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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6198A3 it is the complementary color #9E675C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6198A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6198A3 shade: #66989E, #77AAB1, #88BCC4, #99CED7 and #AAE0EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6198A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6198A3 shade: #6198A3, #508690, #3F747D, #2E626A and #1D5057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6198A3 shade: #6197A2, #6186A2, #6174A2, #6163A2 and #7161A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6198A3 shade: #6197A2, #6186A2, #6174A2, #6163A2 and #6161A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6198A3 shade matches the following richer shades: #6197A2, #4DA5B6, #39B2CA, #24C0DF and #10CDF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6198A3 shade: #6197A2, #758A8E, #897C7A, #9E6F65 and #B26151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6198A3 shade: #61A28A, #61A29C, #6197A2, #6186A2 and #6175A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6198A3 shade: #41686F, #508089, #6197A2, #7BA8B1 and #95B9C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6198A3 shade: #6198A3, #7961A2 and #A29361

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6198A3 shade: #6198A3, #A26197 and #97A261

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6198A3 shade: #6198A3, #7961A2, #A26C61 and #8AA261

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6198A3 shade: #6198A3, #8C61A2, #A26C61 and #77A261

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 7 / 0 / 36

HEX #6198A3

RGB 97 152 163

HSL 190, 0.26%, 0.51%

LAB 59.56, -15.18, -11.49

 

Complementary color

CMYK 0 / 35 / 42 / 38

HEX #9E675C

RGB 158 103 92

HSL 10, 0.26%, 0.49%

LAB 49.18, 20.75, 15.31

 

CMYK 35 / 4 / 0 / 38

HEX #66989E

RGB 102 152 158

HSL 186.43, 0.22%, 0.51%

LAB 59.66, -15.1, -8.48

 

CMYK 33 / 4 / 0 / 31

HEX #77AAB1

RGB 119 170 177

HSL 187.24, 0.27%, 0.58%

LAB 66.4, -15.06, -9.01

 

CMYK 31 / 4 / 0 / 23

HEX #88BCC4

RGB 136 188 196

HSL 188, 0.34%, 0.65%

LAB 73.01, -15.02, -9.52

 

CMYK 29 / 4 / 0 / 16

HEX #99CED7

RGB 153 206 215

HSL 188.71, 0.44%, 0.72%

LAB 79.51, -14.98, -10.02

 

CMYK 27 / 4 / 0 / 8

HEX #AAE0EA

RGB 170 224 234

HSL 189.38, 0.6%, 0.79%

LAB 85.91, -14.94, -10.5

 

CMYK 40 / 7 / 0 / 36

HEX #6198A3

RGB 97 152 163

HSL 190, 0.26%, 0.51%

LAB 59.56, -15.18, -11.49

 

CMYK 44 / 7 / 0 / 44

HEX #508690

RGB 80 134 144

HSL 189.38, 0.29%, 0.44%

LAB 52.7, -15.13, -10.98

 

CMYK 50 / 7 / 0 / 51

HEX #3F747D

RGB 63 116 125

HSL 188.71, 0.33%, 0.37%

LAB 45.67, -15.02, -10.44

 

CMYK 57 / 8 / 0 / 58

HEX #2E626A

RGB 46 98 106

HSL 188, 0.39%, 0.3%

LAB 38.48, -14.81, -9.85

 

CMYK 67 / 8 / 0 / 66

HEX #1D5057

RGB 29 80 87

HSL 187.24, 0.5%, 0.23%

LAB 31.08, -14.41, -9.18

 

CMYK 40 / 7 / 0 / 36

HEX #6197A2

RGB 97 151 162

HSL 190.15, 0.26%, 0.51%

LAB 59.24, -14.91, -11.42

 

CMYK 40 / 17 / 0 / 36

HEX #6186A2

RGB 97 134 162

HSL 205.85, 0.26%, 0.51%

LAB 54.24, -5.48, -18.98

 

CMYK 40 / 28 / 0 / 36

HEX #6174A2

RGB 97 116 162

HSL 222.46, 0.26%, 0.51%

LAB 49.06, 5.09, -26.96

 

