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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61DF9E it is the complementary color #9E2061. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61DF9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61DF9E shade: #66DF99, #77F1AC, #88FFBF, #99FFD2 and #AAFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61DF9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61DF9E shade: #61DF9E, #50CD8B, #3FBB78, #2EA965 and #1D9752

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61DF9E shade: #62DE9E, #62DE7D, #69DE62, #8ADE62 and #ACDE62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61DF9E shade: #62DE9E, #62DEC0, #62DBDE, #62BADE and #6298DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61DF9E shade matches the following richer shades: #62DE9E, #53EE9E and #43FD9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61DF9E shade: #62DE9E, #71CF9F, #80C09F, #90B1A0 and #9FA1A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61DF9E shade: #68DE62, #62DE7D, #62DE9E, #62DEBF and #62DCDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61DF9E shade: #28C674, #40D789, #62DE9E, #84E5B3 and #A6ECC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61DF9E shade: #61DF9E, #6289DE and #DE6C62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61DF9E shade: #61DF9E, #9E62DE and #DE9E62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61DF9E shade: #61DF9E, #6289DE, #DE62A2 and #DEB762

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61DF9E shade: #61DF9E, #6264DE, #DE62A2 and #DEDC62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 29 / 13

HEX #61DF9E

RGB 97 223 158

HSL 149.05, 0.66%, 0.63%

LAB 80.62, -49.78, 21.55

 

Complementary color

CMYK 0 / 80 / 39 / 38

HEX #9E2061

RGB 158 32 97

HSL 329.05, 0.66%, 0.37%

LAB 36.3, 55.03, -6.23

 

CMYK 54 / 0 / 31 / 13

HEX #66DF99

RGB 102 223 153

HSL 145.29, 0.65%, 0.64%

LAB 80.68, -49.64, 24.26

 

CMYK 51 / 0 / 29 / 5

HEX #77F1AC

RGB 119 241 172

HSL 146.07, 0.81%, 0.71%

LAB 86.9, -49.55, 23.07

 

CMYK 47 / 0 / 25 / 0

HEX #88FFBF

RGB 136 255 191

HSL 147.73, 1%, 0.77%

LAB 91.92, -47.7, 20.37

 

CMYK 40 / 0 / 18 / 0

HEX #99FFD2

RGB 153 255 210

HSL 153.53, 1%, 0.8%

LAB 92.99, -39.61, 12.24

 

CMYK 33 / 0 / 10 / 0

HEX #AAFFE5

RGB 170 255 229

HSL 161.65, 1%, 0.83%

LAB 94.19, -31.14, 4.28

 

CMYK 57 / 0 / 29 / 13

HEX #61DF9E

RGB 97 223 158

HSL 149.05, 0.66%, 0.63%

LAB 80.62, -49.78, 21.55

 

CMYK 61 / 0 / 32 / 20

HEX #50CD8B

RGB 80 205 139

HSL 148.32, 0.56%, 0.56%

LAB 74.34, -49.71, 22.82

 

CMYK 66 / 0 / 36 / 27

HEX #3FBB78

RGB 63 187 120

HSL 147.58, 0.5%, 0.49%

LAB 67.99, -49.49, 24.21

 

CMYK 73 / 0 / 40 / 34

HEX #2EA965

RGB 46 169 101

HSL 146.83, 0.57%, 0.42%

LAB 61.56, -49, 25.72

 

CMYK 81 / 0 / 46 / 41

HEX #1D9752

RGB 29 151 82

HSL 146.07, 0.68%, 0.35%

LAB 55.08, -48.11, 27.37

 

CMYK 56 / 0 / 29 / 13

HEX #62DE9E

RGB 98 222 158

HSL 149.03, 0.65%, 0.63%

LAB 80.35, -49.15, 21.18

 

CMYK 56 / 0 / 44 / 13

HEX #62DE7D

RGB 98 222 125

HSL 133.06, 0.65%, 0.63%

LAB 79.8, -55.01, 37.33

 

