86F3B7 and #ACF6CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61EFA1 shade: #61EFA1, #6192EF and #EF6861

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61EFA1 shade: #61EFA1, #A161EF and #EFA161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61EFA1 shade: #61EFA1, #6192EF, #EF61AF and #EFBD61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61EFA1 shade: #61EFA1, #6168EF, #EF61AF and #EFE861

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

Complementary color

CMYK 0 / 90 / 41 / 38

HEX #9E105E

RGB 158 16 94

HSL 327.04, 0.82%, 0.34%

LAB 34.9, 58.44, -6.4

 

CMYK 57 / 0 / 35 / 6

HEX #66EF9C

RGB 102 239 156

HSL 143.65, 0.81%, 0.67%

LAB 85.48, -55.54, 29.21

 

CMYK 53 / 0 / 31 / 0

HEX #77FFAF

RGB 119 255 175

HSL 144.71, 1%, 0.73%

LAB 91.02, -54.73, 27.18

 

CMYK 47 / 0 / 24 / 0

HEX #88FFC2

RGB 136 255 194

HSL 149.24, 1%, 0.77%

LAB 91.98, -47.12, 18.92

 

CMYK 40 / 0 / 16 / 0

HEX #99FFD5

RGB 153 255 213

HSL 155.29, 1%, 0.8%

LAB 93.06, -39, 10.79

 

CMYK 33 / 0 / 9 / 0

HEX #AAFFE8

RGB 170 255 232

HSL 163.76, 1%, 0.83%

LAB 94.27, -30.51, 2.84

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 64 / 0 / 36 / 13

HEX #50DD8E

RGB 80 221 142

HSL 146.38, 0.67%, 0.59%

LAB 79.25, -55.48, 27.9

 

CMYK 69 / 0 / 39 / 20

HEX #3FCB7B

RGB 63 203 123

HSL 145.71, 0.57%, 0.52%

LAB 73.02, -55.11, 29.34

 

CMYK 75 / 0 / 44 / 27

HEX #2EB968

RGB 46 185 104

HSL 145.04, 0.6%, 0.45%

LAB 66.73, -54.46, 30.89

 

CMYK 83 / 0 / 49 / 35

HEX #1DA755

RGB 29 167 85

HSL 144.35, 0.7%, 0.38%

LAB 60.39, -53.38, 32.56

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 59 / 0 / 49 / 6

HEX #61EF7A

RGB 97 239 122

HSL 130.56, 0.82%, 0.66%

LAB 84.83, -62.1, 45.14

 

CMYK 54 / 0 / 59 / 6

HEX #6DEF61

RGB 109 239 97

HSL 114.93, 0.82%, 0.66%

LAB 84.92, -62.4, 56.73

 

CMYK 38 / 0 / 59 / 6

HEX #94EF61

RGB 148 239 97

HSL 98.45, 0.82%, 0.66%

LAB 86.45, -51.22, 58.89

 

CMYK 22 / 0 / 59 / 6

HEX #BAEF61

RGB 186 239 97

HSL 82.39, 0.82%, 0.66%

LAB 88.46, -38.03, 61.7

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 59 / 0 / 17 / 6

HEX #61EFC7

RGB 97 239 199

HSL 163.1, 0.82%, 0.66%

LAB 86.21, -47.68, 7.98

 

CMYK 59 / 0 / 1 / 6

HEX #61EFED

RGB 97 239 237

HSL 179.15, 0.82%, 0.66%

LAB 87.19, -38.25, -10.49

 

CMYK 59 / 15 / 0 / 6

HEX #61CAEF

RGB 97 202 239

HSL 195.63, 0.82%, 0.66%

LAB 76.69, -19.8, -27.41

 

CMYK 59 / 31 / 0 / 6

HEX #61A4EF

RGB 97 164 239

HSL 211.69, 0.82%, 0.66%

LAB 66, 0.74, -43.99

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 67 / 0 / 37 / 1

HEX #53FD9F

RGB 83 253 159

HSL 146.82, 0.98%, 0.66%

LAB 89.2, -63.9, 32.6

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 51 / 0 / 28 / 12

HEX #6FE1A2

RGB 111 225 162

HSL 146.84, 0.66%, 0.66%

LAB 81.75, -46.64, 21.09

 

