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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61544F it is the complementary color #9EABB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61544F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61544F shade: #66544A, #77665D, #887870, #998A83 and #AA9C96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61544F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61544F shade: #61544F, #50423C, #3F3029, #2E1E16 and #1D0C03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61544F shade: #625550, #625050 and #625050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61544F shade: #625550, #625A50, #625E50, #606250 and #5B6250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61544F shade matches the following richer shades: #625550, #704E41, #7F4833, #8D4225 and #9B3B16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61544F shade: #625550, #535B5E, #45626D, #36687B and #286E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61544F shade: #625055, #625050, #625550, #625950 and #625E50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61544F shade: #342D2B, #4B413D, #625550, #786862 and #8E7C76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61544F shade: #61544F, #596250 and #505262

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61544F shade: #61544F, #506255 and #555062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61544F shade: #61544F, #596250, #505D62 and #585062

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61544F shade: #61544F, #546250, #505D62 and #5E5062

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 19 / 62

HEX #61544F

RGB 97 84 79

HSL 16.67, 0.1%, 0.35%

LAB 36.83, 4.42, 4.88

 

Complementary color

CMYK 10 / 3 / 0 / 31

HEX #9EABB0

RGB 158 171 176

HSL 196.67, 0.1%, 0.65%

LAB 69.13, -3.52, -4.13

 

CMYK 0 / 18 / 27 / 60

HEX #66544A

RGB 102 84 74

HSL 21.43, 0.16%, 0.35%

LAB 37.22, 5.72, 8.63

 

CMYK 0 / 14 / 22 / 53

HEX #77665D

RGB 119 102 93

HSL 20.77, 0.12%, 0.42%

LAB 44.54, 5.2, 7.58

 

CMYK 0 / 12 / 18 / 47

HEX #887870

RGB 136 120 112

HSL 20, 0.1%, 0.49%

LAB 51.65, 4.77, 6.64

 

CMYK 0 / 10 / 14 / 40

HEX #998A83

RGB 153 138 131

HSL 19.09, 0.1%, 0.56%

LAB 58.59, 4.4, 5.78

 

CMYK 0 / 8 / 12 / 33

HEX #AA9C96

RGB 170 156 150

HSL 18, 0.11%, 0.63%

LAB 65.38, 4.07, 4.98

 

CMYK 0 / 13 / 19 / 62

HEX #61544F

RGB 97 84 79

HSL 16.67, 0.1%, 0.35%

LAB 36.83, 4.42, 4.88

 

CMYK 0 / 18 / 25 / 69

HEX #50423C

RGB 80 66 60

HSL 18, 0.14%, 0.27%

LAB 29.23, 4.92, 5.89

 

CMYK 0 / 24 / 35 / 75

HEX #3F3029

RGB 63 48 41

HSL 19.09, 0.21%, 0.2%

LAB 21.32, 5.59, 7.08

 

CMYK 0 / 35 / 52 / 82

HEX #2E1E16

RGB 46 30 22

HSL 20, 0.35%, 0.13%

LAB 13.03, 6.54, 8.59

 

CMYK 0 / 59 / 90 / 89

HEX #1D0C03

RGB 29 12 3

HSL 20.77, 0.81%, 0.06%

LAB 4.79, 6.15, 6.06

 

CMYK 0 / 13 / 18 / 62

HEX #625550

RGB 98 85 80

HSL 16.67, 0.1%, 0.35%

LAB 37.25, 4.41, 4.87

 

CMYK 0 / 18 / 18 / 62

HEX #625050

RGB 98 80 80

HSL 0, 0.1%, 0.35%

LAB 35.82, 7.5, 2.81

 

CMYK 0 / 18 / 18 / 62

HEX #625050

RGB 98 80 80

HSL 0, 0.1%, 0.35%

LAB 35.82, 7.5, 2.81

 

CMYK 0 / 13 / 18 / 62

HEX #625550

RGB 98 85 80

HSL 16.67, 0.1%, 0.35%

LAB 37.25, 4.41, 4.87

 

CMYK 0 / 8 / 18 / 62

HEX #625A50

RGB 98 90 80

HSL 33.33, 0.1%, 0.35%

LAB 38.7, 1.35, 6.94

 

CMYK 0 / 4 / 18 / 62

HEX #625E50

RGB 98 94 80

HSL 46.67, 0.1%, 0.35%

LAB 39.88, -1.06, 8.61

 

CMYK 2 / 0 / 18 / 62

HEX #606250

RGB 96 98 80

HSL 66.67, 0.1%, 0.35%

LAB 40.9, -4.28, 10

 

CMYK 7 / 0 / 18 / 62

HEX #5B6250

RGB 91 98 80

HSL 83.33, 0.1%, 0.35%

LAB 40.47, -6.36, 9.34

 

CMYK 0 / 13 / 18 / 62

HEX #625550

RGB 98 85 80

HSL 16.67, 0.1%, 0.35%

LAB 37.25, 4.41, 4.87

 

CMYK 0 / 30 / 42 / 56

HEX #704E41

RGB 112 78 65

HSL 16.6, 0.27%, 0.35%

LAB 36.51, 12.52, 13.4

 

CMYK 0 / 43 / 60 / 50

HEX #7F4833

RGB 127 72 51

HSL 16.58, 0.43%, 0.35%

LAB 36.72, 21.27, 22.63

 

CMYK 0 / 53 / 74 / 45

HEX #8D4225

RGB 141 66 37

HSL 16.73, 0.58%, 0.35%

LAB 37.29, 29.69, 31.99

 

CMYK 0 / 62 / 86 / 39

HEX #9B3B16

RGB 155 59 22

HSL 16.69, 0.75%, 0.35%

LAB 38.12, 38.29, 41.28

 

