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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #619819 it is the complementary color #9E67E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #619819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #619819 shade: #669814, #77AA27, #88BC3A, #99CE4D and #AAE060

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #619819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #619819 shade: #619819, #508606, #3F7400, #2E6200 and #1D5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #619819 shade: #619918, #849918, #998B18, #996918 and #994618

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #619819 shade: #619918, #3F9918, #1C9918, #189938 and #18995A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #619819 shade matches the following richer shades: #619918 and #63A70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #619819 shade: #619918, #5F8B27, #5D7C35, #5C6E44 and #5A5F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #619819 shade: #998A18, #869918, #639918, #419918 and #1F9918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #619819 shade: #34520D, #4B7613, #619918, #78BC1E and #8EDC28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #619819 shade: #619819, #189968 and #991897

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #619819 shade: #619819, #186399 and #991863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #619819 shade: #619819, #189968, #4E1899 and #99184A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #619819 shade: #619819, #18998E, #4E1899 and #991823

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 84 / 40

HEX #619819

RGB 97 152 25

HSL 85.98, 0.72%, 0.35%

LAB 57.14, -37.28, 54.98

 

Complementary color

CMYK 31 / 55 / 0 / 10

HEX #9E67E6

RGB 158 103 230

HSL 265.98, 0.72%, 0.65%

LAB 54.74, 47.32, -56.59

 

CMYK 33 / 0 / 87 / 40

HEX #669814

RGB 102 152 20

HSL 82.73, 0.77%, 0.34%

LAB 57.4, -35.57, 56.57

 

CMYK 30 / 0 / 77 / 33

HEX #77AA27

RGB 119 170 39

HSL 83.36, 0.63%, 0.41%

LAB 64.01, -36.28, 57.54

 

CMYK 28 / 0 / 69 / 26

HEX #88BC3A

RGB 136 188 58

HSL 84, 0.53%, 0.48%

LAB 70.53, -36.75, 57.5

 

CMYK 26 / 0 / 63 / 19

HEX #99CE4D

RGB 153 206 77

HSL 84.65, 0.57%, 0.55%

LAB 76.95, -37.06, 56.91

 

CMYK 24 / 0 / 57 / 12

HEX #AAE060

RGB 170 224 96

HSL 85.31, 0.67%, 0.63%

LAB 83.29, -37.26, 56.03

 

CMYK 36 / 0 / 84 / 40

HEX #619819

RGB 97 152 25

HSL 85.98, 0.72%, 0.35%

LAB 57.14, -37.28, 54.98

 

CMYK 40 / 0 / 96 / 47

HEX #508606

RGB 80 134 6

HSL 85.31, 0.91%, 0.27%

LAB 50.42, -36.38, 52.99

 

CMYK 46 / 0 / 100 / 55

HEX #3F7400

RGB 63 116 0

HSL 87.41, 1%, 0.23%

LAB 43.58, -35.01, 48.43

 

CMYK 53 / 0 / 100 / 62

HEX #2E6200

RGB 46 98 0

HSL 91.84, 1%, 0.19%

LAB 36.59, -33.34, 42.63

 

CMYK 64 / 0 / 100 / 69

HEX #1D5000

RGB 29 80 0

HSL 98.25, 1%, 0.16%

LAB 29.41, -31.38, 36.69

 

CMYK 37 / 0 / 84 / 40

HEX #619918

RGB 97 153 24

HSL 86.05, 0.73%, 0.35%

LAB 57.45, -37.76, 55.52

 

CMYK 14 / 0 / 84 / 40

HEX #849918

RGB 132 153 24

HSL 69.77, 0.73%, 0.35%

LAB 59.67, -23.53, 58.31

 

CMYK 0 / 9 / 84 / 40

HEX #998B18

RGB 153 139 24

HSL 53.49, 0.73%, 0.35%

LAB 57.37, -6.79, 57.04

 

CMYK 0 / 31 / 84 / 40

HEX #996918

RGB 153 105 24

HSL 37.67, 0.73%, 0.35%

LAB 48.19, 12.33, 49.16

 

CMYK 0 / 54 / 84 / 40

HEX #994618

RGB 153 70 24

HSL 21.4, 0.73%, 0.35%

LAB 39.95, 31.98, 41.88

 

CMYK 37 / 0 / 84 / 40

HEX #619918

RGB 97 153 24

HSL 86.05, 0.73%, 0.35%

LAB 57.45, -37.76, 55.52

 

CMYK 59 / 0 / 84 / 40

HEX #3F9918

RGB 63 153 24

HSL 101.86, 0.73%, 0.35%

LAB 55.99, -48.76, 53.66

 

CMYK 82 / 0 / 84 / 40

HEX #1C9918

RGB 28 153 24

HSL 118.14, 0.73%, 0.35%

LAB 55.17, -55.69, 52.61

 

CMYK 84 / 0 / 63 / 40

HEX #189938

RGB 24 153 56

HSL 134.88, 0.73%, 0.35%

LAB 55.34, -53.36, 40.75

 

CMYK 84 / 0 / 41 / 40

HEX #18995A

RGB 24 153 90

HSL 150.7, 0.73%, 0.35%

LAB 55.8, -47.88, 23.99

 

CMYK 37 / 0 / 84 / 40

HEX #619918

RGB 97 153 24

HSL 86.05, 0.73%, 0.35%

LAB 57.45, -37.76, 55.52

 

CMYK 41 / 0 / 94 / 35

HEX #63A70A

RGB 99 167 10

HSL 85.99, 0.89%, 0.35%

LAB 61.92, -43.42, 62.09

 

