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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #618FEF it is the complementary color #9E7010. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #618FEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #618FEF shade: #668FEA, #77A1FD, #88B3FF, #99C5FF and #AAD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #618FEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #618FEF shade: #618FEF, #507DDC, #3F6BC9, #2E59B6 and #1D47A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #618FEF shade: #618FEF, #6168EF, #7F61EF, #A661EF and #CC61EF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #618FEF shade: #618FEF, #6168EF and #6161EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #618FEF shade matches the following richer shades: #618FEF and #538AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #618FEF shade: #618FEF, #6F94E1, #7D99D3, #8B9EC5 and #99A3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #618FEF shade: #61DCEF, #61B6EF, #6190EF, #616AEF and #7D61EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #618FEF shade: #165AE7, #3B74EB, #618FEF, #86A9F3 and #ACC4F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #618FEF shade: #618FEF, #DC61EF and #C9EF61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #618FEF shade: #618FEF, #EF6190 and #90EF61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #618FEF shade: #618FEF, #DC61EF, #EFBF61 and #74EF61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #618FEF shade: #618FEF, #EF61D7, #EFBF61 and #61EF78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

Complementary color

CMYK 0 / 29 / 90 / 38

HEX #9E7010

RGB 158 112 16

HSL 40.56, 0.82%, 0.34%

LAB 50.56, 10.42, 53.8

 

CMYK 56 / 39 / 0 / 8

HEX #668FEA

RGB 102 143 234

HSL 221.36, 0.76%, 0.66%

LAB 60.26, 12.31, -50.29

 

CMYK 53 / 36 / 0 / 1

HEX #77A1FD

RGB 119 161 253

HSL 221.19, 0.97%, 0.73%

LAB 66.9, 11.27, -50.14

 

CMYK 47 / 30 / 0 / 0

HEX #88B3FF

RGB 136 179 255

HSL 218.32, 1%, 0.77%

LAB 72.69, 5.45, -42.07

 

CMYK 40 / 23 / 0 / 0

HEX #99C5FF

RGB 153 197 255

HSL 214.12, 1%, 0.8%

LAB 78.42, -0.27, -33.11

 

CMYK 33 / 16 / 0 / 0

HEX #AAD7FF

RGB 170 215 255

HSL 208.24, 1%, 0.83%

LAB 84.16, -5.36, -24.23

 

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

CMYK 64 / 43 / 0 / 14

HEX #507DDC

RGB 80 125 220

HSL 220.71, 0.67%, 0.59%

LAB 53.54, 14.36, -53.24

 

CMYK 69 / 47 / 0 / 21

HEX #3F6BC9

RGB 63 107 201

HSL 220.87, 0.56%, 0.52%

LAB 46.7, 16.09, -53.43

 

CMYK 75 / 51 / 0 / 29

HEX #2E59B6

RGB 46 89 182

HSL 221.03, 0.6%, 0.45%

LAB 39.75, 18.24, -53.62

 

CMYK 82 / 56 / 0 / 36

HEX #1D47A3

RGB 29 71 163

HSL 221.19, 0.7%, 0.38%

LAB 32.73, 20.95, -53.75

 

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

CMYK 59 / 56 / 0 / 6

HEX #6168EF

RGB 97 104 239

HSL 237.04, 0.82%, 0.66%

LAB 50.3, 36.52, -69.06

 

CMYK 47 / 59 / 0 / 6

HEX #7F61EF

RGB 127 97 239

HSL 252.68, 0.82%, 0.66%

LAB 51.03, 46.16, -67.77

 

CMYK 31 / 59 / 0 / 6

HEX #A661EF

RGB 166 97 239

HSL 269.15, 0.82%, 0.66%

LAB 54.96, 54.5, -61.24

 

CMYK 15 / 59 / 0 / 6

HEX #CC61EF

RGB 204 97 239

HSL 285.21, 0.82%, 0.66%

LAB 59.54, 63.38, -53.64

 

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

CMYK 59 / 56 / 0 / 6

HEX #6168EF

RGB 97 104 239

HSL 237.04, 0.82%, 0.66%

LAB 50.3, 36.52, -69.06

 

CMYK 59 / 59 / 0 / 6

HEX #6161EF

RGB 97 97 239

HSL 240, 0.82%, 0.66%

LAB 48.66, 40.71, -71.72

 

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

CMYK 67 / 45 / 0 / 1

HEX #538AFD

RGB 83 138 253

HSL 220.59, 0.98%, 0.66%

LAB 59.07, 18.29, -62.71

 

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

CMYK 51 / 34 / 0 / 12

HEX #6F94E1

RGB 111 148 225

HSL 220.53, 0.66%, 0.66%

LAB 61.65, 8.49, -43.07

 