CMYK 0 / 13 / 18 / 62

HEX #625550

RGB 98 85 80

HSL 16.67, 0.1%, 0.35%

LAB 37.25, 4.41, 4.87

 

CMYK 12 / 3 / 0 / 63

HEX #535B5E

RGB 83 91 94

HSL 196.36, 0.06%, 0.35%

LAB 38.07, -2.44, -2.8

 

CMYK 37 / 10 / 0 / 57

HEX #45626D

RGB 69 98 109

HSL 196.5, 0.22%, 0.35%

LAB 39.76, -7.62, -9.64

 

CMYK 56 / 15 / 0 / 52

HEX #36687B

RGB 54 104 123

HSL 196.52, 0.39%, 0.35%

LAB 41.4, -11, -15.76

 

CMYK 71 / 20 / 0 / 46

HEX #286E8A

RGB 40 110 138

HSL 197.14, 0.55%, 0.35%

LAB 43.42, -12.16, -21.73

 

CMYK 0 / 18 / 13 / 62

HEX #625055

RGB 98 80 85

HSL 343.33, 0.1%, 0.35%

LAB 35.96, 8.42, -0.12

 

CMYK 0 / 18 / 18 / 62

HEX #625050

RGB 98 80 80

HSL 0, 0.1%, 0.35%

LAB 35.82, 7.5, 2.81

 

CMYK 0 / 13 / 18 / 62

HEX #625550

RGB 98 85 80

HSL 16.67, 0.1%, 0.35%

LAB 37.25, 4.41, 4.87

 

CMYK 0 / 9 / 18 / 62

HEX #625950

RGB 98 89 80

HSL 30, 0.1%, 0.35%

LAB 38.41, 1.96, 6.53

 

CMYK 0 / 4 / 18 / 62

HEX #625E50

RGB 98 94 80

HSL 46.67, 0.1%, 0.35%

LAB 39.88, -1.06, 8.61

 

CMYK 0 / 13 / 17 / 80

HEX #342D2B

RGB 52 45 43

HSL 13.33, 0.09%, 0.19%

LAB 19.15, 2.76, 2.45

 

CMYK 0 / 13 / 19 / 71

HEX #4B413D

RGB 75 65 61

HSL 17.14, 0.1%, 0.27%

LAB 28.42, 3.51, 4.01

 

CMYK 0 / 13 / 18 / 62

HEX #625550

RGB 98 85 80

HSL 16.67, 0.1%, 0.35%

LAB 37.25, 4.41, 4.87

 

CMYK 0 / 13 / 18 / 53

HEX #786862

RGB 120 104 98

HSL 16.36, 0.1%, 0.43%

LAB 45.33, 5.27, 5.7

 

CMYK 0 / 13 / 17 / 44

HEX #8E7C76

RGB 142 124 118

HSL 15, 0.1%, 0.51%

LAB 53.46, 5.86, 5.8

 

CMYK 0 / 13 / 19 / 62

HEX #61544F

RGB 97 84 79

HSL 16.67, 0.1%, 0.35%

LAB 36.83, 4.42, 4.88

 

CMYK 9 / 0 / 18 / 62

HEX #596250

RGB 89 98 80

HSL 90, 0.1%, 0.35%

LAB 40.31, -7.18, 9.09

 

CMYK 18 / 16 / 0 / 62

HEX #505262

RGB 80 82 98

HSL 233.33, 0.1%, 0.35%

LAB 35.25, 2.97, -9.54

 

CMYK 0 / 13 / 19 / 62

HEX #61544F

RGB 97 84 79

HSL 16.67, 0.1%, 0.35%

LAB 36.83, 4.42, 4.88

 

CMYK 18 / 0 / 13 / 62

HEX #506255

RGB 80 98 85

HSL 136.67, 0.1%, 0.35%

LAB 39.74, -9.74, 5.14

 

CMYK 13 / 18 / 0 / 62

HEX #555062

RGB 85 80 98

HSL 256.67, 0.1%, 0.35%

LAB 35.1, 6.09, -9.71

 

CMYK 0 / 13 / 19 / 62

HEX #61544F

RGB 97 84 79

HSL 16.67, 0.1%, 0.35%

LAB 36.83, 4.42, 4.88

 

CMYK 9 / 0 / 18 / 62

HEX #596250

RGB 89 98 80

HSL 90, 0.1%, 0.35%

LAB 40.31, -7.18, 9.09

 

CMYK 18 / 5 / 0 / 62

HEX #505D62

RGB 80 93 98

HSL 196.67, 0.1%, 0.35%

LAB 38.58, -3.81, -4.55

 

CMYK 10 / 18 / 0 / 62

HEX #585062

RGB 88 80 98

HSL 266.67, 0.1%, 0.35%

LAB 35.39, 7.22, -9.26

 

CMYK 0 / 13 / 19 / 62

HEX #61544F

RGB 97 84 79

HSL 16.67, 0.1%, 0.35%

LAB 36.83, 4.42, 4.88

 

CMYK 14 / 0 / 18 / 62

HEX #546250

RGB 84 98 80

HSL 106.67, 0.1%, 0.35%

LAB 39.91, -9.2, 8.48

 

CMYK 18 / 5 / 0 / 62

HEX #505D62

RGB 80 93 98

HSL 196.67, 0.1%, 0.35%

LAB 38.58, -3.81, -4.55

 

CMYK 4 / 18 / 0 / 62

HEX #5E5062

RGB 94 80 98

HSL 286.67, 0.1%, 0.35%

LAB 35.98, 9.51, -8.3

 

Description

Color code: HEX #61544F | qconv.com Color code: HEX #61544F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 84 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 84 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 19 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 19% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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