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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #614836 it is the complementary color #9EB7C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #614836. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #614836 shade: #664831, #775A44, #886C57, #997E6A and #AA907D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #614836. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #614836 shade: #614836, #503623, #3F2410, #2E1200 and #1D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #614836 shade: #614937, #613D37 and #613737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #614836 shade: #614937, #615437, #616037, #586137 and #4C6137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #614836 shade matches the following richer shades: #614937, #6E472A, #7A441E, #874211 and #934005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #614836 shade: #614937, #554B43, #494D4F, #3C4F5C and #305168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #614836 shade: #61373C, #613D37, #614837, #615437 and #615F37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #614836 shade: #2D2119, #473528, #614937, #7C5C45 and #967054

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #614836 shade: #614836, #476137 and #373761

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #614836 shade: #614836, #376148 and #483761

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #614836 shade: #614836, #476137, #375061 and #513761

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #614836 shade: #614836, #3A6137, #375061 and #5E3761

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 44 / 62

HEX #614836

RGB 97 72 54

HSL 25.12, 0.28%, 0.3%

LAB 32.79, 8.01, 14.93

 

Complementary color

CMYK 21 / 9 / 0 / 21

HEX #9EB7C9

RGB 158 183 201

HSL 205.12, 0.28%, 0.7%

LAB 73.12, -4.6, -11.95

 

CMYK 0 / 29 / 52 / 60

HEX #664831

RGB 102 72 49

HSL 26.04, 0.35%, 0.3%

LAB 33.31, 9.74, 18.82

 

CMYK 0 / 24 / 43 / 53

HEX #775A44

RGB 119 90 68

HSL 25.88, 0.27%, 0.37%

LAB 40.66, 8.74, 17.3

 

CMYK 0 / 21 / 36 / 47

HEX #886C57

RGB 136 108 87

HSL 25.71, 0.22%, 0.44%

LAB 47.81, 7.96, 15.97

 

CMYK 0 / 18 / 31 / 40

HEX #997E6A

RGB 153 126 106

HSL 25.53, 0.19%, 0.51%

LAB 54.8, 7.31, 14.79

 

CMYK 0 / 15 / 26 / 33

HEX #AA907D

RGB 170 144 125

HSL 25.33, 0.21%, 0.58%

LAB 61.63, 6.77, 13.72

 

CMYK 0 / 26 / 44 / 62

HEX #614836

RGB 97 72 54

HSL 25.12, 0.28%, 0.3%

LAB 32.79, 8.01, 14.93

 

CMYK 0 / 33 / 56 / 69

HEX #503623

RGB 80 54 35

HSL 25.33, 0.39%, 0.23%

LAB 25.15, 9.09, 16.55

 

CMYK 0 / 43 / 75 / 75

HEX #3F2410

RGB 63 36 16

HSL 25.53, 0.59%, 0.15%

LAB 17.25, 10.61, 18.32

 

CMYK 0 / 61 / 100 / 82

HEX #2E1200

RGB 46 18 0

HSL 23.48, 1%, 0.09%

LAB 9.1, 12.68, 13.91

 

CMYK 0 / 100 / 100 / 89

HEX #1D0000

RGB 29 0 0

HSL 0, 1%, 0.06%

LAB 2.36, 10.59, 3.73

 

CMYK 0 / 25 / 43 / 62

HEX #614937

RGB 97 73 55

HSL 25.71, 0.28%, 0.3%

LAB 33.1, 7.51, 14.71

 

CMYK 0 / 37 / 43 / 62

HEX #613D37

RGB 97 61 55

HSL 8.57, 0.28%, 0.3%

LAB 29.8, 15.01, 10.24

 

CMYK 0 / 43 / 43 / 62

HEX #613737

RGB 97 55 55

HSL 0, 0.28%, 0.3%

LAB 28.25, 18.72, 8.09

 

CMYK 0 / 25 / 43 / 62

HEX #614937

RGB 97 73 55

HSL 25.71, 0.28%, 0.3%

LAB 33.1, 7.51, 14.71

 

CMYK 0 / 13 / 43 / 62

HEX #615437

RGB 97 84 55

HSL 41.43, 0.28%, 0.3%

LAB 36.29, 0.73, 18.92

 

CMYK 0 / 1 / 43 / 62

HEX #616037

RGB 97 96 55

HSL 58.57, 0.28%, 0.3%

LAB 39.89, -6.42, 23.53

 

CMYK 9 / 0 / 43 / 62

HEX #586137

RGB 88 97 55

HSL 72.86, 0.28%, 0.3%

LAB 39.41, -11.04, 22.77

 

CMYK 22 / 0 / 43 / 62

HEX #4C6137

RGB 76 97 55

HSL 90, 0.28%, 0.3%

LAB 38.48, -16.23, 21.4

 

CMYK 0 / 25 / 43 / 62

HEX #614937

RGB 97 73 55

HSL 25.71, 0.28%, 0.3%

LAB 33.1, 7.51, 14.71

 

CMYK 0 / 35 / 62 / 57

HEX #6E472A

RGB 110 71 42

HSL 25.59, 0.45%, 0.3%

LAB 33.96, 13.41, 24.08

 

CMYK 0 / 44 / 75 / 52

HEX #7A441E

RGB 122 68 30

HSL 24.78, 0.61%, 0.3%

LAB 34.73, 19.92, 32.19

 

CMYK 0 / 51 / 87 / 47

HEX #874211

RGB 135 66 17

HSL 24.92, 0.78%, 0.3%

LAB 36.15, 26.32, 40.43

 

CMYK 0 / 56 / 97 / 42

HEX #934005

RGB 147 64 5

HSL 24.93, 0.93%, 0.3%

LAB 37.63, 32.23, 46.53

 