CMYK 37 / 0 / 84 / 40

HEX #619918

RGB 97 153 24

HSL 86.05, 0.73%, 0.35%

LAB 57.45, -37.76, 55.52

 

CMYK 32 / 0 / 72 / 45

HEX #5F8B27

RGB 95 139 39

HSL 86.4, 0.56%, 0.35%

LAB 53, -31.36, 46.28

 

CMYK 25 / 0 / 57 / 51

HEX #5D7C35

RGB 93 124 53

HSL 86.2, 0.4%, 0.35%

LAB 48.26, -23.63, 34.69

 

CMYK 16 / 0 / 38 / 57

HEX #5C6E44

RGB 92 110 68

HSL 85.71, 0.24%, 0.35%

LAB 44.01, -14.75, 21.26

 

CMYK 5 / 0 / 14 / 63

HEX #5A5F52

RGB 90 95 82

HSL 83.08, 0.07%, 0.35%

LAB 39.53, -4.62, 6.78

 

CMYK 0 / 10 / 84 / 40

HEX #998A18

RGB 153 138 24

HSL 53.02, 0.73%, 0.35%

LAB 57.09, -6.24, 56.81

 

CMYK 12 / 0 / 84 / 40

HEX #869918

RGB 134 153 24

HSL 68.84, 0.73%, 0.35%

LAB 59.81, -22.66, 58.5

 

CMYK 35 / 0 / 84 / 40

HEX #639918

RGB 99 153 24

HSL 85.12, 0.73%, 0.35%

LAB 57.56, -37.02, 55.66

 

CMYK 58 / 0 / 84 / 40

HEX #419918

RGB 65 153 24

HSL 100.93, 0.73%, 0.35%

LAB 56.06, -48.21, 53.75

 

CMYK 80 / 0 / 84 / 40

HEX #1F9918

RGB 31 153 24

HSL 116.74, 0.73%, 0.35%

LAB 55.22, -55.29, 52.67

 

CMYK 37 / 0 / 84 / 68

HEX #34520D

RGB 52 82 13

HSL 86.09, 0.73%, 0.19%

LAB 31.33, -23.06, 34.15

 

CMYK 36 / 0 / 84 / 54

HEX #4B7613

RGB 75 118 19

HSL 86.06, 0.72%, 0.27%

LAB 44.94, -30.66, 45.25

 

CMYK 37 / 0 / 84 / 40

HEX #619918

RGB 97 153 24

HSL 86.05, 0.73%, 0.35%

LAB 57.45, -37.76, 55.52

 

CMYK 36 / 0 / 84 / 26

HEX #78BC1E

RGB 120 188 30

HSL 85.82, 0.72%, 0.43%

LAB 69.51, -44.14, 65.11

 

CMYK 35 / 0 / 82 / 14

HEX #8EDC28

RGB 142 220 40

HSL 86, 0.72%, 0.51%

LAB 80.23, -49.27, 72.57

 

CMYK 36 / 0 / 84 / 40

HEX #619819

RGB 97 152 25

HSL 85.98, 0.72%, 0.35%

LAB 57.14, -37.28, 54.98

 

CMYK 84 / 0 / 32 / 40

HEX #189968

RGB 24 153 104

HSL 157.21, 0.73%, 0.35%

LAB 56.06, -44.9, 16.61

 

CMYK 0 / 84 / 1 / 40

HEX #991897

RGB 153 24 151

HSL 300.93, 0.73%, 0.35%

LAB 37.23, 63.19, -38.57

 

CMYK 36 / 0 / 84 / 40

HEX #619819

RGB 97 152 25

HSL 85.98, 0.72%, 0.35%

LAB 57.14, -37.28, 54.98

 

CMYK 84 / 35 / 0 / 40

HEX #186399

RGB 24 99 153

HSL 205.12, 0.73%, 0.35%

LAB 40.28, -1.98, -35.64

 

CMYK 0 / 84 / 35 / 40

HEX #991863

RGB 153 24 99

HSL 325.12, 0.73%, 0.35%

LAB 34.65, 56.1, -10.08

 

CMYK 36 / 0 / 84 / 40

HEX #619819

RGB 97 152 25

HSL 85.98, 0.72%, 0.35%

LAB 57.14, -37.28, 54.98

 

CMYK 84 / 0 / 32 / 40

HEX #189968

RGB 24 153 104

HSL 157.21, 0.73%, 0.35%

LAB 56.06, -44.9, 16.61

 

CMYK 49 / 84 / 0 / 40

HEX #4E1899

RGB 78 24 153

HSL 265.12, 0.73%, 0.35%

LAB 25.48, 50.92, -59.39

 

CMYK 0 / 84 / 52 / 40

HEX #99184A

RGB 153 24 74

HSL 336.74, 0.73%, 0.35%

LAB 33.82, 53.66, 4.89

 

CMYK 36 / 0 / 84 / 40

HEX #619819

RGB 97 152 25

HSL 85.98, 0.72%, 0.35%

LAB 57.14, -37.28, 54.98

 

CMYK 84 / 0 / 7 / 40

HEX #18998E

RGB 24 153 142

HSL 174.88, 0.73%, 0.35%

LAB 57.01, -34.92, -3.58

 

CMYK 49 / 84 / 0 / 40

HEX #4E1899

RGB 78 24 153

HSL 265.12, 0.73%, 0.35%

LAB 25.48, 50.92, -59.39

 

CMYK 0 / 84 / 77 / 40

HEX #991823

RGB 153 24 35

HSL 354.88, 0.73%, 0.35%

LAB 33.02, 51.29, 29.06

 

Description

Color code: HEX #619819 | qconv.com Color code: HEX #619819 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 152 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 152 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 84 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 84% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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