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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #615693 it is the complementary color #9EA96C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #615693. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #615693 shade: #66568E, #7768A1, #887AB4, #998CC7 and #AA9EDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #615693. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #615693 shade: #615693, #504480, #3F326D, #2E205A and #1D0E47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #615693 shade: #615693, #725693, #825693, #935693 and #935684

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #615693 shade: #615693 and #565693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #615693 shade matches the following richer shades: #615693, #5543A6, #4930B9, #3D1DCC and #310ADF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #615693 shade: #615693, #6D6980, #7A7C6D, #868F5A and #92A247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #615693 shade: #566D93, #565C93, #605693, #715693 and #815693

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #615693 shade: #3F385F, #504779, #615693, #766BA8 and #8E85B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #615693 shade: #615693, #93567D and #659356

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #615693 shade: #615693, #936056 and #569360

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #615693 shade: #615693, #93567D, #899356 and #56936D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #615693 shade: #615693, #93566B, #899356 and #56937F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

Complementary color

CMYK 7 / 0 / 36 / 34

HEX #9EA96C

RGB 158 169 108

HSL 70.82, 0.26%, 0.54%

LAB 67.07, -13.91, 30.22

 

CMYK 28 / 39 / 0 / 44

HEX #66568E

RGB 102 86 142

HSL 257.14, 0.25%, 0.45%

LAB 40.3, 19.42, -28.7

 

CMYK 26 / 35 / 0 / 37

HEX #7768A1

RGB 119 104 161

HSL 255.79, 0.23%, 0.52%

LAB 47.49, 18.65, -28.68

 

CMYK 24 / 32 / 0 / 29

HEX #887AB4

RGB 136 122 180

HSL 254.48, 0.28%, 0.59%

LAB 54.5, 17.97, -28.71

 

CMYK 23 / 30 / 0 / 22

HEX #998CC7

RGB 153 140 199

HSL 253.22, 0.35%, 0.66%

LAB 61.35, 17.38, -28.78

 

CMYK 22 / 28 / 0 / 15

HEX #AA9EDA

RGB 170 158 218

HSL 252, 0.45%, 0.74%

LAB 68.07, 16.84, -28.89

 

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

CMYK 38 / 47 / 0 / 50

HEX #504480

RGB 80 68 128

HSL 252, 0.31%, 0.38%

LAB 32.7, 20.27, -32.25

 

CMYK 42 / 54 / 0 / 57

HEX #3F326D

RGB 63 50 109

HSL 253.22, 0.37%, 0.31%

LAB 25.08, 21.46, -32.49

 

CMYK 49 / 64 / 0 / 65

HEX #2E205A

RGB 46 32 90

HSL 254.48, 0.48%, 0.24%

LAB 17.24, 22.91, -32.76

 

CMYK 59 / 80 / 0 / 72

HEX #1D0E47

RGB 29 14 71

HSL 255.79, 0.67%, 0.17%

LAB 9.24, 24.5, -32.86

 

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

CMYK 22 / 41 / 0 / 42

HEX #725693

RGB 114 86 147

HSL 267.54, 0.26%, 0.46%

LAB 41.75, 24.44, -29.36

 

CMYK 12 / 41 / 0 / 42

HEX #825693

RGB 130 86 147

HSL 283.28, 0.26%, 0.46%

LAB 43.52, 29.52, -26.46

 

CMYK 0 / 41 / 0 / 42

HEX #935693

RGB 147 86 147

HSL 300, 0.26%, 0.46%

LAB 45.59, 35.01, -23.09

 

CMYK 0 / 41 / 10 / 42

HEX #935684

RGB 147 86 132

HSL 314.75, 0.26%, 0.46%

LAB 44.98, 32.2, -15.01

 

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

CMYK 41 / 41 / 0 / 42

HEX #565693

RGB 86 86 147

HSL 240, 0.26%, 0.46%

LAB 39.14, 16.13, -33.64

 

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

CMYK 49 / 60 / 0 / 35

HEX #5543A6

RGB 85 67 166

HSL 250.91, 0.42%, 0.46%

LAB 35.4, 33.65, -51.06

 

CMYK 61 / 74 / 0 / 27

HEX #4930B9

RGB 73 48 185

HSL 250.95, 0.59%, 0.46%

LAB 31.88, 48.3, -68.16

 

CMYK 70 / 86 / 0 / 20

HEX #3D1DCC

RGB 61 29 204

HSL 250.97, 0.75%, 0.46%

LAB 29.99, 61.12, -82.49

 

CMYK 78 / 96 / 0 / 13

HEX #310ADF

RGB 49 10 223

HSL 250.99, 0.91%, 0.46%

LAB 29.91, 70.48, -93.66

 

