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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #618497 it is the complementary color #9E7B68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #618497. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #618497 shade: #668492, #7796A5, #88A8B8, #99BACB and #AACCDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #618497. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #618497 shade: #618497, #507284, #3F6071, #2E4E5E and #1D3C4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #618497 shade: #618598, #617698, #616798, #6A6198 and #796198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #618497 shade: #618598, #617698, #616798 and #616198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #618497 shade matches the following richer shades: #618598, #4D8BAC, #3991C0, #2497D5 and #109DE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #618497 shade: #618598, #757F84, #897970, #9E735B and #B26D47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #618497 shade: #61988E, #619398, #618598, #617698 and #616798

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #618497 shade: #415966, #516F7F, #618598, #7998A9 and #92ABB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #618497 shade: #618497, #7F6198 and #989561

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #618497 shade: #618497, #986185 and #859861

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #618497 shade: #618497, #7F6198, #987461 and #7A9861

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #618497 shade: #618497, #906198, #987461 and #699861

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 13 / 0 / 41

HEX #618497

RGB 97 132 151

HSL 201.11, 0.22%, 0.49%

LAB 53.25, -7.35, -14.12

 

Complementary color

CMYK 0 / 22 / 34 / 38

HEX #9E7B68

RGB 158 123 104

HSL 21.11, 0.22%, 0.51%

LAB 54.49, 10.81, 15.59

 

CMYK 30 / 10 / 0 / 43

HEX #668492

RGB 102 132 146

HSL 199.09, 0.18%, 0.49%

LAB 53.39, -7.15, -10.98

 

CMYK 28 / 9 / 0 / 35

HEX #7796A5

RGB 119 150 165

HSL 199.57, 0.2%, 0.56%

LAB 60.29, -7.2, -11.41

 

CMYK 26 / 9 / 0 / 28

HEX #88A8B8

RGB 136 168 184

HSL 200, 0.25%, 0.63%

LAB 67.05, -7.24, -11.83

 

CMYK 25 / 8 / 0 / 20

HEX #99BACB

RGB 153 186 203

HSL 200.4, 0.32%, 0.7%

LAB 73.68, -7.29, -12.25

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 36 / 13 / 0 / 41

HEX #618497

RGB 97 132 151

HSL 201.11, 0.22%, 0.49%

LAB 53.25, -7.35, -14.12

 

CMYK 39 / 14 / 0 / 48

HEX #507284

RGB 80 114 132

HSL 200.77, 0.25%, 0.42%

LAB 46.19, -7.23, -13.75

 

CMYK 44 / 15 / 0 / 56

HEX #3F6071

RGB 63 96 113

HSL 200.4, 0.28%, 0.35%

LAB 38.92, -7.06, -13.39

 

CMYK 51 / 17 / 0 / 63

HEX #2E4E5E

RGB 46 78 94

HSL 200, 0.34%, 0.27%

LAB 31.43, -6.81, -13.03

 

CMYK 61 / 20 / 0 / 71

HEX #1D3C4B

RGB 29 60 75

HSL 199.57, 0.44%, 0.2%

LAB 23.67, -6.38, -12.66

 

CMYK 36 / 13 / 0 / 40

HEX #618598

RGB 97 133 152

HSL 200.73, 0.22%, 0.49%

LAB 53.58, -7.65, -14.2

 

CMYK 36 / 22 / 0 / 40

HEX #617698

RGB 97 118 152

HSL 217.09, 0.22%, 0.49%

LAB 49.21, 1.05, -20.87

 

CMYK 36 / 32 / 0 / 40

HEX #616798

RGB 97 103 152

HSL 233.45, 0.22%, 0.49%

LAB 44.95, 10.13, -27.45

 

CMYK 30 / 36 / 0 / 40

HEX #6A6198

RGB 106 97 152

HSL 249.82, 0.22%, 0.49%

LAB 44.06, 16.54, -28.79

 

CMYK 20 / 36 / 0 / 40

HEX #796198

RGB 121 97 152

HSL 266.18, 0.22%, 0.49%

LAB 45.47, 21.25, -26.48

 

CMYK 36 / 13 / 0 / 40

HEX #618598

RGB 97 133 152

HSL 200.73, 0.22%, 0.49%

LAB 53.58, -7.65, -14.2

 

CMYK 36 / 22 / 0 / 40

HEX #617698

RGB 97 118 152

HSL 217.09, 0.22%, 0.49%

LAB 49.21, 1.05, -20.87

 

CMYK 36 / 32 / 0 / 40

HEX #616798

RGB 97 103 152

HSL 233.45, 0.22%, 0.49%

LAB 44.95, 10.13, -27.45

 

CMYK 36 / 36 / 0 / 40

HEX #616198

RGB 97 97 152

HSL 240, 0.22%, 0.49%

LAB 43.3, 13.84, -30.04

 

CMYK 36 / 13 / 0 / 40

HEX #618598

RGB 97 133 152

HSL 200.73, 0.22%, 0.49%

LAB 53.58, -7.65, -14.2

 

CMYK 55 / 19 / 0 / 33

HEX #4D8BAC

RGB 77 139 172

HSL 200.84, 0.38%, 0.49%

LAB 55.09, -10.34, -23.51

 

CMYK 70 / 24 / 0 / 25

HEX #3991C0

RGB 57 145 192

HSL 200.89, 0.54%, 0.49%

LAB 57, -10.84, -32.01

 

CMYK 83 / 29 / 0 / 16

HEX #2497D5

RGB 36 151 213

HSL 201.02, 0.71%, 0.49%

LAB 59.26, -9.24, -40.32

 

CMYK 93 / 33 / 0 / 9

HEX #109DE9

RGB 16 157 233

HSL 201.01, 0.87%, 0.49%

LAB 61.75, -6.52, -47.53

 

