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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6150FA it is the complementary color #9EAF05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6150FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6150FA shade: #6650F5, #7762FF, #8874FF, #9986FF and #AA98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6150FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6150FA shade: #6150FA, #503EE7, #3F2CD4, #2E1AC1 and #1D08AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6150FA shade: #6251F9, #8F51F9, #BD51F9, #EA51F9 and #F951DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6150FA shade: #6251F9 and #5151F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6150FA shade matches the following richer shades: #6251F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6150FA shade: #6251F9, #6E60EB, #796EDC, #857DCE and #908BBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6150FA shade: #519AF9, #516DF9, #6251F9, #8F51F9 and #BC51F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6150FA shade: #1E07F1, #3E29F8, #6251F9, #8679FA and #AAA1FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6150FA shade: #6150FA, #F951C7 and #84F951

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6150FA shade: #6150FA, #F96251 and #51F962

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6150FA shade: #6150FA, #F951C7, #E8F951 and #51F984

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6150FA shade: #6150FA, #F95194, #E8F951 and #51F9B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 68 / 0 / 2

HEX #6150FA

RGB 97 80 250

HSL 246, 0.94%, 0.65%

LAB 45.88, 53.86, -82.42

 

Complementary color

CMYK 10 / 0 / 97 / 31

HEX #9EAF05

RGB 158 175 5

HSL 66, 0.94%, 0.35%

LAB 67.98, -23.6, 69.04

 

CMYK 58 / 67 / 0 / 4

HEX #6650F5

RGB 102 80 245

HSL 248, 0.89%, 0.64%

LAB 45.85, 53.05, -79.67

 

CMYK 53 / 62 / 0 / 0

HEX #7762FF

RGB 119 98 255

HSL 248.03, 1%, 0.69%

LAB 51.7, 48.73, -75.63

 

CMYK 47 / 55 / 0 / 0

HEX #8874FF

RGB 136 116 255

HSL 248.63, 1%, 0.73%

LAB 57.02, 41.74, -66.94

 

CMYK 40 / 47 / 0 / 0

HEX #9986FF

RGB 153 134 255

HSL 249.42, 1%, 0.76%

LAB 62.54, 35.24, -58.01

 

CMYK 33 / 40 / 0 / 0

HEX #AA98FF

RGB 170 152 255

HSL 250.49, 1%, 0.8%

LAB 68.18, 29.29, -48.98

 

CMYK 61 / 68 / 0 / 2

HEX #6150FA

RGB 97 80 250

HSL 246, 0.94%, 0.65%

LAB 45.88, 53.86, -82.42

 

CMYK 65 / 73 / 0 / 9

HEX #503EE7

RGB 80 62 231

HSL 246.39, 0.78%, 0.57%

LAB 39.45, 55.68, -82.35

 

CMYK 70 / 79 / 0 / 17

HEX #3F2CD4

RGB 63 44 212

HSL 246.79, 0.66%, 0.5%

LAB 33.16, 57.3, -81.88

 

CMYK 76 / 87 / 0 / 24

HEX #2E1AC1

RGB 46 26 193

HSL 247.19, 0.76%, 0.43%

LAB 27.21, 58.29, -80.68

 

CMYK 83 / 95 / 0 / 32

HEX #1D08AE

RGB 29 8 174

HSL 247.59, 0.91%, 0.36%

LAB 21.91, 57.82, -78.21

 

CMYK 61 / 67 / 0 / 2

HEX #6251F9

RGB 98 81 249

HSL 246.07, 0.93%, 0.65%

LAB 46.07, 53.15, -81.55

 

CMYK 43 / 67 / 0 / 2

HEX #8F51F9

RGB 143 81 249

HSL 262.14, 0.93%, 0.65%

LAB 50.17, 60.3, -74.68

 

CMYK 24 / 67 / 0 / 2

HEX #BD51F9

RGB 189 81 249

HSL 278.57, 0.93%, 0.65%

LAB 55.63, 69.14, -65.58

 

CMYK 6 / 67 / 0 / 2

HEX #EA51F9

RGB 234 81 249

HSL 294.64, 0.93%, 0.65%

LAB 61.84, 78.53, -55.29

 

CMYK 0 / 67 / 12 / 2

HEX #F951DB

RGB 249 81 219

HSL 310.71, 0.93%, 0.65%

LAB 62.62, 77.24, -37.17

 

CMYK 61 / 67 / 0 / 2

HEX #6251F9

RGB 98 81 249

HSL 246.07, 0.93%, 0.65%

LAB 46.07, 53.15, -81.55

 

CMYK 67 / 67 / 0 / 2

HEX #5151F9

RGB 81 81 249

HSL 240, 0.93%, 0.65%

LAB 44.9, 51.01, -83.51

 

CMYK 61 / 67 / 0 / 2

HEX #6251F9

RGB 98 81 249

HSL 246.07, 0.93%, 0.65%

LAB 46.07, 53.15, -81.55

 

CMYK 61 / 67 / 0 / 2

HEX #6251F9

RGB 98 81 249

HSL 246.07, 0.93%, 0.65%

LAB 46.07, 53.15, -81.55

 

CMYK 53 / 59 / 0 / 8

HEX #6E60EB

RGB 110 96 235

HSL 246.04, 0.78%, 0.65%

LAB 49.1, 42.32, -68.72

 

