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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #614532 it is the complementary color #9EBACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #614532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #614532 shade: #66452D, #775740, #886953, #997B66 and #AA8D79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #614532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #614532 shade: #614532, #50331F, #3F210C, #2E0F00 and #1D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #614532 shade: #614532, #613832 and #613232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #614532 shade: #614532, #615232, #615E32, #576132 and #4A6132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #614532 shade matches the following richer shades: #614532, #6D4326, #79401A, #853E0E and #913C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #614532 shade: #614532, #55473E, #494A4A, #3D4C56 and #314E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #614532 shade: #613238, #613832, #614532, #615132 and #615E32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #614532 shade: #2B1E16, #463224, #614532, #7C5840 and #986C4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #614532 shade: #614532, #456132 and #323261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #614532 shade: #614532, #326145 and #453261

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #614532 shade: #614532, #456132, #324E61 and #4E3261

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #614532 shade: #614532, #376132, #324E61 and #5C3261

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

Complementary color

CMYK 23 / 9 / 0 / 20

HEX #9EBACD

RGB 158 186 205

HSL 204.26, 0.32%, 0.71%

LAB 74.06, -5.3, -12.73

 

CMYK 0 / 32 / 56 / 60

HEX #66452D

RGB 102 69 45

HSL 25.26, 0.39%, 0.29%

LAB 32.41, 11.18, 20.13

 

CMYK 0 / 27 / 46 / 53

HEX #775740

RGB 119 87 64

HSL 25.09, 0.3%, 0.36%

LAB 39.76, 10.07, 18.52

 

CMYK 0 / 23 / 39 / 47

HEX #886953

RGB 136 105 83

HSL 24.91, 0.24%, 0.43%

LAB 46.92, 9.19, 17.12

 

CMYK 0 / 20 / 33 / 40

HEX #997B66

RGB 153 123 102

HSL 24.71, 0.2%, 0.5%

LAB 53.92, 8.47, 15.88

 

CMYK 0 / 17 / 29 / 33

HEX #AA8D79

RGB 170 141 121

HSL 24.49, 0.22%, 0.57%

LAB 60.76, 7.87, 14.77

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 0 / 36 / 61 / 69

HEX #50331F

RGB 80 51 31

HSL 24.49, 0.44%, 0.22%

LAB 24.23, 10.62, 17.93

 

CMYK 0 / 48 / 81 / 75

HEX #3F210C

RGB 63 33 12

HSL 24.71, 0.68%, 0.15%

LAB 16.36, 12.32, 19.24

 

CMYK 0 / 67 / 100 / 82

HEX #2E0F00

RGB 46 15 0

HSL 19.57, 1%, 0.09%

LAB 8.33, 14.64, 12.79

 

CMYK 0 / 100 / 100 / 89

HEX #1D0000

RGB 29 0 0

HSL 0, 1%, 0.06%

LAB 2.36, 10.59, 3.73

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 0 / 42 / 48 / 62

HEX #613832

RGB 97 56 50

HSL 7.66, 0.32%, 0.29%

LAB 28.38, 17.48, 11.54

 

CMYK 0 / 48 / 48 / 62

HEX #613232

RGB 97 50 50

HSL 0, 0.32%, 0.29%

LAB 26.88, 21.14, 9.5

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 0 / 15 / 48 / 62

HEX #615232

RGB 97 82 50

HSL 40.85, 0.32%, 0.29%

LAB 35.61, 1.34, 21.04

 

CMYK 0 / 3 / 48 / 62

HEX #615E32

RGB 97 94 50

HSL 56.17, 0.32%, 0.29%

LAB 39.2, -5.83, 25.54

 

CMYK 10 / 0 / 48 / 62

HEX #576132

RGB 87 97 50

HSL 72.77, 0.32%, 0.29%

LAB 39.25, -12.12, 25.4

 

CMYK 24 / 0 / 48 / 62

HEX #4A6132

RGB 74 97 50

HSL 89.36, 0.32%, 0.29%

LAB 38.26, -17.78, 23.95

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 0 / 39 / 65 / 57

HEX #6D4326

RGB 109 67 38

HSL 24.51, 0.48%, 0.29%

LAB 32.71, 15.05, 24.91

 

CMYK 0 / 47 / 79 / 53

HEX #79401A

RGB 121 64 26

HSL 24, 0.65%, 0.29%

LAB 33.58, 21.6, 33.04

 

CMYK 0 / 53 / 89 / 48

HEX #853E0E

RGB 133 62 14

HSL 24.2, 0.81%, 0.29%

LAB 34.93, 27.59, 40.47

 