CMYK 36 / 13 / 0 / 40

HEX #618598

RGB 97 133 152

HSL 200.73, 0.22%, 0.49%

LAB 53.58, -7.65, -14.2

 

CMYK 11 / 4 / 0 / 48

HEX #757F84

RGB 117 127 132

HSL 200, 0.06%, 0.49%

LAB 52.54, -2.61, -3.98

 

CMYK 0 / 12 / 18 / 46

HEX #897970

RGB 137 121 112

HSL 21.6, 0.1%, 0.49%

LAB 52.02, 4.59, 7.18

 

CMYK 0 / 27 / 42 / 38

HEX #9E735B

RGB 158 115 91

HSL 21.49, 0.27%, 0.49%

LAB 52.16, 13.76, 19.93

 

CMYK 0 / 39 / 60 / 30

HEX #B26D47

RGB 178 109 71

HSL 21.31, 0.43%, 0.49%

LAB 52.79, 23.69, 32.56

 

CMYK 36 / 0 / 7 / 40

HEX #61988E

RGB 97 152 142

HSL 169.09, 0.22%, 0.49%

LAB 58.93, -20.5, -0.5

 

CMYK 36 / 3 / 0 / 40

HEX #619398

RGB 97 147 152

HSL 185.45, 0.22%, 0.49%

LAB 57.73, -15.37, -7.97

 

CMYK 36 / 13 / 0 / 40

HEX #618598

RGB 97 133 152

HSL 200.73, 0.22%, 0.49%

LAB 53.58, -7.65, -14.2

 

CMYK 36 / 22 / 0 / 40

HEX #617698

RGB 97 118 152

HSL 217.09, 0.22%, 0.49%

LAB 49.21, 1.05, -20.87

 

CMYK 36 / 32 / 0 / 40

HEX #616798

RGB 97 103 152

HSL 233.45, 0.22%, 0.49%

LAB 44.95, 10.13, -27.45

 

CMYK 36 / 13 / 0 / 60

HEX #415966

RGB 65 89 102

HSL 201.08, 0.22%, 0.33%

LAB 36.42, -5.46, -10.38

 

CMYK 36 / 13 / 0 / 50

HEX #516F7F

RGB 81 111 127

HSL 200.87, 0.22%, 0.41%

LAB 45.15, -6.58, -12.33

 

CMYK 36 / 13 / 0 / 40

HEX #618598

RGB 97 133 152

HSL 200.73, 0.22%, 0.49%

LAB 53.58, -7.65, -14.2

 

CMYK 28 / 10 / 0 / 34

HEX #7998A9

RGB 121 152 169

HSL 201.25, 0.22%, 0.57%

LAB 61.12, -6.7, -12.42

 

CMYK 21 / 8 / 0 / 27

HEX #92ABB9

RGB 146 171 185

HSL 201.54, 0.22%, 0.65%

LAB 68.56, -5.52, -10.05

 

CMYK 36 / 13 / 0 / 41

HEX #618497

RGB 97 132 151

HSL 201.11, 0.22%, 0.49%

LAB 53.25, -7.35, -14.12

 

CMYK 16 / 36 / 0 / 40

HEX #7F6198

RGB 127 97 152

HSL 272.73, 0.22%, 0.49%

LAB 46.08, 23.19, -25.49

 

CMYK 0 / 2 / 36 / 40

HEX #989561

RGB 152 149 97

HSL 56.73, 0.22%, 0.49%

LAB 60.81, -7.12, 27.89

 

CMYK 36 / 13 / 0 / 41

HEX #618497

RGB 97 132 151

HSL 201.11, 0.22%, 0.49%

LAB 53.25, -7.35, -14.12

 

CMYK 0 / 36 / 13 / 40

HEX #986185

RGB 152 97 133

HSL 320.73, 0.22%, 0.49%

LAB 48.16, 27.91, -10.74

 

CMYK 13 / 0 / 36 / 40

HEX #859861

RGB 133 152 97

HSL 80.73, 0.22%, 0.49%

LAB 60.16, -16.45, 26.76

 

CMYK 36 / 13 / 0 / 41

HEX #618497

RGB 97 132 151

HSL 201.11, 0.22%, 0.49%

LAB 53.25, -7.35, -14.12

 

CMYK 16 / 36 / 0 / 40

HEX #7F6198

RGB 127 97 152

HSL 272.73, 0.22%, 0.49%

LAB 46.08, 23.19, -25.49

 

CMYK 0 / 24 / 36 / 40

HEX #987461

RGB 152 116 97

HSL 20.73, 0.22%, 0.49%

LAB 51.87, 11.41, 15.95

 

CMYK 20 / 0 / 36 / 40

HEX #7A9861

RGB 122 152 97

HSL 92.73, 0.22%, 0.49%

LAB 59.4, -20.74, 25.61

 

CMYK 36 / 13 / 0 / 41

HEX #618497

RGB 97 132 151

HSL 201.11, 0.22%, 0.49%

LAB 53.25, -7.35, -14.12

 

CMYK 5 / 36 / 0 / 40

HEX #906198

RGB 144 97 152

HSL 291.27, 0.22%, 0.49%

LAB 47.94, 28.79, -22.47

 

CMYK 0 / 24 / 36 / 40

HEX #987461

RGB 152 116 97

HSL 20.73, 0.22%, 0.49%

LAB 51.87, 11.41, 15.95

 

CMYK 31 / 0 / 36 / 40

HEX #699861

RGB 105 152 97

HSL 111.27, 0.22%, 0.49%

LAB 58.34, -27.01, 24.02

 

Description

Color code: HEX #618497 | qconv.com Color code: HEX #618497 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 132 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 132 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 13 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 13% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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