CMYK 41 / 27 / 0 / 17

HEX #7D99D3

RGB 125 153 211

HSL 220.47, 0.49%, 0.66%

LAB 63.22, 4.96, -32.78

 

CMYK 29 / 20 / 0 / 23

HEX #8B9EC5

RGB 139 158 197

HSL 220.34, 0.33%, 0.66%

LAB 64.94, 2.37, -22.24

 

CMYK 16 / 11 / 0 / 28

HEX #99A3B7

RGB 153 163 183

HSL 220, 0.17%, 0.66%

LAB 66.81, 0.68, -11.51

 

CMYK 59 / 8 / 0 / 6

HEX #61DCEF

RGB 97 220 239

HSL 188.03, 0.82%, 0.66%

LAB 81.82, -28.77, -19.61

 

CMYK 59 / 24 / 0 / 6

HEX #61B6EF

RGB 97 182 239

HSL 204.08, 0.82%, 0.66%

LAB 71.03, -9.26, -36.14

 

CMYK 59 / 40 / 0 / 6

HEX #6190EF

RGB 97 144 239

HSL 220.14, 0.82%, 0.66%

LAB 60.53, 12.36, -52.63

 

CMYK 59 / 56 / 0 / 6

HEX #616AEF

RGB 97 106 239

HSL 236.2, 0.82%, 0.66%

LAB 50.78, 35.31, -68.28

 

CMYK 48 / 59 / 0 / 6

HEX #7D61EF

RGB 125 97 239

HSL 251.83, 0.82%, 0.66%

LAB 50.85, 45.77, -68.07

 

CMYK 90 / 61 / 0 / 9

HEX #165AE7

RGB 22 90 231

HSL 220.48, 0.83%, 0.5%

LAB 43.14, 34.38, -76.36

 

CMYK 75 / 51 / 0 / 8

HEX #3B74EB

RGB 59 116 235

HSL 220.57, 0.81%, 0.58%

LAB 51.17, 22.24, -65.5

 

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

CMYK 45 / 30 / 0 / 5

HEX #86A9F3

RGB 134 169 243

HSL 220.73, 0.82%, 0.74%

LAB 69.41, 7.17, -40.7

 

CMYK 30 / 20 / 0 / 4

HEX #ACC4F6

RGB 172 196 246

HSL 220.54, 0.8%, 0.82%

LAB 78.99, 3.12, -27.32

 

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

CMYK 8 / 59 / 0 / 6

HEX #DC61EF

RGB 220 97 239

HSL 291.97, 0.82%, 0.66%

LAB 61.65, 67.22, -50.16

 

CMYK 16 / 0 / 59 / 6

HEX #C9EF61

RGB 201 239 97

HSL 76.06, 0.82%, 0.66%

LAB 89.4, -32.39, 63

 

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

CMYK 0 / 59 / 40 / 6

HEX #EF6190

RGB 239 97 144

HSL 340.14, 0.82%, 0.66%

LAB 60.71, 58.8, 2.69

 

CMYK 40 / 0 / 59 / 6

HEX #90EF61

RGB 144 239 97

HSL 100.14, 0.82%, 0.66%

LAB 86.27, -52.49, 58.63

 

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

CMYK 8 / 59 / 0 / 6

HEX #DC61EF

RGB 220 97 239

HSL 291.97, 0.82%, 0.66%

LAB 61.65, 67.22, -50.16

 

CMYK 0 / 20 / 59 / 6

HEX #EFBF61

RGB 239 191 97

HSL 39.72, 0.82%, 0.66%

LAB 79.88, 6.83, 53.09

 

CMYK 51 / 0 / 59 / 6

HEX #74EF61

RGB 116 239 97

HSL 111.97, 0.82%, 0.66%

LAB 85.15, -60.61, 57.07

 

CMYK 59 / 40 / 0 / 6

HEX #618FEF

RGB 97 143 239

HSL 220.56, 0.82%, 0.66%

LAB 60.26, 12.96, -53.06

 

CMYK 0 / 59 / 10 / 6

HEX #EF61D7

RGB 239 97 215

HSL 310.14, 0.82%, 0.66%

LAB 63.18, 67.99, -34.16

 

CMYK 0 / 20 / 59 / 6

HEX #EFBF61

RGB 239 191 97

HSL 39.72, 0.82%, 0.66%

LAB 79.88, 6.83, 53.09

 

CMYK 59 / 0 / 50 / 6

HEX #61EF78

RGB 97 239 120

HSL 129.72, 0.82%, 0.66%

LAB 84.81, -62.38, 46.06

 

Description

Color code: HEX #618FEF | qconv.com Color code: HEX #618FEF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 143 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 143 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 40 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 40% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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