CMYK 0 / 59 / 99 / 43

HEX #913C02

RGB 145 60 2

HSL 24.34, 0.97%, 0.29%

LAB 36.47, 33.43, 46.68

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 0 / 16 / 27 / 67

HEX #55473E

RGB 85 71 62

HSL 23.48, 0.16%, 0.29%

LAB 31.31, 4.33, 7.62

 

CMYK 1 / 0 / 0 / 71

HEX #494A4A

RGB 73 74 74

HSL 180, 0.01%, 0.29%

LAB 31.37, -0.41, -0.15

 

CMYK 29 / 12 / 0 / 66

HEX #3D4C56

RGB 61 76 86

HSL 204, 0.17%, 0.29%

LAB 31.42, -3.26, -7.86

 

CMYK 50 / 20 / 0 / 62

HEX #314E62

RGB 49 78 98

HSL 204.49, 0.33%, 0.29%

LAB 31.77, -4.68, -15.04

 

CMYK 0 / 48 / 42 / 62

HEX #613238

RGB 97 50 56

HSL 352.34, 0.32%, 0.29%

LAB 27.04, 21.89, 5.73

 

CMYK 0 / 42 / 48 / 62

HEX #613832

RGB 97 56 50

HSL 7.66, 0.32%, 0.29%

LAB 28.38, 17.48, 11.54

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 0 / 16 / 48 / 62

HEX #615132

RGB 97 81 50

HSL 39.57, 0.32%, 0.29%

LAB 35.31, 1.96, 20.67

 

CMYK 0 / 3 / 48 / 62

HEX #615E32

RGB 97 94 50

HSL 56.17, 0.32%, 0.29%

LAB 39.2, -5.83, 25.54

 

CMYK 0 / 30 / 49 / 83

HEX #2B1E16

RGB 43 30 22

HSL 22.86, 0.32%, 0.13%

LAB 12.61, 4.97, 7.95

 

CMYK 0 / 29 / 49 / 73

HEX #463224

RGB 70 50 36

HSL 24.71, 0.32%, 0.21%

LAB 22.69, 6.93, 12.44

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 0 / 29 / 48 / 51

HEX #7C5840

RGB 124 88 64

HSL 24, 0.32%, 0.37%

LAB 40.63, 11.71, 19.77

 

CMYK 0 / 29 / 49 / 40

HEX #986C4E

RGB 152 108 78

HSL 24.32, 0.32%, 0.45%

LAB 49.44, 13.78, 23.7

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 29 / 0 / 48 / 62

HEX #456132

RGB 69 97 50

HSL 95.74, 0.32%, 0.29%

LAB 37.92, -19.85, 23.46

 

CMYK 48 / 48 / 0 / 62

HEX #323261

RGB 50 50 97

HSL 240, 0.32%, 0.29%

LAB 23.08, 13.96, -27.99

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 48 / 0 / 29 / 62

HEX #326145

RGB 50 97 69

HSL 144.26, 0.32%, 0.29%

LAB 37.22, -23.22, 11.1

 

CMYK 29 / 48 / 0 / 62

HEX #453261

RGB 69 50 97

HSL 264.26, 0.32%, 0.29%

LAB 24.98, 19.67, -24.85

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 29 / 0 / 48 / 62

HEX #456132

RGB 69 97 50

HSL 95.74, 0.32%, 0.29%

LAB 37.92, -19.85, 23.46

 

CMYK 48 / 20 / 0 / 62

HEX #324E61

RGB 50 78 97

HSL 204.26, 0.32%, 0.29%

LAB 31.78, -4.72, -14.38

 

CMYK 20 / 48 / 0 / 62

HEX #4E3261

RGB 78 50 97

HSL 275.74, 0.32%, 0.29%

LAB 26.05, 22.58, -23.09

 

CMYK 0 / 29 / 48 / 62

HEX #614532

RGB 97 69 50

HSL 24.26, 0.32%, 0.29%

LAB 31.87, 9.39, 16.21

 

CMYK 43 / 0 / 48 / 62

HEX #376132

RGB 55 97 50

HSL 113.62, 0.32%, 0.29%

LAB 37.1, -25.19, 22.25

 

CMYK 48 / 20 / 0 / 62

HEX #324E61

RGB 50 78 97

HSL 204.26, 0.32%, 0.29%

LAB 31.78, -4.72, -14.38

 

CMYK 5 / 48 / 0 / 62

HEX #5C3261

RGB 92 50 97

HSL 293.62, 0.32%, 0.29%

LAB 27.9, 27.24, -20.07

 

Description

Color code: HEX #614532 | qconv.com Color code: HEX #614532 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 69 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 69 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 48 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 48% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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