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

CMYK 15 / 18 / 0 / 50

HEX #6D6980

RGB 109 105 128

HSL 250.43, 0.1%, 0.46%

LAB 45.51, 6.57, -12.18

 

CMYK 2 / 0 / 12 / 51

HEX #7A7C6D

RGB 122 124 109

HSL 68, 0.06%, 0.46%

LAB 51.45, -3.62, 7.94

 

CMYK 6 / 0 / 37 / 44

HEX #868F5A

RGB 134 143 90

HSL 70.19, 0.23%, 0.46%

LAB 57.51, -12.22, 27.13

 

CMYK 10 / 0 / 56 / 36

HEX #92A247

RGB 146 162 71

HSL 70.55, 0.39%, 0.46%

LAB 63.68, -19.23, 44.65

 

CMYK 41 / 26 / 0 / 42

HEX #566D93

RGB 86 109 147

HSL 217.38, 0.26%, 0.46%

LAB 45.66, 1.82, -23.44

 

CMYK 41 / 37 / 0 / 42

HEX #565C93

RGB 86 92 147

HSL 234.1, 0.26%, 0.46%

LAB 40.8, 12.34, -31.03

 

CMYK 35 / 41 / 0 / 42

HEX #605693

RGB 96 86 147

HSL 249.84, 0.26%, 0.46%

LAB 40, 18.98, -32.23

 

CMYK 23 / 41 / 0 / 42

HEX #715693

RGB 113 86 147

HSL 266.56, 0.26%, 0.46%

LAB 41.65, 24.13, -29.53

 

CMYK 12 / 41 / 0 / 42

HEX #815693

RGB 129 86 147

HSL 282.3, 0.26%, 0.46%

LAB 43.4, 29.2, -26.65

 

CMYK 34 / 41 / 0 / 63

HEX #3F385F

RGB 63 56 95

HSL 250.77, 0.26%, 0.3%

LAB 25.9, 13.16, -22.15

 

CMYK 34 / 41 / 0 / 53

HEX #504779

RGB 80 71 121

HSL 250.8, 0.26%, 0.38%

LAB 33.12, 16.28, -27.23

 

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

CMYK 30 / 36 / 0 / 34

HEX #766BA8

RGB 118 107 168

HSL 250.82, 0.26%, 0.54%

LAB 48.5, 18.35, -31.21

 

CMYK 22 / 27 / 0 / 28

HEX #8E85B7

RGB 142 133 183

HSL 250.8, 0.26%, 0.62%

LAB 57.98, 14.15, -25

 

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

CMYK 0 / 41 / 15 / 42

HEX #93567D

RGB 147 86 125

HSL 321.64, 0.26%, 0.46%

LAB 44.72, 30.97, -11.17

 

CMYK 31 / 0 / 41 / 42

HEX #659356

RGB 101 147 86

HSL 105.25, 0.26%, 0.46%

LAB 56.39, -27.7, 27.42

 

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

CMYK 0 / 35 / 41 / 42

HEX #936056

RGB 147 96 86

HSL 9.84, 0.26%, 0.46%

LAB 45.96, 19.5, 14.24

 

CMYK 41 / 0 / 35 / 42

HEX #569360

RGB 86 147 96

HSL 129.84, 0.26%, 0.46%

LAB 55.78, -31.12, 20.98

 

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

CMYK 0 / 41 / 15 / 42

HEX #93567D

RGB 147 86 125

HSL 321.64, 0.26%, 0.46%

LAB 44.72, 30.97, -11.17

 

CMYK 7 / 0 / 41 / 42

HEX #899356

RGB 137 147 86

HSL 69.84, 0.26%, 0.46%

LAB 58.84, -13.61, 31.05

 

CMYK 41 / 0 / 26 / 42

HEX #56936D

RGB 86 147 109

HSL 142.62, 0.26%, 0.46%

LAB 56.04, -28.62, 14.05

 

CMYK 34 / 41 / 0 / 42

HEX #615693

RGB 97 86 147

HSL 250.82, 0.26%, 0.46%

LAB 40.09, 19.28, -32.09

 

CMYK 0 / 41 / 27 / 42

HEX #93566B

RGB 147 86 107

HSL 339.34, 0.26%, 0.46%

LAB 44.12, 28.08, -1.11

 

CMYK 7 / 0 / 41 / 42

HEX #899356

RGB 137 147 86

HSL 69.84, 0.26%, 0.46%

LAB 58.84, -13.61, 31.05

 

CMYK 41 / 0 / 14 / 42

HEX #56937F

RGB 86 147 127

HSL 160.33, 0.26%, 0.46%

LAB 56.46, -24.67, 4.41

 

Description

Color code: HEX #615693 | qconv.com Color code: HEX #615693 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 86 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 86 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 41 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 41% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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