CMYK 53 / 0 / 56 / 13

HEX #69DE62

RGB 105 222 98

HSL 116.61, 0.65%, 0.63%

LAB 79.69, -56.98, 50.18

 

CMYK 38 / 0 / 56 / 13

HEX #8ADE62

RGB 138 222 98

HSL 100.65, 0.65%, 0.63%

LAB 81.03, -47.31, 52.1

 

CMYK 23 / 0 / 56 / 13

HEX #ACDE62

RGB 172 222 98

HSL 84.19, 0.65%, 0.63%

LAB 82.86, -35.44, 54.68

 

CMYK 56 / 0 / 29 / 13

HEX #62DE9E

RGB 98 222 158

HSL 149.03, 0.65%, 0.63%

LAB 80.35, -49.15, 21.18

 

CMYK 56 / 0 / 14 / 13

HEX #62DEC0

RGB 98 222 192

HSL 165.48, 0.65%, 0.63%

LAB 81.1, -41.73, 4.31

 

CMYK 56 / 1 / 0 / 13

HEX #62DBDE

RGB 98 219 222

HSL 181.45, 0.65%, 0.63%

LAB 81.03, -32.78, -11.74

 

CMYK 56 / 16 / 0 / 13

HEX #62BADE

RGB 98 186 222

HSL 197.42, 0.65%, 0.63%

LAB 71.55, -16.33, -26.09

 

CMYK 56 / 32 / 0 / 13

HEX #6298DE

RGB 98 152 222

HSL 213.87, 0.65%, 0.63%

LAB 61.94, 2.41, -41

 

CMYK 56 / 0 / 29 / 13

HEX #62DE9E

RGB 98 222 158

HSL 149.03, 0.65%, 0.63%

LAB 80.35, -49.15, 21.18

 

CMYK 65 / 0 / 34 / 7

HEX #53EE9E

RGB 83 238 158

HSL 149.03, 0.82%, 0.63%

LAB 84.72, -58.46, 27.08

 

CMYK 74 / 0 / 38 / 1

HEX #43FD9D

RGB 67 253 157

HSL 149.03, 0.98%, 0.63%

LAB 88.86, -66.61, 33.09

 

CMYK 56 / 0 / 29 / 13

HEX #62DE9E

RGB 98 222 158

HSL 149.03, 0.65%, 0.63%

LAB 80.35, -49.15, 21.18

 

CMYK 45 / 0 / 23 / 19

HEX #71CF9F

RGB 113 207 159

HSL 149.36, 0.49%, 0.63%

LAB 76.46, -38.86, 15.33

 

CMYK 33 / 0 / 17 / 25

HEX #80C09F

RGB 128 192 159

HSL 149.06, 0.34%, 0.63%

LAB 72.75, -27.59, 10.2

 

CMYK 19 / 0 / 10 / 31

HEX #90B1A0

RGB 144 177 160

HSL 149.09, 0.17%, 0.63%

LAB 69.41, -14.7, 4.98

 

CMYK 1 / 0 / 1 / 37

HEX #9FA1A0

RGB 159 161 160

HSL 150, 0.01%, 0.63%

LAB 66.06, -0.9, 0.26

 

CMYK 53 / 0 / 56 / 13

HEX #68DE62

RGB 104 222 98

HSL 117.1, 0.65%, 0.63%

LAB 79.65, -57.24, 50.13

 

CMYK 56 / 0 / 44 / 13

HEX #62DE7D

RGB 98 222 125

HSL 133.06, 0.65%, 0.63%

LAB 79.8, -55.01, 37.33

 

CMYK 56 / 0 / 29 / 13

HEX #62DE9E

RGB 98 222 158

HSL 149.03, 0.65%, 0.63%

LAB 80.35, -49.15, 21.18

 

CMYK 56 / 0 / 14 / 13

HEX #62DEBF

RGB 98 222 191

HSL 165, 0.65%, 0.63%

LAB 81.07, -41.97, 4.81

 