CMYK 41 / 0 / 22 / 17

HEX #7DD3A4

RGB 125 211 164

HSL 147.21, 0.49%, 0.66%

LAB 78.24, -36.43, 15.25

 

CMYK 29 / 0 / 16 / 23

HEX #8BC5A5

RGB 139 197 165

HSL 146.9, 0.33%, 0.66%

LAB 74.91, -25.45, 10.1

 

CMYK 16 / 0 / 9 / 28

HEX #99B7A6

RGB 153 183 166

HSL 146, 0.17%, 0.66%

LAB 71.82, -13.61, 5.25

 

CMYK 54 / 0 / 59 / 6

HEX #6DEF61

RGB 109 239 97

HSL 114.93, 0.82%, 0.66%

LAB 84.92, -62.4, 56.73

 

CMYK 59 / 0 / 49 / 6

HEX #61EF7B

RGB 97 239 123

HSL 130.99, 0.82%, 0.66%

LAB 84.85, -61.96, 44.68

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 59 / 0 / 17 / 6

HEX #61EFC7

RGB 97 239 199

HSL 163.1, 0.82%, 0.66%

LAB 86.21, -47.68, 7.98

 

CMYK 59 / 0 / 1 / 6

HEX #61EFED

RGB 97 239 237

HSL 179.15, 0.82%, 0.66%

LAB 87.19, -38.25, -10.49

 

CMYK 90 / 0 / 50 / 9

HEX #16E774

RGB 22 231 116

HSL 146.99, 0.83%, 0.5%

LAB 81.06, -70.32, 43.04

 

CMYK 75 / 0 / 41 / 8

HEX #3BEB8A

RGB 59 235 138

HSL 146.93, 0.81%, 0.58%

LAB 83.01, -64.67, 34.83

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 45 / 0 / 25 / 5

HEX #86F3B7

RGB 134 243 183

HSL 146.97, 0.82%, 0.74%

LAB 88.25, -44.58, 19.36

 

CMYK 30 / 0 / 17 / 4

HEX #ACF6CD

RGB 172 246 205

HSL 146.76, 0.8%, 0.82%

LAB 91.27, -31.13, 12.5

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 59 / 39 / 0 / 6

HEX #6192EF

RGB 97 146 239

HSL 219.3, 0.82%, 0.66%

LAB 61.07, 11.18, -51.77

 

CMYK 0 / 56 / 59 / 6

HEX #EF6861

RGB 239 104 97

HSL 2.96, 0.82%, 0.66%

LAB 60.88, 51.57, 30.01

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 33 / 59 / 0 / 6

HEX #A161EF

RGB 161 97 239

HSL 267.04, 0.82%, 0.66%

LAB 54.41, 53.38, -62.15

 

CMYK 0 / 33 / 59 / 6

HEX #EFA161

RGB 239 161 97

HSL 27.04, 0.82%, 0.66%

LAB 72.7, 22.65, 44.65

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 59 / 39 / 0 / 6

HEX #6192EF

RGB 97 146 239

HSL 219.3, 0.82%, 0.66%

LAB 61.07, 11.18, -51.77

 

CMYK 0 / 59 / 27 / 6

HEX #EF61AF

RGB 239 97 175

HSL 327.04, 0.82%, 0.66%

LAB 61.65, 62.39, -13.8

 

CMYK 0 / 21 / 59 / 6

HEX #EFBD61

RGB 239 189 97

HSL 38.87, 0.82%, 0.66%

LAB 79.39, 7.88, 52.52

 

CMYK 59 / 0 / 33 / 6

HEX #61EFA1

RGB 97 239 161

HSL 147.04, 0.82%, 0.66%

LAB 85.43, -55.66, 26.57

 

CMYK 59 / 56 / 0 / 6

HEX #6168EF

RGB 97 104 239

HSL 237.04, 0.82%, 0.66%

LAB 50.3, 36.52, -69.06

 

CMYK 0 / 59 / 27 / 6

HEX #EF61AF

RGB 239 97 175

HSL 327.04, 0.82%, 0.66%

LAB 61.65, 62.39, -13.8

 

CMYK 0 / 3 / 59 / 6

HEX #EFE861

RGB 239 232 97

HSL 57.04, 0.82%, 0.66%

LAB 90.29, -14.01, 64.76

 

Description

Color code: HEX #61EFA1 | qconv.com Color code: HEX #61EFA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 239 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 239 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 33 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 33% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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