CMYK 40 / 39 / 0 / 36

HEX #6163A2

RGB 97 99 162

HSL 238.15, 0.26%, 0.51%

LAB 44.34, 15.5, -34.34

 

CMYK 30 / 40 / 0 / 36

HEX #7161A2

RGB 113 97 162

HSL 254.77, 0.26%, 0.51%

LAB 45.18, 21.33, -32.93

 

CMYK 40 / 7 / 0 / 36

HEX #6197A2

RGB 97 151 162

HSL 190.15, 0.26%, 0.51%

LAB 59.24, -14.91, -11.42

 

CMYK 40 / 17 / 0 / 36

HEX #6186A2

RGB 97 134 162

HSL 205.85, 0.26%, 0.51%

LAB 54.24, -5.48, -18.98

 

CMYK 40 / 28 / 0 / 36

HEX #6174A2

RGB 97 116 162

HSL 222.46, 0.26%, 0.51%

LAB 49.06, 5.09, -26.96

 

CMYK 40 / 39 / 0 / 36

HEX #6163A2

RGB 97 99 162

HSL 238.15, 0.26%, 0.51%

LAB 44.34, 15.5, -34.34

 

CMYK 40 / 40 / 0 / 36

HEX #6161A2

RGB 97 97 162

HSL 240, 0.26%, 0.51%

LAB 43.8, 16.74, -35.19

 

CMYK 40 / 7 / 0 / 36

HEX #6197A2

RGB 97 151 162

HSL 190.15, 0.26%, 0.51%

LAB 59.24, -14.91, -11.42

 

CMYK 58 / 9 / 0 / 29

HEX #4DA5B6

RGB 77 165 182

HSL 189.71, 0.42%, 0.51%

LAB 63.23, -21.33, -16.75

 

CMYK 72 / 12 / 0 / 21

HEX #39B2CA

RGB 57 178 202

HSL 189.93, 0.58%, 0.51%

LAB 67.26, -25.12, -21.8

 

CMYK 84 / 14 / 0 / 13

HEX #24C0DF

RGB 36 192 223

HSL 189.95, 0.75%, 0.51%

LAB 71.83, -27.51, -26.34

 

CMYK 93 / 16 / 0 / 5

HEX #10CDF3

RGB 16 205 243

HSL 190.04, 0.9%, 0.51%

LAB 76.22, -28.43, -30.41

 

CMYK 40 / 7 / 0 / 36

HEX #6197A2

RGB 97 151 162

HSL 190.15, 0.26%, 0.51%

LAB 59.24, -14.91, -11.42

 

CMYK 18 / 3 / 0 / 44

HEX #758A8E

RGB 117 138 142

HSL 189.6, 0.1%, 0.51%

LAB 56, -6.6, -4.67

 

CMYK 0 / 9 / 11 / 46

HEX #897C7A

RGB 137 124 122

HSL 8, 0.06%, 0.51%

LAB 53.1, 4.6, 2.89

 

CMYK 0 / 30 / 36 / 38

HEX #9E6F65

RGB 158 111 101

HSL 10.53, 0.23%, 0.51%

LAB 51.36, 17.29, 13.01

 

CMYK 0 / 46 / 54 / 30

HEX #B26151

RGB 178 97 81

HSL 9.9, 0.39%, 0.51%

LAB 50.23, 31.1, 23.63

 

CMYK 40 / 0 / 15 / 36

HEX #61A28A

RGB 97 162 138

HSL 157.85, 0.26%, 0.51%

LAB 61.84, -26.5, 5.98

 

CMYK 40 / 0 / 4 / 36

HEX #61A29C

RGB 97 162 156

HSL 174.46, 0.26%, 0.51%

LAB 62.32, -22.23, -3.43

 

CMYK 40 / 7 / 0 / 36

HEX #6197A2

RGB 97 151 162

HSL 190.15, 0.26%, 0.51%

LAB 59.24, -14.91, -11.42

 

CMYK 40 / 17 / 0 / 36

HEX #6186A2

RGB 97 134 162

HSL 205.85, 0.26%, 0.51%

LAB 54.24, -5.48, -18.98

 

