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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #619B21 it is the complementary color #9E64DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #619B21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #619B21 shade: #669B1C, #77AD2F, #88BF42, #99D155 and #AAE368

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #619B21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #619B21 shade: #619B21, #50890E, #3F7700, #2E6500 and #1D5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #619B21 shade: #619B21, #829B21, #9B9321, #9B7221 and #9B5121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #619B21 shade: #619B21, #409B21, #219B22, #219B43 and #219B64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #619B21 shade matches the following richer shades: #619B21, #62AA11 and #62BA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #619B21 shade: #619B21, #608C30, #5F7D3F, #5F6D4E and #5E5E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #619B21 shade: #9B9321, #839B21, #629B21, #419B21 and #219B21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #619B21 shade: #365712, #4C7919, #619B21, #76BD28 and #8BD53A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #619B21 shade: #619B21, #219B72 and #9B2193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #619B21 shade: #619B21, #21629B and #9B2162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #619B21 shade: #619B21, #219B72, #5A219B and #9B2149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #619B21 shade: #619B21, #219B97, #5A219B and #9B2125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

Complementary color

CMYK 29 / 55 / 0 / 13

HEX #9E64DE

RGB 158 100 222

HSL 268.52, 0.65%, 0.63%

LAB 53.66, 47, -53.82

 

CMYK 34 / 0 / 82 / 39

HEX #669B1C

RGB 102 155 28

HSL 85.04, 0.69%, 0.36%

LAB 58.37, -36.59, 55.35

 

CMYK 31 / 0 / 73 / 32

HEX #77AD2F

RGB 119 173 47

HSL 85.71, 0.57%, 0.43%

LAB 64.97, -37.16, 55.71

 

CMYK 29 / 0 / 65 / 25

HEX #88BF42

RGB 136 191 66

HSL 86.4, 0.49%, 0.5%

LAB 71.48, -37.52, 55.3

 

CMYK 27 / 0 / 59 / 18

HEX #99D155

RGB 153 209 85

HSL 87.1, 0.57%, 0.58%

LAB 77.89, -37.74, 54.51

 

CMYK 25 / 0 / 54 / 11

HEX #AAE368

RGB 170 227 104

HSL 87.8, 0.69%, 0.65%

LAB 84.22, -37.86, 53.52

 

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

CMYK 42 / 0 / 90 / 46

HEX #50890E

RGB 80 137 14

HSL 87.8, 0.81%, 0.3%

LAB 51.41, -37.45, 52.31

 

CMYK 47 / 0 / 100 / 53

HEX #3F7700

RGB 63 119 0

HSL 88.24, 1%, 0.23%

LAB 44.59, -36.29, 49.22

 

CMYK 54 / 0 / 100 / 60

HEX #2E6500

RGB 46 101 0

HSL 92.67, 1%, 0.2%

LAB 37.64, -34.58, 43.46

 

CMYK 65 / 0 / 100 / 67

HEX #1D5300

RGB 29 83 0

HSL 99.04, 1%, 0.16%

LAB 30.52, -32.58, 37.56

 

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

CMYK 16 / 0 / 79 / 39

HEX #829B21

RGB 130 155 33

HSL 72.3, 0.65%, 0.37%

LAB 60.16, -25.03, 56.12

 

CMYK 0 / 5 / 79 / 39

HEX #9B9321

RGB 155 147 33

HSL 56.07, 0.65%, 0.37%

LAB 59.84, -9.88, 56.58

 

CMYK 0 / 26 / 79 / 39

HEX #9B7221

RGB 155 114 33

HSL 39.84, 0.65%, 0.37%

LAB 50.82, 8.43, 48.26

 

CMYK 0 / 48 / 79 / 39

HEX #9B5121

RGB 155 81 33

HSL 23.61, 0.65%, 0.37%

LAB 42.71, 27.19, 40.42

 

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

CMYK 59 / 0 / 79 / 39

HEX #409B21

RGB 64 155 33

HSL 104.75, 0.65%, 0.37%

LAB 56.73, -48.72, 51.67

 

CMYK 79 / 0 / 78 / 39

HEX #219B22

RGB 33 155 34

HSL 120.49, 0.65%, 0.37%

LAB 55.97, -55.01, 50.35

 

CMYK 79 / 0 / 57 / 39

HEX #219B43

RGB 33 155 67

HSL 136.72, 0.65%, 0.37%

LAB 56.26, -51.48, 36.6

 

CMYK 79 / 0 / 35 / 39

HEX #219B64

RGB 33 155 100

HSL 152.95, 0.65%, 0.37%

LAB 56.77, -45.58, 19.81

 

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

CMYK 42 / 0 / 90 / 33

HEX #62AA11

RGB 98 170 17

HSL 88.24, 0.82%, 0.37%

LAB 62.83, -44.83, 61.72

 

CMYK 47 / 0 / 99 / 27

HEX #62BA02

RGB 98 186 2

HSL 88.7, 0.98%, 0.37%

LAB 67.81, -51.47, 67.78

 