CMYK 0 / 25 / 43 / 62

HEX #614937

RGB 97 73 55

HSL 25.71, 0.28%, 0.3%

LAB 33.1, 7.51, 14.71

 

CMYK 0 / 12 / 21 / 67

HEX #554B43

RGB 85 75 67

HSL 26.67, 0.12%, 0.3%

LAB 32.63, 2.68, 6.29

 

CMYK 8 / 3 / 0 / 69

HEX #494D4F

RGB 73 77 79

HSL 200, 0.04%, 0.3%

LAB 32.46, -1.16, -1.75

 

CMYK 35 / 14 / 0 / 64

HEX #3C4F5C

RGB 60 79 92

HSL 204.38, 0.21%, 0.3%

LAB 32.54, -3.79, -10

 

CMYK 54 / 22 / 0 / 59

HEX #305168

RGB 48 81 104

HSL 204.64, 0.37%, 0.3%

LAB 32.95, -4.84, -17.02

 

CMYK 0 / 43 / 38 / 62

HEX #61373C

RGB 97 55 60

HSL 352.86, 0.28%, 0.3%

LAB 28.38, 19.4, 4.99

 

CMYK 0 / 37 / 43 / 62

HEX #613D37

RGB 97 61 55

HSL 8.57, 0.28%, 0.3%

LAB 29.8, 15.01, 10.24

 

CMYK 0 / 26 / 43 / 62

HEX #614837

RGB 97 72 55

HSL 24.29, 0.28%, 0.3%

LAB 32.81, 8.14, 14.33

 

CMYK 0 / 13 / 43 / 62

HEX #615437

RGB 97 84 55

HSL 41.43, 0.28%, 0.3%

LAB 36.29, 0.73, 18.92

 

CMYK 0 / 2 / 43 / 62

HEX #615F37

RGB 97 95 55

HSL 57.14, 0.28%, 0.3%

LAB 39.58, -5.83, 23.15

 

CMYK 0 / 27 / 44 / 82

HEX #2D2119

RGB 45 33 25

HSL 24, 0.29%, 0.14%

LAB 13.92, 4.35, 7.63

 

CMYK 0 / 25 / 44 / 72

HEX #473528

RGB 71 53 40

HSL 25.16, 0.28%, 0.22%

LAB 23.8, 5.98, 11.3

 

CMYK 0 / 25 / 43 / 62

HEX #614937

RGB 97 73 55

HSL 25.71, 0.28%, 0.3%

LAB 33.1, 7.51, 14.71

 

CMYK 0 / 26 / 44 / 51

HEX #7C5C45

RGB 124 92 69

HSL 25.09, 0.28%, 0.38%

LAB 41.8, 9.89, 18.32

 

CMYK 0 / 25 / 44 / 41

HEX #967054

RGB 150 112 84

HSL 25.45, 0.28%, 0.46%

LAB 50.35, 11.27, 21.4

 

CMYK 0 / 26 / 44 / 62

HEX #614836

RGB 97 72 54

HSL 25.12, 0.28%, 0.3%

LAB 32.79, 8.01, 14.93

 

CMYK 27 / 0 / 43 / 62

HEX #476137

RGB 71 97 55

HSL 97.14, 0.28%, 0.3%

LAB 38.14, -18.29, 20.88

 

CMYK 43 / 43 / 0 / 62

HEX #373761

RGB 55 55 97

HSL 240, 0.28%, 0.3%

LAB 24.98, 11.96, -24.95

 

CMYK 0 / 26 / 44 / 62

HEX #614836

RGB 97 72 54

HSL 25.12, 0.28%, 0.3%

LAB 32.79, 8.01, 14.93

 

CMYK 43 / 0 / 26 / 62

HEX #376148

RGB 55 97 72

HSL 144.29, 0.28%, 0.3%

LAB 37.53, -20.97, 9.74

 

CMYK 26 / 43 / 0 / 62

HEX #483761

RGB 72 55 97

HSL 264.29, 0.28%, 0.3%

LAB 26.66, 17.36, -22.19

 

CMYK 0 / 26 / 44 / 62

HEX #614836

RGB 97 72 54

HSL 25.12, 0.28%, 0.3%

LAB 32.79, 8.01, 14.93

 

CMYK 27 / 0 / 43 / 62

HEX #476137

RGB 71 97 55

HSL 97.14, 0.28%, 0.3%

LAB 38.14, -18.29, 20.88

 

CMYK 43 / 18 / 0 / 62

HEX #375061

RGB 55 80 97

HSL 204.29, 0.28%, 0.3%

LAB 32.73, -4.5, -12.91

 

CMYK 16 / 43 / 0 / 62

HEX #513761

RGB 81 55 97

HSL 277.14, 0.28%, 0.3%

LAB 27.7, 20.41, -20.49

 

CMYK 0 / 26 / 44 / 62

HEX #614836

RGB 97 72 54

HSL 25.12, 0.28%, 0.3%

LAB 32.79, 8.01, 14.93

 

CMYK 40 / 0 / 43 / 62

HEX #3A6137

RGB 58 97 55

HSL 115.71, 0.28%, 0.3%

LAB 37.34, -23.29, 19.7

 

CMYK 43 / 18 / 0 / 62

HEX #375061

RGB 55 80 97

HSL 204.29, 0.28%, 0.3%

LAB 32.73, -4.5, -12.91

 

CMYK 3 / 43 / 0 / 62

HEX #5E3761

RGB 94 55 97

HSL 295.71, 0.28%, 0.3%

LAB 29.35, 24.92, -17.79

 

Description

Color code: HEX #614836 | qconv.com Color code: HEX #614836 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 72 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 72 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 44 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 44% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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