CMYK 40 / 28 / 0 / 36

HEX #6175A2

RGB 97 117 162

HSL 221.54, 0.26%, 0.51%

LAB 49.34, 4.49, -26.52

 

CMYK 41 / 6 / 0 / 56

HEX #41686F

RGB 65 104 111

HSL 189.13, 0.26%, 0.35%

LAB 41.49, -11.76, -8.28

 

CMYK 42 / 7 / 0 / 46

HEX #508089

RGB 80 128 137

HSL 189.47, 0.26%, 0.43%

LAB 50.63, -13.77, -10

 

CMYK 40 / 7 / 0 / 36

HEX #6197A2

RGB 97 151 162

HSL 190.15, 0.26%, 0.51%

LAB 59.24, -14.91, -11.42

 

CMYK 31 / 5 / 0 / 31

HEX #7BA8B1

RGB 123 168 177

HSL 190, 0.26%, 0.59%

LAB 66.05, -12.83, -9.51

 

CMYK 23 / 4 / 0 / 24

HEX #95B9C1

RGB 149 185 193

HSL 190.91, 0.26%, 0.67%

LAB 72.85, -10.26, -8.05

 

CMYK 40 / 7 / 0 / 36

HEX #6198A3

RGB 97 152 163

HSL 190, 0.26%, 0.51%

LAB 59.56, -15.18, -11.49

 

CMYK 25 / 40 / 0 / 36

HEX #7961A2

RGB 121 97 162

HSL 262.15, 0.26%, 0.51%

LAB 45.94, 23.74, -31.68

 

CMYK 0 / 9 / 40 / 36

HEX #A29361

RGB 162 147 97

HSL 46.15, 0.26%, 0.51%

LAB 61.14, -1.85, 28.49

 

CMYK 40 / 7 / 0 / 36

HEX #6198A3

RGB 97 152 163

HSL 190, 0.26%, 0.51%

LAB 59.56, -15.18, -11.49

 

CMYK 0 / 40 / 7 / 36

HEX #A26197

RGB 162 97 151

HSL 310.15, 0.26%, 0.51%

LAB 50.06, 34.61, -18.44

 

CMYK 7 / 0 / 40 / 36

HEX #97A261

RGB 151 162 97

HSL 70.15, 0.26%, 0.51%

LAB 64.39, -14.45, 32.48

 

CMYK 40 / 7 / 0 / 36

HEX #6198A3

RGB 97 152 163

HSL 190, 0.26%, 0.51%

LAB 59.56, -15.18, -11.49

 

CMYK 25 / 40 / 0 / 36

HEX #7961A2

RGB 121 97 162

HSL 262.15, 0.26%, 0.51%

LAB 45.94, 23.74, -31.68

 

CMYK 0 / 33 / 40 / 36

HEX #A26C61

RGB 162 108 97

HSL 10.15, 0.26%, 0.51%

LAB 51, 20.14, 14.94

 

CMYK 15 / 0 / 40 / 36

HEX #8AA261

RGB 138 162 97

HSL 82.15, 0.26%, 0.51%

LAB 63.43, -19.65, 31.06

 

CMYK 40 / 7 / 0 / 36

HEX #6198A3

RGB 97 152 163

HSL 190, 0.26%, 0.51%

LAB 59.56, -15.18, -11.49

 

CMYK 14 / 40 / 0 / 36

HEX #8C61A2

RGB 140 97 162

HSL 279.69, 0.26%, 0.51%

LAB 47.92, 29.65, -28.43

 

CMYK 0 / 33 / 40 / 36

HEX #A26C61

RGB 162 108 97

HSL 10.15, 0.26%, 0.51%

LAB 51, 20.14, 14.94

 

CMYK 27 / 0 / 40 / 36

HEX #77A261

RGB 119 162 97

HSL 99.69, 0.26%, 0.51%

LAB 62.19, -26.88, 29.22

 

Description

Color code: HEX #6198A3 | qconv.com Color code: HEX #6198A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 152 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 152 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 7 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 7% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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