CMYK 56 / 1 / 0 / 13

HEX #62DCDE

RGB 98 220 222

HSL 180.97, 0.65%, 0.63%

LAB 81.32, -33.25, -11.31

 

CMYK 80 / 0 / 41 / 22

HEX #28C674

RGB 40 198 116

HSL 148.86, 0.66%, 0.47%

LAB 70.94, -57.74, 30.15

 

CMYK 70 / 0 / 36 / 16

HEX #40D789

RGB 64 215 137

HSL 149.01, 0.65%, 0.55%

LAB 76.98, -56.86, 27.37

 

CMYK 56 / 0 / 29 / 13

HEX #62DE9E

RGB 98 222 158

HSL 149.03, 0.65%, 0.63%

LAB 80.35, -49.15, 21.18

 

CMYK 42 / 0 / 22 / 10

HEX #84E5B3

RGB 132 229 179

HSL 149.07, 0.65%, 0.71%

LAB 84.07, -39.71, 15.57

 

CMYK 30 / 0 / 15 / 7

HEX #A6ECC8

RGB 166 236 200

HSL 149.14, 0.65%, 0.79%

LAB 88.1, -29.16, 10.53

 

CMYK 57 / 0 / 29 / 13

HEX #61DF9E

RGB 97 223 158

HSL 149.05, 0.66%, 0.63%

LAB 80.62, -49.78, 21.55

 

CMYK 56 / 38 / 0 / 13

HEX #6289DE

RGB 98 137 222

HSL 221.13, 0.65%, 0.63%

LAB 57.81, 11.21, -47.5

 

CMYK 0 / 51 / 56 / 13

HEX #DE6C62

RGB 222 108 98

HSL 4.84, 0.65%, 0.63%

LAB 59.1, 43.63, 26.64

 

CMYK 57 / 0 / 29 / 13

HEX #61DF9E

RGB 97 223 158

HSL 149.05, 0.66%, 0.63%

LAB 80.62, -49.78, 21.55

 

CMYK 29 / 56 / 0 / 13

HEX #9E62DE

RGB 158 98 222

HSL 269.03, 0.65%, 0.63%

LAB 53.25, 48.07, -54.47

 

CMYK 0 / 29 / 56 / 13

HEX #DE9E62

RGB 222 158 98

HSL 29.03, 0.65%, 0.63%

LAB 70.08, 17.37, 40.52

 

CMYK 57 / 0 / 29 / 13

HEX #61DF9E

RGB 97 223 158

HSL 149.05, 0.66%, 0.63%

LAB 80.62, -49.78, 21.55

 

CMYK 56 / 38 / 0 / 13

HEX #6289DE

RGB 98 137 222

HSL 221.13, 0.65%, 0.63%

LAB 57.81, 11.21, -47.5

 

CMYK 0 / 56 / 27 / 13

HEX #DE62A2

RGB 222 98 162

HSL 329.03, 0.65%, 0.63%

LAB 58.86, 55.17, -10.76

 

CMYK 0 / 18 / 56 / 13

HEX #DEB762

RGB 222 183 98

HSL 41.13, 0.65%, 0.63%

LAB 76.24, 4.05, 47.94

 

CMYK 57 / 0 / 29 / 13

HEX #61DF9E

RGB 97 223 158

HSL 149.05, 0.66%, 0.63%

LAB 80.62, -49.78, 21.55

 

CMYK 56 / 55 / 0 / 13

HEX #6264DE

RGB 98 100 222

HSL 239.03, 0.65%, 0.63%

LAB 48.24, 33.68, -62.82

 

CMYK 0 / 56 / 27 / 13

HEX #DE62A2

RGB 222 98 162

HSL 329.03, 0.65%, 0.63%

LAB 58.86, 55.17, -10.76

 

CMYK 0 / 1 / 56 / 13

HEX #DEDC62

RGB 222 220 98

HSL 59.03, 0.65%, 0.63%

LAB 85.8, -14.91, 58.97

 

Description

Color code: HEX #61DF9E | qconv.com Color code: HEX #61DF9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 223 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 223 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 29 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 29% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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