CMYK 45 / 50 / 0 / 14

HEX #796EDC

RGB 121 110 220

HSL 246, 0.61%, 0.65%

LAB 52.27, 31.88, -55.12

 

CMYK 35 / 39 / 0 / 19

HEX #857DCE

RGB 133 125 206

HSL 245.93, 0.45%, 0.65%

LAB 56.2, 22.08, -40.9

 

CMYK 25 / 27 / 0 / 25

HEX #908BBF

RGB 144 139 191

HSL 245.77, 0.29%, 0.65%

LAB 60.03, 13.24, -26.38

 

CMYK 67 / 38 / 0 / 2

HEX #519AF9

RGB 81 154 249

HSL 213.93, 0.93%, 0.65%

LAB 63.09, 7.09, -54.1

 

CMYK 67 / 56 / 0 / 2

HEX #516DF9

RGB 81 109 249

HSL 230, 0.93%, 0.65%

LAB 51.3, 34.34, -73.06

 

CMYK 61 / 67 / 0 / 2

HEX #6251F9

RGB 98 81 249

HSL 246.07, 0.93%, 0.65%

LAB 46.07, 53.15, -81.55

 

CMYK 43 / 67 / 0 / 2

HEX #8F51F9

RGB 143 81 249

HSL 262.14, 0.93%, 0.65%

LAB 50.17, 60.3, -74.68

 

CMYK 24 / 67 / 0 / 2

HEX #BC51F9

RGB 188 81 249

HSL 278.21, 0.93%, 0.65%

LAB 55.5, 68.93, -65.8

 

CMYK 88 / 97 / 0 / 5

HEX #1E07F1

RGB 30 7 241

HSL 245.9, 0.94%, 0.49%

LAB 31.3, 74.99, -101.63

 

CMYK 75 / 83 / 0 / 3

HEX #3E29F8

RGB 62 41 248

HSL 246.09, 0.94%, 0.57%

LAB 36.72, 68.78, -96.51

 

CMYK 61 / 67 / 0 / 2

HEX #6251F9

RGB 98 81 249

HSL 246.07, 0.93%, 0.65%

LAB 46.07, 53.15, -81.55

 

CMYK 46 / 52 / 0 / 2

HEX #8679FA

RGB 134 121 250

HSL 246.05, 0.93%, 0.73%

LAB 57.7, 37.01, -63.1

 

CMYK 33 / 36 / 0 / 1

HEX #AAA1FC

RGB 170 161 252

HSL 245.93, 0.94%, 0.81%

LAB 70.22, 23.45, -44.15

 

CMYK 61 / 68 / 0 / 2

HEX #6150FA

RGB 97 80 250

HSL 246, 0.94%, 0.65%

LAB 45.88, 53.86, -82.42

 

CMYK 0 / 67 / 20 / 2

HEX #F951C7

RGB 249 81 199

HSL 317.86, 0.93%, 0.65%

LAB 61.78, 74.5, -27.17

 

CMYK 47 / 0 / 67 / 2

HEX #84F951

RGB 132 249 81

HSL 101.79, 0.93%, 0.65%

LAB 88.57, -61.38, 67.44

 

CMYK 61 / 68 / 0 / 2

HEX #6150FA

RGB 97 80 250

HSL 246, 0.94%, 0.65%

LAB 45.88, 53.86, -82.42

 

CMYK 0 / 61 / 67 / 2

HEX #F96251

RGB 249 98 81

HSL 6.07, 0.93%, 0.65%

LAB 61.19, 56.74, 39.65

 

CMYK 67 / 0 / 61 / 2

HEX #51F962

RGB 81 249 98

HSL 126.07, 0.93%, 0.65%

LAB 87.18, -71.72, 58.69

 

CMYK 61 / 68 / 0 / 2

HEX #6150FA

RGB 97 80 250

HSL 246, 0.94%, 0.65%

LAB 45.88, 53.86, -82.42

 

CMYK 0 / 67 / 20 / 2

HEX #F951C7

RGB 249 81 199

HSL 317.86, 0.93%, 0.65%

LAB 61.78, 74.5, -27.17

 

CMYK 7 / 0 / 67 / 2

HEX #E8F951

RGB 232 249 81

HSL 66.07, 0.93%, 0.65%

LAB 94.1, -25.97, 74.88

 

CMYK 67 / 0 / 47 / 2

HEX #51F984

RGB 81 249 132

HSL 138.21, 0.93%, 0.65%

LAB 87.57, -67.29, 43.7

 

CMYK 61 / 68 / 0 / 2

HEX #6150FA

RGB 97 80 250

HSL 246, 0.94%, 0.65%

LAB 45.88, 53.86, -82.42

 

CMYK 0 / 67 / 41 / 2

HEX #F95194

RGB 249 81 148

HSL 336.07, 0.93%, 0.65%

LAB 60.04, 68.64, -0.42

 

CMYK 7 / 0 / 67 / 2

HEX #E8F951

RGB 232 249 81

HSL 66.07, 0.93%, 0.65%

LAB 94.1, -25.97, 74.88

 

CMYK 67 / 0 / 27 / 2

HEX #51F9B6

RGB 81 249 182

HSL 156.07, 0.93%, 0.65%

LAB 88.39, -58.21, 19.82

 

Description

Color code: HEX #6150FA | qconv.com Color code: HEX #6150FA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 80 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 80 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 68 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 68% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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