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

CMYK 31 / 0 / 66 / 45

HEX #608C30

RGB 96 140 48

HSL 88.7, 0.49%, 0.37%

LAB 53.45, -30.73, 42.95

 

CMYK 24 / 0 / 50 / 51

HEX #5F7D3F

RGB 95 125 63

HSL 89.03, 0.33%, 0.37%

LAB 48.83, -22.17, 30.2

 

CMYK 13 / 0 / 28 / 57

HEX #5F6D4E

RGB 95 109 78

HSL 87.1, 0.17%, 0.37%

LAB 44.12, -11.38, 15.62

 

CMYK 0 / 0 / 0 / 63

HEX #5E5E5E

RGB 94 94 94

HSL 0, 0%, 0.37%

LAB 39.9, 0, -0.01

 

CMYK 0 / 5 / 79 / 39

HEX #9B9321

RGB 155 147 33

HSL 56.07, 0.65%, 0.37%

LAB 59.84, -9.88, 56.58

 

CMYK 15 / 0 / 79 / 39

HEX #839B21

RGB 131 155 33

HSL 71.8, 0.65%, 0.37%

LAB 60.23, -24.6, 56.22

 

CMYK 37 / 0 / 79 / 39

HEX #629B21

RGB 98 155 33

HSL 88.03, 0.65%, 0.37%

LAB 58.18, -37.84, 53.57

 

CMYK 58 / 0 / 79 / 39

HEX #419B21

RGB 65 155 33

HSL 104.26, 0.65%, 0.37%

LAB 56.76, -48.46, 51.72

 

CMYK 79 / 0 / 79 / 39

HEX #219B21

RGB 33 155 33

HSL 120, 0.65%, 0.37%

LAB 55.96, -55.09, 50.68

 

CMYK 38 / 0 / 79 / 66

HEX #365712

RGB 54 87 18

HSL 88.7, 0.66%, 0.21%

LAB 33.23, -24.37, 34.1

 

CMYK 37 / 0 / 79 / 53

HEX #4C7919

RGB 76 121 25

HSL 88.13, 0.66%, 0.29%

LAB 46.02, -31.33, 44.3

 

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

CMYK 38 / 0 / 79 / 26

HEX #76BD28

RGB 118 189 40

HSL 88.59, 0.65%, 0.45%

LAB 69.75, -44.84, 62.6

 

CMYK 35 / 0 / 73 / 16

HEX #8BD53A

RGB 139 213 58

HSL 88.65, 0.65%, 0.53%

LAB 78.1, -46.52, 65.17

 

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

CMYK 79 / 0 / 26 / 39

HEX #219B72

RGB 33 155 114

HSL 159.84, 0.65%, 0.37%

LAB 57.06, -42.4, 12.4

 

CMYK 0 / 79 / 5 / 39

HEX #9B2193

RGB 155 33 147

HSL 303.93, 0.65%, 0.37%

LAB 38.13, 60.69, -34.67

 

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

CMYK 79 / 37 / 0 / 39

HEX #21629B

RGB 33 98 155

HSL 208.03, 0.65%, 0.37%

LAB 40.29, 0.39, -36.81

 

CMYK 0 / 79 / 37 / 39

HEX #9B2162

RGB 155 33 98

HSL 328.03, 0.65%, 0.37%

LAB 35.86, 54.04, -7.58

 

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

CMYK 79 / 0 / 26 / 39

HEX #219B72

RGB 33 155 114

HSL 159.84, 0.65%, 0.37%

LAB 57.06, -42.4, 12.4

 

CMYK 42 / 79 / 0 / 39

HEX #5A219B

RGB 90 33 155

HSL 268.03, 0.65%, 0.37%

LAB 28.45, 49.64, -55.68

 

CMYK 0 / 79 / 53 / 39

HEX #9B2149

RGB 155 33 73

HSL 340.33, 0.65%, 0.37%

LAB 35.08, 51.61, 7.39

 

CMYK 37 / 0 / 79 / 39

HEX #619B21

RGB 97 155 33

HSL 88.52, 0.65%, 0.37%

LAB 58.13, -38.21, 53.5

 

CMYK 79 / 0 / 3 / 39

HEX #219B97

RGB 33 155 151

HSL 178.03, 0.65%, 0.37%

LAB 58.04, -32.34, -7.17

 

CMYK 42 / 79 / 0 / 39

HEX #5A219B

RGB 90 33 155

HSL 268.03, 0.65%, 0.37%

LAB 28.45, 49.64, -55.68

 

CMYK 0 / 79 / 76 / 39

HEX #9B2125

RGB 155 33 37

HSL 358.03, 0.65%, 0.37%

LAB 34.38, 49.39, 29.47

 

Description

Color code: HEX #619B21 | qconv.com Color code: HEX #619B21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 155 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 155 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 79 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 79% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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